For the Abra song, see Diwata (song).
For satellite of Filipino origin, see Diwata-1.
"Lambana" redirects here. For the genus of moth, see Lambana (moth).

Various entities from Filipino mythology; a diwata is depicted at the bottom
Title Diwata
Description lesser gods and goddesses, guardian spirits
Gender Male/female
Equivalent Deity

In Philippine mythology, a diwata (derived from Sanskrit devata देवता; encantada in Spanish) is a type of deity or spirit. The term "diwata" has taken on various levels of meaning since its assimilation into the mythology of the pre-colonial Filipinos. It has its origin in the Devata beings from Hinduism and Buddhism.

When the Spanish conquered the Philippines the commonly used meaning of the term reduced from goddess to dryad-like spirit which was considered benevolent or neutral. These spirits were invoked ritually for positive crop growth, health, and fortune; however, they were also considered to be able to incur illness or misfortune if not given proper respect.[1] They were said to reside in large trees, such as acacia and balete and were understood as the guardian spirits of nature, casting blessings or curses upon those who brought benefits or harm to the forests and mountains.

In modern times, the term "diwata" is sometimes loosely used to refer to a generic type of beings much like "elf" or "fairy," or very specific types. It has been noted that the term "diwata" is synonymous to "anito", and that the usage of the word "diwata" is more prevalent in the Southern Philippines, while "anito" takes its place in the Northern areas.


Although there are numerous and varied accounts as to what they should look like, a general trend may be observed in that they are normally human in appearance—beautiful and seemingly ageless at that—save for some distinct characteristics. This may take the form of not having a philtrum or having continuously smooth and supple skin that somehow resemble fingernails, without any wrinkled parts as in the elbows and knees. They also tend to be fairer than average, as pale skin has been associated with the supernatural even during pre-colonial times (for example, the "white lady" belief is prevalent in the East and Southeast Asian regions).

Visayan epics such as Hinilawod descried them as very beautiful, some having golden skin, other having luminous fair skin.


The inhabitants of pre-colonial Philippines believed and worshiped diwatas and believed them to be deities created by the one true God to help administer his creation. The term "diwata" applies on both male and female deity (e.g. Diwata Barangaw, who is male god of rainbows).

The Diwata are beautiful gods and goddesses worshiped and venerated in pre-colonial Philippines are depicted as superior in beauty, in knowledge and in fighting skills. They are prayed upon and given offerings to grand request and to answer prayers.

In modern concept due to the Spanish destruction of most of the pre-colonial Philippine culture the rank and image of a Diwata from goddess was turned into enchantress or nymph, being beautiful with preternatural allure that lives in the forest and trees.


The term, lambana, which means "He upon whom all depend" in Sanskrit and an old Tagalog word for a drawing symbol or picture that represents a deities of the ancient pagan religion of the Tagalog people but somehow it is a term used for small winged creatures (Pixie) that assist and serve as serfs and handmaidens to the diwata


A male diwata is coined as enkanto, thought they seem to be of totally different race. They are believed to be malevolent, has very pale skin to white skin that sparkle under direct sunlight, light colored hair and fangs and it resides primarily near the sea or any body of water. It is customary for Filipino fishermen to offer meat and other delicacies to the enkanto by throwing them into the sea, after a day's bountiful catch. Popular mythology states that diwata live inside the trunk of the tree itself, in the form of a spirit. In the Philippines, it is common to see tree trunks of trees with trunks larger than 5' or 6" in diameter left standing when trees have been cut. This is believed to prevent the spirit from being released, as it is not known if he is a "white" or "black" spirit. If he is a black spirit, it is believed he can cause serious misfortune to the one who stole his home.

Enkantos have many similarities to humans in that they age, appear to have male and female sexes, can suffer from illness, and die. They are an object mythology for many Filipinos as they are mostly pictured as non-muscular beautiful men having crystal blue eyes, fair complexion and golden hair. They may, however, have unusual features such as high-bridged noses, fair skin, and a lack of a philtrum. They are also known to be taller than human beings. Some say they have leaf-shaped ears and that they sparkle under direct sunlight or grow sharp teeth when threatened.

Other variants exhibit sexual dimorphism such as Bagobo spirits which are separated into the female tahamaling and the male mahomanay. The female spirit is alleged to have red complexion while the male has a fair complexion. Their dwellings will normally appear as natural features, for example large rocks or trees, although to humans they have befriended they can appear as magnificent palaces. These creatures prefer large trees such as the balete in which they also place their belongings.

Popular culture


In the television sitcom Okay ka, Fairy Ko created by MZET productions, diwatas live in a mythical world named Enkantasya where Ina Magenta is the Queen of the diwatas. Ina Magenta's daughter, Faye, is married to Enteng Kabisote, a human.

Diwata have also been featured on GMA Network fantasy series Encantadia and Mulawin whereby diwatas are a race of supernatural being living in Encantadia, a dimension beyond the human world.[2] However, the depiction of a diwata on both series have European influences as pure diwatas were shown to have pointed ears like elves, one of them is Cassiopeia and some resemble fairies, like Muyak, human-like diwatas are born from a diwata and another encantado. All diwatas and encantados reside in the Kingdom of Lireo. A diwata or an encantado that has royal blood is called Sang'gre, which can be distinguished by their markings on their back, the nga character from the Baybayin script. The Queen of the diwata in Lireo carries the title of Ynang Reyna. Lirean society is matriarchal and only a Sang'gre in the matriarch line may ascend the throne.

Another television series from GMA Network, Amaya, depicts diwata as goddesses who may be called upon through a ritual. The diwatas mentioned here are originating form Ancient Visayan foklore. The series revolves around the life of Amaya, a binukot (kept maiden) and her fate to become the most powerful woman of her time. It is set during the pre-colonial times of the Philippines. The diwata shown were:

In another GMA Network TV series, Indio, diwata are gods or goddesses that can be called or prayed upon. Indio is about a man with a diwata mother and a human father who grew up after the pre-colonial times and during the Spanish colonial period, he protects the Filipinos from the Spaniards. Similar to Amaya, the diwatas mentioned here are originating form Ancient Visayan foklore. Some of them mentioned are:

The term, lambana, an old Tagalog word for a drawing symbol or picture that represents a deity of the ancient pagan religion of the Tagalog people was recently used in fantasy-themed television shows such as ABS-CBN's Pedro Penduko as a term for "small fairies". Although, it can also be argued that the term was first used in Encantadia as a reference to Muyak, and later on in Luna Mystika where it was used to identify the characters played by Pauleen Luna and Michelle Madrigal.


Diwata is a Filipino singer-comedian who made a mark with the Tagalog remake of the English song "Sincerely" and became well known with "Sisirin Mo," a naughty song with double meaning that titillated the masses' imagination from her self-titled album "Diwata". This album launched a whole new genre of songs that shocked the sensibilities of the predominantly Catholic Philippines in the year 2001. In 2014, rapper Abra released a song titled "Diwata", which features Parokya Ni Edgar vocalist Chito Miranda, from his self-titled debut album.


Diwata is the primary character in the play Speech and Debate written in 2007 by Stephen Karam. The character constitutes an ironic representation of the Diwata, as an awkward, socially rejected high school student intent on creating her own club to catalyze the downfall of her closed-minded drama teacher.


In the comics character created by Gener Pedrina for the Sanduguan Universe, Diwata is a half-human and half-encantada whose real name is Maria Klarissa Valiente.


The independent film 'Faraway' focuses on a woman and her quest to find the Diwata tribe. [3]

See also


  1. William Henry Scott's Barangay: Sixteenth-Century Philippine Culture and Society, 1994 ISBN 9789715501354
  2. "'I Juander': Naniniwala pa ba sa diwata si Juan?". GMA News. July 15, 2013.
  3. http://www.imdb.com/title/tt2447338/

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