List of works by Thomas Eakins

Photograph of Thomas Eakins c. 1882

This is a list of professionally authenticated paintings, drawings, and sculptures by Thomas Eakins. As there is no catalogue raisonné of Eakins' works,[1] this is an aggregation of existing published catalogs.

Background

During his lifetime, Thomas Eakins sold few paintings. On his death, ownership of his unsold works passed to his widow, Susan Macdowell Eakins, who kept them in their Philadelphia home. She dedicated the remaining years of her life to burnishing his legacy. In this, she was quite successful; in the period between Thomas Eakins' death and her own, she donated many of the strongest remaining pictures to museums around the world. The Philadelphia Museum of Art benefited particularly from these donations.

After Susan Macdowell Eakins' death in 1938, her executors emptied the house of anything which could be sold at auction. When former Eakins student Charles Bregler arrived at the house after it had been stripped he was horrified at what he found, describing it as the "most tragic and pitiful sight I ever saw. Every room was cluttered with debris as all the contents of the various drawers, closets etc were thrown upon the floor as they removed the furniture. All the life casts were smashed... I never want to see anything like this again."[2] The number of works lost or destroyed at this time will never be known.

Bregler carefully collected what was left. Most of what remained were drawings and other preparatory studies. He was highly secretive about the contents of his collection and rarely allowed anyone to see it. After Bregler's death, ownership of the collection passed to his second wife, Mary Louise Picozzi Bregler, who was even more guarded as to its contents. In 1986, shortly before her death, Mary Bregler agreed to sell the works to the Pennsylvania Academy of Fine Arts.[3]

Historiography

In the early 1930s, Susan Macdowell Eakins invited art historian Lloyd Goodrich into her home. Goodrich inventoried the collection in the house, interviewed Eakins' surviving associates, and studied Eakins' personal notes. In 1933, Goodrich published Thomas Eakins: His Life and Works. Though it was incomplete, un-illustrated, and did not include Eakins' photographs, Goodrich's book was the first definitive study of Eakins and the first attempt to catalog his artistic output.[4]

In the 1970s, Gordon Hendricks published two Eakins catalogs. The Photographs of Thomas Eakins (1972; ISBN 0-670-55261-5) is a fully illustrated catalog of photographs by Thomas Eakins and his associates. Because Eakins did not keep detailed records of his photographs, nor did he sign, title, or date them, many of the dates and photographers listed in the catalog are educated guesses on Hendricks' part. It is difficult to know who took a particular photograph because Eakins often had his students use it. Hence, the attribution on many of these photographs is "Circle of Eakins" to indicate that a photograph was taken either by Eakins or one of his associates. The Life and Work of Thomas Eakins (1974; ISBN 0-670-42795-0) included a checklist of Eakins' works, a number of which had not been included in the 1933 Goodrich catalog.

In the 1980s, Lloyd Goodrich returned to the subject of Thomas Eakins. He began writing a three-volume book, Thomas Eakins. The first two volumes, published in 1982, were biographic in nature. Goodrich was unable to complete the third volume, a Thomas Eakins catalogue raisonné, before he died in 1987. He donated his papers to the Philadelphia Museum of Art, in the hopes that the curators there would finish the catalogue raisonné. This has not happened.

Until 1986, the Charles Bregler collection was effectively unknown to art historians. A few of the works in the Bregler collection were included in the 1933 Goodrich catalog, but after that they effectively disappeared from the scholarly community. A proper inventory became possible only after their 1986 sale to the Pennsylvania Academy of Fine Arts. In 1997, art historian Kathleen Foster published a definitive catalog of the Bregler collection, Thomas Eakins Rediscovered. (ISBN 0-300-06174-9)

List organization

Paintings, drawings, and sculptures are listed, where possible, by their Goodrich catalog number supplemented with modifications from Goodrich's notes for his never-completed Eakins catalogue raisonné.[5] The Goodrich catalog can be subdivided into three parts:

Works in the Charles Bregler collection at the Pennsylvania Academy of Fine Arts are listed according to their number in Thomas Eakins Rediscovered.

Goodrich catalogue of Eakins' paintings and sculptures

Title Catalog # Format Year Dimensions (inches) Note Collection Picture
Map of Switzerland J1 Pen, ink, and watercolor on paper c. 1856–1857 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[6][7]
Map of France, Spain, Portugal, and Italy J2 Pen, ink, and watercolor on paper c. 1856–1857 16 × 20 Collection of Mr. and Mrs. Francis Walters[8]
Spanish Scene: Peasant Crossing a Stream J3 Pencil and chalk on paper March 1858 10 1/16 × 14 7/16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][10]
Spanish Scene: Peasants and Travellers Among Ruins J4 Pencil and ink on paper 1858 11½ × 16 15/16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][11]
Camel and Rider J5 Pencil and ink on paper 1858 Collection of Mr. and Mrs. Daniel Dietrich II[12]
Perspective of a Lathe J6 Pencil and ink on paper 1860 16 5/16 × 22 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[13][14]
Drawing of Gears J7 Pen, ink, and pencil on paper c. 1860 11 7/16 × 16⅞ Hirshhorn Museum and Sculpture Garden, Washington, D.C.[15][16]

Visiting Card with Landscape J8 c. late 1850s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[17]
Machinery J9 c. 1860
The Icosahedron J10 c. 1860 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[18]
"Freedom" J11 c. 1860 An drawing after the Statue of Freedom by Thomas Crawford Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[19]
Nude woman, seated, wearing a mask 1 Charcoal on paper c. 1863–1866 24¼ × 18⅝ inches Philadelphia Museum of Art, Philadelphia, Pennsylvania[20]
Nude woman, back turned 2 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[21]
Nude boy 3 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[22]
Nude man, seated 4 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[23]
Nude woman reclining, back turned 5 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[24]
Nude woman, reclining, seen from the front 6 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[25]

Head, bust and arm of a child 7 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[26]
Arm resting on the back of a chair 8 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[27]
Nude man with a beard, seated on the floor 9 Charcoal on paper 1869 On the reverse is the middle section of a nude man. Philadelphia Museum of Art, Philadelphia, Pennsylvania[28]
Nude man standing 10 Charcoal on paper
Legs of a seated model 11 Charcoal on paper Newark Museum, Newark, New Jersey[29]
Legs of a standing model 12 Charcoal on paper
Head and bust of an Arab man with a turban 13 Charcoal on paper 1866–1867 Fine Arts Museums of San Francisco, San Francisco[30]
Torso and arm of a nude man 14 Charcoal on paper
Nude woman reclining on a couch 15 Charcoal on paper 1863–1866 Fogg Art Museum, Cambridge, Massachusetts[31]
Nude woman reclining, wearing a mask 16 Charcoal on paper
Nude woman standing 17 Charcoal on paper 1876
Nude man seated 18 Charcoal on paper c. 1869 Double sided with "Head of a Warrior".
Auctioned at Christie's NY, December 8, 2008; sold for $50,000[32]

Illustrated letter to his Mother, Nov. 8–9, 1866 18A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[33][34]

Antique study, female head 19 Oil on heavy paper c. 1867–1869 Lost[35]
Antique study, male roman head 20 Oil on canvas c. 1867–1869 Lost[35]
Study of a leg 21 Oil on heavy paper c. 1867–1869 Joslyn Art Museum, Omaha, Nebraska
Study of a ram's head 22 Oil on canvas c. 1867–1869 Lost[35]
Study of a girl's head 23 Oil on canvas c. 1868–1869 Private collection[35]
Study of a girl's head 24 Oil on canvas c. 1867–1874 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[36][37]
Study of a girl's head 25 Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[38]
The Strong Man 26 Oil on canvas c. 1867–1869 Study Philadelphia Museum of Art, Philadelphia, Pennsylvania[39]
Bust of a Man (Study of a Nude Man) 27 Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[40]
Study of a student's head 28 Oil on canvas mounted on cardboard c. 1867–1878 Thought to have been lost.[35]
Auctioned at Sotheby's NY, May 2001; sold for $46,750.[41]
Study of a student's head 29 Oil on canvas mounted on cardboard c. 1867–1879 Collection of William E. Stokes[42]
Female Model
(formerly called A Negress)		 30 Oil on canvas M. H. de Young Memorial Museum, San Francisco, California[43]
Scene in a Cathedral 31 Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, December 1, 2010; sold for $18,750.[44]
Carmelita Requena 32 Oil on canvas 1869 Metropolitan Museum of Art, New York City, New York[45]
A Street Scene in Seville 33 Oil on canvas 1870 Collection of Erving and Joyce Wolf[46]
A Spanish Woman (Also known as "Dolores") 34 Oil on canvas
Francis Eakins 35 Oil on canvas Late 1870/Early 1871 Nelson-Atkins Museum of Art, Kansas City, Missouri[47]
At the Piano 36 Oil on canvas Late 1870/Early 1871 Blanton Museum of Art, Austin, Texas[48]
Home Scene 37 Oil on canvas Late 1870/Early 1871 Brooklyn Museum of Art, New York City[49]
Benjamin Eakins 38 Watercolor on paper c. 1870 Private collection
Margaret in Skating Costume 39 Oil on canvas 1871 Philadelphia Museum of Art, Philadelphia, Pennsylvania[50]
Margaret (study) 40 Oil on canvas c. 1871 Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, May 19, 2010, Lot 109.[51][52]
Margaret (sketch) 41 Oil on canvas c. 1871 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[53]
Hiawatha 42 Watercolor on paper No longer exists.[54]
Hiawatha 43 Oil on canvas Study for Hiawatha watercolor. Described erroneously as unfinished.[54] Hirshhorn Museum and Sculpture Garden, Washington, D.C.[54][55]
Max Schmitt in a Single Scull 44 Oil on canvas 1871 Metropolitan Museum of Art, New York[56]
Drawing of the Girard Avenue Bridge 44A Drawing Double sided: reverse side depicts the sketch for an oar. Hirshhorn Museum and Sculpture Garden, Washington, D.C.[57][58]

Portrait of M.H. Messchert 44B Painting
Kathrin (Girl with a cat) 45 Oil on canvas 1872 Yale University Art Gallery, New Haven, Connecticut[59]
Study for Kathrin 45A Drawing
Elizabeth Crowell and her Dog 46 Oil on canvas Early 1870s San Diego Museum of Art, San Diego, California[60]
Mrs. James W. Crowell 47 Oil on canvas Early 1870s
Grouse 48 Oil on canvas 1872 Mint Museum of Art, Charlotte, North Carolina[61]
The Pair-Oared Shell 49 Oil on canvas 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[62]
Perspective Drawing for The Pair-Oared Shell 50 Pencil and ink on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[63][64]
Perspective Drawing for The Pair-Oared Shell 51 Pencil, ink, and watercolor on paper mounted on cardboard 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[65]
The Biglin Brothers Turning the Stake 52 Oil on canvas 1873 Cleveland Museum of Art, Cleveland, Ohio[66]
Perspective Drawing for the Biglin Brothers Turning the Stake 52A Drawing Cleveland Museum of Art, Cleveland, Ohio[67][68]
Perspective Drawing for the Biglin Brothers Turning the Stake 53 Pencil and ink on paper mounted on cardboard 1873 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[69][70]
The Pair-Oared Race – John and Barney Biglin Turning the Stake 54 Watercolor 1874 Lost[71]
A Rower 55 Watercolor Given to Jean-Léon Gérôme by Thomas Eakins. "Present location unknown"[5]
John Biglin (also known as "The Sculler") 56 Watercolor 1874 16⅞ × 23 15/16 Yale University Art Gallery, New Haven, Connecticut[72][73]
John Biglin in a Single Scull 57 Watercolor on paper 1873 or early 1874 19 5/16 × 24⅞ Metropolitan Museum of Art, New York[74][75]
Perspective Drawing for John Biglin in a Single Scull 58 Pencil and ink on paper mounted on cardboard c. 1874 27⅜ × 45¼ Museum of Fine Arts, Boston, Boston, Massachusetts[76][77]
John Biglin in a Single Scull 59 Oil on canvas 1873–1874 24⅜ × 16 Yale University Art Gallery, New Haven, Connecticut[78]
John Biglin in a Single Scull 60 Watercolor 1873–1874 Given to Jean-Léon Gérôme by Thomas Eakins.
The Biglin Brothers Racing 61 Oil on canvas Probably 1873 National Gallery of Art, Washington, D.C.[79]
Perspective Drawing for the Biglin Brothers Racing 62 Pencil and ink on paper mounted on cardboard Hirshhorn Museum and Sculpture Garden, Washington, D.C.[80][81][82]
Oarsmen on the Schuylkill 63 Oil on canvas c. 1873 Deaccessioned from Brooklyn Museum of Art. Private Collection.
Oarsman in a Single Scull (also known as "Sketch of Max Schmitt in a Single Scull") 64 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[83]
Oarsmen 65 Oil on canvas Probably c. 1873 Portland Art Museum, Portland, Oregon[84]
The Schreiber Brothers 66 Oil on canvas 1874 Yale University Art Gallery, New Haven, Connecticut[85][86]
Perspective Drawing 67 Pencil and ink on paper mounted on cardboard Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[87]
The Artist and His Father Hunting Reed Birds 68 Oil on canvas c. 1874 Virginia Museum of Fine Arts, Richmond, Virginia[88]
Perspective Drawing for the Artist and His Father Hunting Reed Birds 69 Pencil and ink on paper mounted on cardboard
Pushing for the Rail 70 Oil on canvas 1874 Metropolitan Museum of Art, New York[89]
Whistling for Plover 71 Watercolor on paper 1874 Brooklyn Museum of Art, New York[90]
Whistling for Plover 72 Oil
Sketch for Hunting 73 Oil on canvas mounted on cardboard c. 1874 Collection of Jamie Wyeth
Studies of Game-Birds (Also known as "Plover") 74 Oil on canvas mounted on cardboard Virginia Museum of Fine Arts, Richmond, Virginia
Landscape with a Dog 75 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[91]
Sailboats Racing on the Delaware 76 Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[92]
Sailing 77 Oil on canvas c. 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[93]
Starting Out After Rail 78 Oil on canvas 1874 Museum of Fine Arts, Boston, Boston, Massachusetts[94]
Starting Out After Rail 79 Watercolor 1874 Wichita Art Museum, Wichita, Kansas[95]
Ships and Sailboats on the Delaware (also known as "Becalmed") 80 Oil on canvas 1874 Wadsworth Atheneum, Hartford, Connecticut[60]
Study for Ships and Sailboats on the Delaware 81 Oil on canvas mounted on cardboard Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[96]
Ships and Sailboats on the Delaware 82 Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[97]
Drifting 83 Watercolor c. 1874 National Gallery of Art, Washington, D.C.[98]
Mrs. Benjamin Eakins 84 Oil on canvas c. 1874 Collection of Mr. and Mrs. Daniel Dietrich II[99][100]
Portrait of Professor Benjamin H. Rand 85 Oil on canvas 1874 Deaccessioned from Thomas Jefferson University, Philadelphia, Pennsylvania, April 2007 (after 130 years in the collection).[101] Crystal Bridges Museum of American Art, Bentonville, Arkansas
Baseball Players Practicing 86 Watercolor on paper 1875 Rhode Island School of Design Museum, Providence, Rhode Island[102]
Perspective drawing for Baseball Players practicing 86A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[103][104][105]
Elizabeth at the Piano 87 Oil on canvas 1875 Addison Gallery of American Art, Andover, Massachusetts[60]
The Gross Clinic 88 Oil on canvas 1875 Philadelphia Museum of Art[106] and the Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[107]
Sketch for the Gross Clinic 89 Oil on canvas 1875 Philadelphia Museum of Art, Philadelphia, Pennsylvania[108]
Dr. Gross (Study for "The Gross Clinic) 90 Oil on canvas 1875 Worcester Art Museum, Worcester, Massachusetts[109]
Black and White version 91 India ink on cardboard 1875 Drawn after the painting, to be photographed and reproduced as a collotype. Metropolitan Museum of Art, New York[110]
Drawing of Two Heads 92 "India ink on paper, with pen and brush" 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[111]
Robert C.V. Meyers 93 Oil on brown paper 1875 Collection of Mr. and Mrs. Daniel Dietrich II[112][113]
The Zither Player 94 Watercolor on paper 1876 Art Institute of Chicago, Chicago, Illinois[114]
J. Harry Lewis 95 Oil on canvas 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[115]
The Chess Players 96 Wood 1876 Metropolitan Museum of Art, New York[116]
Perspective Drawing for the Chess Players 97 Pencil and ink on paper 1875–1876 Metropolitan Museum of Art, New York[117]
M. Gardel 98 Oil on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[118]
Baby at Play 99 Oil on canvas 1876 National Gallery of Art, Washington, DC.[119]
Studies of a Baby 100 Oil on canvas Double sided. Duke-Semans Fine Arts Foundation (in the care of the Nasher Museum of Art, Durham, North Carolina)
Dr. John H. Brinton 101 Oil on canvas 1876 The National Museum of Health and Medicine of the Armed Forces Institute of Pathology, Washington, D.C. On long-term loan to the National Gallery of Art[120]
Mrs. Samuel Hall Williams (Portrait of Abbie Williams) 102 Wood c. 1876 Deaccessioned from the Art Institute of Chicago.
Auctioned at Christie's NY, September 27, 2011; sold for $134,500.[121]
Columbus in Prison 103 Oil on canvas c. 1876 Kennedy Galleries, New York
Sketch for the Surrender of General Lee to General Grant at Appomattox 103A Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, September 27, 2011; sold for $32,500.[122]
Sketch for the Surrender of General Lee to General Grant at Appomattox 103B Oil on canvas Museum of Fine Arts, Boston, Boston, Massachusetts[123]
Will Schuster and Blackman Going Shooting 104 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[124]
Perspective Drawing for Will Schuster and Blackman Going Shooting 104A Drawing Collection of Mr. and Mrs. Daniel Dietrich II[125]
Rail Shooting 105 Oil on canvas "Present whereabouts or existence unknown"[5]
In Grandmother's Time 106 Oil on canvas 1876 Smith College Museum of Art, Northampton, Massachusetts[126]
In Grandmother's Time 106A Oil on wood Originally double sided with G-106B until the two images were split[5]
Landscape 106B Oil on wood Originally double sided with G-106A until the two images were split[5]
Deassessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 23, 2016, Lot 57.[127]
Archbishop James Frederick Wood 107 Oil on canvas 1877 Deaccessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania, 2015.[128] Crystal Bridges Museum of American Art, Bentonville, Arkansas[129]
Study for the portrait of James Frederick Wood 108 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[130]
Scenes in a Cathedral 108A, 108B, 108C, 108D, 108E, 108F, 108G, 108H, 108I Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[131][132]
William Rush and His Model 109 Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[133]
Studies for "William Rush" 109A, 109B, 109C, 109D, 109E, 109F, 109G, 109H, Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.













Study for William Rush and His Model (Yale), G-111 110 Oil on cardboard, c. 1877 8¼ × 10½ Farnsworth Art Museum, Rockland, Maine[134]
William Rush and His Model (Yale) 111 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[135][136]
Interior of Rush's Shop 112 Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[137]
The Model (Nude: Study)
Study for William Rush and His Model (Yale), G-111		 113 Oil on canvas 1876 Art Institute of Chicago, Chicago, Illinois[138]
Seventy Years Ago 114 Watercolor on paper 1877 Princeton University Art Museum, Princeton, New Jersey[139]
Sketch for Seventy Years Ago 115 Oil on canvas Seattle Art Museum, Seattle, Washington[140]
Young Girl Meditating 116 Watercolor on paper 1877 Metropolitan Museum of Art, New York[141]
Sketch for Young Girl Meditating 117 Oil on canvas Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[142]
Study for Young Girl Meditating 117A Oil on canvas 1877 Collection of Martin Perez.[143]
In Washington (Lafayette Park, Washington, D.C.) 118 Wood 1877 Painted from a window of the White House, as Eakins waited for President Rutherford B. Hayes to sit for a portrait. Philadelphia Museum of Art, Philadelphia, Pennsylvania[144]
The Courtship 119 Oil on canvas c. 1878 M. H. de Young Memorial Museum, San Francisco, California[145]
Study for The Courtship 120 Oil on canvas 1877-1878 14 × 17 Auctioned at Christie's NY, June 3, 1983; sold for $80,000.[146]
Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013).[147]
Auctioned at Christie's New York, 25 September 2013; sold for $32,500.[148]
The Spinner (sketch for The Courtship) 121 Oil on canvas c. 1878 Worcester Art Museum, Worcester, Massachusetts[60]
The Spinner (sketch for The Courtship) 122 Wood Has a sketch of Dr. Andrews on the reverse side. Private collection.[5]
The Young Man (sketch for The Courtship) 123 Oil on canvas
Anna Williams 123A
Study for Anna Williams 123B
Negro Boy Dancing (also known as "The Dancing Lesson") 124 Watercolor on paper 1878 Metropolitan Museum of Art, New York[149]
Drawing for the Negro Boy dancing 124A Drawing 1878 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[150][151]
Study for Negro Boy Dancing 125 Oil on canvas National Gallery of Art, Washington, D.C.[152]
Study for Negro Boy Dancing 125A National Gallery of Art, Washington, D.C.[153]
Mrs. John H. Brinton 126 Oil on canvas 1878 Depicts Sarah (Ward) Brinton, wife of John H. Brinton.[154] Collection of Mrs. Rodolphe Meyer de Schauensee[155]
The Spelling Bee at Angel's 127 1878 Published in Scribner's Magazine, November 1878 N/A
Thar's a New Game Down in Frisco 127A Oil on canvas Study for the central standing figure in the Spelling Bee at Angel's. Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[156]
The Spelling Bee at Angel's 128 1878 Published in Scribner's Magazine, November 1878 N/A
Mr. Neelus Peeler's Conditions 129 Black ink and Chinese white on paper 1879 Published in Scribner's Magazine, June 1879 Brooklyn Museum of Art, New York[157]
Perspective drawing for Mr. Neelus Peeler's Conditions 129A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[158]
Sketch for Mr. Neelus Peeler's Conditions 130 Wood Double sided. Often incorrectly referred to as "The Timer"[159] New Britain Museum of American Art, New Britain, Connecticut[160][161]

Four anatomical drawings 130A, 130B, 130C, 130D Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[162][163]

A Quiet Moment 131 Oil on canvas 1879 Lost[164]
Sewing 132 Oil on wood c. 1879 Reverse side contains the sketch of an interior. New Britain Museum of American Art, New Britain, Connecticut[165]

Study of a Woman Knitting 132A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[166]
The Fairman Rogers Four-in-Hand 133 Oil on canvas 1879–1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[167]
Sketches for the Fairman Rogers Four-in-Hand 134 Oil on wood 1879 Double sided: one side depicts the coach being driven across the picture; the other side is a study of Mrs. Rogers. Philadelphia Museum of Art, Philadelphia, Pennsylvania[168][169]

Landscape sketch for the Fairman Rogers Four-in-Hand 135 Oil on wood Originally composed of five or six sketches, which were later split.[170]


Reverse of G135 as it appeared in 1933.
Study of the Delaware River 135A Oil Originally part of G-135 until they were split.[170]
Study of a Man's Head for Mending the Net 135B Oil Originally part of G-135 until they were split.[170] Private Collection.
Study of a Woman's Head for Mending the Net 135C Oil Originally part of G-135 until they were split.[170]
Landscape sketch for the Fairman Rogers Four-in-Hand 136 Oil on wood Double sided: one side is a study in Fairmount park. The other is a color note. Philadelphia Museum of Art, Philadelphia, Pennsylvania

Study of Horse for The Fairman Rogers Four-in-Hand 137 Oil on wood 1879 Originally double sided with 137A until the two images were split[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137A, G-199A & G-201A), May 21, 2009; the lot sold for $119,500.[171]
Study of Horses for The Fairman Rogers Four-in-Hand 137A Oil on canvas 1879 Originally double sided with 137 until the two images were split[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-199A & G-201A), May 21, 2009; the lot sold for $119,500.[171]
Fan 137B Sold at auction, January 24, 1994, for $160,000.
General George Cadwalader 138 Oil on canvas 1880 Butler Institute of American Art, Youngstown, Ohio[172]
General George Cadwalader 139 Oil on canvas 1880 Collection of the Mutual Assurance Company of Philadelphia.[173]
Retrospection 140 Oil on wood 1880 Yale University Art Gallery, New Haven, Connecticut[174]
Retrospection (Watercolor) 141 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[175]
Walter MacDowell 141A Oil Private collection[5]
The Crucifixion 142 Oil on canvas 1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[176]
Sketch for the Crucifixion 143 Oil on canvas 1880 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[177][178]
J. Laurie Wallace posing 143A Oil Auctioned at Sotheby's NY, December 3, 1987; sold for $160,000.[179] Private collection[180]
Spinning 144 Watercolor on paper 1881 Collection of Mrs. John Randolph Garrett Sr.[181]
Drawing for Spinning 144A Drawing
Sketch for Spinning 145 Oil on wood Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[182]
Spinning (also called "Homespun") 146 Watercolor on paper 1881 Metropolitan Museum of Art, New York[183]
Sketch for Spinning 147 Oil on wood Double sided – the reverse side also contains a sketch for Spinning Yale University Art Gallery, New Haven, Connecticut[184]

The Pathetic Song 148 Oil on canvas 1881 Corcoran Museum of Art, Washington, DC.[60]
Sketch for the Pathetic Song 149 Oil on wood 1881 Hirshhorn Museum and Sculpture Garden, Washington, DC.[185]
The Pathetic Song 149A Watercolor Metropolitan Museum of Art, New York[186]
Rail Shooting 150 Drawing 1881 Published in Scribner's Magazine, July 1881 Yale University Art Gallery, New Haven, Connecticut[187]
A Pusher (also known as "Poleman in the Ma'sh) 151 Drawing 1881 11 × 5⅞ National Gallery of Art, Washington, D.C.[188]
Drawing for William Rush Carving The Allegorical Figure Of The Schuylkill 151A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[189]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 152 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[190]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 153 Watercolor on paper 1881 Metropolitan Museum of Art, New York[191]
Shad-Fishing at Gloucester on the Delaware River 154 Oil 1881 Ball State University Art Museum, Muncie, Indiana[192]
Mending the Net 155 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[193]
Drawing for Mending the Net 155A Drawing
A Fisherman 156 Oil on cardboard Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[194]

The Tree 157 Oil on wood Originally double sided with G-157A until the two images were split.[5]
Mending the Net: Study of the Tree 157A Oil on wood Originally double sided with G-157 until the two images were split.[5]
Mending the Net 158 Watercolor on paper 1882 Auctioned at Christie's NY, June 5, 1997; sold for $1,400,000.[195]
Drawing the Seine 159 Watercolor on paper 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[196]
Hauling the Seine 160 Oil on canvas 1882 Princeton University Art Museum, Princeton, New Jersey[197]
"The Meadows, Gloucester, New Jersey" 161 Oil on canvas c. 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[198]
"Sketch for The Meadows, Gloucester, New Jersey" 162 Oil on wood Originally double sided with G-162A until the two images were split.[5]
Study 162A Oil Originally double sided with G-162 until the two images were split.[5]
In the Country 163 Oil on canvas c. 1882 10¼ × 14 Auctioned at Sotheby's NY, November 29, 1990; sold for $30,000.[199] Private collection[5]
Near the Sea (Also known as "Landscape study") 164 Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[5]
Untitled landscape sketch 165 Oil on wood Originally double sided with G-165A until the two images were split.[5]
Study of a horse 165A Oil Originally double sided with G-165 until the two images were split.[5]
Untitled landscape sketch 166 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[200]
Delaware River Scene 167 Oil on canvas Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[201]
Untitled landscape sketch 168 Oil on canvas
Untitled landscape sketch 169 Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[202]

Untitled landscape sketch 170 Oil on paper Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[203]

Untitled landscape sketch 171 Oil on paper
Untitled landscape sketch 172 Oil on canvas Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[204]
Untitled landscape sketch 173 Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[205]
Untitled landscape sketch 174 Oil on canvas University at Buffalo, The State University of New York art gallery, Buffalo, New York[5]
Untitled landscape sketch 175 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[206]
Untitled landscape sketch 176 Oil on canvas
Untitled landscape sketch 177 Oil on cardboard
The Brinton House 177A Oil 1878 Subject is the William Brinton 1704 House in Birmingham Township, Chester County, Pennsylvania, painted for his friend Dr. John Hill Brinton.[207]
Study for Old Man in Taking The Count 178 Oil on canvas c. 1898 13¼ × 10 Auctioned at Christie's New York, May 24, 2007; sold for $78,000.[208]
Auctioned at Freeman's Philadelphia, December 6, 2015; sold for $46,875.[209]
Untitled sketch 179 Oil on canvas mounted on cardboard
Untitled sketch ("Girl in Shade") 180 Oil on cardboard Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 181 Oil on wood
Boatman 182 Oil on wood c. 1879 Double sided: one side is a study for the left leader horse in The Fairman Rogers Four-In-Hand. The reverse side is the Study of a Groom. Philadelphia Museum of Art, Philadelphia, Pennsylvania[210][211]

Untitled sketch 183 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[212]
Untitled sketch 184 Oil on heavy paper mounted on cardboard La Salle University art gallery, Philadelphia, Pennsylvania
Study of Three Balls of Wool and a Rosebush 185 Oil on canvas Joslyn Art Museum, Omaha, Nebraska
Two Cylinders and a Ball 185A Oil Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 186 Oil on heavy paper
Study of a woman seated 187 Oil on canvas mounted on cardboard Auctioned at Doyle's NY, November 28, 2007; unsold.[213]
Street Scene 187A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[214]
The Writing Master 188 Canvas 1882 Metropolitan Museum of Art, New York[215]
Sketch for the Writing Master 189 Oil on wood Double sided – one side is a sketch for The Writing Master. The other side is Sketch of a Man and Study of Drapery Philadelphia Museum of Art, Philadelphia, Pennsylvania[216][217]

The Swimming Hole 190 Oil on canvas 1884–1885 Amon Carter Museum, Fort Worth, Texas[218]
Sketch for the Swimming Hole 191 Oil on wood 1884 Study for the Swimming Hole Hirshhorn Museum and Sculpture Garden, Washington, DC.[219]
Sketch of the landscape for the Swimming Hole 192 Oil on wood Study for the Swimming Hole Collection of Mr. I David Orr[220]
Sketches for the Swimming Hole 193 Oil on cardboard "Double-sided, both sides are studies for The Swimming Hole" Collection of Mr. and Mrs. Daniel Dietrich II[221][222]

Sketches for the Swimming Hole 194 Oil on cardboard "Double-sided, both sides are studies for The Swimming Hole" Amon Carter Museum, Fort Worth, Texas[223]

Sketch for the Swimming Hole 195 Oil on cardboard "Double-sided, obverse side contains study of the fisherman's hand from Mending the Net" Collection of Mr. and Mrs. Daniel Dietrich II[224][225]
Arcadia 196 Oil on canvas 1883 Metropolitan Museum of Art, New York[226]
Sketch for Arcadia 197 Oil on wood Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[227][228]
Youth Playing Pipes 198 Oil on wood Carnegie Museum of Art, Pittsburgh, Pennsylvania[229]
Boy Reclining 199 Oil on wood Originally double sided with G-199A until the two images were split.[5] Hirshhorn Museum and Sculpture Garden, Washington, DC.[230]
Study of a Horse 199A Drawing Originally double sided with G-199 until the two images were split.[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-137A & G-201A), May 21, 2009; the lot sold for $119,500.[171]
An Arcadian 200 Oil on canvas c. 1883
Study for An Arcadian 201 Oil on wood Originally double sided with G-201A until the two images were split.[5]
Deassessioned from Hirshhorn Museum and Sculpture Garden.[60]
Auctioned at Christie's NY, March 23, 2016, Lot 56.[231]
Studies of a horse 201A Drawing Originally double sided with G-201 until the two images were split.[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-137A & G-199A), 2009; the lot sold for $119,500.[171]
Weda Cook and Statue 201B Oil See G-267A for a related study.
A Woman's Back: Study 202 Oil on wood 1879 Collection of Mr. and Mrs. Daniel Dietrich II[232][233]
Female Nude 203 Oil on canvas Probably early 1880s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[234][235]
Female Nude 204 Oil on canvas Probably early 1880s Nelson-Atkins Museum of Art, Kansas City, Missouri[236]
Female Nude 205 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[5]
Study for female nude 205A Oil Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $50,000.[237]
J. Laurie Wallace 206 Oil on canvas c. 1883 Joslyn Art Museum, Omaha, Nebraska[238]
Drawing for J. Laurie Wallace 206A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Professionals at Rehearsal 207 Oil on canvas c. 1883 Philadelphia Museum of Art, Philadelphia, Pennsylvania[239]
Perspective Study Of Boy Viewing an Object 207A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[240]
Perspective drawing of a table 207B Hirshhorn Museum and Sculpture Garden, Washington, D.C.[241]
Perspective drawing of two tables 207C
In the Studio 208 Oil on canvas 1884 The Hyde Collection, Glens Falls, New York[242]
In the Studio 209 Watercolor on paper Unfinished Philadelphia Museum of Art, Philadelphia, Pennsylvania[243]
A.B. Frost 210 Oil on canvas c. 1884 Philadelphia Museum of Art, Philadelphia, Pennsylvania[244]
Study for A.B. Frost 210A Oil on cardboard Detroit Institute of Arts, Detroit, Michigan[5]
The Veteran 211 Oil on canvas c. 1886 Yale University Art Gallery, New Haven, Connecticut[245]
Mrs. William Shaw Ward 212 Oil on canvas Auctioned at Sothebys NY, December 2, 2010; sold for $242,500.[246]
The Artist's Wife and His Setter Dog 213 Oil on canvas 1885 Metropolitan Museum of Art, New York[247]
Professor George F. Barker[248] 214 Oil on canvas 1886 Originally 3/4-length and 60×40 inches, cut down to head-and-bust and 24×20 inches. Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[249]


Barker's portrait as it appeared originally.
Sketch for Professor George F. Barker 215 Oil on cardboard 1886 Doubled sided – one side is a sketch for Professor George F. Barker. The other side depicts seated figures. Philadelphia Museum of Art, Philadelphia, Pennsylvania[250][251]

Professor William D. Marks 216 Oil on canvas 1886 Washington University Gallery of Art, St. Louis, Missouri[252]
Professor William D. Marks (unfinished) 217 Oil on canvas c. 1886 76 × 54 Iris & B. Gerald Cantor Center for Visual Arts, Stanford, California
Miss Sophie Brooks 217A Oil
Frank McDowell 218 Oil on canvas c. 1886 Auctioned at Christie's NY, December 9, 1983; sold for $80,000.[253]
Frank MacDowell (unfinished) 219 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[254]
Portrait of Walt Whitman 220 Oil on canvas 1887–1888 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[255]
Sketch for Walt Whitman 221 Oil on wood Probably 1887 Museum of Fine Arts, Boston, Boston, Massachusetts[256]
Mrs. Letitia Wilson Jordan 222 Oil on canvas 1888 Brooklyn Museum of Art, New York City[257]
Sketch for Mrs. Letitia Wilson Jordan Bacon 223 Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[258]
Cowboys in the Badlands 224 Oil on canvas 1888 Auctioned at Christie's NY, May 22, 2003; sold for $5,383,500.
Set a record for an Eakins painting at auction.		 Anschutz collection, Denver, Colorado
Sketches for Cowboys in the Badlands 225 Oil on cardboard Originally part of the same work with G-225A and G-225B.[259] Albright-Knox Art Gallery, Buffalo, New York[260]
Sketch of a saddle 225A Oil on canvas on cardboard 1887 Originally part of the same work with G-225 and G-225B.[259] Philadelphia Museum of Art, Philadelphia, Pennsylvania[261]
Study of a stirrup 225B Originally part of the same work with G-225 and G-225A.[259]
Sketch for Cowboys in the Badlands 226 Oil on canvas Deaccessioned by the Philadelphia Museum of Art, April 2008, to fund the co-purchase of The Gross Clinic. Denver Art Museum, Denver, Colorado[262][263]
The Bad Lands 227 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[264]
Study for Cowboys in the Badlands 227A Oil on canvas 10⅜ × 13½ Auctioned at Sothebys NY, October 17, 1980; sold for $8,000.[265]
Landscape sketch for Cowboys in the Badlands 228 Oil on canvas mounted on cardboard Originally double sided with G-228A. Philadelphia Museum of Art, Philadelphia, Pennsylvania[266]
Landscape sketch for Cowboys in the Badlands 228A Oil on canvas mounted on cardboard Originally double sided with G-228. Philadelphia Museum of Art, Philadelphia, Pennsylvania[267]
Cowboy Riding 229 Oil on canvas mounted on cardboard Deaccessioned from the Philadelphia Museum of Art, April 2008, to fund the co-purchase of The Gross Clinic. Denver Art Museum, Denver, Colorado[262][263]
Cowboy (sketches) 230 Oil on canvas mounted on cardboard
Cowboy Riding 230A Oil on canvas 10¼ × 14¼ Auctioned at Freeman's Philadelphia, June 22, 2003; sold for $12,000.[268]
Cowboy (sketch) 231 Oil on canvas mounted on cardboard
Edward W. Boulton 232 c. 1888 Damaged in an accident – "The portrait of Boulton (Edward W.) by Eakins was lent to the University Club for an exhibit, and a waiter ran amuck and slashed it up."[269]
Douglass M. Hall 233 Oil on canvas c. 1888 Used as cover image for the album "Kapitulation" by the German indie rock band Tocotronic. Philadelphia Museum of Art, Philadelphia, Pennsylvania[270]
Girl in a Big Hat (Portrait of Lillian Hammit) 234 Oil on canvas c. 1888 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[271]
The Agnew Clinic 235 Oil on canvas 1889 University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania[272]
Drawing of David Hayes Agnew 235A
Sketch for the Agnew Clinic 236 Oil on canvas mounted on cardboard Private collection[5]
Dr. D. Hayes Agnew: Study 237 Oil on canvas 1889 Yale University Art Gallery, New Haven, Connecticut[273]
Samuel Murray 238 Oil on canvas 1889 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[274]
Dr. Horatio C. Wood 239 Oil on canvas c. 1889 Detroit Institute of Arts, Detroit, Michigan[60]
Professor George W. Fetter 240 Oil on canvas 1890 Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school.[275] Currently in an undisclosed location. Collection of the School District of Philadelphia, Philadelphia, Pennsylvania
Drawing for Professor George W. Fetter 241 Black ink on white tile
Portrait of Talcott Williams 242 Oil on canvas c. 1890 National Portrait Gallery, Washington, D.C.[276]
The Bohemian: Portrait of Franklin Louis Schenk 243 Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[277]
F.L. Schenk 244 Oil on canvas c. 1890 Delaware Art Museum, Wilmington, Delaware
F.L. Schenk 245 Oil on cardboard c. 1890 Private collection[5]
The Father of F.L. Schenk 246 Oil on canvas c. 1890 Collection of Nelson C. White[278]
Head of a Cowboy 247 Oil on canvas c. 1890 Mead Art Museum, Amherst, Massachusetts[279]
Home Ranch 248 Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[280]
Cowboy Singing 249 Watercolor on paper c. 1890 Metropolitan Museum of Art, New York[281]
Cowboy Singing 250 Oil on canvas c. 1890 Deaccessioned from the Philadelphia Museum of Art, April 2008, to fund the co-purchase of The Gross Clinic. Jointly owned by Anschutz collection and Denver Art Museum, Denver, Colorado[262][263]
Thomas B. Harned 251 Oil on canvas c. 1890 24 x 20 Collection of Dr. and Mrs. Herbert S. Harned, Jr. On long-term loan to the Ackland Art Museum, Chapel Hill, North Carolina[282]
Dr. Joseph Leidy II (also known as "Portrait of Man with Red Necktie") 252 Oil on canvas 1890 Newark Museum, Newark, New Jersey[283]
Dr. Joseph Leidy II (unfinished) 253 Oil on canvas
William H. Macdowell 254 Oil on canvas c. 1890 Yale University Art Gallery, New Haven, Connecticut[284]
Phidias Studying for the Frieze of the Parthenon 255 Oil on wood c. 1890 Originally double sided with G-255A until the two images were split.[5] Collection of the Eakins Press Foundation[285]
Two Nude Youths on Prancing Horses 255A Oil on wood c. 1890 Originally double sided with G-255 until the two images were split.[5]
The Red Shawl 256 Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[286]
Francis J. Ziegler (also known as "The Critic") 257 Oil on canvas c. 1890 Fogg Art Museum, Cambridge, Massachusetts[287]
The Art Student: Portrait of James Wright 258 Oil on canvas c. 1890 Ex collection: Maloogian Collection, on loan to Detroit Institute of Arts, Detroit, Michigan Crystal Bridges Museum of American Art, Bentonville, Arkansas
The Black Fan 259 Oil on canvas c. 1891 Philadelphia Museum of Art, Philadelphia, Pennsylvania[288]
William H. Macdowell 260 Oil on canvas c. 1891 Taubman Museum of Art, Roanoke, Virginia
William H. Macdowell (study) 261 Oil on canvas c. 1891 Randolph-Macon Woman's College Art Gallery, Lynchburg, Virginia[60]
Portrait of William H. MacDowell 262 Paper on a stretcher Unfinished Baltimore Museum of Art, Baltimore, Maryland
Study for William H. MacDowell 262A Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[289]
Miss Amelia Van Buren 263 Oil on canvas c. 1891 The Phillips Collection, Washington, D.C.[60]
Professor Henry A. Rowland 264 Oil on canvas 1897 Addison Gallery of American Art, Andover, Massachusetts[60]
Sketch for Professor Henry A. Rowland 265 Oil on canvas Addison Gallery of American Art, Andover, Massachusetts[290]
The Concert Singer 266 Oil on canvas 1890–1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[291]
Sketch for the Concert Singer 267 Oil on canvas mounted on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania[292]
Study for Weda Cook and Statue 267A Oil on canvas Also known as "The Opera Singer." On the reverse is "Woman on balcony waving white handkerchief." Blanton Museum of Art, Austin, Texas

Joshua Ballinger Lippincott 268 Oil on canvas 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[293]
Study for Joshua Ballinger Lippincott 268A Oil 1892 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[294]
Miss Blanche Hurlburt 269 Oil on canvas c. 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[295]
Dr. Jacob M. Da Costa 270 Oil on canvas 1893 Pennsylvania Hospital[128][296]
Jacob M. Da Costa 270A Oil on canvas Destroyed by Thomas Eakins after DaCosta rejected it.[297]
Sketch for Dr. Jacob M. Da Costa 271 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[298]
Girl with Puff Sleeves 272 Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $18,750.[299]
Frank Hamilton Cushing 273 Oil on canvas Late 1894 or 1895 Gilcrease Museum, Tulsa, Oklahoma[300]
Sketch for Frank Hamilton Cushing 274 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[301]
Mrs. Frank Hamilton Cushing 275 Oil on canvas c. 1894 or 1895 Philadelphia Museum of Art, Philadelphia, Pennsylvania[302]
James MacAlister (also known as "Man in the Ned Necktie") 276 Oil on canvas mounted on cardboard ca. 1895 Sketch. Originally double sided with G-276A until the two images were split.[5] Metropolitan Museum of Art, New York[303]
Study for William L. MacLean 276A Oil on canvas mounted on cardboard ca. 1895 Originally double sided with G-276 until the two images were split.[5]
Weda Cook 277 Oil on canvas c. 1895 Columbus Museum of Art, Columbus, Ohio[304]
The Pianist (Stanley Addicks) 278 Oil on canvas c. 1895 Indianapolis Museum of Art, Indianapolis, Indiana[305]
Katherine Maud Cook 279 Oil on canvas 1895 Yale University Art Gallery, New Haven, Connecticut[306]
Riter Fitzgerald 280 Oil on canvas 1895 Art Institute of Chicago, Chicago, Illinois[307]
Sketch for Riter Fitzgerald 281 Oil on canvas mounted on cardboard The Huntington Library, San Marino, California[308]
Sketch for Riter Fitzgerald 282 Oil on canvas
Study for Mrs. Hubbard 283 Oil on canvas mounted on cardboard c. 1895 Study for now-destroyed portrait of Mrs. Hubbard.
Auctioned at Sotheby's NY, March 11, 1999; sold for $34,500.[309]		 Sewell C. Biggs Museum of American Art, Dover, Delaware[310]
John McLure Hamilton 284 Oil on canvas 1895 Wadsworth Atheneum, Hartford, Connecticut[60]
Sketch for John McLure Hamilton 285 Oil on canvas mounted on cardboard 14⅝ × 10⅝ Georgia Museum of Art, Athens, Georgia
Mrs. Charles L. Leonard 286 Oil on cardboard 1895 Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $25,000.[311]		 Thomas Colville Fine Art[312]
Miss Gertrude Murray 287 Oil on canvas 1895 Dallas Museum of Art, Dallas, Texas[60]
Charles Linford 288 Oil on canvas c. 1895 Ex collection: IBM.
Auctioned at Sotheby's NY, Mat 25, 1995; sold for $80,000.[313]
Captain Joseph Lapsley Wilson 289 Oil on canvas c. 1895 30 × 22 Collection of the First Troop Philadelphia City Cavalry
Sketch for Captain Joseph Lapsley Wilson 290 Oil on canvas mounted on cardboard c. 1895 7¾ × 5¼ Auctioned at Christie's NY, June 3, 1983; sold for $9000.[314]
Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013).
Auctioned at Christie's New York, 25 September 2013, Lot 196, Unsold.[315]
The Cello Player 291 Oil on canvas 1896 Deaccessioned from the Pennsylvania Academy of the Fine Arts, 2007, to fund the co-purchase of The Gross Clinic.
Sketch for the Cello Player 292 Oil on canvas 1896 Heckscher Museum of Art, Huntington, New York[316]
Mrs. James Mapes Dodge 293 Oil on canvas 1896 Philadelphia Museum of Art, Philadelphia, Pennsylvania[317]
Harrison S. Morris 294 Oil on canvas 1896 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[318]
Sketch for Harrison S. Morris 295 Oil on canvas mounted on cardboard Newark Museum, Newark, New Jersey[319]
Professor William Woosley Johnson 295A Oil on canvas c. 1896 M. H. de Young Memorial Museum, San Francisco, California[320]
Dr. Charles Lester Leonard 296 Oil on canvas 1897 Collection of the University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania
Jennie Dean Kershaw (Mrs. Samuel Murray) 297 Oil on canvas c. 1897 Sheldon Museum of Art, Lincoln, Nebraska[321]
Mrs. Samuel Murray (unfinished) 298 Oil on canvas Baltimore Museum of Art, Baltimore, Maryland
Miss Lucy Lewis 299 Oil on canvas c. 1897 Philadelphia Museum of Art, Philadelphia, Pennsylvania[322]
Miss Anna Lewis 300 Oil on canvas c. 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[323]
William H. MacDowell with a Hat 301 Oil on canvas c. 1898 Taubman Museum of Art, Roanoke, Virginia
General E. Burd Grubb 302 Oil on canvas Probably 1898 Yale University Art Gallery, New Haven, Connecticut[324]
Taking the Count 303 Oil on canvas 1898 Yale University Art Gallery, New Haven, Connecticut[325]
Sketch for Taking the Count 304 Oil on canvas mounted on cardboard 1898 Yale University Art Gallery, New Haven, Connecticut[326]
Sketch for Taking the Count 305 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[327]
The Referee, H. Walter Schlichter 306 Oil on canvas 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[328]
Maybelle 307 Oil on canvas 1898 Frye Art Museum, Seattle, Washington[329]
Sketch for Maybelle 308 Oil on canvas mounted on cardboard
John N. Fort 309 Oil on canvas 1898 Williams College Museum of Art, Williamstown, Massachusetts[330]
Salutat 310 Oil on canvas 1898 Addison Gallery of American Art, Phillips Academy[60]
Study for Salutat 311 Oil on canvas 1898 Carnegie Museum of Art, Pittsburgh, Pennsylvania[331]
Between Rounds 312 Oil on canvas 1898–1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[332]
Sketch for Between Rounds 313 Oil on cardboard Double sided – one side is a study for Between Rounds; the other side is a landscape sketch. Hirshhorn Museum and Sculpture Garden, Washington, D.C.[333]

Billy Smith (sketch) 314 Oil on canvas c. 1898 Philadelphia Museum of Art, Philadelphia, Pennsylvania[334]
Billy Smith (study) 315 Oil on canvas 1898 Wichita Art Museum, Wichita, Kansas[335]
The Timer 316 Oil on canvas 1898 New Britain Museum of American Art, New Britain, Connecticut[60]
Wrestlers 317 Oil on canvas 1899 Los Angeles County Museum of Art, Los Angeles County, California[336]
Study for Wrestlers 318 Oil on canvas Los Angeles County Museum of Art, Los Angeles County, California[337]
Wrestlers (unfinished) 319 Oil on canvas 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[338]
The Fairman Rogers Four-in-Hand (black & white) 320 Oil on canvas 1899 Black & white version of the 1879–80 original. Painted to be photographed for Fairman Rogers, A Manual of Coaching (Philadelphia, 1900). St. Louis Art Museum, St. Louis, Missouri[339]
T. Ellwood Potts 321 1890–1900
Mrs. T Ellwood Potts 322 c. 1890–1900
Addie: A Woman in Black (Portrait of Miss Mary Adeline Williams) 323 Oil on canvas c. 1899 In Eakins Revealed (pp. 369–371), author Henry Adams claims that Eakins' friend Mary Adeline Williams was the nude model for G-451 William Rush and his Model, and related studies G-445, G-446, G-447, G-452, G-453 and G-454. Art Institute of Chicago, Chicago, Illinois[340]
Benjamin Eakins 324 Oil on canvas c. 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[341]
Mrs. Thomas Eakins 325 Oil on canvas c. 1899 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[342]
Mrs. William H. Green 326 Oil on canvas 1899 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $31,250.[343]		 Driscoll Babcock Galleries[344]
The Dean's Roll Call 327 Oil on canvas 1899 Museum of Fine Arts, Boston, Boston, Massachusetts[345]
Louis Husson 328 Oil on canvas 1899 National Gallery of Art, Washington, D.C.[346]
David Wilson Jordan 329 Oil on canvas 1899 The Huntington Library, San Marino, California[347]
Study for David Wilson Jordan 329A Oil
William Merritt Chase 330 Oil on canvas c. 1899 Hirshhorn Museum and Sculpture Garden, Washington, DC.[348][349]
The Thinker: Portrait of Louis N. Kenton 331 Oil on canvas 1900 Metropolitan Museum of Art, New York[350]
Sketch for The Thinker 332 Oil on cardboard mounted on wood Originally double sided with G-365A until the two images were split.[5] Farnsworth Art Museum, Rockland, Maine[351]
Addie (also known as "Portrait of Mary Adeline Williams") 333 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[352]
Mrs. Mary Arthur 334 Oil on canvas 1900 Metropolitan Museum of Art, New York[353]
Robert M. Lindsay 335 Oil on canvas 1900 Detroit Institute of Arts, Detroit, Michigan[354]
Sketch for Robert M. Lindsay 336 Oil on wood Detroit Institute of Arts, Detroit, Michigan[355]
Frank Jay St. John 337 Oil on canvas 1900 M. H. de Young Memorial Museum, San Francisco, California[356]
Antiquated Music: Portrait of Sarah Sagehorn Frishmuth 338 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[357]
Mrs. Joseph H. Drexel 339 Oil on canvas unstretched 1900 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, May 18, 2011; sold for $68,500.[358]
Sketch for Mrs. Joseph H. Drexel 340 Oil on cardboard c. 1900
Dr. Daniel Garrison Brinton 340A Oil Collection of the American Philosophical Society.[359]
Clara J. Mather 341 Oil on canvas c. 1900 Musée d'Orsay, Paris, France[360]
A Woman in Black (Portrait of Clara J. Mather) 342 Oil on wood
Elizabeth R. Coffin 343 Oil on canvas c. 1900 Coffin School collection, Egan Institute of Maritime Studies, Nantucket, Massachusetts[361]
Dr. Edward J. Nolan 344 Oil on canvas c. 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[362]
Henry O. Tanner 345 Oil on canvas c. 1900 The Hyde Collection, Glens Falls, New York[60]
Honorable John A. Thorton 346 Oil on canvas Schwarz Gallery, Philadelphia, Pennsylvania
Monsignor James P. Turner 347 Oil on canvas c. 1900 Eakins later painted a full-length portrait of Monsignor Turner (G-438); sketch (G-439).
Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[128][363]
Auctioned at Christie's NY, November 19, 2015; sold for $221,000.[364]
Portrait of Leslie W. Miller 348 Oil on canvas 1901 Philadelphia Museum of Art, Philadelphia, Pennsylvania[365]
Sketch for Professor Leslie W. Miller 349 Oil on cardboard c. 1892–1894 Double sided: one side depicts Leslie W. Miller. The reverse depicts Thomas Eakins' dog, Harry. Philadelphia Museum of Art, Philadelphia, Pennsylvania[366][367]

Signature for 'Leslie W. Miller' 349A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[368]
Mrs. Leslie W. Miller 350 Oil on canvas 1901
Mrs. Elizabeth Duane Gillespie 351 Oil on canvas 1901 Collection of the Women's Committee of the Philadelphia Museum of Art[369]
Sketch for Mrs. Elizabeth Duane Gillespie 352 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[370]
George Morris 353 Oil on canvas 1901
Reverend Philip R. McDevitt 354 Oil on canvas 1901 Snite Museum of Art, Notre Dame, Indiana[371]
Charles F. Haseltine 355 Oil on canvas c. 1901 Montclair Art Museum, Montclair, New Jersey[60]
Elbridge Ayer Burbank 356 c. 1901
Alfred F. Watch 357 c. 1901
Self-Portrait 358 Oil on canvas 1902 National Academy of Design, New York[60]
Self-portrait 358A Oil on canvas c. 1902 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60][372]
Colonel Alfred Reynolds 359 Oil on canvas 1902 Taubman Museum of Art, Roanoke, Virginia[373]
Signora Gomez D'Arza 360 Oil on canvas 1902 Metropolitan Museum of Art, New York[374]
His Eminence Sebastiano Cardinal Martinelli 361 Oil on canvas 1901–02 Hammer Museum, Los Angeles[60]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361B Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Very Reverend John J. Fedigan 362 Oil on canvas 1902 In the collection of the Augstinian Province of St. Thomas of Villanova.[375] On permanent loan to Villanova University, Villanova, Pennsylvania[376]
Sketch for the Very Reverend John J. Fedigan 363 Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, September 27, 2011; sold for $10,625.[377]
The Translator 364 Oil on canvas 1902 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania
Monsignor James F. Loughlin 365 Oil on canvas 1902 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[128][363]
Study for Monsignor James F. Loughlin 365A Oil on cardboard mounted on wood Originally double sided with G-332 until the two images were split.[5][5]
Auctioned at Bonham's San Francisco, November 29, 2005; sold for $15,000.[378]
John Seely Hart 366 Oil on canvas 1902 Dr. Hart (1810–1877) was principal of Philadelphia's Central High School when Eakins was a student. Eakins painted the posthumous portrait from a photograph.
Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school.[275] Currently in an undisclosed location.		 Collection of the School District of Philadelphia, Philadelphia, Pennsylvania
Charles E. Dana 367 Oil on canvas c. 1902 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[379]
The Young Man (Kern Dodge) 368 Oil on canvas c. 1902 Philadelphia Museum of Art, Philadelphia, Pennsylvania[380]
Miss Mary Perkins (unfinished) 369 Oil on canvas c. 1902
Girl with a Fan 370 Oil on canvas c. 1902 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[381]
Adam S. Bare 371 Oil on canvas 1903
Walter Copeland Bryant 372 Oil on canvas 1903 Collection of the Brockton public library, Brockton, Massachusetts
Dr. Matthew H. Cryer 373 Oil on canvas 1903 Private collection
Archbishop William Henry Elder 374 Oil on canvas 1903 66 3/16 × 45 3/16 Cincinnati Art Museum, Cincinnati, Ohio[382]
Mother Patricia Waldron 375 Sketch. Oil on canvas mounted on cardboard 1903 Study for completed portrait, G-487 (lost, probably destroyed). See below. Philadelphia Museum of Art, Philadelphia, Pennsylvania[383]
Bishop Edmond F. Prendergast 376 Oil on canvas Lost, possibly destroyed: "Murray told Eakins biographer Lloyd Goodrich that he had it 'from a reliable source' that the painting, which Murray considered 'superb' was somehow disposed of."[384]
James A. Flaherty 377 Oil on canvas 1903 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[128][363]
William B. Kurtz 378 Oil on canvas 1903 2015 bequest of Daniel W. Dietrich II.[385][386][387] Philadelphia Museum of Art, Philadelphia, Pennsylvania
Miss Alice Kurtz 379 Oil on canvas 1903 Fogg Art Museum, Cambridge, Massachusetts[388]
Mrs. Mary Hallock Greenewalt 380 Oil on canvas 1903 Wichita Art Museum, Wichita, Kansas[389]
Dr. Frank Lindsay Greenewalt 381 Oil on canvas 1903 Private collection, Delaware
Dr. Frank Lindsay Greenewalt 381A Oil
Mrs. Anna A. Kershaw 382 Oil on canvas 1903 Deaccessioned from Sheldon Museum of Art, Lincoln, Nebraska.
Auctioned at Sotheby's NY, December 5, 2015; sold for $187,500.[390]
Ruth (Portrait of Ruth Harding) 383 Oil on canvas 1903 White House Art Collection, Washington, D.C.
An Actress: Portrait of Suzanne Santje 384 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[391]
Sketch for an Actress 385 Oil on canvas mounted on cardboard Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, December 1, 2010; sold for $100,900.[392]
Miss Betty Reynolds 386 Oil on canvas c. 1903 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's New York, March 1, 2012; sold for $22,500.[393]
The Oboe Player 387 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[394]
Rear-Admiral Charles D. Sigsbee 388 Oil on canvas 1903 Auctioned at Sotheby's NY, May 22, 2008; sold for $1,945,000.[395]
Mrs. M.S. Stokes 389 Oil on canvas 1903 Arkell Museum, Canajoharie, New York[396]
Mrs. Richard Day 390 Oil on canvas c. 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[397]
Mother (Portrait of Annie Williams Gandy) 391 Oil on canvas c. 1903 Donated to the Smithsonian by Annie Gandy's daughters, Lucy Rodman and Helen Gandy. Smithsonian American Art Museum[398]
Mrs. Helen MacKnight (also known as "The Lady in Grey" and "Portrait of a Mother") 392 Oil on canvas c. 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[399]
Francesco Romano 393 c. 1903 Auctioned at Christie's NY, May 26, 1994; sold for $80,000.[400]
Auctioned at Sotheby's NY, November 29, 2012; sold for $146,500.[401]
Robert C. Ogden 394 Oil on canvas 1904 Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, May 20, 2009; sold for $338,500.[402][403]
Study for Robert C. Ogden 394A Oil Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $32,500.[404]
J. Carroll Beckwith 395 Oil on canvas 1904 San Diego Museum of Art, San Diego, California[60]
Charles Percival Buck 396 Oil on canvas 1904 Princeton University Art Museum, Princeton, New Jersey[405]
Mrs. James G. Carville (Portrait of Harriet Husson Carville) 397 Oil on canvas 1904 National Gallery of Art, Washington, D.C.[406]
Mrs. Kern Dodge 398 Oil on canvas 1904 Private Collection. Los Angeles
Mrs. Kern Dodge 399 Oil on canvas
Miss Beatrice Fenton (also known as "The Coral Necklace") 400 Oil on canvas 1904 Butler Institute of American Art, Youngstown, Ohio[172]
William R. Hallowell 401 Oil on canvas 1904
Music 402 Oil on canvas 1904 Albright-Knox Art Gallery, Buffalo, New York[407]
Sketch for Music 403 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[408]
The Violinist 404 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[409]
Samuel Myers 405 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[410]
Frank B.A. Linton 406 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[411]
Mrs. Edith Mahon 407 Oil on canvas 1904 Smith College Museum of Art, Northampton, Massachusetts[412]
Rear-Admiral George W. Melville 408 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[413]
William Murray 409 Oil on canvas c. 1904
Mrs. Matilda Searight 410 Oil on canvas 1904 La Salle University art gallery, Philadelphia, Pennsylvania
Edward Taylor Snow 411 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[414]
B.J. Blommers 412 1904 Toledo Museum of Art, Toledo, Ohio[60]
Mrs. B.J. Blommers 413 1904
Charles P. Gruppe 414 Oil on canvas 1904 22" × 18" Private Collection. New York City
A. Bryan Wall 414A Oil Bowdoin College Museum of Art, Brunswick, Maine[415]
Joseph R. Woodwell 415 Oil on canvas 1904 Carnegie Museum of Art, Pittsburgh, Pennsylvania[416]
William H. MacDowell 416 Oil on canvas c. 1904 Memorial Art Gallery, University of Rochester, New York[417]
Walter MacDowell 417 Oil on canvas c. 1904 Taubman Museum of Art, Roanoke, Virginia[373]
William H. Lippincott 418 Late 1904 or early 1905
Edward W. Redfield 419 Oil on canvas 1905 National Academy of Design, New York
Rear-Admiral George W. Melville 420 Oil on canvas 1905 National Gallery of Art, Washington, D.C.[418]
Mrs. George Morris 421 Oil on canvas 1905
Professor William Smith Forbes 422 Oil on canvas 1905 Deaccessioned from Thomas Jefferson University, Philadelphia, Pennsylvania in 2007. Private collection
Charles L. Fussell 423 Oil on canvas c. 1905 Montclair Art Museum, Montclair, New Jersey[419]
Study for Charles L. Fussell 423A Oil on board c. 1905 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 1, 2012; sold for $27,500.[420]
Miss Florence Einstein 424 Oil on canvas 1905 Currier Museum of Art, Manchester, New Hampshire[421]
Monsignor Diomede Falconio 425 Oil on canvas 1905 National Gallery of Art, Washington, D.C.[422]
John B. Gest 426 Oil on canvas 1905 Museum of Fine Arts, Houston, Houston, Texas[423]
Asbury.W. Lee 427 Oil on canvas 1905 Reynolda House Museum of American Art, Winston-Salem, North Carolina[424]
Miss Elizabeth L. Burton 428 Oil on canvas c. 1905 Minneapolis Institute of Arts, Minneapolis, Minnesota[60]
Dr. Thomas H. Fenton 429 Oil on canvas c. 1905 Delaware Art Museum, Wilmington, Delaware
Mrs. Louis Husson (Annie C. Lochrey) 430 Oil on canvas c. 1905 National Gallery of Art, Washington, D.C.[425]
Maurice Feeley 431 Oil on canvas c. 1905 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $27,500[426]
Genjiro Yeto 432 1906
A Singer: Portrait of Mrs. W.H. Bowden 433 Oil on canvas 1906 Princeton University Art Museum, Princeton, New Jersey[427]
A Singer: Portrait of Mrs. Leigo 434 Oil on canvas c. 1906 Berry-Hill Galleries, New York
Richard Wood 435 Oil on canvas 1906
Master Alfred Douty 436 Oil on canvas 1906 Santa Barbara Museum of Art, Santa Barbara, California[428]
A Little Girl 437 Oil on canvas c. 1906 Philadelphia Museum of Art, Philadelphia, Pennsylvania[429]
Monsignor James P. Turner 438 Oil on canvas c. 1906 Nelson-Atkins Museum of Art, Kansas City, Missouri[430]
Sketches 439 Oil on cardboard Double sided: one side is a sketch for Monsignor James P. Turner.
The reverse is a sketch for William Rush and His Model (Honolulu), G-451. Related to G-454.		 Philadelphia Museum of Art, Philadelphia, Pennsylvania[431][432]

Thomas J. Eagan 440 Oil on canvas 1907 Auctioned at Christie's NY, May 21, 1998; sold for $240,000.[433] Terra Museum, Chicago, Illinois[434]
Dr. Albert C. Getchell 441 Oil on canvas 1907 North Carolina Museum of Art, Raleigh, North Carolina[60]
Dr. William Thomson 442 Oil on canvas 1907 Mütter Museum, College of Physicians of Philadelphia, Philadelphia, Pennsylvania
Dr. William Thomson (unfinished) 443 Oil on canvas National Gallery of Art, Washington, D.C.[435][436]
Major Manuel Waldteufel 444 Oil on canvas 1907 Deaccessioned from French Benevolent Society of Philadelphia, 2003.
Auctioned at Christie's NY, May 21, 2008; sold for $289,000.[437]		 Hirschl and Adler Galleries, New York
William Rush and His Model (Brooklyn) 445 Oil on canvas 1908 Brooklyn Museum of Art, New York[438]
Sketch for William Rush and His Model (Brooklyn), G-445 446 Oil on wood 1908 8¾ × 10
Sketch for William Rush and His Model (Brooklyn), G-445 447 Oil on wood Hirshhorn Museum and Sculpture Garden, Washington, D.C.[439]
Studies of Rush 448 Oil on wood Originally a collage with G-448A and G-448B until the images were split.[5]
Study of Rush 448A Oil on wood Originally a collage with G-448 and G-448B until the images were split.[5]
Study of Rush 448B Oil on wood Originally a collage with G-448 and G-448A until the images were split.[5]
Study of Rush
Study for William Rush and His Model (Brooklyn), G-445.		 449 Oil on canvas Auctioned at Heritage Dallas, November 9, 2009; sold for $100,380.[440]
Study of the Negress (The Chaperone)
Study for William Rush and His Model (Brooklyn), G-445.		 450 Oil on canvas c. 1908 National Gallery of Art, Washington, DC[441]
William Rush and His Model (Honolulu) 451 Oil on canvas 1907–1908 In Eakins Revealed (pp. 369–371), author Henry Adams claims that Eakins' friend, Miss Mary Adeline Williams (G-323), was the nude model for William Rush and his Model.
Related studies: G-445, G-446, G-447, G-452, G-453 and G-454.		 Honolulu Museum of Art, Honolulu, Hawaii[442]
The Model
Study for William Rush and His Model (Honolulu), G-451		 452 Oil on canvas Auctioned at Sotheby's New York, May 22, 2008, sold for $1,273,000.[443] Crystal Bridges Museum of American Art, Bentonville, Arkansas[444]
William Rush and His Model 453 Oil on canvas 1908 Smithsonian American Art Museum, Washington, D.C.[445]
Study for "William Rush's Model" 454 Oil on canvas c. 1908 Related to G-439.
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's New York, May 20, 2009; sold for $122,500.[446]
Miss Eleanor S.F. Pue 455 Oil on canvas 1907 Virginia Museum of Fine Arts, Richmond, Virginia[60]
Miss Rebecca MacDowell 456 Oil on canvas c. 1908
The Old-Fashioned Dress: Portrait of Miss Helen Parker 457 Oil on canvas c. 1908 Philadelphia Museum of Art, Philadelphia, Pennsylvania[447]
Sketch for the Old-Fashioned Dress 458 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[448]
Study for the Old-Fashioned Dress 459 Oil on canvas 1908 Collection of Mr. and Mrs. Daniel Dietrich II[449][450]
Mrs. Lucy Langdon W. Wilson 460 Oil on canvas 1908 Auction at Sotheby's NY, December 3, 1998; sold for $60,000.[451]
Mrs. Lucy Langdon W. Wilson 461 Oil on canvas Early 1909
Dr. William P. Wilson 462 Oil on canvas 1909
Dr. Henry Beates Jr. 463 Oil on canvas 1909
Henry Beates 464 Oil on canvas c. 1909
Edward A. Schmidt 465 Oil on canvas c. 1909
Reverend Cornelius J. O'Neill 466 Oil on canvas c. 1909
John J. Borie 467 Oil on canvas 1896-98 Hood Museum of Art, Dartmouth College,
Hanover, New Hampshire[452]
Mrs. Nicholas Douty 468 Oil on canvas 1910 Cummer Gallery of Art, Jacksonville, Florida[60]
Dr. Gilbert Lafayette Parker 469 Oil on canvas 1910 Auctioned at Sotheby's NY, May 29, 1986; sold for $125,000.[453]
Mrs. Gilbert Parker 470 Oil on canvas 1910 Museum of Fine Arts, Boston, Boston, Massachusetts[454]
Gilbert Sunderland Parker 471 Oil on canvas 1910
Ernest Lee Parker 472 Oil on canvas 1910 Deaccessioned from the Westmoreland Museum of American Art.
Auctioned at Christie's NY, December 5, 2002; sold for $101,575.[455]
President Rutherford B. Hayes 473 Oil on canvas 1912 or 1913 Philipse Manor Hall, Yonkers, New York
Dr. Edward Anthony Spitzka 474 Oil on canvas c. 1913 Eakins' last painting.
This originally showed a full length Dr. Spitzka holding the cast of a brain. Sometime after it was cataloged in the 1933 Goodrich catalog (measuring 84×43½ inches), someone cut away the rest of the painting, leaving only the head and bust (30½×25? inches).[456]		 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[457]
President Rutherford B. Hayes 475 1877 "Probably no longer in existence"
James L. Wood 476 c. 1890 "Probably no longer in existence"
William Rudolf O'Donovan 477 1891 or early 1892 "Probably no longer in existence"
Miss Emily Sartain 478 Sometime in the 1890s Thought to have been lost ("Probably no longer in existence".) Later rediscovered. Passed down through the Sartain family to the Babcock Galleries, and was sold to Rita and Daniel Fraad in 1957.
Auctioned at Sotheby's NY, December 1, 2004; sold for $170,000.[458]
Miss Emily Sartain 479 Sometime in the 1890s "Probably no longer in existence"
Dr. Hugh A. Clarke 480 c. 1893 "Probably no longer in existence"
James MacAlister 481 c. 1893 "Probably no longer in existence"
Circus People 482 Before 1876 Sketch. "Probably no longer in existence"
Stewart Culin 483 c. 1899 "Probably no longer in existence"
Dr. George B. Wood 484 c. 1900 "Probably no longer in existence"
Dr. Patrick J. Garvey 485 Oil on canvas 1902 Thought to have been destroyed, rediscovered in 1959 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[128][363]
Right Reverend Denis J. Dougherty 486 1903 Private Collection[459]
Mother Patricia Waldron 487 1903 "Probably no longer in existence" – loaned by the Sisters of Mercy to William Antrim, who had been commissioned to paint a new portrait of Waldron. Antrim stored the portrait in the attic of his studio. The portrait was lost when the building was demolished.[460] For sketch, see above, G-375.
Mrs. Margaret Jane Gish 488 c. 1903 "Probably no longer in existence"
Robert C. Ogden 489 "Probably no longer in existence"
Dr. J. William White 490 1904 "Probably no longer in existence"
Adolphie Borie 491 c. 1910 "Probably no longer in existence"
Mrs. Charles Lester Leonard 492 1895 No longer in existence
Mrs. Hubbard 493 c. 1895 No longer in existence
Mrs. McKeever 494 1898 No longer in existence
Bishop Edmond F. Prendergast 495 Oil on canvas c. 1903 No longer in existence
Frank W. Stokes 496 1903 No longer in existence
Edward S. Buckley 497 1906 No longer in existence. According to Buckley's daughter: "It was so unsatisfactory that we destroyed it, not wishing his descendants to think of their grandfather as resembling the portrait."[461]
Studies for William Rush and His Model 498 Sculpture, pigmented wax 1876–1877 Five studies Philadelphia Museum of Art, Philadelphia, Pennsylvania[462]







The Mare "Josephine" 499 Sculpture, bronze 1878,
cast 1930		 Height: 22.125 in (56.2 cm) Quarter-size model.
Josephine was the lead horse in The Fairman Rogers Four-in-Hand (G-133). Eakins and his students created a life-size plaster model of her in 1878. Following her natural death, c.1881, the carcass was dissected and used to create plaster écorché models for teaching equine anatomy.		 Philadelphia Museum of Art, Philadelphia, Pennsylvania
Horse Skeleton 500 Sculpture, painted plaster 1878 11.25 x 14.375 x 2.125 in (28.5 x 36.3 x 5.3 cm) Eighth-size model.
A plaster cast is at the University of Michigan Museum of Art. A 1930 bronze cast is at the Butler Institute of American Art.[463]		 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
The Mare "Josephine": Écorché 501 Sculpture, painted plaster 1882 22 x 24 x 4 in
(55.88 x 60.96 x 10.16 cm)		 Quarter-size model.
An edition of 10 bronze casts was made in 1979. These are at the Hood Museum of Art, Harvard Art Museums, Crystal Bridges Museum of American Art, and elsewhere.[464]		 National Gallery of Art, Washington, D.C.[465]
The Mare "Josephine": Écorché 502 Sculpture, painted plaster 1882 22.25 x 31 x 3 in (56.52 x 78.74 x 7.62 cm) Quarter-size model.
A 1930 bronze cast is at the Philadelphia Museum of Art.[463]		 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
Four models of horses for The Fairman Rogers Four-in-Hand 503 Sculpture, bronze with marble bases 1879,
cast 1946		 Lengths: 11.75 in (29.8 cm)
11.875 in (30.2 cm)
11.938 in (30.3 cm)
12.25 in (31.1 cm)[466]		 Eighth-size models. Philadelphia Museum of Art, Philadelphia, Pennsylvania
Spinning 504 Sculpture, painted plaster late-1882/ early-1883 21 x 17.375 x 4.25 in (53.24 x 44.133 x 10.8 cm) PAFA also owns an 1886 bronze cast.[467]
An 1886 bronze cast is at the Philadelphia Museum of Art.[181]		 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[468]
Knitting 505 Sculpture, painted plaster 1881 20.75 x 17.25 x 4.5 in (52.7 x 43.82 x 11.43 cm) PAFA also owns an 1886 bronze cast.[469]
An 1886 bronze cast is at the Philadelphia Museum of Art.[181]		 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[470]
Arcadia 506 Sculpture, painted plaster 1883 11.875 x 24.25 x 2.375 in (29.9 x 61.3 x 5.7 cm) Plaster casts are at the Philadelphia Museum of Art, Yale University Art Gallery, and elsewhere. A 1930 bronze cast is in the collection of Jamie Wyeth. Hirshhorn Museum and Sculpture Garden, Washington, D.C.[471]
An Arcadian 507 Sculpture, painted plaster 1883 Susan Macdowell Eakins posed as the model. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
The Youth Playing the Pipes 508 Sculpture, painted plaster 1883 20.125 x 11.5 x 1.75 in (51 x 29.1 x 4.2 cm) Plaster casts are at the Pennsylvania Academy of the Fine Arts, and elsewhere. A 1930 bronze cast is at the Hirshhorn Museum and Sculpture Garden. Philadelphia Museum of Art, Philadelphia, Pennsylvania
Abraham Lincoln's horse 509 Sculpture 1893–1894 William Rudolf O'Donovan modeled the figure of Abraham Lincoln.
Originally paired with G-509A in the 1933 Goodrich catalog.[5]		 Soldiers' and Sailors' Memorial Arch, Prospect Park, Brooklyn, New York City
General Grant's Horse 509A Sculpture, bronze 1892 William Rudolf O'Donovan modeled the figure of Ulysses S. Grant.
Originally listed as G-509 in the 1933 Goodrich catalog.[5]		 Soldiers' and Sailors' Memorial Arch, Prospect Park, Brooklyn, New York City


Full-size plaster model of Clinker.
Clinker 510 Sculpture, bronze 1892, cast 1930 6.25 x 6.25 x 2 in (15.8 x 15.8 x 4.9 cm) Sixteenth-size model. Hirshhorn Museum and Sculpture Garden, Washington, D.C.[472]
Clinker 511 Sculpture, painted plaster 1892 25.34 x 25.34 x 4.5 in (65.4 x 65.4 x 11.4 cm) Quarter-size model.
A 1930 bronze cast is also at the Philadelphia Museum of Art.		 Philadelphia Museum of Art, Philadelphia, Pennsylvania[463]
Billy 512 Sculpture, plaster c. 1892–1893
The American Army Crossing the Delaware 513 Sculpture, bronze relief c. 1893 New Jersey State Museum, Trenton, New Jersey[473]
The Opening of the Fight, The Battle of Trenton 514 Sculpture, bronze relief c. 1893 New Jersey State Museum, Trenton, New Jersey[474]
Man on Horseback: Relief 514A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[5]
Mrs. Mary Hallock Greenewalt 515 Sculpture, bronze relief 1905 Delaware Art Museum, Wilmington, Delaware

Notes

  1. ↑ Adams, Eakins revealed, 537
  2. ↑ Foster, 1
  3. ↑ Foster, 2–3
  4. ↑ "Previous to Goodrich's monograph, only short essays on Eakins and checklists of his works had been published. NO monographic studies or commentaries on the artist appeared during his lifetime. Most notable of the early works on Eakins are Alan Burroughs' three articles which appeared in The Arts during 1923 and 1924 and Henri Marceau's essay and checklist (announcing the receipt of Susan Eakins' bequest). According to Goodrich, he was encouraged to write the Eakins monograph by close friend Reginald Marsh, an avid admirer of the older artist." – Milroy, 30, footnote 9
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins: Series VII. catalogue raisonné.
  6. ↑ Rosenzweig, 23
  7. ↑
  8. ↑ Hendricks, 1974, 7
  9. 1 2 Rosenzweig, 24
  10. ↑
  11. ↑
  12. ↑ Homer, 1980, Dietrich catalogue #13
  13. ↑ Rosenzweig, 26
  14. ↑
  15. ↑ Rosenzweig, 27
  16. ↑
  17. ↑ Rosenzweig, 16 and 22
  18. ↑ Foster, #5
  19. ↑ Foster, 294–295
  20. ↑ "Philadelphia Museum of Art – Collections Object : Study of a Seated Nude Woman Wearing a Mask". Philamuseum.org. Retrieved June 3, 2012.
  21. ↑ Siegl, cat #16
  22. ↑ Siegl, cat #19
  23. ↑ Siegl, cat #18
  24. ↑ "Philadelphia Museum of Art – Collections Object : Study of a Reclining Nude Woman". Philamuseum.org. Retrieved June 3, 2012.
  25. ↑ Siegl, cat #2
  26. ↑ Siegl, cat #3
  27. ↑ Siegl, cat #1
  28. ↑ Foster, 236, footnote 8
  29. ↑ National Gallery of Art, 36
  30. ↑ "Man in a Turban". Fine Arts Museum of San Francisco. Retrieved June 2, 2012.
  31. ↑ Fogg Museum Web entry for Nude woman reclining on a couch
  32. ↑ Head of a Warrior; and Seated Nude: A Double-sided Work. Christie's auction website.
  33. ↑ Homer, 2009, insert
  34. ↑ Rosenzweig, 35
  35. 1 2 3 4 5 "On the basis of Susan Eakins' opinion, Goodrich listed twelve paintings in his 1933 catalogue raisonne of Eakins' works which he identified as having been executed by the artist in Paris. All are small oil sketches measuring approximately eighteen by twelve inches in size: two studies from the antique; one of a ram's head and nine remaining studies from the male or female model. Of this dozen five have since disappeared, including the antique studies, the ram's head and two studies Goodrich described as portraits of an unidentified fellow student". Milroy 188–189. A chapter note for this paragraph says: "Goodrich, Thomas Eakins (1933) cat. nos. 19–30. Goodrich cat no. 23 (Study of a Girl's Head) is now in a private collection; no. 24 (Study of a Girl's Head) is in the Hirshhorn Museum; nos. 25–27 are in the Philadelphia Museum of Art and no. 30 (A Negress) is in the collection of the Fine Arts Museum of San Francisco." Adams, 149 is taken almost word-for-word from this thesis.
  36. ↑ Rosenzweig, 42
  37. ↑
  38. ↑ "Philadelphia Museum of Art – Collections Object : Study of a Young Woman". Philamuseum.org. Retrieved June 3, 2012.
  39. ↑ "Philadelphia Museum of Art – Collections Object : Study of a Nude Man (The Strong Man)". Philamuseum.org. Retrieved June 3, 2012.
  40. ↑ "Philadelphia Museum of Art – Collections Object : Study of a Nude Man". Philamuseum.org. Retrieved June 3, 2012.
  41. ↑ Southeby's Listing for "Thomas Eakins: study of a student's head"
  42. ↑ Homer, 92, pg 42
  43. ↑ "Female Model". Fine Arts Museum of San Francisco. Retrieved June 2, 2012.
  44. ↑ "Thomas Eakins (1844–1916) | Cathedral of Seville | American Art Auction | 19th Century, Paintings | Christie's". Christies.com. Retrieved June 3, 2012.
  45. ↑ "The Metropolitan Museum of Art – Carmelita Requena". Metmuseum.org. Retrieved June 3, 2012.
  46. ↑ Kirkpatrick, 125
  47. ↑ "The Nelson-Atkins Museum of Art | Collection Database – Image View". Nelson-atkins.org. Retrieved June 3, 2012.
  48. ↑ Johns, XIII
  49. ↑ "American Art: Home Scene". Brooklyn Museum. Retrieved June 3, 2012.
  50. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Margaret Eakins in a Skating Costume". Philamuseum.org. Retrieved June 3, 2012.
  51. ↑ G-40 at Sotheby's
  52. ↑ Rosenzweig, 17 and 46
  53. ↑ "(10 of 23)". Cedarhurst.org. Retrieved June 3, 2012.
  54. 1 2 3 Rosenzweig, 53–54
  55. ↑
  56. ↑ "The Metropolitan Museum of Art – The Champion Single Sculls (Max Schmitt in a Single Scull)". Metmuseum.org. Retrieved June 3, 2012.
  57. ↑
  58. ↑ Rosenzweig, 49
  59. ↑ "Yale University Art Gallery – eCatalogue – Kathrin". Ecatalogue.art.yale.edu. Retrieved June 3, 2012.
  60. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 Christopher Wright. The World's Master Paintings. Routledge, 1992. ISBN 0-415-02240-1. Entry for Thomas Eakins: Volume I, Pages 718–719
  61. ↑ Sewell, 2001, pg. 241
  62. ↑ "Philadelphia Museum of Art – Collections Object : The Pair-Oared Shell". Philamuseum.org. Retrieved June 3, 2012.
  63. ↑ Sewell, 1982, 20
  64. ↑ "Philadelphia Museum of Art – Collections Object : Perspective Drawing for The Pair-Oared Shell". Philamuseum.org. Retrieved June 3, 2012.
  65. ↑ "Philadelphia Museum of Art – Collections Object : Perspective Drawing for The Pair-Oared Shell". Philamuseum.org. Retrieved June 3, 2012.
  66. ↑ "The Cleveland Museum of Art". Clevelandart.org. Retrieved June 3, 2012.
  67. ↑ Homer, 92, pg 60–61
  68. ↑ "The Cleveland Museum of Art". Clevelandart.org. Retrieved June 3, 2012.
  69. ↑ Rosenzweig, 50
  70. ↑
  71. ↑ Foster, 128
  72. ↑ Sewell, 2001, 98
  73. ↑ "Yale University Art Gallery – eCatalogue – John Biglin in a Single Scull". Ecatalogue.art.yale.edu. Retrieved June 3, 2012.
  74. ↑ Cooper, 62
  75. ↑ "The Metropolitan Museum of Art – John Biglin in a Single Scull". Metmuseum.org. Retrieved June 3, 2012.
  76. ↑ "Collections | Museum of Fine Arts, Boston". Mfa.org. Retrieved June 3, 2012.
  77. ↑ Homer, 1992, pg 66
  78. ↑ "Yale University Art Gallery – eCatalogue – John Biglin in a Single Scull". Ecatalogue.art.yale.edu. Retrieved June 3, 2012.
  79. ↑ "The Biglin Brothers Racing". Nga.gov. January 7, 1953. Retrieved June 3, 2012.
  80. ↑ Cooper, 49
  81. ↑ Rosenzweig, 52
  82. ↑
  83. ↑ "Philadelphia Museum of Art – Collections Object : Sketch of Max Schmitt in a Single Scull". Philamuseum.org. Retrieved June 3, 2012.
  84. ↑ Cooper, 55
  85. ↑ Kirkpatrick, 144
  86. ↑ "Yale University Art Gallery – eCatalogue – The Oarsmen (The Schreiber Brothers)". Ecatalogue.art.yale.edu. Retrieved June 3, 2012.
  87. ↑ Foster, #117
  88. ↑ Homer, 92, pgs 70–71
  89. ↑ "The Metropolitan Museum of Art – Pushing for Rail". Metmuseum.org. Retrieved June 3, 2012.
  90. ↑ "American Art: Whistling for Plover". Brooklyn Museum. Retrieved June 3, 2012.
  91. ↑ "Philadelphia Museum of Art – Collections Object : Landscape with a Dog". Philamuseum.org. Retrieved June 3, 2012.
  92. ↑ "Philadelphia Museum of Art – Collections Object : Sailboats Racing on the Delaware". Philamuseum.org. Retrieved June 3, 2012.
  93. ↑ "Philadelphia Museum of Art – Collections Object : Sailing". Philamuseum.org. Retrieved June 3, 2012.
  94. ↑ "Collections | Museum of Fine Arts, Boston". Mfa.org. Retrieved June 3, 2012.
  95. ↑ "Wichita Art Museum Art Collection Manager". Wichitaartmuseum.org. Retrieved June 3, 2012.
  96. ↑ Foster, #233
  97. ↑ "Philadelphia Museum of Art – Collections Object : Ships and Sailboats on the Delaware". Philamuseum.org. Retrieved June 3, 2012.
  98. ↑ Drifting – John Wilmerding Collection. National Gallery of Art.
  99. ↑ Goodrich, 1982, volume I, page 3
  100. ↑ Homer, 1980, Dietrich catalogue #1
  101. ↑ Julie S. Berkowitz. "Adorn the Halls": History of the Art Collection at Thomas Jefferson University. Thomas Jefferson University, 1999, ISBN 0-9674384-1-1. PAGE 140.
  102. ↑ Kirkpatrick, 161
  103. ↑ Homer, 92, pg 72
  104. ↑ Rosenzweig, 56
  105. ↑
  106. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Dr. Samuel D. Gross (The Gross Clinic)". Philamuseum.org. 2007-01-01. Retrieved 2012-06-08.
  107. ↑ "Collection Detail | Pennsylvania Academy of the Fine Arts | Museum and School | 1805". Pafa.org. Retrieved 2012-06-08.
  108. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for The Gross Clinic". Philamuseum.org. 2007-01-01. Retrieved 2012-06-08.
  109. ↑ "Worcester Art Museum – Thomas Eakins: Study of the Head of Samuel David Gross". Worcesterart.org. Retrieved 2012-06-08.
  110. ↑ "The Metropolitan Museum of Art – Gross Clinic". Metmuseum.org. Retrieved 2012-06-08.
  111. ↑ Sewell, 1982, 42
  112. ↑ Homer, 1980, Dietrich catalogue #4
  113. ↑ Sewell, 2001, 392, footnote 67
  114. ↑ "About This Artwork | The Art Institute of Chicago". Artic.edu. Retrieved 2012-06-08.
  115. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of J. Harry Lewis". Philamuseum.org. Retrieved 2012-06-08.
  116. ↑ "The Metropolitan Museum of Art – The Chess Players". Metmuseum.org. Retrieved 2012-06-08.
  117. ↑ "The Metropolitan Museum of Art – Perspective Drawing for the "Chess Players"". Metmuseum.org. Retrieved 2012-06-08.
  118. ↑ "Philadelphia Museum of Art – Collections Object : Bertrand Gardel (Sketch for The Chess Players)". Philamuseum.org. Retrieved 2012-06-08.
  119. ↑ Baby at Play Archived May 8, 2009, at the Wayback Machine.
  120. ↑ Stocker, Kathleen (2009-11-20). "A Repository for Bottled Monsters: Dr. John H. Brinton". Bottledmonsters.blogspot.com. Retrieved 2012-06-08.
  121. ↑ "Thomas Eakins (1844–1916) | Mrs. Samuel Hall Williams (Abigail Swing) | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  122. ↑ "Thomas Eakins (1844–1916) | Study for "The Surrender of General Lee" | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  123. ↑ "Collections | Museum of Fine Arts, Boston". Mfa.org. Retrieved 2012-06-08.
  124. ↑ "Yale University Art Gallery – eCatalogue – Rail Shooting on the Delaware". Ecatalogue.art.yale.edu. Retrieved 2012-06-08.
  125. ↑ Homer, 1980, Dietrich catalogue #14
  126. ↑ "Collections Database". Museums.fivecolleges.edu. Retrieved 2012-06-08.
  127. ↑ Landscape, from Christie's NY.
  128. 1 2 3 4 5 6 Michael Kimmelman. In the Company of Eakins. The New York Times, January 27, 2000; 2014 put up for sale, see Paintings of noted artists, including Eakins, to be sold by seminary
  129. ↑ Archbishop James Frederick Wood, from Crystal Bridges Museum of American Art.
  130. ↑ "Yale University Art Gallery – eCatalogue – Archbishop James Frederick Wood (1813–1883)". Ecatalogue.art.yale.edu. Retrieved 2012-06-08.
  131. ↑ Rosenzweig, 57–58
  132. ↑
  133. ↑ "Philadelphia Museum of Art – Collections Object : William Rush Carving His Allegorical Figure of the Schuylkill River". Philamuseum.org. Retrieved 2012-06-08.
  134. ↑ http://browser.farnsworthmuseum.org/collection/results.do?view=detail&db=object&id=210
  135. ↑ Sewell, 1982, 54
  136. ↑ "Yale University Art Gallery – eCatalogue – William Rush Carving His Allegorical Figure of the Schuylkill River, Study". Ecatalogue.art.yale.edu. 1979-05-14. Retrieved 2012-06-08.
  137. ↑ "Philadelphia Museum of Art – Collections Object : Interior of a Woodcarver's Shop (Sketch for William Rush Carving His Allegorical Figure of the Schuylkill River)". Philamuseum.org. 1946-01-19. Retrieved 2012-06-08.
  138. ↑ "About This Artwork | The Art Institute of Chicago". Artic.edu. Retrieved 2012-06-08.
  139. ↑ "eMuseum". Mcis2.princeton.edu. Retrieved 2012-06-08.
  140. ↑ "Seattle Art Museum: Permanent Collection". seattleartmuseum.org. Retrieved June 2, 2012.
  141. ↑ "The Metropolitan Museum of Art – Young Girl Meditating". Metmuseum.org. Retrieved 2012-06-08.
  142. ↑ Foster, #241
  143. ↑ Foster, 87
  144. ↑ "Philadelphia Museum of Art – Collections Object : Lafayette Park, Washington, D.C". Philamuseum.org. Retrieved 2012-06-08.
  145. ↑ "The Coutship". gallery.famsf.org. Retrieved June 2, 2012.
  146. ↑ "Courtship by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 1983-06-03. Retrieved 2012-06-08.
  147. ↑ Tom Armstrong, An American Odyssesy: The Warner Collection of American Fine and Decorative Arts (New York: Monacelli Press Inc., 2001), p. 23.
  148. ↑ Study for The Courtship Christie's New York.
  149. ↑ "The Metropolitan Museum of Art – The Dancing Lesson (Negro Boy Dancing)". Metmuseum.org. Retrieved 2012-06-08.
  150. ↑ Foster, plate 8
  151. ↑ "Collection Detail | Pennsylvania Academy of the Fine Arts | Museum and School | 1805". Pafa.org. Retrieved 2012-06-08.
  152. ↑ Study for "Negro Boy Dancing": The Banjo Player Archived April 12, 2010, at the Wayback Machine.
  153. ↑ Study for "Negro Boy Dancing": The Boy Archived May 8, 2009, at the Wayback Machine.
  154. ↑ Schoonover, Jametta Wright, ed. The Brinton Genealogy: A History of William Brinton who came from England to Chester County, Pennsylvania in 1984 and of his descendants. Trenton, New Jersey: MacCrellish & Quigley Company, 1925, 362.
  155. ↑ Sewell, 1982, 123
  156. ↑ Foster, 436–437
  157. ↑ "American Art: "Thar's Such A Thing As Calls in This World," illustration for "Mr. Neelus Peeler's Conditions"". Brooklyn Museum. Retrieved 2012-06-08.
  158. ↑
  159. ↑ Henricks, 1974, CL-10
  160. ↑ Hendricks, 316 (CL10)
  161. ↑ Archived July 26, 2011, at the Wayback Machine.
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  163. ↑
  164. ↑ Sewell, 2001, 219
  165. ↑ https://web.archive.org/web/20110726164033/http://ink.nbmaa.org:8080/emuseum/view/objects/asitem/13/2/primaryMaker-asc/title-asc;jsessionid=92CF81D2B363058FCE6E62AF4BC4D527?t:state:flow=34259510-5b68-4f19-a030-e9bf121d253e. Archived from the original on July 26, 2011. Retrieved July 24, 2010. Missing or empty |title= (help)
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  167. ↑ "Philadelphia Museum of Art – Collections Object : A May Morning in the Park (The Fairman Rogers Four-in-Hand)". Philamuseum.org. Retrieved 2012-06-08.
  168. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for The Fairman Rogers Four-in-Hand". Philamuseum.org. Retrieved 2012-06-08.
  169. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Mrs. Fairman Rogers (Study for The Fairman Rogers Four-in-Hand)". Philamuseum.org. Retrieved 2012-06-08.
  170. 1 2 3 4 Foster, 439
  171. 1 2 3 4 Studies for "The Fairman Rogers Four-in-hand", from Blouin Art Sales Index. The auction lists only Goodrich 137. However, Sewell, 1982, 68, depicts Goodrich 199 and 201, and shows the images in the Sotheby's listing.
  172. 1 2 "Thomas cowperthwait eakins 1844". Butlerart.com. Retrieved 2012-06-08.
  173. ↑ The Green Tree: highlights from the collection of the Mutual Assurance Company of Philadelphia. Schwarz, 2007. Available online
  174. ↑ "Yale University Art Gallery – eCatalogue – Retrospection". Ecatalogue.art.yale.edu. Retrieved 2012-06-08.
  175. ↑ PMA accession number 1930-32-2
  176. ↑ "Philadelphia Museum of Art – Collections Object : The Crucifixion". Philamuseum.org. Retrieved 2012-06-08.
  177. ↑ Rosenzweig, 18
  178. ↑
  179. ↑ "Wallace posing by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 1987-12-03. Retrieved 2012-06-08.
  180. ↑ "The Athenaeum – Wallace Posing (Thomas Eakins – c. 1883)". the-athenaeum.org. Retrieved June 2, 2012.
  181. 1 2 3 Sewell, 1982, 63
  182. ↑ Foster, #243
  183. ↑ "The Metropolitan Museum of Art – Homespun". Metmuseum.org. Retrieved 2012-06-08.
  184. ↑ "Yale University Art Gallery – eCatalogue – Sketches for "Home-Spun", (recto and verso)". Ecatalogue.art.yale.edu. Retrieved 2012-06-08.
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  186. ↑ "The Metropolitan Museum of Art – The Pathetic Song". Metmuseum.org. Retrieved 2012-06-08.
  187. ↑ "Yale University Art Gallery – eCatalogue – Study for Rail Shooting from a Punt". Ecatalogue.art.yale.edu. Retrieved 2012-06-08.
  188. ↑ The Poleman in the Ma'sh Archived May 8, 2009, at the Wayback Machine.
  189. ↑
  190. ↑ "Philadelphia Museum of Art – Collections Object : Shad Fishing at Gloucester on the Delaware River". Philamuseum.org. Retrieved 2012-06-08.
  191. ↑ "The Metropolitan Museum of Art – Taking Up the Net". Metmuseum.org. Retrieved 2012-06-08.
  192. ↑ "Thomas Eakins". Libx.bsu.edu. Retrieved 2012-06-08.
  193. ↑ "Philadelphia Museum of Art – Collections Object : Mending the Net". Philamuseum.org. Retrieved 2012-06-08.
  194. ↑ Foster, #249
  195. ↑ "Mending the net by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 1997-06-05. Retrieved 2012-06-08.
  196. ↑ "Philadelphia Museum of Art – Collections Object : Drawing the Seine". Philamuseum.org. Retrieved 2012-06-08.
  197. ↑ "eMuseum". Mcis2.princeton.edu. Retrieved 2012-06-08.
  198. ↑ "Philadelphia Museum of Art – Collections Object : The Meadows, Gloucester". Philamuseum.org. Retrieved 2012-06-08.
  199. ↑ "Study for the Meadows, Gloucester, New Jersey by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 1990-11-29. Retrieved 2012-06-08.
  200. ↑ "Philadelphia Museum of Art – Collections Object : Landscape Sketch". Philamuseum.org. 1985-01-25. Retrieved 2012-06-08.
  201. ↑ Foster, #250
  202. ↑ "Philadelphia Museum of Art – Collections Object : Landscape". Philamuseum.org. Retrieved 2012-06-08.
  203. ↑ Foster, #235, #236, and possibly #234
  204. ↑ Foster, 232
  205. ↑ Homer, 1980, Dietrich catalogue #2
  206. ↑ Homer, 1980, Dietrich catalogue #5
  207. ↑ Information accompanying photograph of the painting donated to the Chester County Historical Society by Sarah Ward (Brinton) Audenried, daughter of Joseph Hill Brinton.
  208. ↑ "Thomas Eakins (1844–1916) | A Study of an Old Man | American Art Auction | Christie's". Christies.com. Retrieved 2012-06-08.
  209. ↑ Study for Old Man in Taking the Count, from Freemans Auctions.
  210. ↑ "Philadelphia Museum of Art – Collections Object : Study of a Groom". Philamuseum.org. Retrieved 2012-06-08.
  211. ↑ "Philadelphia Museum of Art – Collections Object : Study of Horse for The Fairman Rogers Four-in-Hand". Philamuseum.org. Retrieved 2012-06-08.
  212. ↑ Homer, 1980, Dietrich catalogue #3
  213. ↑ "Seated figure sketch by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 2007-11-28. Retrieved 2012-06-08.
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  215. ↑ "The Metropolitan Museum of Art – The Writing Master". Metmuseum.org. Retrieved 2012-06-08.
  216. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Benjamin Eakins (Sketch for The Writing Master)". Philamuseum.org. Retrieved 2012-06-08.
  217. ↑ "Philadelphia Museum of Art – Collections Object : Sketch of a Man and Study of Drapery". Philamuseum.org. Retrieved 2012-06-08.
  218. ↑ "Swimming – Thomas Eakins (1844–1916) | Amon Carter Museum". Cartermuseum.org. 1990-01-19. Retrieved 2012-06-08.
  219. ↑
  220. ↑ Boldger, plate 12
  221. ↑ Homer, 1980, Dietrich catalogue #8
  222. ↑ Bolger, plates 17–18
  223. ↑ Bolger, plates 15–16
  224. ↑ Homer, 1980, Dietrich catalogue #9
  225. ↑ Bolger, plate 19
  226. ↑ "The Metropolitan Museum of Art – Arcadia". Metmuseum.org. Retrieved 2012-06-08.
  227. ↑ "Collection Detail | Pennsylvania Academy of the Fine Arts | Museum and School | 1805". Pafa.org. Retrieved 2012-06-08.
  228. ↑ Foster, #251
  229. ↑ "Thomas Eakins: Study for Arcadia: Youth Playing Pipes". cmoa.org. Retrieved June 2, 2012.
  230. ↑
  231. ↑ Study for An Arcadian, from Christie's NY.
  232. ↑ Homer, 1980, Dietrich catalogue #11
  233. ↑ Goodrich, 1982, volume I, page 177
  234. ↑ Sewell, 1982, 55
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  239. ↑ "Philadelphia Museum of Art – Collections Object : Professionals at Rehearsal". Philamuseum.org. Retrieved 2012-06-08.
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  242. ↑ Hoopes, 76
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  244. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Arthur Burdett Frost". Philamuseum.org. Retrieved 2012-06-08.
  245. ↑ "Yale University Art Gallery – eCatalogue – The Veteran (Portrait of George Reynolds)". Ecatalogue.art.yale.edu. Retrieved 2012-06-08.
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  248. ↑ "Prof. Barker was a chemist, and no doubt a learned man in his profession.— I think Mr. Eakins painted him because he was worthy to be remembered, it was not an order [commission]." —Mrs. Eakins to Clarence Cranmer, July 4, 1929, Archives of American Art, Smithsonian Institution.
  249. ↑ "(9 of 23)". Cedarhurst.org. Retrieved 2012-06-08.
  250. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Portrait of Professor George F. Barker". Philamuseum.org. Retrieved 2012-06-08.
  251. ↑ "Philadelphia Museum of Art – Collections Object : Seated Figures". Philamuseum.org. Retrieved 2012-06-08.
  252. ↑ Thomas Eakins. "Artwork Detail | Kemper Art Museum". Kemperartmuseum.wustl.edu. Retrieved 2012-06-08.
  253. ↑ "Portrait of Frank MacDowell by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 1983-12-09. Retrieved 2012-06-08.
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  255. ↑ "Collection Detail | Pennsylvania Academy of the Fine Arts | Museum and School | 1805". Pafa.org. Retrieved 2012-06-08.
  256. ↑ "Collections | Museum of Fine Arts, Boston". Mfa.org. Retrieved 2012-06-08.
  257. ↑ "American Art: Letitia Wilson Jordan". Brooklyn Museum. Retrieved 2012-06-08.
  258. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Portrait of Letitia Wilson Jordan". Philamuseum.org. Retrieved 2012-06-08.
  259. 1 2 3 Foster, pg 278, footnote 18
  260. ↑ http://66.251.89.230/detail.php?type=related&kv=487&t=objects
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  265. ↑ Study for Cowboys in the Badlands, from Blouin Art Sales Index.
  266. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Cowboys in the Bad Lands". Philamuseum.org. Retrieved 2012-06-08.
  267. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Cowboys in the Bad Lands". Philamuseum.org. Retrieved 2012-06-08.
  268. ↑ "FINE AMERICAN & EUROPEAN PAINTINGS – SALE 1176 – LOT 74 – FREEMAN'S AUCTIONEERS". Freemansauction.com. Retrieved 2012-06-08.
  269. ↑ Adams, Eakins revealed, 528
  270. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Douglass Morgan Hall". Philamuseum.org. Retrieved 2012-06-08.
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  272. ↑ slide 11
  273. ↑ "Yale University Art Gallery – eCatalogue – Dr. Agnew (Dr. D. Hayes Agnew) (1818–1892)". Ecatalogue.art.yale.edu. Retrieved 2012-06-08.
  274. ↑ "(8 of 23)". Cedarhurst.org. Retrieved 2012-06-08.
  275. 1 2 David Zucchino, Schools' Art Cache Is a Study in Forgotten Treasures. Los Angeles Times, July 19, 2004
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  277. ↑ "Philadelphia Museum of Art – Collections Object : The Bohemian (Portrait of Franklin Louis Schenck)". Philamuseum.org. Retrieved 2012-06-08.
  278. ↑ Hendricks, The Life and Work of Thomas Eakins, 189
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  281. ↑ "The Metropolitan Museum of Art – Cowboy Singing". Metmuseum.org. Retrieved 2012-06-08.
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  285. ↑ Bolger, plate 9
  286. ↑ "Philadelphia Museum of Art – Collections Object : The Red Shawl". Philamuseum.org. Retrieved 2012-06-08.
  287. ↑ Fogg Museum Web entry for Francis J. Ziegler
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  290. ↑ Sewell, 1982, 103
  291. ↑ "Philadelphia Museum of Art – Collections Object : The Concert Singer". Philamuseum.org. Retrieved 2012-06-08.
  292. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for The Concert Singer". Philamuseum.org. Retrieved 2012-06-08.
  293. ↑ Paintings from Europe and the Americas in the Philadelphia Museum of Art. Philadelphia Museum of Art, 1994. ISBN 0-87633-093-6. Pages 269–278
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  295. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Blanche Hurlburt". Philamuseum.org. Retrieved 2012-06-08.
  296. ↑ Kirkpatrick, 384
  297. ↑ Goodrich, 1982, volume II, page 81
  298. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Portrait of Dr. Jacob Mendez da Costa". Philamuseum.org. Retrieved 2012-06-08.
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  302. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Mrs. Frank Hamilton Cushing". Philamuseum.org. Retrieved 2012-06-08.
  303. ↑ "The Metropolitan Museum of Art – James MacAlister (Sketch)". Metmuseum.org. Retrieved 2012-06-08.
  304. ↑ http://collection.cmaohio.org/art,1948.017,Weda-Cook.php
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  309. ↑ Portrait of Mrs. Hubbard, from Blouin Art Sales Index.
  310. ↑ The Sewell C. Biggs Collection of American Art: A Catalogue. Volume II – Paintings and Sculpture. Biggs Museum of American Art, 2002. ISBN 1-893287-05-X
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  318. ↑ "Collection Detail | Pennsylvania Academy of the Fine Arts | Museum and School | 1805". Pafa.org. Retrieved 2012-06-08.
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  320. ↑ "Professor William Woolsey Johnson". gallery.famsf.org. Retrieved June 2, 2012.
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  329. ↑ "Frye Art Museum: Collection List". Fryemuseum.org. Retrieved 2012-06-08.
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  334. ↑ "Philadelphia Museum of Art – Collections Object : Billy Smith (Sketch for Between Rounds)". Philamuseum.org. Retrieved 2012-06-08.
  335. ↑ "Wichita Art Museum Art Collection Manager". Wichitaartmuseum.org. Retrieved 2012-06-08.
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  348. ↑ Rosenzweig, 19
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  350. ↑ "The Metropolitan Museum of Art – The Thinker: Portrait of Louis N. Kenton". Metmuseum.org. Retrieved 2012-06-08.
  351. ↑ http://browser.farnsworthmuseum.org/collection/results.do?view=detail&db=object&id=211
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  353. ↑ "The Metropolitan Museum of Art – Mrs. Mary Arthur". Metmuseum.org. Retrieved 2012-06-08.
  354. ↑ Thomas Cowperthwaite Eakins – Robert M. Lindsay – 1900 Amica Digital Library. 2003.
  355. ↑ Porter, plate 63
  356. ↑ "Frank Jay St. John". gallery.famsf.org. Retrieved June 2, 2012.
  357. ↑ "Philadelphia Museum of Art – Collections Object : Antiquated Music (Portrait of Sarah Sagehorn Frishmuth)". Philamuseum.org. Retrieved 2012-06-08.
  358. ↑ "Thomas Eakins (1844–1916) | Portrait of Mrs. Joseph W. Drexel | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  359. ↑ Braddock, 173
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  361. ↑ Institute of Maritime Studies – The Coffin School, Coffin School Collections
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  363. 1 2 3 4 2014 put up for sale, see Paintings of noted artists, including Eakins, to be sold by seminary
  364. ↑ Reverend James P. Turner, from Christie's New York.
  365. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Leslie W. Miller". Philamuseum.org. 1932-01-13. Retrieved 2012-06-08.
  366. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Portrait of Leslie W. Miller". philamuseum.org. Retrieved June 2, 2012.
  367. ↑ "Philadelphia Museum of Art – Collections Object : Sketch of Harry". Philamuseum.org. Retrieved 2012-06-08.
  368. ↑ https://web.archive.org/web/20110629174508/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6348. Archived from the original on June 29, 2011. Retrieved July 12, 2010. Missing or empty |title= (help)
  369. ↑ Goodrich, 1982, volume II, page 76
  370. ↑ https://web.archive.org/web/20110629174545/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6272. Archived from the original on June 29, 2011. Retrieved July 12, 2010. Missing or empty |title= (help)
  371. ↑ "Snite Museum of Art – University of Notre Dame – Collection – American". Nd.edu. Retrieved 2012-06-08.
  372. ↑ https://web.archive.org/web/20110604202251/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6286. Archived from the original on June 4, 2011. Retrieved September 24, 2009. Missing or empty |title= (help)
  373. 1 2 Kevin Kittredge. Peggy's gift – Peggy Macdowell Thomas leaves her art to Roanoke museum. The Roanoke Times, January 27, 2002
  374. ↑ "The Metropolitan Museum of Art – Signora Gomez d'Arza". Metmuseum.org. Retrieved 2012-06-08.
  375. ↑ Foster, 417
  376. ↑ pages 13–14
  377. ↑ "Thomas Eakins (1844–1916) | Study for "Portrait of the Very Reverend John J. Fedigan" | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  378. ↑ "The cardinal by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 2005-11-29. Retrieved 2012-06-08.
  379. ↑ "Collection Detail | Pennsylvania Academy of the Fine Arts | Museum and School | 1805". Pafa.org. Retrieved 2012-06-08.
  380. ↑ "Philadelphia Museum of Art – Collections Object : The Young Man (Portrait of Kern Dodge)". Philamuseum.org. Retrieved 2012-06-08.
  381. ↑ Foster, #252
  382. ↑ http://72.249.182.183/collection/results.do?id=14733&db=object&view=detail
  383. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Portrait of Mother Patricia Waldron". Philamuseum.org. Retrieved 2012-06-08.
  384. ↑ Sidney Kirkpatrick. The Revenge of Thomas Eakins. Yale University Press, 2006, ISBN 0-300-10855-9. Page 475
  385. ↑ Homer, 1980, Dietrich catalogue #10
  386. ↑ Goodrich, 1982, volume II, page 207
  387. ↑ "Philadelphia Art Museum receives 'transformational' gift," The Philadelphia Inquirer, February 25, 2016.
  388. ↑ Fogg Museum Web entry for Miss Alice Kurtz
  389. ↑ "Wichita Art Museum Art Collection Manager". Wichitaartmuseum.org. Retrieved 2012-06-08.
  390. ↑ Mrs. Anna A. Kershaw, from Sotheby's NY.
  391. ↑ "Philadelphia Museum of Art – Collections Object : An Actress (Portrait of Suzanne Santje)". Philamuseum.org. Retrieved 2012-06-08.
  392. ↑ "Thomas Eakins (1844–1916) | Study for "The Actress" | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  393. ↑ Christie?s. "Thomas Eakins (1844-1916)". christies.com.
  394. ↑ "Philadelphia Museum of Art – Collections Object : The Oboe Player (Portrait of Dr. Benjamin Sharp)". Philamuseum.org. Retrieved 2012-06-08.
  395. ↑ Rear Admiral Charles Dwight Sigsbee, from Blouin Art Sales Index.
  396. ↑ The Arkell Museum at Canajoharie. "Portrait of Mrs. Stokes | Thomas Eakins | Artist – Painter". Arkellmuseum.org. Retrieved 2012-06-08.
  397. ↑ https://web.archive.org/web/20110629174700/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6351. Archived from the original on June 29, 2011. Retrieved July 12, 2010. Missing or empty |title= (help)
  398. ↑ Mother (Annie Williams Gandy). Smithsonian Museum of American Art
  399. ↑ https://web.archive.org/web/20110629174753/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6288. Archived from the original on June 29, 2011. Retrieved July 12, 2010. Missing or empty |title= (help)
  400. ↑ "Portrait of Francesco Romano by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 1994-05-26. Retrieved 2012-06-08.
  401. ↑ "Thomas Eakins
    1844 - 1916 - lot - Sotheby's"    . sothebys.com.
  402. ↑ "Thomas Eakins (1844–1916) | Robert C. Ogden | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  403. ↑ Rosenzweig, 20
  404. ↑ "Thomas Eakins (1844–1916) | Study for "Portrait of Robert C. Ogden" | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  405. ↑ "eMuseum". Mcis2.princeton.edu. Retrieved 2012-06-08.
  406. ↑ Harriet Husson Carville (Mrs. James G. Carville) Archived May 8, 2009, at the Wayback Machine.
  407. ↑ http://66.251.89.230/detail.php?type=related&kv=433&t=objects
  408. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Music (The Violinist)". Philamuseum.org. Retrieved 2012-06-08.
  409. ↑ https://web.archive.org/web/20110629174830/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6271. Archived from the original on June 29, 2011. Retrieved July 12, 2010. Missing or empty |title= (help)
  410. ↑ https://web.archive.org/web/20110629174837/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6285. Archived from the original on June 29, 2011. Retrieved July 12, 2010. Missing or empty |title= (help)
  411. ↑ https://web.archive.org/web/20100614221911/http://www.hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6284. Archived from the original on June 14, 2010. Retrieved July 12, 2010. Missing or empty |title= (help)
  412. ↑ "Collections Database". Museums.fivecolleges.edu. Retrieved 2012-06-08.
  413. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Rear Admiral George Wallace Melville". Philamuseum.org. Retrieved 2012-06-08.
  414. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of Edward Taylor Snow". Philamuseum.org. Retrieved 2012-06-08.
  415. ↑ "Face Forward: Portraits from the American Collection (Bowdoin College Museum of Art)". Bowdoin.edu. Retrieved 2012-06-08.
  416. ↑ "Thomas Eakins: Joseph R. Woodwell". cmoa.org. Retrieved June 2, 2012.
  417. ↑ "Memorial Art Gallery Collection-William H. Macdowell, 41.26". Magart.rochester.edu. 2012-05-31. Retrieved 2012-06-08.
  418. ↑ Rear Admiral George W. Melville Archived May 8, 2009, at the Wayback Machine.
  419. ↑ (16 of 20)
  420. ↑ Christie?s. "Thomas Eakins (1844-1916)". christies.com.
  421. ↑ "Currier Collections Online – "Florence Einstein" by Thomas Eakins". Collections.currier.org. Retrieved 2012-06-08.
  422. ↑ Archbishop Diomede Falconio Archived May 8, 2009, at the Wayback Machine.
  423. ↑ Sewell, 2001, page 429, footnote 8
  424. ↑ "Selected Works". Reynoldahouse.org. Retrieved 2012-06-08.
  425. ↑ Annie C. Lochrey Husson (Mrs. Louis Husson) Archived May 8, 2009, at the Wayback Machine.
  426. ↑ "Thomas Eakins (1844–1916) | Maurice Feely | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  427. ↑ "eMuseum". Mcis2.princeton.edu. Retrieved 2012-06-08.
  428. ↑ "SBMA: museum collection > american". Sbmuseart.org. Retrieved 2012-06-08.
  429. ↑ "Philadelphia Museum of Art – Collections Object : Portrait of a Little Girl". Philamuseum.org. Retrieved 2012-06-08.
  430. ↑ "The Nelson-Atkins Museum of Art | Collection Database – Image View". Nelson-atkins.org. Retrieved 2012-06-08.
  431. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for Portrait of Monsignor James P. Turner". Philamuseum.org. Retrieved 2012-06-08.
  432. ↑ "Philadelphia Museum of Art – Collections Object : Sketch for William Rush and His Model". Philamuseum.org. Retrieved 2012-06-08.
  433. ↑ Portrait of Thomas J. Eagan, from Blouin Art Sales Index.
  434. ↑ http://terraamericanart.org/collections/code/emuseum.asp?XXX_QS_XXX&newvalues=1&rawsearch=constituentid/,/is/,/98/,/false/,/true&newstyle=single&newprofile=people&newsearchdesc=Thomas%20Eakins&newcurrentrecord=1&module=people. Retrieved July 9, 2010. Missing or empty |title= (help)
  435. ↑ NGA | John Wilmerding Collection | 08 Archived August 26, 2009, at the Wayback Machine.
  436. ↑ Myers, 83–84
  437. ↑ "Christie's auction. Lot 88, sale 2003: Major Manuel Waldteufel. "Property from the Collection of La Société de Française de Bienfaisance de Philadelphie"". Christies.com. Retrieved 2012-06-08.
  438. ↑ "American Art: William Rush Carving His Allegorical Figure of the Schuylkill River". Brooklyn Museum. Retrieved 2012-06-08.
  439. ↑ https://web.archive.org/web/20110629172511/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6311. Archived from the original on June 29, 2011. Retrieved May 17, 2010. Missing or empty |title= (help)
  440. ↑ "THOMAS EAKINS (American 1844 – 1916). Study for the 1908 version | Lot # | Heritage Auctions". Fineart.ha.com. 2006-11-09. Retrieved 2012-06-08.
  441. ↑ The Chaperone Archived May 8, 2009, at the Wayback Machine.
  442. ↑ http://www.honoluluacademy.org/cmshaa/academy/index.aspx?id=985
  443. ↑
  444. ↑ The Model, from Crystal Bridges Museum of American Art.
  445. ↑ "William Rush's Model by Thomas Eakins / American Art". Americanart.si.edu. Retrieved 2012-06-08.
  446. ↑ "Thomas Eakins (1844–1916) | Study for "William Rush and his Model" | American Art Auction | 19th century, Paintings | Christie's". Christies.com. Retrieved 2012-06-08.
  447. ↑ "Philadelphia Museum of Art – Collections Object : The Old-Fashioned Dress (Portrait of Helen Montanverde Parker)". Philamuseum.org. Retrieved 2012-06-08.
  448. ↑ Homer, 1980, Dietrich catalogue #6
  449. ↑ Homer, 1980, Dietrich catalogue #7
  450. ↑ Sewell, 1982, 131
  451. ↑ Portrait of Lucy Langdon Williams Wilson, from Blouin Art Sales Index.
  452. ↑ "Portraiture". Hoodmuseum.dartmouth.edu. Retrieved 2012-06-08.
  453. ↑ "Portrait of Dr Gilbert Lafayette Parker by Thomas Eakins | Blouin Art Sales Index". Artsalesindex.artinfo.com. 1986-05-29. Retrieved 2012-06-08.
  454. ↑ "Collections | Museum of Fine Arts, Boston". Mfa.org. Retrieved 2012-06-08.
  455. ↑ "Thomas Eakins (1844–1916) | Ernest Lee Parker | Christie's". Christies.com. Retrieved 2012-06-08.
  456. ↑ Rosenzweig, 211–212
  457. ↑ https://web.archive.org/web/20110629174911/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6279. Archived from the original on June 29, 2011. Retrieved July 12, 2010. Missing or empty |title= (help)
  458. ↑ Study for the portrait of Miss Emily Sartain, from Blouin Art Sales Index.
  459. ↑ Wilmderding, 1999, page 249
  460. ↑ Eakins Outrages a Convent, Connoisseur Magazine. July 1989, pages 75–76.
  461. ↑ Adams, 410
  462. ↑ Sewell, 1982, 53
  463. 1 2 3 Sewell, 1982, 79
  464. ↑ Écorché: Relief of a Horse (Josephine), from Crystal Bridges Museum of American Art.
  465. ↑ Écorché: Relief of a Horse (Josephine). National Gallery of Art.
  466. ↑ Sewell, 1982, p. 69.
  467. ↑ Spinning (bronze) by Thomas Eakins, from PAFA.
  468. ↑ Spinning by Thomas Eakins, from PAFA.
  469. ↑ Knitting (bronze) by Thomas Eakins, from PAFA.
  470. ↑ Knitting by Thomas Eakins, from PAFA.
  471. ↑ https://web.archive.org/web/20110604202151/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6362. Archived from the original on June 4, 2011. Retrieved August 20, 2009. Missing or empty |title= (help)
  472. ↑ https://web.archive.org/web/20110604202220/http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6361. Archived from the original on June 4, 2011. Retrieved August 20, 2009. Missing or empty |title= (help)
  473. ↑ Goodrich, 1982, volume II, page 122
  474. ↑ Goodrich, 1982, volume II, page 123

References

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  • Cooper, Helen A. Thomas Eakins: The Rowing Pictures. Yale University Art Gallery, 1996. ISBN 0-300-06939-1
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