Industrial dance music

Industrial dance music is a North American alternative term for electronic body music and electro-industrial music. Fans, who are associated with this music scene, call themselves rivetheads.

In general, "industrial dance" is characterized by its "electronic beats, symphonic keyboard lines, pile-driver rhythms, angst-ridden or sampled vocals, and cyberpunk imagery".[1][2]

Since the mid-1980s,[3] the term "industrial dance" has been used to describe the music of Cabaret Voltaire (early 1980s),[4][5] early Die Krupps,[6] Portion Control,[7] The Neon Judgement,[6] Clock DVA,[8] Nitzer Ebb,[9][10] Skinny Puppy, Front Line Assembly,[11][12][13] Front 242,[2][6][10][14] Ministry (mid-1980s era),[15] KMFDM,[16][17][18] Yeht Mae,[8] Meat Beat Manifesto, Manufacture,[19] Nine Inch Nails,[20][21] My Life with the Thrill Kill Kult,[22] Leæther Strip[23] or early Spahn Ranch.[24]

In March 1989, SPIN magazine presented a two-paged article about the industrial dance movement in Canada and the US.[19]

Print media

  • Black Monday (US)
  • Bodystyler (G)
  • Crewzine (SK)
  • Culture Shock (US)
  • Dissonance (US)
  • Electronic Disease (G)
  • Engine (BR)
  • GEAR Magazine (US)
  • Godsend Magazine (US)
  • In Perpetual Motion (US)
  • IndustrialnatioN (US)
  • Infectious Substance (US)
  • Interface (US)
  • NRG. (G)
  • Neurostyle (G)
  • New Life (CH / G)
  • Permission (US)
  • Revotnik (G)
  • Shadow Cast (G)
  • Side-Line (B)
  • Substitution (US)
  • Sur-face (G)
  • Technology Works (US)
  • Terra Industria (US)
  • Under the Flag (B)
  • Vertigo (G)
  • Voltage (US)
  • Zone (G)

See also

Sources

  1. 1 2 Marras, Amerigo (1999). ECO-TEC: Architecture of the In-Between -. Princeton Architectural Press. p. 54. ISBN 1568981597.
  2. 1 2 Tony Fletcher: Let's Go - Lollapalooza '93, SPIN magazine, July 1993, p. 44
  3. Gail Priest: Experimental Music: Audio Explorations in Australia, p. 48, University of New South Wales Press, 2009, ISBN 1-921410-07-8
  4. Holly George-Warren / Patricia Romanowski / Jon Pareles: The Rolling Stone Encyclopedia of Rock & Roll, p. 140, Fireside, 2001, ISBN 0-7432-0120-5
  5. Knowles, Christopher (2010). The Secret History of Rock 'n' Roll. Cleis Press. ISBN 1573445649.
  6. 1 2 3 David Nobahkt: Suicide: No Compromise, p. 166, SAF Publishing Ltd., 2004, ISBN 0-946719-71-3
  7. The Wire, Volume 269-274, p. 32, C. Parker, 2006
  8. 1 2 Rudy von Bitter Rucker / R. U. Sirius / Queen Mu: Mondo 2000: A User's Guide to the New Edge, HarperPerennial, 1992, ISBN 0-06-096928-8
  9. Tony Fletcher: Hard-boiled Ebb – Interview with Nitzer Ebb, SPIN magazine, February 1992, p. 17
  10. 1 2 Christian Zingales: Electronica, p. 59, Giunti Gruppo Editoriale, 2002, ISBN 88-09-02523-7
  11. David Jarman: Review of the album „Flavour of the Weak“ by Front Line Assembly, CMJ New Music Monthly, p. 50, April 1998
  12. David Jarman: Review of the album „Implode“ by Front Line Assembly, CMJ New Music Monthly, p. 44, August 1999
  13. Vladimir Bogdanov / Chris Woodstra / Stephen Thomas Erlewine: All Music Guide to Electronica: The Definitive Guide to Electronic Music, p. 198, Backbeat Books, 2001, ISBN 0-87930-628-9
  14. Macdonald - Heidi (May 1998). "Front 242 - Mut@ge.Mix@ge". CMJ (57). ISSN 1074-6978.
  15. Jim DeRogatis: Milk it!: Collected Musings on the Alternative Music Explosion of the 90s, p. 95, Da Capo Press, 2003, ISBN 0-306-81271-1
  16. Chuck Eddy: Description of the album „Naïve“ by KMFDM, SPIN magazine, July 1992, p. 71
  17. Amy Sciarretto: Wax Trax! / TVT Offers KMFDM's Final Statement with „Adios“, CMJ New Music Report, p. 1, 5. April 1999
  18. Amy Sciarretto: Review of the album „MDFMK“ by MDFMK, CMJ New Music Report, p. 22, 14. February 2000
  19. 1 2 John Leland: A Dilettante's Guide to Industrial Dance Music, SPIN magazine, March 1989, p. 78
  20. Eddy, Chuck (June 1998). "Metal Machine Music". SPIN magazine. 14 (6): 139. ISSN 0886-3032.
  21. Taylor, Steve (2006). The A to X of Alternative Music. Continuum International Publishing Group. p. 165. ISBN 0826482171.
  22. Jacks, Kelso (November 1999). "Recordnews". CMJ. 60 (643): 10. ISSN 0890-0795.
  23. Industrial Dance : Significant Albums, Artists and Songs, Most Viewed : AllMusic
  24. David Jarman: Review of the album „Beat Noir“ by Spahn Ranch, CMJ New Music Monthly, p. 51, January 1999

External links

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