Die Krupps

This article is about the industrial rock band. For the commercial steel dynasty after whom the band is named, see Krupp.
Die Krupps
Background information
Origin Düsseldorf, Germany
Genres Post-industrial, EBM, industrial metal
Years active 1980present
Labels Zickzack, Synthetic Symphony, Hollywood
Associated acts Dkay.com, Heathen, Male, Propaganda
Website https://www.diekrupps.com
Members Jürgen Engler
Ralf Dörper
Marcel Zürcher
Volker Borchert
Nils Finkeisen
Past members Rüdiger Esch
Christoph "Nook" Michelfeit
Bernward Malaka
Frank Köllges
Eva-Maria Gößling
Christina Schnekenburger
Walter Jaeger
Christopher Lietz
Lee Altus
Darren Minter
George Lewis
Oliver Röhl
Achim Färber

Die Krupps (German pronunciation: [diː ˈkʁʊps]) is a German industrial metal/EBM band, formed in 1980 by Jürgen Engler and Bernward Malaka in Düsseldorf.


The band's name translates as "The Krupps" and comes from the Krupp dynasty, one of Germany's main industrial families before and during World War II. In some interviews the band stated that Visconti's 1969 movie The Damned — a depiction of the fictitious German industrial dynasty of the Essenbecks — was the main inspiration.

Ralf Dörper who was part of the initial line-up which created the highly acclaimed early recordings "Stahlwerksynfonie" and "Wahre Arbeit Wahrer Lohn" in 1981 left the band in 1982 to found the band Propaganda. Propaganda became one of the few German bands which were internationally successful in the 80s. In 1989 Ralf Dörper initiated a collaboration with Nitzer Ebb on an old Die Krupps track (i.e. Machineries of Joy, a cover of Wahre Arbeit Wahrer Lohn) which he produced together with Jürgen Engler. The chart-success of the record (Billboard-Charts) led to the reactivation of Die Krupps fronted by Engler and Dörper.

The initial Die Krupps sound throughout the 1980s combined synthesizers with metallic percussion. Die Krupps were key in the Europe wide progression of Electronic Body Music culminating with the collaboration in 1989 with British band Nitzer Ebb. In 1992, they began to utilize guitars and more sounds derived from heavy metal music, with the release of their album I and the EP Tribute To Metallica, which consisted of covers of Metallica songs. Combining electronic and metal elements was a pioneering move which led to a number of other bands using the electronic/metal combo as a template in keeping with a deeper industrial sound. The band continued in this vein through the 1990s, releasing II - The Final Option (with a cover influenced by Deep Purple's Machine Head) in 1993. A more experimental and pensive III - Odyssey of the Mind followed in 1995. After the release of the heavily metal-influenced album Paradise Now in 1997, the band disbanded.

Jürgen Engler founded the project DKay.com and released two albums in 2000 and 2002.

Die Krupps celebrated their 25th anniversary with appearances in some major European festivals as well as solo appearances in 2005 and 2006. In fall 2007, two greatest-hits albums were released to celebrate the 25th anniversary of Die Krupps: "Too Much History - The Electro Years Vol. 1" and "Too Much History - The Metal Years Vol. 2", both in digipak format.[1] Both albums were combined as the 2-disc "Too Much History".

The influential back-catalogue of Die Krupps has been remastered and expanded. So far four of their previous albums "Stahlwerksynfonie" "Volle Kraft Voraus", "I" and "Final Option" have been re-released.[2]

In 2010, Die Krupps released an EP entitled "Als wären wir für immer", which comprises two original electronic based tracks, two original metal based tracks, and a cover of Propaganda's 80's hit, "Dr Mabuse".

To celebrate thirty years of "True Work" Die Krupps announced a joint European tour with Nitzer Ebb in spring 2011.

In 2015 they released their first full new album since 1997, a heavily metal influenced LP, "Metal Machine Music".


Former members



Singles and EPs


Compilations appearances and tributes (Partial)


External links

This article is issued from Wikipedia - version of the 11/25/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.