Medo Pucić

Medo Pucić
Orsato Pozza
Born (1821-03-21)March 21, 1821
Dubrovnik, Kingdom of Dalmatia, Austrian Empire
Died June 30, 1882(1882-06-30) (aged 61)
Dubrovnik
Occupation poet
Nationality Serb[1]

Orsat "Medo" Pucić, (Italian: Orsatto Pozza;[1] March 12, 1821 - June 30, 1882) was a Serbian writer and politician from Dubrovnik, at the time in the Austro-Hungarian Kingdom of Dalmatia, who was prominent Serbian nationalist,[1] believing that the religion was irrelevant for ethnic affiliation. He is the brother of Niko Pucić.

Biography

Orsat Pucić was born on March 21, 1821 in Dubrovnik, then in Austrian Empire. He was descended from the House of Pucić, an old noble family of Republic of Ragusa. He attended the lyceum in Venice, where in 1841 he became acquainted with Ján Kollár.[1] Pucić was impressed with his pan-Slavist ideas, and went on to join the Illyrian movement. From that impression of Pan-Slavism, came Pucić's joining to the idea of Serb Catholics.

He studied between 1841 and 1843 in the University of Padua, and then from 1843 to 1845 he studied law in Vienna and was a Knight Hospitaller of the Sovereign Order of Saint John. Pucić lived in the cities of Lucca and Parma between 1846 and 1849, and after that usually in Dubrovnik. Pucić was in active contact with cultural and political circles of Central Croatia, the rest of the Austrian Empire, and different countries of Europe. In March 1848 Pucić threw his lot with Adam Mickiewicz who was in Rome at the time trying to convince Pope Pius IX to endorse a Polish national revolution against the Habsburgs. After 1860 when the political life in the Austro-Hungarian Monarchy was revived, he took part in the Serbian and Croatian national movements in Dalmatia and the politics in Croatia proper. Pucić as a leader of the conservative faction wedded the theory of the Croatian historical right to the Dalmatia to the convoluted ethno-linguistic arguments originating in early Slavonic studies circles (Kollar, Šafárik, Dobrovsky,..) which considered all native Shtokavian speakers as Serbs; later that century the theories about linguistic demarcation of Serbs and Croats, and hence the ethno-historical "ownership" of Dubrovnik and Kotor, had been subsumed in the ideology of Serbo-Croatism, a sort of cover term which considered Croats and Serbs as tribes of a single South Slavic nation. Medo Pucić was a vocal supporter of the unification of all the South-Slavic lands within the Habsburg Monarchy around one nation, called later Yugoslavia.

Pucić's pan-Slavic (or pan-South-Slavic) idea was based on the principle of unification of Croats with the Slavic tradition in Dubrovnik.

In 1868, he moved to Belgrade to become a teacher to the young prince Milan Obrenović IV until he came of age in 1872. He returned to Dubrovnik in 1874, and played an important role in the cultural life of the city in the 1870s. In 1874 when the literary magazine Slovinac, founded by Jovan Sundečić and Vuk Vrčević, needed an editor it Medo Pucić, then president of the Serb-Catholic Circle, who chose Luko Zore for the post. Around the publication gathered were Serb and Croat intellectuals for the next seven years of its existence.

Literary works

Pucić wrote lyrical and epic poems, patriotic lyric poetry, political essays and historical studies. The preferred motive of his work was the history of Dubrovnik and the Republic of Ragusa. He also translated literary works from several European languages into his own Dubrovnik dialect, which he declaratively considered Serbian, but which was at that and later time (until the dissolution of Yugoslavia) widely understood as a hodgepodge quasi-unity of a so-called Serbo-Croatian, and translated various Croatian and Serbian works into Italian, which is when he used the name Orsatto Pozza.

Pucić started writing poetry in 1840. He was initially writing romantic lyrics, but later moved towards a more national epic style. Some of his more important works include:

See also

Wikimedia Commons has media related to Medo Pucić.

References

External links

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