Leopard-Skin Pill-Box Hat

"Leopard-Skin Pill-Box Hat"
Single by Bob Dylan
from the album Blonde on Blonde
B-side "Most Likely You Go Your Way and I'll Go Mine"
Released March 1967[1]
Format 7"
Recorded March 10, 1966
Genre Electric blues
Length 3:58
2:20 (single edit)
Label Columbia
Writer(s) Bob Dylan
Producer(s) Bob Johnston
Bob Dylan singles chronology
"Just Like a Woman"
(1966)
"Leopard-Skin Pill-Box Hat"
(1967)
"If You Gotta Go, Go Now"
(1967)
Blonde on Blonde track listing

"Leopard-Skin Pill-Box Hat" is a song by Bob Dylan, from his 1966 album Blonde on Blonde.[2] Like many other Dylan songs of the 1965–1966 period, the song features a surreal, playful lyric set to an electric blues accompaniment.

Lyrics

Dylan's lyrics affectionately ridicule a female "fashion victim" who wears a leopard-skin pillbox hat. The pillbox hat was a fashionable ladies' hat in the United States in the early to mid-1960s, most famously worn by Jacqueline Kennedy.[3][4] Dylan satirically crosses this accessory's high-fashion image with leopard-skin material, perceived as more downmarket and vulgar. The song was also written and released after pillbox hats had been at the height of fashion.[3]

Some journalists and Dylan biographers have speculated that the song was inspired by Edie Sedgwick, an actress and model associated with Andy Warhol.[5][6] It has been suggested that Sedgwick was an inspiration for other Dylan songs of the time as well, particularly some from Blonde on Blonde.[7]

Influences

The song melodically and lyrically resembles Lightnin' Hopkins's "Automobile Blues",[8] with Dylan's opening line of "Well, I see you got your brand new leopard-skin pill-box hat," echoing Hopkins's "I saw you riding 'round in your brand new automobile," and the repeated line of "...brand new leopard-skin pill-box hat," melodically descending in the same manner of the Hopkins refrain "...in your brand new fast car". The Dylan reference to "the garage door" in the final verse of "Leopard-Skin Pill-Box Hat" may also be an allusion to the automobile of Hopkins's song.

Recording sessions

Dylan began to include "Leopard-Skin Pill-Box Hat" in his live concerts with the Hawks in late 1965, and the song was one of the first compositions attempted by Dylan and the Hawks when in January 1966 they went into Columbia recording studios in New York City to record material for the Blonde On Blonde album. The song was attempted on January 25 (2 takes) and January 27 (4 takes), but no recording was deemed satisfactory.[5] One of the takes from January 25 was released in 2005 on The Bootleg Series Vol. 7: No Direction Home: The Soundtrack.

Frustrated with the lack of progress made with the Hawks in the New York sessions (only one song, "One of Us Must Know (Sooner or Later)", had been successfully realized), Dylan relocated to Nashville, Tennessee, in February 1966, where the evening of the first day of recording (February 14) was devoted to "Leopard-Skin Pill-Box Hat". Present at the session were Charlie McCoy (guitar and bass), Kenny Buttrey (drums), Wayne Moss (guitar), Joseph A. Souter Jr. (guitar and bass), Al Kooper (organ), Hargus Robbins (piano) and Jerry Kennedy (guitar). Earlier in the day Dylan and the band had achieved satisfactory takes of "Fourth Time Around" and "Visions of Johanna" (which were included on the album), but none of the 13 takes of "Leopard-Skin Pill-Box Hat" recorded on February 14 were to Dylan's satisfaction. Dylan soon left Nashville to play some concerts with the Hawks. He returned in March for a second set of sessions. A satisfactory take of "Leopard-Skin Pill-Box Hat" was finally achieved in the early hours of March 10, 1966, by Dylan along with Kenny Buttrey, Henry Strzelecki on bass, and the Hawks's Robbie Robertson on lead guitar (though Dylan himself plays lead guitar on the song's opening 12 bars).[5]

The recording sessions were released in their entirety on the 18-disc Collector's Edition of The Bootleg Series Vol. 12: The Cutting Edge 1965–1966 on November 6, 2015, with highlights from the February 14, 1966, outtakes appearing on the 6-disc and 2-disc versions of that album.[9]

Cover versions

References

  1. Bjorner, Olof (2001). "Ain't Goin' Nowhere". Retrieved 2011-04-13.
  2. Gilliland, John (1969). "Show 40 - Ballad in Plain D: Bob Dylan. [1966] : UNT Digital Library" (audio). Pop Chronicles. Digital.library.unt.edu. Retrieved 2011-04-29.
  3. 1 2 Chico, Beverly (2013). Hats and Headwear around the World: A Cultural Encyclopedia. ABC-CLIO. pp. 378–79. ISBN 9781610690638.
  4. Gill, Andy (2013). Bob Dylan: The Stories Behind the Songs 1962-1969. Carlton Books. pp. 144–45. ISBN 9781847327598.
  5. 1 2 3 Heylin, Clinton (2009). Revolution in the Air: The Songs of Bob Dylan, 1957-1973. Chicago Review Press. pp. 287–90. ISBN 9781569762684.
  6. Hamilton, Ed (2010). Legends of the Chelsea Hotel: Living with the Artists and Outlaws in New York's Rebel Mecca. Da Capo Press. p. 289. ISBN 9780306820007.
  7. Cresap, Kelly M. (2004). Pop Trickster Fool: Warhol Performs Naivete. University of Illinois Press. p. 183. ISBN 9780252071812.
  8. "Wicked Messenger: Bob Dylan and the 1960s" By Mike Marqusee, p. 191
  9. "Bob Dylan - The Cutting Edge 1965–1966: The Bootleg Series Vol. 12". Retrieved 2015-11-29.
This article is issued from Wikipedia - version of the 10/8/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.