Gaston Baty

Gaston Baty (26 May 1885 in Pélussin, Loire – 13 October 1952), whose full name was Jean-Baptiste-Marie-Gaston Baty, was a French playwright and theatre director. His stage adaptation of Gustave Flaubert's Madame Bovary was presented in an English translation on Broadway in 1937. Constance Cummings played the title role.[1] Baty is also the author of a play entitled Dulcinea, which has been filmed twice and produced on television in 1989. It is an original play that takes its inspiration from Miguel de Cervantes's great novel Don Quixote and uses some of its characters. The second film version, made in 1963, starred Millie Perkins as Dulcinea, and was released in the U.S. as The Girl from La Mancha. He wrote Vie de l'art théatral, des origines a nos jours in 1932 with René Chavance.

Theater director

1920-1929

  • 1920: Les Esclaves by Saint-Georges de Bouhélier, Théâtre des Arts
  • 1920: Le Simoun by Henri-René Lenormand, Comédie Montaigne
  • 1921: L'Avare by Molière, Comédie Montaigne
  • 1921: 29 degrés à l'ombre by Eugène Labiche, Comédie Montaigne
  • 1921: Les Amants puérils by Fernand Crommelynck, Comédie Montaigne
  • 1921: Le Héros et le soldat by George Bernard Shaw, Comédie Montaigne]]
  • 1921: L'annonce faite à Marie by Paul Claudel, Comédie Montaigne
  • 1921: Haya by Herman Grégoire, Comédie des Champs-Élysées
  • 1921: La Belle de Haguenau by Jean Variot, Comédie des Champs-Élysées
  • 1922: Césaire by Jean Schlumberger, Comédie des Champs-Élysées
  • 1922: La Farce de Popa Ghéorghé by Adolphe Orna, Théâtre des Mathurins
  • 1922: Martine by Jean-Jacques Bernard, Théâtre des Mathurins
  • 1922: Intimité by Jean-Victor Pellerin, Théâtre des Mathurins
  • 1922: Le Voyageur by Denys Amiel, Baraque de la Chimère, Saint-Germain-en-Laye
  • 1922: Je veux revoir ma Normandie by Lucien Besnard, Baraque de la Chimère,Saint-Germain-en-Laye
  • 1922: Cyclone by Simon Gantillon, Baraque de la Chimère, Saint-Germain-en-Laye
  • 1922: L'Aube et le soir de Sainte-Geneviève by Marie Diemer, Baraque de la Chimère, Saint-Germain-en-Laye
  • 1923: La Souriante Madame Beudet by Denys Amiel and André Obey, Théâtre de l'Odéon
  • 1923: The Emperor Jones by Eugene O'Neill, Théâtre de l'Odéon
  • 1923: Le Voile du souvenir by Henri Turpin and Pierre-Paul Fournier, Théâtre de l'Odéon
  • 1924: L'Invitation au voyage by Jean-Jacques Bernard, Théâtre de l'Odéon
  • 1924: Le Fardeau de la liberté by Tristan Bernard, Théâtre de l'Odéon
  • 1924: Alphonsine by Paul Haurigot, Théâtre du Vaudeville
  • 1924: Parades by Thomas Gueullette, Studio des Champs-Élysées
  • 1924: Maya by Simon Gantillon, Studio des Champs-Élysées
  • 1924: À l'ombre du mal by Henri-René Lenormand, Studio des Champs-Élysées
  • 1925: Miss Julie by August Strindberg, Studio des Champs-Élysées
  • 1925: Déjeuner d'artistes by Jean Gaument and Camille Cé, Studio des Champs-Élysées
  • 1925: L'Étrange Épouse du professeur Stierbecke by Albert-Jean, Studio des Champs-Élysées
  • 1925: La Cavalière Elsa by Paul Demasy after Pierre Mac Orlan
  • 1925: La Chapelle ardente by Gabriel Marcel, Théâtre du Vieux-Colombier
  • 1925: Fantaisie amoureuse by André Lang, Théâtre du Vieux-Colombier
  • 1926: Le Dompteur ou l'anglais tel qu'on le mange by Alfred Savoir, Théâtre Michel
  • 1926: Le Couvre-feu by Albert Boussac de Saint-Marc, Studio des Champs-Élysées
  • 1926: L'Homme du destin by George Bernard Shaw, Studio des Champs-Élysées
  • 1926: Le Bourgeois romanesque by Jean Blanchon, Studio des Champs-Élysées
  • 1926: Une visite by Anne Valray, Studio des Champs-Élysées
  • 1926: Têtes de rechange by Jean-Victor Pellerin, Studio des Champs-Élysées
  • 1926: Les Chevaux du char by Jacques de Zogher, Théâtre Antoine
  • 1926: L'Amour magicien by Henri-René Lenormand, Studio des Champs-Élysées
  • 1927: Almicar by Philippe Fauré-Frémiet, Studio des Champs-Élysées
  • 1927: La Machine à calculer by Elmer Rice, Studio des Champs-Élysées
  • 1928: The Dybbuk by S. Ansky, Studio des Champs-Élysées
  • 1928: Cris des cœurs by Jean-Victor Pellerin, Théâtre de l'Avenue
  • 1928: Le Premier Hamlet by Shakespeare, Théâtre de l'Avenue
  • 1928: Départ by Simon Gantillon, Théâtre de l'Avenue
  • 1929: Le Malade imaginaire by Molière, Théâtre de l'Avenue
  • 1929: La Voix de sa maîtresse by Charles Oulmont and Paul Masson, Théâtre de l'Avenue
  • 1929: Karl et Anna by Leonhard Frank, Théâtre de l'Avenue

1930-1939

1940-1949

1950-1959

References

External links

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