Digital radio is the use of digital technology to transmit and/or receive across the radio spectrum. The may refer to digital transmission by radio waves, including digital broadcasting, and especially to Digital audio radio services.
The term is also applied to radio equipment using digital electronics to process analog radio signals.
In digital broadcasting systems, the analog audio signal is digitized, compressed using formats such as MP2, and transmitted using a digital modulation scheme. The aim is to increase the number of radio programs in a given spectrum, to improve the audio quality, to eliminate fading problems in mobile environments, to allow additional datacasting services, and to decrease the transmission power or the number of transmitters required to cover a region. However, analog radio (AM and FM) is still more popular and listening to radio over IP (Internet Protocol) is growing in popularity.
In 2012 four digital wireless radio systems are recognized by the International Telecommunication Union: the two European systems Digital Audio Broadcasting (DAB) and Digital Radio Mondiale (DRM), the Japanese ISDB-T and the in-band on-channel technique used in the US and Arab world and branded as HD Radio.
An older definition, still used in communication engineering literature, is wireless digital transmission technologies, i.e. microwave and radio frequency communication standards where analog information signals as well as digital data are carried by a digital signal, by means of a digital modulation method. This definition includes broadcasting systems such as digital TV and digital radio broadcasting, but also two-way digital radio standards such as the second generation (2G) cell-phones and later, short-range communication such as digital cordless phones, wireless computer networks, digital micro-wave radio links, deep space communication systems such as communications to and from the two Voyager space probes, etc.
A less common definition is radio receiver and transmitter implementations that are based on digital signal processing, but may transmit or receive analog radio transmission standards, for example FM radio. This may reduce noise and distortion induced in the electronics. It also allows software radio implementations, where the transmission technology is changed just by selecting another piece of software. In most cases, this would however increase the energy consumption of the receiver equipment.
One-way (broadcasting) systems
Digital audio broadcasting standards may provide terrestrial or satellite radio service. Digital radio broadcasting systems are typically designed for handheld mobile devices, just like mobile-TV systems, but as opposed to other digital TV systems which typically require a fixed directional antenna. Some digital radio systems provide in-band on-channel (IBOC) solutions that may coexist with or simulcast with analog AM or FM transmissions, while others are designed for designated radio frequency bands. The latter allows one wideband radio signal to carry a multiplex consisting of several radio-channels of variable bitrate as well as data services and other forms of media. Some digital broadcasting systems allow single-frequency network (SFN), where all terrestrial transmitters in a region sending the same multiplex of radio programs may use the same frequency channel without self-interference problems, further improving the system spectral efficiency.
While digital broadcasting offers many potential benefits, its introduction has been hindered by a lack of global agreement on standards and many disadvantages. The DAB Eureka 147 standard for digital radio is coordinated by the World DMB Forum. This standard of digital radio technology was defined in the late 1980s, and is now being introduced in some European countries. Commercial DAB receivers began to be sold in 1999 and, by 2006, 500 million people were in the coverage area of DAB broadcasts, although by this time sales had only taken off in the UK and Denmark. In 2006 there are approximately 1,000 DAB stations in operation. There have been criticisms of the Eureka 147 standard and so a new 'DAB+' standard has been introduced.
The DRM standard has been used for several years to broadcast digitally on frequencies below 30 MHz (shortwave, mediumwave and longwave). Also there is now the extended standard DRM+ which make it possible to broadcast on frequencies above 30 MHz.This will make it possible to digitalize transmission on the FM-band. Successful tests of DRM+ has been made in several countries 2010-2012 as in Brazil, Germany, France, India, Sri Lanka, the UK, Slovakia and Italy (incl. the Vatican). DRM+ will be tested in Sweden 2012.
DRM+ is regarded as a more transparent and less costly standard than DAB+ and thus a better choice for local radio; commercial or community broadcasters. Although DAB+ has been introduced in Australia the government has concluded 2011 that a preference for DRM and DRM+ above HD Radio could be used to supplement DAB+ services in (some) local and regional areas.
All Digital Radio Broadcast system share many disadvantages which don't exist for Analogue to Digital TV changeover: About x20 more power consumption, Digital Cliff effect for Mobile use, very slow channel change, especially for a different DAB multiplex frequency, high transmission cost resulting poorer quality than FM and sometimes AM due to low bitrate (64K mono rather than 256K stereo), higher compression is more distorted for hearing aid users, usually poor user interfaces and Radio audio quality, not enough fill in stations for portable / mobile coverage (like 1950s UK FM). The Multiplex & SFN concepts are advantageous to State Broadcasters and Large Pan National Multi-channel companies and worse for all Local, Community and most Regional stations. In contrast almost all the aspects of Digital TV vs Analogue TV are positive with almost no negative effects. TVs could be used with a Set-box. Digital Radio requires replacement of all radios, though an awkward DAB receiver with FM output can be used with existing FM car Radios.
To date the following standards have been defined for one-way digital radio:
Digital audio broadcasting systems
- Eureka 147 (branded as DAB)
- Internet radio (Technically not a true Broadcast system)
- FM band in-band on-channel (FM IBOC):
- AM band in-band on-channel (AM IBOC):
- Satellite radio:
- Systems also designed for digital TV:
- Low-bandwidth digital data broadcasting over existing FM radio:
- Radio Data System (branded as RDS)
- Radio pagers:
Digital television (DTV) broadcasting systems
- Digital Video Broadcasting (DVB)
- Integrated Services Digital Broadcasting (ISDB)
- Digital Multimedia Broadcasting (DMB)
- Digital Terrestrial Television (DTTV or DTT) to fixed mainly roof-top antennas:
- Mobile TV reception in handheld devices:
- Satellite TV:
Status by country
Digital Audio Broadcasting (DAB), also known as Eureka 147, has been under development since the early eighties, has been adopted by around 20 countries worldwide. It is based on the MPEG-1 Audio Layer II audio coding format and this has been co-ordinated by the WorldDMB.
WorldDMB announced in a press release in November 2006, that DAB would be adopting the HE-AACv2 audio coding format, which is also known as eAAC+. Also being adopted are the MPEG Surround format, and stronger error correction coding called Reed-Solomon coding. The update has been named DAB+. Receivers that support the new DAB standard began being released during 2007 with firmware updated available for some older receivers.
DAB and DAB+ cannot be used for mobile TV because they do not include any video codecs. DAB related standards Digital Multimedia Broadcasting (DMB) and DAB-IP are suitable for mobile radio and TV both because they have MPEG 4 AVC and WMV9 respectively as video coding formats. However a DMB video sub-channel can easily be added to any DAB transmission - as DMB was designed from the outset to be carried on a DAB subchannel. DMB broadcasts in Korea carry conventional MPEG 1 Layer II DAB audio services alongside their DMB video services.
The United States has opted for the proprietary HD Radio technology, a type of in-band on-channel (IBOC) technology. According to iBiquity, "HD Radio" is the company's trade name for its proprietary digital radio system, but the name does not imply either high definition or "hybrid digital" as it is commonly incorrectly referenced.
Transmissions use orthogonal frequency-division multiplexing, a technique which is also used for European terrestrial digital TV broadcast (DVB-T). HD Radio technology was developed and is licensed by iBiquity Digital Corporation. It is widely believed that a major reason for HD radio technology is to offer some limited digital radio services while preserving the relative "stick values" of the stations involved and to insure that new programming services will be controlled by existing licensees.
The FM digital schemes in the U.S. provide audio at rates from 96 to 128 kilobits per second (kbit/s), with auxiliary "subcarrier" transmissions at up to 64 kbit/s. The AM digital schemes have data rates of about 48 kbit/s, with auxiliary services provided at a much lower data rate. Both the FM and AM schemes use lossy compression techniques to make the best use of the limited bandwidth.
Lucent Digital Radio, USA Digital Radio (USADR), and Digital Radio Express commenced tests in 1999 of their various schemes for digital broadcast, with the expectation that they would report their results to the National Radio Systems Committee (NRSC) in December 1999. Results of these tests remain unclear, which in general describes the status of the terrestrial digital radio broadcasting effort in North America. Some terrestrial analog broadcast stations are apprehensive about the impact of digital satellite radio on their business, while others plan to convert to digital broadcasting as soon as it is economically and technically feasible.
While traditional terrestrial radio broadcasters are trying to "go digital", most major US automobile manufacturers are promoting digital satellite radio. HD Radio technology has also made inroads in the automotive sector with factory-installed options announced by BMW, Ford, Hyundai, Jaguar, Lincoln, Mercedes, MINI, Mercury, Scion, and Volvo.
Satellite radio is distinguished by its freedom from FCC censorship in the United States, its relative lack of advertising, and its ability to allow people on the road to listen to the same stations at any location in the country. Listeners must currently pay an annual or monthly subscription fee in order to access the service, and must install a separate security card in each radio or receiver they use.
Ford and Daimler AG are working with Sirius Satellite Radio, previously CD Radio, of New York City, and General Motors and Honda are working with XM Satellite Radio of Washington, D.C. to build and promote satellite DAB radio systems for North America, each offering "CD quality" audio and about a hundred channels.
Sirius Satellite Radio launched a constellation of three Sirius satellites during the course of 2000. The satellites were built by Space Systems/Loral and were launched by Russian Proton boosters. As with XM Satellite Radio, Sirius implemented a series of terrestrial ground repeaters where satellite signal would otherwise be blocked by large structures including natural structures and high-rise buildings.
XM Satellite Radio has a constellation of three satellites, two of which were launched in the spring of 2001, with one following later in 2005. The satellites are Boeing 702 comsats, and were put into orbit by Sea Launch boosters. Back-up ground transmitters (repeaters) will be built in cities where satellite signals could be blocked by big buildings.
On February 19, 2007, Sirius Satellite Radio and XM Satellite Radio merged, to form Sirius XM Radio.
The perceived wisdom of the radio industry is that the terrestrial medium has two great strengths: it is free and it is local. Satellite radio is neither of these things; however, in recent years, it has grown to make a name for itself by providing uncensored content (most notably, the crossover of Howard Stern from terrestrial radio to satellite radio) and commercial-free, all-digital music channels that offer similar genres to local broadcast favorites.
The "HD Radio" signal of an FM broadcast station in the US has a limited listening distance from the broadcast tower site. FCC regulations currently limit the power of the digital part of the station's transmission to 10% of the existing analog power permitted the station. Even at this power level, the presence of the digital signal right next to the station's analog signal can result in older radios picking up noise due to trouble rejecting the adjacent digital signal. "There are still some concerns that HD Radio on FM will increase interference between different stations even though HD Radio at the 10% power level fits within the FCC spectral mask." HD Radio HD Radio#cite note-14. "HD Radio" allows each existing broadcast station to add additional "channels" in the USA by transmitting a digital signal just outside of their analog signal, on both sides just beyond their existing analog Frequency Modulation signal. The HD Radio signal occupies the 0.1 MHz that begins 0.1 MHz above and below the carrier frequency station. For instance, if a station's analog signal's carrier frequency is 93.3 MHz, the digital signal will fill 92.1 - 92.2 MHz and 93.4 MHz - 93.5 MHz within the FM Broadcast Band. Several digital audio streams, or "subchannels", can be carried within this single digital data stream, with the number of audio of subchannels and the percentage of the overall bandwidth allocated to each stream up to the choice of the station. On the radio tuner, these will appear as (in the above case) "92.3-2" , "92.3-3", and so on. The frequencies that are used do not change as more channels are added to the one radio station (93.3 MHz in the example above). Instead, a fixed total amount of bandwidth is simply reallocated across the audio streams such that each now receives less bandwidth, and therefore lower audio quality, than before.
Canada has begun allowing experimental HD Radio broadcasts and digital audio subchannels on a case-by-case basis, with the first stations in the country being CFRM-FM in Little Current, CING-FM in Hamilton, and CJSA-FM in Toronto (with a fourth, CFMS-FM in the Toronto suburb of Markham applying to operate HD Radio technology), all within the province of Ontario.
In the United Kingdom, 44.3% of the population now has a DAB digital radio set and 34.4% of listening is to different digital platforms.
26 million people, or 50% of the population, now tune into digital radio each week, up 2.6 million year on year, according to RAJAR in Q1 2013. But FM listening has increased to 61% and DAB decreased to 21% DAB listeners may also use AM & FM too.
The UK currently has the world's biggest digital radio network, with 103 transmitters, two nationwide DAB ensembles and 48 local and regional DAB ensembles, broadcasting over 250 commercial and 34 BBC radio stations; 51 of these stations are broadcast in London. On DAB digital radio most listeners can receive around 20 additional stations, in addition to the analogue stations available on digital. The frequency band used is 217.5 to 230 MHz.
Some areas of the country are not yet covered by DAB but the BBC has announced plans to build out national coverage to 92% by the end of 2011 with 40 new transmitters being launched in 2011. The Government will make a decision on a radio switchover subject to listening and coverage criteria being met. A digital radio switchover would maintain FM as a platform, while moving some services to DAB-only distribution. Digital radio stations are also broadcast on digital television platforms such as Sky, Virgin Media and Freeview, as well as internet radio.
The first DAB station network was deployed in Bavaria since 1995 until full coverage in 1999. Other states had funded a station network but the lack of success led them to scrap the funding - the MDR switched off in 1998 already and Brandenburg declared a failure in 2004. Instead Berlin/Brandenburg began to switch to digital radio based on an audio-only DVB-T mode given the success of the DVB-T standard in the region when earlier analogue television was switched off in August 2003 (being the first region to switch in Germany). During that time the DVB-H variant of the DVB family was released for transmission to mobile receivers in 2004. During 2005 most radio stations left the DAB network with only one public service broadcaster ensemble to remain in the now fully state-funded station network. At last the KEF (commission to determine the financial needs of broadcasters) blocked federal funding on 15. July 2009 until economic viability of DAB broadcasting would be proven - and pointing to DVB-T as a viable alternative.
Digital radio deployment was rebooted during 2011 - a joint commission of public and private radio broadcasters decided upon "DAB+" as the new national standard in December 2010. The new station network started as planned on 1. August 2011 with 27 stations with 10 kW each giving a coverage of 70% across the nation. A single "Bundesmux" ("fed-mux" short of "federal multiplex") was created on band 5C as a single-frequency network with the band 5C to cross over to neighbouring countries. Berlin/Brandenburg joined the DAB+ broadcasting in January 2012 but other dark regions remain in Eastern Germany (see ). With the initial market success of DAB+ the contractors decided on an expansion of the digital radio station network in November 2012. With DAB being available across Belgium, Netherlands, Switzerland and Northern Italy there is good coverage across the European Backbone area (see countries using DAB/DMB) indicating a sufficient momentum on the market.
Australia commenced regular digital audio broadcasting using the DAB+ standard in May 2009, after many years of trialling alternative systems. Normal radio services operate on the AM and FM bands, as well as four stations (ABC and SBS) on digital TV channels. The services are currently operating in the five state capital cities: Adelaide, Brisbane, Melbourne, Perth and Sydney, and is being trialled in Canberra and Darwin.
On 1 December 2005 South Korea launched its T-DMB service which includes both television and radio stations. T-DMB is a derivative of DAB with specifications published by ETSI. More than 110,000 receivers had been sold in one month only in 2005.
Digital radio is now being provided to the developing world. A satellite communications company named WorldSpace was setting up a network of three satellites, including "AfriStar", "AsiaStar", and "AmeriStar", to provide digital audio information services to Africa, Asia, and Latin America. AfriStar and AsiaStar are in orbit. AmeriStar cannot be launched from the United States as Worldspace transmits on the L-band and would interfere with USA military as mentioned above.. in its heyday provided service to over 170,000 subscribers in eastern and southern Africa, the Middle East, and much of Asia with 96% coming from India. Timbre Media along with Saregama India plan to relaunch the company. As of 2013 Worldspace is defunct, but two satellites are in orbit which still have a few channels. See main WorldSpace article.
Each satellite provides three transmission beams that can support 50 channels each, carrying news, music, entertainment, and education, and including a computer multimedia service. Local, regional, and international broadcasters were working with WorldStar to provide services.
A consortium of broadcasters and equipment manufacturers are also working to bring the benefits of digital broadcasting to the radio spectrum currently used for terrestrial AM radio broadcasts, including international shortwave transmissions. Over seventy broadcasters are now transmitting programs using the new standard, known as Digital Radio Mondiale (DRM), and / commercial DRM receivers are available (though there are few models on the DRM website and some are discontinued). DRM's system uses the MPEG-4 based standard aacPlus to code the music and CELP or HVXC for speech programs. At present these are priced too high to be affordable by many in the third world, however. Take-up of DRM has been minuscule and many traditional Shortwave broadcasters now only stream on Internet, use fixed satellite (TV set-boxes) or Local Analogue FM relays to save on costs. Very few (expensive) DRM radio sets are available and some Broadcasters (RTE in Ireland on 252 kHz) have ceased trials without launching a service.
Low-cost DAB radio receivers are now available from various Japanese manufacturers, and WorldSpace has worked with Thomson Broadcast to introduce a village communications center known as a Telekiosk to bring communications services to rural areas. The Telekiosks are self-contained and are available as fixed or mobile units
Two-way digital radio standards
The key breakthrough or key feature in digital radio transmission systems is that they allow lower transmission power, they can provide robustness to noise and cross-talk and other forms of interference, and thus allow the same radio frequency to be reused at shorter distance. Consequently, the spectral efficiency (the number of phonecalls per MHz and base station, or the number of bit/s per Hz and transmitter, etc.) may be sufficiently increased. Digital radio transmission can also carry any kind of information whatsoever — just as long at it has been expressed digitally. Earlier radio communication systems had to be made expressly for a given form of communications: telephone, telegraph, or television, for example. All kinds of digital communications can be multiplexed or encrypted at will.
- Digital cellular telephony (2G systems and later generations):
- Digital Mobile Radio:
- Wireless networking:
- Military radio systems for Network-centric warfare
- Amateur packet radio:
- Digital modems for HF:
- Satellite radio:
- Wireless local loop:
- Broadband wireless access:
- Digital Broadcast - bringing the future to you
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