Charles Naginski

Charles Naginski (Cairo, Egypt, May 29, 1909 – Lenox, Massachusetts, August 4, 1940)[1] was an American composer of art songs and other musical works.[2]

Biography

Charles Naginski was the son of Russian Jewish parents.[3] His father, who was his first piano teacher, recognized his talent for music and composition at a very early age. From 1928 to 1933 Naginski held a fellowship at the Juilliard Graduate School as a pupil of Rubin Goldmark. Other students there at the time included composers Paul Nordoff, Sergius Kagen, Celius Dougherty, and Vittorio Giannini. One of his other Juilliard colleagues, George Newton, reported that he "spoke five languages, including English, all equally badly." As a result, the Juilliard dean asked Newton to help Naginski with his English, so the two traded lessons in English grammar for accompanying lessons.[4]

He also studied with Roger Sessions. Later he studied at the American Academy in Rome, winning the American Rome Prize in 1938. In the summer of 1940 he went to the Tanglewood institute to study with Paul Hindemith. He died by drowning in Lenox, Massachusetts, on August 4, 1940.[5]

Music

As a student, Naginski composed several large instrumental works and chamber music. A notable performance of his Sinfonietta was given by the chamber orchestra at Yaddo in September, 1940, as a tribute to the composer.[6] However, his instrumental works have had few public performances in subsequent years.

His art songs are better known. Of the seven songs that were published, only his setting of The Pasture, a poem by Robert Frost has remained in the vocal repertoire, due to its publication in an anthology of American songs.[7] All of these songs are "distinctive, fresh, and full of personality",[8] with "arresting harmonic, melodic, and structural invention.[9] Because the composer was a pianist, his accompaniments are inventive and colorful. Both The Pasture and Richard Cory were dedicated to the important Danish soprano Povla Frijsh, who recorded the former song in 1940.[10]

His choices of poems by important American poets and their musical settings is remarkable and unexpected, "in a man who was not native born and spoke so many languages, was the depth of his understanding of and response to American poetry, and the force and precision with which he was able to interpret it in musical terms".[11]

Musical compositions

Instrumental works

Songs for voice and piano[12][13]

Plus unpublished and unfinished manuscripts[14]

Footnotes

  1. ↑ Carmen et al. Art Song in the United States, p. 250
  2. ↑ "Composers". Song of America. Archived from the original on 2012-03-30. Retrieved 2013-04-01.
  3. ↑ Some sources (Friedberg, e.g.) claim that his mother was Greek, but ship manifests, census records and naturalization papers available on ancestry.com prove this to be incorrect.
  4. ↑ Letter to Ruth Friedberg, August 17, 1982, Friedberg, v. II, p. 158-159
  5. ↑ Friedberg, v. II, p. 158
  6. ↑ Reported by New York Times, September 8, 1940, mentioned in Friedberg, v. II, p. 158
  7. ↑ Songs by 22 Americans, ed. Bernard Taylor
  8. ↑ Villamil, p. 275
  9. ↑ Friedberg, v. II, p. 159
  10. ↑ Povla Frijsh: The Complete Recordings, Pearl Records no. 9095
  11. ↑ Friedberg, v. II, p. 159
  12. ↑ All published by G. Schirmer
  13. ↑ Listed in Villamil, pp. 275-276
  14. ↑ Located at the New York Public Library

References

External links

This article is issued from Wikipedia - version of the 11/20/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.