Cabeça Dinossauro

Cabeça Dinossauro
Studio album by Titãs
Released June 1986
Recorded March - April 1986 at Estúdio Nas Nuvens, Rio de Janeiro
Genre Punk rock, post-punk, new wave, funk rock
Length 38:41
Label WEA
Producer Liminha, Vitor Farias, Pena Schmidt
Titãs chronology
Televisão
(1985)
Cabeça Dinossauro
(1986)
Jesus não Tem Dentes no País dos Banguelas
(1987)
Singles from Cabeça Dinossauro
  1. "AA UU"
    Released: 1986
  2. "Polícia"
    Released: 1986
  3. "Homem Primata"
    Released: 1987
  4. "O Quê"
    Released: 1987
  5. "Bichos Escrotos"
    Released: 1987
  6. "Família"
    Released: 1987
  7. "Igreja"
    Released: 1987

Cabeça Dinossauro (Portuguese for Dinosaur Head) is the third studio album by Brazilian rock band Titãs. It was released in June 1986.

Background, concept and recording

Cabeça Dinossauro was the first Titãs album to be produced by Liminha, and the first of the band to receive a gold certification in December 1986.[1] It was recorded and mixed in one month.[2]

Vocalist Arnaldo Antunes and guitarist Tony Bellotto's arrest for drug possession in 1985; the "relative failure" of previous album Televisão; and the will by the band to take a heavier direction influenced the music on this album.[2]

The album's front and back covers were taken from sketches by Leonardo da Vinci:[3] "The Expression a howling Man" and "Grotesque Head", respectively. Both acetates were brought straight outta Louvre by a friend of vocalist and keyboardist Sérgio Britto's father. They replaced small reproductions the band had but could not use for the album due to low quality. He would say in 2006 that "the first 30,000 copies of the album were made in a mat and porous paper, much more expensive than the ordinary one. A gesture of generosity by André Midani, then president of Warner, which gave us total support before, during and after the recording sessions, complying with almost every of our requests."[2]

Song information

the musical material for the album was ready before the band got into the studio. The first track to be recorded was the single "AA UU". The last one was "O Que".[2]

The percussion in the title track was performed by Liminha. After several elaborated attempts, he improvised with the walls, the floor and the pillars of the studio, and the "trance" performance was approved by all.[2] The vocals of "A Face do Destruidor" was recorded over the base played backwards. According to Britto, "when we recorded, we had to think that it would be listened to that way".[2]

some of Bellotto's solos were played with the musician alternating between the guitar pick and a big ring he was using. that way, he could play and simultaneously obtain percussive effects from his instrument.[2]

The song "Bichos Escrotos" had originally been written in 1982 and was supposed to be part of the band's debut album, but it was censored by the Brazilian military government, and the band was thus unable to release it until Cabeça Dinossauro.[4] Even after the song was finally released, radio airplay was still prohibited, but the radio stations were receiving so many requests that they decided to play the song anyway and face the fines afterwards, because the price was low enough compared to the profit to make it worth the disobedience.[4]

"O Que" was the most demanding track in the album, according to Britto:[2]

The arrangement totally changed and here Liminha had a decisive role: he programmed the electronic drums, he suggested the bass line, he played the guitar and had us perform an endless 'jam' over two days until we reached the final result. That opened a new horizon for us and put us in contact with elements we would explore very much in the next years.

Accolades, legacy and re-release

In a 2012 interview, guitarist Tony Bellotto revealed he made a bet with vocalist Branco Mello: he would buy him a bottle of Jack Daniel's in case the album sold over 100,000 copies, since he though it would be a commercial failure. However, the album sold well, and Tony lost the bet.[5]

In a 2006 article for the Brazilian Rolling Stone, Britto commented:[2]

This album, for sure, if not the best, is one of the best we made. Only comparable to Õ Blésq Blom and Jesus não Tem Dentes no País dos Banguelas. Despite that, I don't dare point any band that seems influenced by it.

In 1997, Bizz magazine elected Cabeça Dinossauro as the best Brazilian pop rock album. In 2007, the Brazilian version of the magazine Rolling Stone elected it as the 19th most revolutionary Brazilian album of all time.[6] On September 2012, it was elected by the audience of Radio Eldorado FM, of Estadao.com e of Caderno C2+Música (both the latter belong to newspaper O Estado de S. Paulo) as the seventh best Brazilian album ever.[7]

In 2012, in order to celebrate the 25 years of the album's original release, Cabeça Dinossauro was re-released, fully remastered and with a bonus disc containing the original demos for the songs, plus a previously unreleased track, "Vai pra Rua", an outtake of the album.[5] The band also promoted a tour in which they performed the entire album respecting the original ordering of tracks. One of these performances was recorded and released as Cabeça Dinossauro ao Vivo 2012. Performing the album would help defining the sound of the band's then next album, Nheengatu.[8][8]

In the next year, the remaining members of the band recorded a video for the title song, using images from the movie Vai que Dá Certo.[8] Both the movie and the video feature Brazilian actors and humorists Fábio Porchat, Gregório Duvivier, Bruno Mazzeo, Lúcio Mauro Filho, Danton Mello e Natália Lage.[8]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[9]

By the time of the album's release, newspaper O Estado de S. Paulo's Alberto Villas stated that the album was "the great surprise of the year. [...] It's a shocking, punk, angry and very curious album. An album of poison-rock, a scream. An album of surprises."[10]

Track listing

No. TitleLyricsLead vocals Length
1. "Cabeça Dinossauro" (Dinosaur Head)Arnaldo Antunes, Branco Mello, Paulo MiklosBranco Mello 2:19
2. "AA UU"  Marcelo Fromer, Sérgio BrittoSérgio Britto 3:01
3. "Igreja" (Church)Nando ReisNando Reis 2:47
4. "Polícia" (Police)Tony BellottoSergio Britto 2:07
5. "Estado Violência" (Violence State)Charles GavinPaulo Miklos 3:07
6. "A Face do Destruidor" (The Face of the Destroyer)Arnaldo Antunes, Paulo MiklosPaulo Miklos 0:38
7. "Porrada" (Punch)Arnaldo Antunes, Sérgio BrittoArnaldo Antunes 2:49
8. "Tô Cansado" (I'm Tired)Branco Mello, Arnaldo AntunesBranco Mello 2:16
9. "Bichos Escrotos" (Freaky Critters)Nando Reis, Arnaldo Antunes, Sérgio BrittoPaulo Miklos 3:14
10. "Família" (Family)Tony Bellotto, Arnaldo AntunesNando Reis 3:32
11. "Homem Primata" (Primate Man)Marcelo Fromer, Ciro Pessoa, Nando Reis, Sérgio BrittoSérgio Britto 3:27
12. "Dívidas" (Debts)Branco Mello, Arnaldo AntunesBranco Mello 3:08
13. "O Quê" (What)Arnaldo AntunesArnaldo Antunes 5:40
Bonus track on 2012 re-issue
No. TitleLyricsLead vocals Length
14. "Vai pra Rua" (Go to the Streets)Arnaldo Antunes, Paulo MiklosArnaldo Antunes 2:20

Covers

Personnel

Titãs
Additional personnel

References

  1. Titãs - History (Portuguese)
  2. 1 2 3 4 5 6 7 8 9 Britto, Sérgio (November 2006). "Cabeça Dinossauro". Rolling Stone Brasil (in Portuguese). Grupo Spring de Comunicação.
  3. Leonardo da Vinci in Titãs' album cover (Portuguese)
  4. 1 2 soares, Jô (21 July 2014). "Jô Soares entrevista a banda Titãs". Rede Globo (in Portuguese). São Paulo: Organizações Globo. Retrieved 23 July 2014.
  5. 1 2 Airan, Breno (13 July 2012). "Longe da extinção, os Titãs fazem show histórico hoje em Maceió". Tribuna Hoje (in Portuguese). Retrieved 17 July 2012.
  6. Lista dos 100 maiores discos da música brasileira pela Rolling Stone Brasil (Portuguese)
  7. Bomfim, Emanuel (7 September 2012). "'Ventura' é eleito o melhor disco brasileiro de todos os tempos". Combate Rock (in Portuguese). Grupo Estado. Retrieved 28 January 2016.
  8. 1 2 3 4 Bergamo, Mônica (24 March 2014). "Com 30 anos de estrada, Titãs se unem à nova geração do humor em filme e preparam disco". Folha de S.Paulo (in Portuguese). Grupo Folha. Retrieved 28 April 2014.
  9. AllMusic review
  10. Leite, Edmundo (31 August 2012). "Alguns discos clássicos já nascem grandes". Acervo Estadão (in Portuguese). Grupo Estado. Retrieved 28 January 2016.
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