Black Buck

In post-Reconstruction United States, Black Buck was a racial slur used to describe a certain type of African American men. In particular, the caricature was used to describe black men who absolutely refused to bend to the law of white authority and were seen as irredeemably violent, rude, and lecherous.

Background

According to popular stereotypes during the post-Reconstruction era, "Black Buck" was a black man (usually muscular or tall) who defies white will and is largely destructive to American society. He is usually hot-tempered, excessively violent, unintelligent, and sexually attracted to white women.[1] Most often, any attempt to restrain, reprimand, or re-educate the individual will fail, necessitating the individual's immediate execution (usually by lynching).

Examples in media

D.W. Griffith's Birth of a Nation is perhaps one of the most well-known examples of the use of the "Black Buck" stereotype in the media.[2] In the film, a former slave named Gus (described by the filmmaker as "a renegade, a product of the vicious doctrines spread by the carpetbaggers") attempts to chase down (and, apparently, rape) a white woman named Flora.

Rather than allow herself to be assaulted by Gus, she throws herself to her death. A spiral of events occurs which then culminates with a state militia (led by the mulatto protégé of a local Congressman) clashes with the Ku Klux Klan (portrayed by the film as heroic figures), with the Klan being ultimately victorious.

The film sparked a national uproar, from white people who feared the film's events to be prophetic truth, and from black people who were horrified by the portrayal of their race.[2] The film was largely responsible for the resurgence of the Ku Klux Klan during the early 20th century.[2]

In the movie Silverado, Danny Glover's character is called "Buck" by the racist saloon owner when he spots him in his establishment.

See also

Further reading

References

  1. Laufs, Stefanie (October 2013). Fighting a Movie with Lightning : „The Birth of a Nation“ and the Black Community. Diplomica Verlag. p. 56. ISBN 978-3-95489-151-1.
  2. 1 2 3 Bogle, Donald (24 October 2001). Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films, Fourth Edition. Continuum. pp. 10–16. ISBN 978-0-8264-1267-6.
This article is issued from Wikipedia - version of the 10/17/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.