Yarkhushta

Yarkhushta performed by Karin folk dance troupe from Yerevan.
Part of a series on
Armenians
Armenian culture
Architecture · Art
Cuisine · Dance · Dress
Literature · Music  · History
By country or region

Armenia · Nagorno-Karabakh Republic
See also Nagorno-Karabakh


Armenian diaspora
Russia · France · India
United States · Iran · Georgia
Azerbaijan · Argentina · Brazil
Lebanon · Syria · Ukraine
Poland · Canada · Australia
Turkey · Greece · Cyprus
 · Egypt

Subgroups
Hamshenis · Cherkesogai · Armeno-Tats · Lom people · Hayhurum
Religion
Armenian Apostolic · Armenian Catholic
Evangelical · Brotherhood ·
Languages and dialects
Armenian: Eastern · Western
Persecution
Genocide · Hamidian massacres
Adana massacre · Anti-Armenianism

Armenia Portal

Yarkhushta (Armenian: Յարխուշտա, pronounced [jɑɾχuʃtɑ]) is an Armenian folk and martial dance[1] associated with the highlands of the historical region of Sassoun in Western Armenia.[2][3][4] Yarkhushta belongs to a wider category of Armenian "clap dances" (ծափ-պարեր, tsap parer).[5] The dance is performed by men, who face each other in pairs. The key element of the dance is a forward movement when participants rapidly approach one another and vigorously clap onto the palms of hands of dancers in the opposite row .

History and tradition

Yarkhushta is believed to have its origins in the early Middle Ages as it is mentioned in the works of Movses Khorenatsi, Faustus of Byzantium, and Grigor Magistros.[1]

Yarkhushta has traditionally been danced by Armenian soldiers before combat engagements, partly for ritualistic purposes, and partly in order to cast off fear and boost battle spirit.[6]

Euphorigenic effect

The tune of the dance is played intentionally very loudly by two zurna hornpipes and one or more double-headed bass drums, each struck with a mallet and a stick from opposite sides of the drum's cylinder.

It has been demonstrated that the combination of zurna's high-frequency tone and the bass drums' deep, low-frequency beat create a combination of sounds with wide peak-to-peak amplitude that is capable of placing the dancers in the state of euphoric trance. This factor amplifies the effect of adrenaline/epinephrine rush that the dancing of yarkhushta usually produces.[7]

Modern revival

In modern-day Republic of Armenia, yarkhushta is popular in settlements populated by resettlers from Sassoun, especially in villages around the towns of Talin, Aparan, and Ashtarak.

The dance was popularized in the late 1930s by Srbuhi Lisitsian who taught at the Yerevan Dance College.[4] In 1957, the dance underwent further choreographic refinement by folk culture enthusiast Vahram Aristakesian and performed by folk dance troupe from the village of Ashnak.[8]

The dance was revived in the 1980s by the folk group Maratuk and, later, by the folk ensemble Karin. There are attempts to introduce yarkhushta into curriculum of dances and songs of the Armenian Army.

There are several poems and samples of visual art that touch on the theme of yarkhushta. Among them is the poem "Dance of Sassoun" («Սասունցիների պարը») by Gevorg Emin published in 1975.[9] The feature films Men («Տղամարդիկ», 1972) and Yarkhushta (2004),[10] produced by Gagik Harutyunyan.[2]

References

Wikimedia Commons has media related to Yarkhushta.
  1. 1 2 "Հայաստանի Հանրապետության ոչ նյութական մշակութային արժեքների ցանկերի կազմման չափորոշիչները և ոչ նյութական մշակութային ժառանգության արժեքների ցանկը հաստատելու մասին" (PDF). gov.am (in Armenian). Government of the Republic of Armenia. March 2010. pp. 8–11. Archived from the original (PDF) on 4 January 2015.
  2. 1 2 "Երկու ֆիլմի պատմություն". Aravot (in Armenian). 10 November 2010. «Յարխուշտան» սասունցիների եւ մշեցիների մեջ տարածված ռազմական պարի անուն է: Գ. Հարությունյանի առաջին գեղարվեստական ֆիլմն է:
  3. Meliksetyan, Hasmik (16 September 2013). "Զինվորները սովորում են ազգային ռազմապարեր (ֆոտո, վիդեո)". razm.info (in Armenian). «Յարխուշտա» ռազմական խաղ-պարը տարածված է եղել Սասունում:
  4. 1 2 "Yarkhushta". karinfolk.am. Karin folk-dance group. Archived from the original on 4 January 2015.
  5. Asribabayan, Yeva (October 2012). "Հայկական ռազմական պարեր". hayzinvor.am (in Armenian). Armenian Ministry of Defense. ծափ-պարեր (Յարխուշտա, Ծափ-խաղ)
  6. Diana Der-Hovanessian. The Circle Dancers. 1996
  7. Irina Petrosian. Armenian Food: Fact, Fiction & Folklore. 2006, p. 19
  8. Antranig Armenian Dance Ensemble - Reflections - 40th Anniversary Celebration & Performance - Souvenir Program, November 28, 2009. p. 46, Publisher: Alice Tully hall, Lincoln Center; First Edition (2009)
  9. "Սասունցիների պարը : [Բանաստեղծություն]". sci.am (in Armenian). Armenian National Academy of Sciences Fundamental Scientific Library.
  10. "Gagik Haurtyunyan". gaiff.am. Golden Apricot International Film Festival. Retrieved 4 January 2015.

See also

This article is issued from Wikipedia - version of the 12/2/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.