Woman on Top
| Woman on Top | |
|---|---|
 Theatrical release poster | |
| Directed by | Fina Torres |
| Produced by | Alan Poul |
| Written by | Vera Blasi |
| Starring | |
| Music by | Luis Bacalov |
| Cinematography | Thierry Arbogast |
| Edited by | Leslie Jones |
| Distributed by | Fox Searchlight Pictures |
Release dates | |
Running time | 91 minutes[1] |
| Country | United States |
| Language |
|
| Budget | $8 million[2] |
| Box office | $10.2 million[2] |
Woman on Top is a 2000 American fantasy romantic comedy film directed by Fina Torres, written by Vera Blasi, and starring Penélope Cruz, Murilo Benício, Harold Perrineau Jr., and Mark Feuerstein.
Plot
All her life, Isabella has suffered from motion sickness. Because of her illness she couldn't play much with other children. She stayed at home and learned how to cook, becoming a renowned chef as an adult. She fell in love with Toninho and they opened a restaurant together, with Isabella stuck in the kitchen and Toninho out front taking the credit.
The only way for Isabella to control her motion sickness is to control her motion. She must drive, take stairs instead of elevators, lead while dancing, and be on top during coitus. Feeling emasculated by this, Toninho has an affair with a neighbor. Isabella flees Brazil for San Francisco and her friend Monica, an African-American transsexual who spent her early years in Isabella's fishing community in Salvador. Despite old job offers from a number of restaurants, Isabella is unable to find a job until she takes over a cooking class at a local culinary school. Cliff, a neighbor and local television producer, smells her cooking, follows her to class and signs her to host a live cooking show, Passion Food. She makes Monica her assistant on the show. Isabella performs a sacrifice to Yemanja, a Brazilian sea goddess, to harden her heart and make her never love Toninho again.
Back in Brazil, Toninho's restaurant is floundering without Isabella. Toninho curses Yemanja, and the fishermen stop catching any fish. He figures out that Isabella has gone to Monica and follows her to San Francisco. He spots her on television and tracks her to the studio. With a group of local street musicians, Toninho sneaks into the studio and onto the set, serenading Isabella on the live broadcast. Cliff hires Toninho and the musicians for the show over Isabella's objections. Isabella pursues a relationship with Cliff but Toninho continues trying to win her back.
Network executives offer to syndicate Isabella's show nationally, but only after demanding a number of changes, including firing Monica. With the restaurant closed, Toninho apologizes to Yemanja, but tells her to "stay out of [his] business" with Isabella. He quits the show and makes another attempt to win back Isabella. Isabella goes after him but has to take an elevator, and her motion sickness slows her enough to allow Toninho to depart. Isabella also quits the show rather than accept the changes demanded by the network.
Isabella, with her love still gone but now wanting it returned, tries to cook another sacrifice to Yemanja but finds her cooking talent is gone. Undaunted, Monica substitutes some boxed macaroni and cheese. Isabella makes the second offering but nearly drowns. She has a vision of Yemanja, who rejects her new offering.
Isabella goes to collect her things from the television studio. Toninho, sent by Monica, shows up and suggests they cook something together. As they cook, the fish return to the village waters and Yemanja returns Isabella's original offering along with her love for Toninho.
The film closes with Toninho and Isabella operating a new restaurant as equal partners and with Cliff and Monica as a couple.
Cast
- Penélope Cruz as Isabella Oliveira
- Analu De Castro as 2-year-old Isabella
- Thais De Sá Curvelo as 5-year-old Isabella
- Murilo Benício as Toninho Oliveira
- Harold Perrineau Jr. as Monica Jones
- Mark Feuerstein as Cliff Lloyd
- John De Lancie as Alex Reeves
- Wagner Moura as Rafi
- Ana Gasteyer as Claudia Hunter
- Anne Ramsay as TV director
- Eliana Guttman as Isabella's mother
- Eduardo Mattedi as Isabella's father
Production
The film was shot on location in Salvador, Brazil and San Francisco, United States.
Release
The film premiered in the Un Certain Regard section at the 2000 Cannes Film Festival[3] and screened at the Munich International Film Festival on June 24, 2000 before receiving a North American theatrical release by Fox Searchlight Pictures on September 22, 2000.
Critical response
Woman on Top received mixed to negative reviews from critics. On Rotten Tomatoes, the film holds a 34% score based on 97 reviews, with an average rating of 4.7/10. The site's consensus states: "Despite Penelope Cruz's beauty and charm, the movie is too tepid to be a romance and too silly to be believable. And the movie is too eager to please with an ending that seems more like a cop out."[4] Metacritic reports a 41 out of 100 rating, based on 31 critics, indicating "mixed or average reviews".[5]
Box office
The film opened at #10 at the North American box office, earning $2,008,191 in its opening weekend.[6] Ultimately, the film grossed $5,020,111 in North America playing at a high of 1,086 theaters; overseas, it grossed $5,174,163 for a worldwide total of $10,194,274, becoming a modest box office success against an $8 million budget.[2]
References
- ↑ "Woman on Top (15)". British Board of Film Classification. September 26, 2001. Retrieved November 18, 2016.
- 1 2 3 "Woman on Top (2000)". Box Office Mojo. Amazon.com. Retrieved November 18, 2016.
- ↑ "Festival de Cannes: Woman on Top". festival-cannes.com. Retrieved 2009-10-16.
- ↑ "Woman on Top (2000)". Rotten Tomatoes. Flixster. Retrieved November 18, 2016.
- ↑ "Woman on Top reviews". Metacritic. CBS Interactive. Retrieved November 18, 2016.
- ↑ "Weekend Box Office Results for September 22-24, 2000". Box Office Mojo. Amazon.com. September 25, 2000. Retrieved November 18, 2016.
External links
- Woman on Top at the Internet Movie Database
- Woman on Top at Box Office Mojo
- Woman on Top at Rotten Tomatoes
- Woman on Top at Metacritic