Wizz Jones

Wizz Jones
Birth name Raymond Ronald Jones
Born (1939-04-25) 25 April 1939
Origin Thornton Heath, Croydon, Surrey, England
Genres Folk music
Years active late 1950s–present
Website www.wizzjones.com
Notable instruments
Guitar, Banjo

Raymond Ronald Jones (born 25 April 1939, Thornton Heath, Croydon, Surrey), better-known as Wizz Jones, is an English acoustic guitarist, singer and songwriter. He has been performing since the late 1950s and recording from 1965 to the present. He has worked with many of the notable guitarists of the English folk music revival, such as John Renbourn and Bert Jansch.

Early days

Jones became infatuated with the bohemian image of Woody Guthrie and Jack Kerouac and grew his hair long. His mother had started calling him Wizzy after the Beano comic strip character "Wizzy the Wuz" because at the age of nine Raymond was a budding musician. The nickname stuck throughout his school years and when he formed his first band, "The Wranglers", in 1957 the name became permanent. Bert Jansch later said, "I think he's the most underrated guitarist ever." In the early 1960s he went busking in Paris, France, and there mixed in an artistic circle that included Rod Stewart, Alex Campbell, Clive Palmer (Incredible String Band) and Ralph McTell. After a couple of years travelling throughout Europe and North Africa he returned to England and married his longtime girlfriend Sandy to raise a family.

In 1965, his only single was released: Bob Dylan's "Ballad of Hollis Brown". By this time the skiffle boom was over but one of the stars of that movement, Chas McDevitt, used Jones' guitar-playing on five albums in 1965 and 1966. Another musician on those sessions was the bluegrass banjo-player, Pete Stanley. In 1966, Jones and Stanley released an album, Sixteen Tons of Bluegrass,[1] but this partnership broke down in 1967, as Jones then turned solo.

The folk period

Jones started to become a singer-songwriter. His first solo album was Wizz Jones in 1969. Up to 1988, ten solo albums followed and he played on Ralph McTell's single "Easy" in 1974. Steve Tilston was also guided by Jones, through the early stages of his career. Jones was once described as having 'a right hand worthy of Broonzy', referring to the Blues Guitarist Big Bill Broonzy. Most of his recordings from this period are long out of print.

A brief excursion as a member of the traditional folk band Lazy Farmer in 1975 produced an album that was reissued in 2006. Jones has always maintained a high level of popularity in Germany, since the mid–1970s, and he stills tours mainland Europe every year. The early 1990s were a quiet period. He almost disappeared from public view.

When in the mid-1990s he appeared on the Bert Jansch television documentary Acoustic Routes, there was renewed interest in his work. In 2001, he led John Renbourn and other members of Pentangle on the album Lucky The Man. In 2007, The Legendary Me and When I Leave Berlin were reissued on CD by the Sunbeam record label.

On 30 May 2012, Bruce Springsteen opened the sold-out Wrecking Ball concert at Olympic Stadium in Berlin, Germany, with Jones's song, "When I Leave Berlin".

In 2015, Jones toured with John Renbourn, playing a mixture of solo and duo material, before Renbourn died in March that year. An album by the pair, titled Joint Control, was released in 2016.[2]

Discography

Solo albums

(*) with John Renbourn, Sue Draheim, and others. (**) with Bert Jansch. (***) includes recordings from 1970–74. (****) with Simeon Jones.

Collaborations and compilations

Pete Stanley and Wizz Jones

Lazy Farmer (including Wizz Jones)

Wizz Jones and Werner Lämmerhirt

Anthology – Alex Campbell, Andy Irvine, Wizz Jones, Finbar Furey, Dolores Keane et al.

Compilations

Single

Video and DVD

Session recordings

References

  1. ↑ Jurek, Thom. "Wizz Jones: Biography". Allmusic. Retrieved 15 January 2011.
  2. ↑ Denselow, Robin. "John Renbourn and Wizz Jones: Joint Control review – delight of a folk guitar hero's final bow". The Guardian. Guardian News and Media Ltd. Retrieved 2016-10-26.
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