Tony Tallarico

Not to be confused with Tony Williamson (television writer).
Tony Tallarico
Born 1933 (age 8283)
Brooklyn, New York City, New York
Nationality American
Area(s) Cartoonist, Inker
Pseudonym(s) Tony Williamson
Tony Williamsune
Notable works
Lobo
Awards East Coast Black Age of Comics Convention's Pioneer Award, 2006

Tony Tallarico (born 1933)[1] is an American comic book artist, and children's book illustrator and author. Often paired in a team with his generally uncredited penciler, Bill Fraccio, Tallarico drew primarily for Charlton Comics and Dell Comics, including, for the latter, the comic book Lobo, the first to star an African-American.

Biography

Early life and career

Tony Tallarico was born in Brooklyn, New York City, and attended New York City's School of Industrial Art, the Brooklyn Museum Art School, and the School of Visual Arts.[2] He got his start in comics in 1953, penciling and self-inking stories for such publishers as Charlton Comics, Trojan, and the David C. Cook Publishing Company, for which he contributed to a newspaper Sunday-supplement comic book similar to "The Spirit Section".[3]

The Silver Age

In 1961, Tallarico illustrated the Gilberton Company's Classics Illustrated #160, its adaptation of H. G. Wells' The Food of the Gods; Classics Illustrated Junior #571, "How Fire Came to the Indians"; and Classics Illustrated Junior #574, the European folk tale "Brightboots". He also drew individual chapters in several issues in Gilberton's World Around Us series. At the end of the decade, Tallarico supplied second painted covers for reprints of Classics Illustrated #81, Homer's The Odyssey, and #96, historian John Bakeless' Daniel Boone: Master of the Wilderness.[4]

Lobo #1 (Dec. 1965), the first known comic book to star an African-American. Art by Tallarico.

He drew the sole two issues of Lobo (Dec. 1965 & Sept. 1966) — also listed as Dell Comics #12-438-512 and #12-439-610 in publisher Dell Comics' quirky numbering system — the first known comic book to star an African-American. This Western series, scripted by Don Arneson, chronicled the adventures of a wealthy, unnamed African-American gunslinger hero, called "Lobo" by the first issue's antagonists.[5] Tallarico and Arneson dispute who originally conceived the character.[6][7]

A single-issue, small-press comic book in 1947, All-Negro Comics was an omnibus featuring a black detective, a black adventurer and others in separate features. Likewise, while Marvel Comics' 1950s predecessor Atlas Comics had included the feature "Waku, Prince of the Bantu — starring an African chieftain in Africa, with no regularly featured Caucasian characters — as one of four features in the omnibus series Jungle Tales (Sept. 1954 - Sept. 1955). Aside from Lobo, there would be no black title star of a comic until Luke Cage, Hero for Hire (June 1972),[3] though black supporting characters such as the Black Panther and the Falcon were introduced in the interim.

Talarico drew the one-shot "Great Society Comic Book" (1966), which portrayed President Lyndon B. Johnson and other Democrats as superheroes, fighting against evil conservatives. He was involved with the follow-up comic, "Bobman and Teddy", starring Robert and Ted Kennedy as a Batman-and-Robin-like dynamic duo.[3][8]

Under the joint pseudonym Tony Williamson and, later, Tony Williamsune, Tallarico and his generally uncredited penciler, Bill Fraccio, collaborated on many stories for Warren Publishing's horror-comics magazines Creepy, Eerie and Vampirella.[9]

Tallarico's work includes issues of the Charlton superhero comic Blue Beetle and its TV tie-in and teen idol comics Bewitched and Bobby Sherman. He also drew Dell's 1966-1967 Frankenstein and Dracula superhero series and Harvey Comics' short-lived superhero title Jigsaw. His last recorded work in the comic book field is the story "Double Occupancy" in Charlton's Ghost Manor #15 (Oct. 1973).[3]

Later career

In the 1970s, Tallarico began writing/illustrating children's books for such publishers as Kidsbooks, Tuffy Books, Modern, Simon & Schuster, Price Stern Sloan, Treasure Books, Concordia Publishing House, Putnam, and Little Simon. Still active as of the mid-2000s, Tallarico by his counts has created more than 1,000 children's books, including the Where Are They? series.[2]

Family

Tallarico has been married to a writer, Elvira, for over 44 years. They have two children, Nina Reyes and Tony John Tallarico.[2]

Awards

On May 19, 2006, Tallarico was bestowed the East Coast Black Age of Comics Convention's Pioneer Award for Lifetime Achievement, in recognition of his creating the first comic book to star an African-American. He was an honoree at the reception dinner at the African American Museum in Philadelphia, Pennsylvania.[10][11][12]

See also

References

  1. Bails, Jerry; Hames Ware. "Tallarico, Tony". Who's Who of American Comic Books 1928-1999. Archived from the original on September 26, 2013. Retrieved September 20, 2013.
  2. 1 2 3 Tony Tallarico Bio, National Cartoonist Society. WebCitation archive.
  3. 1 2 3 4 Tony Tallarico at the Grand Comics Database
  4. William B. Jones Jr., Classics Illustrated: A Cultural History, with Illustrations (Jefferson, NC, and London: McFarland, 2002), pp. 158-160.
  5. Lobo #1 at the Grand Comics Database
  6. "Tony Tallarico Interview". Coville's Clubhouse (column), Collector Times. August 2006. Archived from the original on May 14, 2010.].
  7. "Interview with D.J. Arneson". Coville's Clubhouse (column), Collector Times. April 2010. Retrieved August 12, 2013.
  8. Shaw, Scott (November 5, 2000). "The Great Society Comic Book #10135 (1966)". OddballComics.com.
  9. Evanier, Mark. "Bill Fraccio, R.I.P.", "POV Online" (column), December 7, 2005. Archived November 11, 2006, at the Wayback Machine..
  10. Watson, Rob. "For These Comics Creators, Not Just Funny Business", The Philadelphia Inquirer, May 19, 2006.
  11. "Archive for the 'Pioneers' Category", East Coast Black Age of Comics Con '10 (2010). WebCitation archive.
  12. Isabella, Tony. "ECBACC", "Tony's Online Tips" (column), September 18, 2006, reprinted from Comics Buyer's Guide #1622
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