The Top (album)

The Top
Studio album by The Cure
Released	30 April 1984
Recorded	1983–1984 at Genetic, Garden Studios and Trident
Genre	Post-punk, new wave
Length	40:55
Label	Fiction
Producer	David M. Allen Chris Parry Robert Smith
The Cure chronology
Pornography (1982) The Top (1984) The Head on the Door (1985)
Singles from The Top
"The Caterpillar" Released: 26 March 1984

The Top is the fifth studio album by English rock band The Cure, released on 30 April 1984 by record label Fiction. The Top contains different styles, from Spanish to Middle-Eastern and also metallic guitars for the most violent songs. Shortly after its release, the Cure embarked on a major UK tour culminating with a 3-night residency at the Hammersmith Odeon in London.

Background and recording

After recording a psychedelic album Blue Sunshine for the one-off project The Glove during the summer 1983, Robert Smith finished off the year composing and working on two other studio albums at the same time: The Top for The Cure and Hyæna for Siouxsie and the Banshees. Smith was still the official guitarist of Siouxsie and the Banshees while he wrote The Top.

For The Top, Smith teamed up with another Cure founding member Lol Tolhurst who had given up drums for keyboards, and new member drummer Andy Anderson who had previously performed on the UK top 10 single "The Lovecats". Porl Thompson was credited for playing saxophone on "Give Me It". All the songs are credited by Smith bar three tracks co-written with Tolhurst, "The Caterpillar", "Bird Mad Girl" and "Piggy in the Mirror".

Content

The album's style is eclectic, and sees Smith using all kinds of instruments, including violin and flute. "Bird Mad Girl" is in a Spanish style while "The Wailing Wall" contains Middle-Eastern undertones. Critic Jack barron described the opening track "Shake Dog Shake" as "Urbane metal".^[1]

Release and reception

Professional ratings
Review scores
Source	Rating
AllMusic	[2]
The Austin Chronicle	[3]
Encyclopedia of Popular Music	[4]
The Guardian	[5]
Pitchfork Media	6.9/10[6]
Q	[7]
Record Mirror	3.5/5[8]
The Rolling Stone Album Guide	[9]
Sounds	[1]
Uncut	[10]

The Top was released on 30 April 1984 by record label Fiction. It was a commercial success in the UK, peaking at number ten on the UK Albums Chart.^[11] "The Caterpillar" was the sole single released from the album.

Upon its release, the reaction in the British press was mostly good, bar the NME.^[12] Steve Sutherland of Melody Maker praised the album for its "psychedelia that can't be dated",^[13] while Andy Strike of Record Mirror called it "a record of wicked originality and wit."^[8] In contrast, Sounds' Jack Barron wrote that The Top is "too often not the true bottom line in reflected experience to be indisposable" in a review which nevertheless prophesied: "In 20 years time, when the next generation blush with excitement about the word psychedelic, it'll be regarded as a classic".^[1] NME was skeptical over the quality of the album, recognizing that the record has its moments of merit with tracks like the noisy "Shake dog Shake" and "Give me it", and the melodic "Dressing Up" but was not convinced by the rest of the songs. Danny Kelly qualified it as "a ambitious difficult record" and dubbed it as self-indulgent.^[12]

In a retrospective review, Q writer Tom Doyle dismissed The Top as a "transitional record of forgettable songs".^[7] Thomas Inkeep of Stylus Magazine wrote that The Top "may well be the nadir of their catalog", concluding he would "call it a transitional album and leave it at that, for what came subsequently was an honest-to-goodness marvel."^[14] Chris True of AllMusic noted that while it is "an album obviously recorded under stress, drink, and drugs", Smith's ability "to fuse the paranoia and neuroses of former work with his newfound use of pop melody and outside influences" makes the record "a necessary step in the evolution of the band."^[2]

Reissue

The album was re-released August 8, 2006 in the U.S. and August 14 in the UK. The second disc has four previously unreleased tracks ("You Stayed", "Ariel", "A Hand Inside My Mouth" – lyrics from which were eventually used in "Inbetween Days" and "Six Different Ways" – and "Sadicic", which was repurposed as "New Day"), three live performances, and studio outtakes/demos of nine of the ten songs on the original album (and of "Happy the Man" and "Throw Your Foot", final versions of which were released as B-sides on the single "The Caterpillar").

Track listing

All songs written by Robert Smith, except where noted.

Side A

1. "Shake Dog Shake" – 4:55
2. "Bird Mad Girl" (Smith, Tolhurst) – 4:05
3. "Wailing Wall" – 5:17
4. "Give Me It" – 3:42
5. "Dressing Up" – 2:51

Side B

1. "The Caterpillar" (Smith, Tolhurst) – 3:40
2. "Piggy in the Mirror" (Smith, Tolhurst) – 3:40
3. "The Empty World" – 2:36
4. "Bananafishbones" – 3:12
5. "The Top" – 6:50

Personnel

The Cure

• Robert Smith – vocals, guitar, bass guitar, keyboards, organ, violin, harmonica, recorder, production
• Lol Tolhurst – keyboards
• Andy Anderson – drums, percussion

Additional musicians

• Porl Thompson – saxophone (on disc 1 and 2), keyboards, guitar (on Live tracks on disc 2)
• Phil Thornalley – bass guitar (on Live tracks on disc 2)

Technical personnel

• Dave Allen – production, engineering
• Chris Parry – production
• Howard Gray – engineering

Charts

References

External links

• The Top at Discogs (list of releases)