The Punisher (1998 series)

The Punisher

The cover of The Punisher Vol. 4, #3 (January 1999).
Art by Joe Jusko and Bernie Wrightson.
Publication information
Publisher Marvel Comics
Marvel Knights
Schedule Monthly
Format Limited series
Genre Superhero
Dark fantasy
Publication date November 1998 - February 1999
Number of issues 4
Main character(s) Olivier
Gadriel
Punisher
Creative team
Writer(s) Christopher Golden
Thomas E. Sniegoski
Penciller(s) Bernie Wrightson
Inker(s) Jimmy Palmiotti
Letterer(s) Richard Starkings
Colorist(s) Brian Haberlin (Issues #1-2)
Elizabeth Lewis (Issues #3-4)
Editor(s) Joe Quesada
Jimmy Palmiotti

The Punisher Vol. 4, also known as The Punisher: Purgatory, is a four-issue comic book limited series written by Christopher Golden and Thomas E. Sniegoski, illustrated by Bernie Wrightson, and published by Marvel Comics (through the Marvel Knights imprint) from 1998 to 1999. The series was a departure from typical Punisher stories in that it dealt with supernatural themes.[1]

Plot

After Frank Castle's suicide, the alley where he shot himself became a shrine for all the downtrodden victims of crime. However, a figure with glowing eyes and an arcane sigil on his forehead has been carrying out similar deeds as the Punisher once did. This phantom slowly begins to remember who he is, eventually discovering not only the possession that drives him, but the guardian angel that failed to save his family.

Issues

Continuity

The angelic rendition of the Punisher reappears in the four-issue miniseries Wolverine/The Punisher: Revelation.[2]

In the Punisher volume following this one, the character has gone back to being a mortal vigilante combating mundane criminals; the return to the status quo is explained via the Punisher commenting that he had grown weary of doing Heaven's bidding (referring to the offer made to him at the end of the aforementioned Revelation[3]) and had quit its employ after telling the angels "where to stick it".[4][5]

The Egyptian deity Khonshu expressed interest in the Punisher, but was deterred from anointing him by the Punisher's connection to Olivier, remarking that the vigilante "belongs to another" and that he "flies his lord's banner" (the Punisher's skull insignia).[6] Later, while a member of the Thunderbolts, the Punisher is healed by an angel's feather after being fatally wounded by Mercy. When Deadpool asks why the feather was drawn to him, the Punisher snaps, "I don't want to talk about it".[7]

The series retcons the events in Marvel Super Action #1, which had the Costa brothers die at the hands of an assassin named Audrey, not the Punisher.[8] Additionally, Olivier insinuates that his own skull-like face inspired the Punisher's emblem, when it had earlier been implied in the The 'Nam that the inspiration for the symbol came from a Viet Cong sniper called Monkey.[9]

Reception

The comic has been ridiculed for its revamping of the Punisher mythos, with Matt Duarte of The Weekly Crisis musing that it "alienated many readers and made the character toxic until Garth Ennis engineered his revival some years later".[10] Nick Nadel of Comics Alliance wrote, "Even horror legend Bernie Wrightson's artwork couldn't make Angel Punisher and his weird spiky guns not look completely silly and dated".[11] Cracked.com's Maxwell Yezpitelok opined that the storyline "completely undermined the intent of the character who had the simplest goal of any superhero ever" and that it felt like "the sort of bullshit premise that could have only come from the mind of a coke-fueled TV executive pitching a toy-friendly Punisher animated series where they don't actually show him killing people".[12] Ethan Kaye of Topless Robot succinctly stated in regards to the volume, "Thank God we have Garth Ennis to give us back the Punisher who liked guns and bombs again".[13] 4thletter's Gavin Jasper said, "Purgatory still doesn't get as much hate as it deserves. Angel Punisher isn't a completely unusable idea. As a fan of Franken-Castle, I'd be a hypocrite for suggesting such a thing. If Ennis felt like it, I'm sure he could come up with a way to make it work. Remender and Ostrander (the last guy to write Punisher before this status quo) could make it work. Here, though, there's nothing that redeems such a bonehead concept."[14]

Chuck Dixon, writer of various Punisher comics throughout the early 1990s, criticized the alterations made to the character's backstory, asserting, "I don't think origins like Batman's or Punisher's should be visited over and over again with everyone adding their two cents until the sum of all added details don't fit any more" and "Punisher's origin has been similarly screwed up, changing in the identities of his family's killers, making it a purposeful rather than random act".[15]

References

  1. Bradley Mengel (2012). Serial Vigilantes of Paperback Fiction: An Encyclopedia from Able Team to Z-Comm. McFarland & Company. p. 217. ISBN 978-0-7864-4165-5. Retrieved March 26, 2015.
  2. Tom Sniegoski and Christopher Golden (w), Pat Lee (p), Alvin Lee (i), Pat Lee and Angelo Tsang (col), Richard Starkings and Comicraft Letters (let), Joe Quesada and Jimmy Palmiotti (ed). Wolverine/The Punisher: Revelation #1-4 (June 1999 - September 1999), United States: Marvel Comics
  3. Arcturus: One final thing, Castle. We have vowed not to interfere with you. But there may be times when we have need of your special... talents. If you were to aid us, it might well speed you on your way to redemption.
  4. Garth Ennis (w), Steve Dillon (p), Jimmy Palmiotti (i), Chris Sotomayer (col), Richard Starkings and Comicraft's Wes Abbott (let), Joe Quesada and Jimmy Palmiotti (ed). "Welcome Back, Frank" The Punisher v5, #1 (April 2000), United States: Marvel Comics
  5. Frank Castle: I caught a glimpse of heaven once. The angels showed me. The idea was I'd kill for them. Clean up their mistakes on Earth. Eventually redeem myself. Tried it. Didn't like it. Told them where to stick it. So they brought me up to heaven, to see what I'd be missing. A wife. A son. A daughter. I hadn't seen them since they bled out in my arms. Then I was cast down. Back to a world of killers. Rapists. Psychos. Perverts. A brand new evil every minute, spewed out as fast as men can think them up. A world where pitching a criminal dwarf off a skyscraper to tell his fellow scum you're back is a sane and rational act. The angels thought it would be hell for me. But they were wrong.
  6. Charlie Huston (w), Mico Suayan (p), Mico Suayan (i), Frank D'Armata (col), VC's Rus Wooton (let), Axel Alonso (ed). "Midnight Sun, Chapter Four: His Lord's Banner" Moon Knight v3, #10 (June 2007), United States: Marvel Comics
  7. Charles Soule (w), Carlo Barberi (p), Carlo Barberi (i), Israel Silva (col), Joe Sabino (let), Jordan D. White (ed). "No Mercy: Part 3" Thunderbolts v2, #22 (February 26, 2014), United States: Marvel Comics
  8. Archie Goodwin (w), Tony DeZuniga (p), Rico Rival (i). "Accounts Settled... Accounts Due!" Marvel Super Action #1 (January 1976), United States: Marvel Comics
  9. Roger Salick (w), Mike Harris (p), James Palmiotti (i), Ed Lazellari (col), Jade Moede (let), Don Daley (ed). "The Long Sticks: Part Two" The 'Nam #53 (February 1991), United States: Marvel Comics
  10. Duarte, Matt (November 25, 2009). "Punisher: Grim vs. Goofy". theweeklycrisis.com. The Weekly Crisis. Retrieved March 25, 2015.
  11. Nadel, Nick (November 19, 2009). "The Punisher's Most Ridiculous Moments Ever". comicsalliance.com. Comics Alliance. Retrieved March 25, 2015.
  12. Yezpitelok, Maxwell (December 20, 2011). "The 6 Most Unintentionally Hilarious Superhero Reinventions". cracked.com. Cracked. Retrieved March 25, 2015.
  13. Kaye, Ethan (December 15, 2009). "The 10 Worst '90s Comic Character Revamps". toplessrobot.com. Topless Robot. Retrieved March 25, 2015.
  14. Jasper, Gavin (May 14, 2012). "The Many Deaths of Frank Castle". 4thletter.net. 4thletter!. Retrieved November 25, 2015.
  15. Giles, Keith (April 19, 2001). "Chuck Dixon Interview". comicbookresources.com. Comic Book Resources. Retrieved March 25, 2015.

External links

This article is issued from Wikipedia - version of the 8/17/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.