The Naked Now

"The Naked Now"
Star Trek: The Next Generation episode
Episode no. Season 1
Episode 3
Directed by Paul Lynch
Teleplay by J. Michael Bingham
Story by John D. F. Black
J. Michael Bingham
Featured music Ron Jones
Cinematography by Edward R. Brown
Production code 103[1]
Original air date October 5, 1987 (1987-10-05)
Guest appearance(s)
  • Brooke Bundy - Sarah MacDougal
  • Benjamin W.S. Lum - Jim Shimoda
  • David Renan - Conn
  • Michael Rider - Transporter Chief
  • Skip Stellrecht - Engineering crewman
  • Kenny Koch - Kissing crewman[1]
Episode chronology

"The Naked Now" is the third episode[lower-alpha 1] of the first season of the American science fiction television series Star Trek: The Next Generation, originally aired on October 5, 1987 in broadcast syndication in the United States. Directed by Paul Lynch, the episode had been written by D.C. Fontana, under the pseudonym of "J. Michael Bingham," with John D.F. Black also credited for his role in devising the plot's origins.

Set in the 24th century, the series follows the adventures of the crew of a Starfleet starship, the USS Enterprise-D. In this episode, the Enterprise encounters a research ship where all personnel are found dead. The Enterprise crew quickly become infected with the same affliction, one that is similar to that suffered by the crew of James T. Kirk's USS Enterprise decades before.

Based on an unfinished teleplay by Gene Roddenberry, the episode deliberately followed up on the events of Star Trek: The Original Series first season episode "The Naked Time" (1966). Fans initially criticised the origins of the episode, and later reviews were also largely negative.

Plot

The crew of the Enterprise responds to messages received from the SS Tsiolkovsky, a science vessel monitoring the collapse of a supergiant star. The messages suggest that the crew has been exposed to a sudden hull breach amid their rounds of laughter. After the Enterprise secures the Tsiolkovsky via tractor beam, an away team beams over and finds the crew frozen to death in various stages of undress—including one who was taking a shower fully clothed. A woman's body, frozen, falls into Lt. La Forge's (LeVar Burton) hands. Dr. Crusher (Gates McFadden) orders full medical examinations of the away team on their return, and finds La Forge sweating profusely and complaining about the temperature. She orders him to stay in sickbay but he manages to escape, making his way to the quarters of Crusher's son, Wesley (Wil Wheaton). Unaware of La Forge's condition, Wesley shows him a portable tractor beam device and La Forge places an encouraging hand on his shoulder. Meanwhile, acting on a hunch by Commander Riker (Jonathan Frakes), who had read a book on past starships named "Enterprise" and found a previous mention of someone taking a shower fully clothed in its pages, Lt. Cdr. Data (Brent Spiner) locates a historical record identifying the ailment as similar to one encountered by Captain Kirk's USS Enterprise. La Forge returns to sickbay, where Dr. Crusher quickly becomes concerned when she realizes that the infection is spread by physical contact. Much of the ship's crew comes under the influence of the ailment, including Data, who engages in a sexual encounter with Security Chief Tasha Yar (Denise Crosby). Dr. Crusher, struggling against the effects of the ailment, finds the original antidote documented by Kirk's Enterprise to be ineffective, and begins devising a new version of it.

Now infected, Wesley uses a digital sample of Captain Picard's voice to lure key engineering crew-members away from the engineering deck. He erects a force field around the area with his tractor beam device and assumes control of the ship. He allows one of the engineers, Mr. Shimoda (Benjamin W.S. Lum), who is acting in a childlike manner, into the force field. Mr. Shimoda manages to remove all of the isolinear chips from the engine control station and plays with them like toys. As the supergiant star collapses, a fragment is blown into a direct impact course with the two Federation ships, and without the chips in place, they cannot move out of its way. Chief Engineer Sarah MacDougal (Brooke Bundy) manages to disable Wesley's force field, and Data is sent to replace the chips. He reports that he will not have enough time. Wesley reverses the ship's tractor beam, repelling the Enterprise off the Tsiolkovsky, giving themselves the necessary additional seconds for Data to replace the chips enabling the ship to move out of the way. The crew is cured of the ailment, and Picard partially credits Wesley for helping to prevent a disaster.

Production

Star Trek: The Next Generation's creator, Gene Roddenberry, wanted to include an episode revealing the characters' motivations to the audience early on in the series. As a basis, he turned to the Star Trek: The Original Series episode "The Naked Time."[2] Executive producer Rick Berman described "The Naked Now" as "a[n] homage, not a copy" of "The Naked Time,"[2] while director Paul Lynch described it as "slightly more adult and a lot more comic than the original".[3]

"The Naked Now" is based on an incomplete teleplay by Roddenberry for The Next Generation, titled "Revelations." The first few scenes remained largely similar, but in "Revelations" La Forge infected Yar while making unsuccessful sexual advances toward her. Original Series writer D.C. Fontana wrote a new draft of the teleplay with several further changes that failed to make it into the final installment. These included Data turning down Yar's sexual advances, Troi's lack of privacy due to empathic abilities, Picard's concern for the families on the ship, and Riker's fear of becoming a lonely starship captain.[2]

Brooke Bundy made her only appearance as the first Chief Engineer of the Enterprise, Sarah MacDougal, in this episode.[2] The post of Chief Engineer changed hands numerous times through the rest of season one before Geordi La Forge was finally assigned the post on a permanent basis in season two.[4] Michael Rider made his first appearance as an unnamed transporter chief, and would go on to appear in the same role twice more before appearing a final time as a security guard.[2]

The SS Tsiolkovsky model was a re-dress of the USS Grissom from Star Trek III: The Search for Spock (1984). Michael Okuda created a ship's dedication plaque for the Tsiolkovsky which stated that it had been created in the Soviet Union. A copy was subsequently sent for display at the Konstantin E. Tsiolkovsky State Museum of the History of Cosmonautics in Kaluga, Soviet Russia.[2]

Reception

"The Naked Now" aired in broadcast syndication during the week commencing October 3, 1987. It received Nielsen ratings of 11.5, reflecting the percentage of all households watching the episode during its timeslot. This was lower than the pilot, but higher than the following episodes until "Lonely Among Us" in October 1987.[5][6]

The initial reaction of some fans was dismay, as there were concerns that The Next Generation would continue to lift stories from The Original Series.[1] Staff writer Maurice Hurley said of "The Naked Now," "I didn't like that show at all. It just wasn't very good. What it did show, though, was that the new ensemble could interact, and that there were relationships between them that worked. But doing it was terrible. It was a warmed over premise. Why do it?"[3] The liaison between Data and Yar stood out as being controversial, with Data referring to himself as being "fully functional" in a sexual sense.[3][4]

Several reviewers re-watched the episode after the end of the series. Keith DeCandido reviewed it on behalf of Tor.com, comparing it to "The Naked Time" and stating that "there's nothing in this episode as entertaining as Sulu bare-chested with an epee, and Wesley being nerdy in the engine room is nowhere near as much fun as Riley singing."[4] He gave the episode a score of two out of ten, remarking that "it's rarely a good idea to do an episode where everyone acts out of character as only the second one out of the gate, since we don't know enough about these people for their acting strange to be meaningful."[4] Cast member Wil Wheaton re-watched the episode for AOL TV, and summed it up saying "whether it was the worst episode ever or not probably rested upon the viewer's expectations. Trekkies who were looking for reasons to hate The Next Generation found plenty" while "viewers who were willing to watch it with an open mind saw flashes of things they came to love watching,"[7] and gave it a score of D+.[7]

James Hunt wrote about "The Naked Now" for the website "Den of Geek," stating that he couldn't understand why someone would want to show the characters acting out of character in only the second episode (not counting the pilot) of the series, before the viewers had a baseline from which to understand why the characters' behaviour was abnormal. He praised the idea of connecting The Next Generation to The Original Series early in the series, but also remarked that "however you slice it up, this episode is pretty awful."[8] Jamahl Epsicokhan on his website "Jammer's Reviews" remarked that "there's a certain memorable quality to this episode, despite its campy, overplayed comedy" but that "ultimately, the show is too goofy for its own good, but it's at least not boring," awarding it a score of two and a half out of four.[9]

Writing for TrekNation, Michelle Erica Green thought that the episode would have been improved if it had come a few seasons later, by which time the characters were better known to the audience. She also argued that the plot's synopsis would have worked better had it been used for an episode in Star Trek: Voyager. She thought that the episode was "boring, because we already know how it's going to end, and it's trivial, because already we can see how easily this crew can be diverted from duty."[10] Zack Handlen reviewed "The Naked Now" for The A.V. Club. He gave the episode a grade of D-, and his criticism of the episode included describing the scene with Yar and Data as "colossally misjudged" as well as attacking Wesley Crusher's "twerpitude."[11]

Home media release

The first home media release of "The Naked Now" was on VHS cassette, appearing on September 5, 1991 in the United States and Canada.[12] The episode was later included on the Star Trek: The Next Generation season one DVD box set, released in March 2002,[13] and then released as part of the season one Blu-ray set on July 24, 2012.[14]

Notes

  1. 1 2 3 Nemecek (2003): p. 32
  2. 1 2 3 4 5 6 Nemecek (2003): p. 33
  3. 1 2 3 Gross; Altman (1993): p. 156
  4. 1 2 3 4 DeCandido, Keith (May 12, 2011). "Star Trek: The Next Generation Rewatch: "The Naked Now"". Tor.com. Retrieved January 31, 2013.
  5. Nemecek (2003): p. 37
  6. "Star Trek: The Next Generation Nielsen Ratings – Seasons 1–2". TrekNation. UGO Networks. Archived from the original on October 5, 2000. Retrieved June 12, 2016.
  7. 1 2 Wheaton, Wil (September 8, 2006). "Star Trek: The Next Generation: The Naked Now". AOL TV. Retrieved January 31, 2013.
  8. Hunt, James (September 21, 2012). "Revisiting Star Trek TNG: The Naked Now". Den of Geek. Retrieved January 31, 2013.
  9. Epsicokhan, Jamahl. "Star Trek: The Next Generation "The Naked Now"". Jammer's Reviews. Retrieved January 31, 2013.
  10. Green, Michelle Erica (February 23, 2007). "The Naked Now". TrekNation. Retrieved January 31, 2013.
  11. Handlen, Zack (April 9, 2010). ""The Naked Now"/"Code of Honor"/"The Last Outpost"". The A.V. Club. Retrieved January 31, 2013.
  12. "Star Trek: The Next Generation - Episode 3 (VHS)". Tower Video. Retrieved January 31, 2013.
  13. Periguard, Mark A (March 24, 2002). "'Life as a House' rests on shaky foundation". The Boston Herald. Retrieved October 13, 2012. (subscription required)
  14. Shaffer, RL (April 30, 2012). "Star Trek: The Next Generation Beams to Blu-ray". IGN. Retrieved 17 October 2012.
  1. The series/season premiere, "Encounter at Farpoint", is a double-episode.

References

  • Gross, Edward; Altman, Mark A. (1993). Captain's Logs: The Complete Trek Voyages. London: Boxtree. ISBN 978-1-85283-899-7. 
  • Nemecek, Larry (2003). Star Trek: The Next Generation Companion (3rd ed.). New York: Pocket Books. ISBN 0-7434-5798-6. 
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