The Lovely Bones

This article is about the novel. For the 2009 film, see The Lovely Bones (film).
The Lovely Bones
Author Alice Sebold
Cover artist Yoori Kim (design); Daniel Lee (photo-illustration)
Country United States
Language English
Genre Novel
Publisher Little, Brown
Publication date
2002
Media type Print (hardback and paperback); audiobook
Pages 328 pp
ISBN 0-316-66634-3
OCLC 48495099
813/.6 21
LC Class PS3619.E26 L68 2002

The Lovely Bones is a 2002 novel by Alice Sebold. It is the story of a teenage girl who, after being raped and murdered, watches from her personal Heaven as her family and friends struggle to move on with their lives while she comes to terms with her own death. The novel received much critical praise and became an instant bestseller. A film adaptation, directed by Peter Jackson, who personally purchased the rights, was released in 2009.

Title

The novel's title is taken from a quotation at the story's conclusion, when Susie ponders her friends' and family's newfound strength after her death:

These were the lovely bones that had grown around my absence: the connections—sometimes tenuous, sometimes made at great cost, but often magnificent—that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events my death brought were merely the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous body had been my life.[1]

Plot

On December 6, 1973, 14-year-old Susie Salmon takes her usual shortcut home from her school through a cornfield in Norristown, Pennsylvania. George Harvey, her 36-year-old neighbor who lives alone and builds doll houses for a living, persuades her to have a look at an underground den he has recently dug in the field. Once she enters, he rapes and murders her, then dismembers her body, putting her remains in a safe that he dumps in a sinkhole. Susie's spirit flees toward her personal heaven, and in doing so, rushes past one of her classmates, social outcast Ruth Connors.

The Salmon family at first refuses to believe that Susie is dead, until a neighbor's dog finds Susie's elbow. The police talk to Harvey, finding him strange but seeing no reason to suspect him. Susie's father, Jack, begins to suspect Harvey, a sentiment his surviving daughter Lindsey comes to share. Jack takes an extended leave from work. Meanwhile, another of Susie's classmates, Ray Singh, who had a crush on Susie in school and had made plans to go out with her a few days before her murder, develops a relationship with Ruth, as they are drawn together by their connection with Susie.

Later, Len Fenerman, the detective assigned to the case, tells the Salmons the police have exhausted all leads and are dropping the investigation. That night in his study, Jack looks out the window and sees a flashlight in the cornfield. Thinking it is Harvey returning to destroy more evidence, he runs out to confront him, armed with a baseball bat. The figure is not Harvey, but Clarissa, Susie's best friend who is dating Brian, one of Susie's classmates. As Susie watches in horror from heaven, Brian—who was going to meet Clarissa in the cornfield—nearly beats Jack to death, and Clarissa breaks Jack's knee. While he recovers from knee replacement surgery, Susie's mother, Abigail, begins cheating on Jack with the widowed Fenerman.

Trying to help her father prove his suspicions, Lindsey sneaks into Harvey's house and finds a diagram of the underground den, but is forced to leave when Harvey returns unexpectedly. The police do not arrest him, however, which enables him to flee from Norristown. Later, evidence is discovered linking Harvey to Susie's murder as well as to those of several other girls. Meanwhile, Susie meets Harvey's other victims in heaven and sees into his traumatic childhood.

Abigail leaves Jack and eventually takes a job at a winery in California. Her mother, Grandma Lynn, moves into the Salmons' home to care for Buckley (Susie's younger brother) and Lindsey. Eight years later, Lindsey and her boyfriend, Samuel Heckler, become engaged after finishing college, find an old house in the woods owned by a classmate's father, and decide to fix it up and live there. Sometime after the celebration, while arguing with his son Buckley, Jack suffers a heart attack. The emergency prompts Abigail to return from California, but the reunion is tempered by Buckley's lingering bitterness for her having abandoned the family for most of his childhood.

Meanwhile, Harvey returns to Norristown, which has become more developed. He explores his old neighborhood and notices the school is being expanded into the cornfield where he murdered Susie. He drives by the sinkhole where Susie's body rests and where Ruth and Ray are standing. Ruth senses the women Harvey has killed and is physically overcome. Susie, watching from heaven, is also overwhelmed with emotion and feels how she and Ruth transcend their present existence, and the two girls exchange positions: Susie, her spirit now in Ruth's body, connects with Ray, who senses Susie's presence and is stunned by the fact that Susie is briefly back with him. The two make love as Susie has longed to do after witnessing her sister and Samuel. Afterwards, Susie returns to heaven.

Susie moves on into another, larger part of heaven, occasionally watching earthbound events. Lindsey and Samuel have a daughter together named Abigail Suzanne. While stalking a young woman in New Hampshire, Harvey is hit on the shoulder by an icicle and falls to his death down a snow-covered slope. At the end of the novel, a Norristown couple finds Susie's charm bracelet but don't realize its significance, and Susie closes the story by wishing the reader "a long and happy life".

Characters

Commercial and critical reception

Alice Sebold in 2007

Sebold's novel was a surprise success when it was first published, mainly because it was written by a young author known only for one other book. In addition, the plot and narrative device are unusual and unconventional. It would have been considered a success by Little, Brown and Company had it sold 20,000 copies, but it ultimately sold over a million and remained on the New York Times hardback bestseller list for over a year. Some of that could have been attributed to adroit marketing. Prior to its June publication, an excerpt was run in Seventeen. Shortly afterwards, ABC's Good Morning America chose it for its book club. The book became a popular summer read and a runaway success, with much of its sales subsequently attributed to word of mouth.

Critics also helped the novel's success by being generally positive, many noting that the story had more promise than the idea of a brutally murdered teenage girl going to heaven and following her family and friends as they get on with their lives would have suggested. "This is a high-wire act for a first novelist, and Alice Sebold maintains almost perfect balance", wrote Katherine Bouton in The New York Times Book Review.[2]

The novel also sold well in other English-speaking countries, though reviews were not as glowing. While admitting the novel "has its very fine moments", The Guardian's Ali Smith ultimately said, "The Lovely Bones is so keen in the end to comfort us and make safe its world that, however well-meaning, it avoids its own ramifications".[3] Her Observer colleague Philip Hensher was more blunt, conceding that the novel was "very readable" but "ultimately it seems like a slick, overpoweringly saccharine and unfeeling exercise in sentiment and whimsy".[4]

Depiction of Heaven

The novel portrays heaven as a very personal thing; each dead person existing in their own individualized version of heaven, sometimes sharing similar elements with other individuals, but not able to follow into the dissimilar areas of another person's heaven. Because Susie's character is narrating the story from her own personal heaven, there are some questions over the depiction of the afterlife.

Some readers with a Fundamentalist Christian perspective faulted Susie's heaven for being utterly devoid of any apparent religious aspect. "It's a very God-free heaven, with no suggestion that anyone has been judged, or found wanting," Philip Hensher stated in The Observer.[4]

Sebold, who was raised Episcopalian, intended the heaven to be simplistic in design: "To me, the idea of heaven would give you certain pleasures, certain joys — but it's very important to have an intellectual understanding of why you want those things. It's also about discovery, and being able to come to the conclusions that elude you in life. So it's from the most simplistic things — Susie wants a duplex — to larger things, like being able to understand why her mother was always slightly distant from her."[5]

Furthermore, Sebold has stated that the book is not intended to be religious, "but if people want to take things and interpret them, then I can't do anything about that. It is a book that has faith and hope and giant universal themes in it, but it's not meant to be, 'This is the way you should look at the afterlife'".[5]

Film adaptation

Director Peter Jackson secured the book's film rights. In a 2005 interview, he stated the reader has "an experience when you read the book that is unlike any other. I don't want the tone or the mood to be different or lost in the film." In the same interview, regarding Susie's heaven, he said the movie version would endeavor to make it appear "somehow ethereal and emotional, but it can't be hokey".[6] The film stars Saoirse Ronan as Susie Salmon, Mark Wahlberg as Jack Salmon, Stanley Tucci as George Harvey, Rachel Weisz as Abigail Salmon, Susan Sarandon as Susie's Grandmother Lynn, and Rose McIver as Lindsey Salmon.

The film opened to a limited release in three U.S. theaters on December 11, 2009[7] and received international and wide release on January 15, 2010. It met with mixed reviews, but nonetheless garnered an Academy Award nomination for Best Supporting Actor (Tucci).

References

  1. Sebold, Alice. The Lovely Bones. p. 363.
  2. Bouton, Katherine (July 14, 2002). "What Remains". The New York Times Book Review. Retrieved January 29, 2010.
  3. Smith, Ali (August 17, 2002). "A perfect afterlife". The Guardian.
  4. 1 2 Hensher, Philip (August 11, 2002). "An eternity of sweet nothings". The Observer.
  5. 1 2 Viner, Katharine (August 24, 2002). "Above and Beyond". The Guardian. Retrieved August 14, 2011.
  6. "Peter Jackson confirms The Lovely Bones as his next project". Movieweb.com. January 18, 2005.
  7. "The Lovely Bones Box Office Data". The-numbers.com.
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