The Curse of the Werewolf

The Curse of the Werewolf

film poster by Bill Wiggins
Directed by Terence Fisher
Produced by Michael Carreras
Anthony Hinds
Written by Anthony Hinds (aka John Elder)
Starring Clifford Evans
Oliver Reed
Yvonne Romain
Catherine Feller
Anthony Dawson
Michael Ripper
Narrated by Clifford Evans
Music by Benjamin Frankel
Cinematography Arthur Grant
Edited by Alfred Cox
Distributed by Universal-International
Release dates
1 May 1961 (UK)
7 June 1961 (U.S.)
Running time
91 minutes
Country United Kingdom
Language English
Box office 541,006 admissions (France)[1]

The Curse of the Werewolf (1961) is a British film based on the novel The Werewolf of Paris by Guy Endore.[2] The film was made by the British film studio Hammer Film Productions and was shot at Bray Studios. The leading role of the werewolf was Oliver Reed's first credited film appearance.[3] Benjamin Frankel's score is notable for its use of twelve-tone serialism, rare in film music.


The story is set in 18th Century Spain. A beggar is imprisoned by a cruel marquis after making inappropriate remarks at the nobleman's wedding. The beggar is forgotten, and survives another fifteen years. His sole human contact is with the jailer and his beautiful mute daughter (Yvonne Romain). The aging, decrepit Marques makes advances on the jailer's daughter while she is cleaning his room. When she refuses him, the Marques has her thrown into the dungeon with the beggar. The beggar, driven mad by his long confinement, rapes her and then dies.

The girl is released the next day and sent to "entertain" the Marques Siniestro. She kills the old man and flees. She is found in the forest by the kindly gentleman-scholar Don Alfredo Corledo (Clifford Evans) who lives alone with his housekeeper Teresa (Hira Talfrey). The warm and motherly Teresa soon nurses the girl back to health, but she dies after giving birth to a baby on Christmas Day (a fact that Teresa considers "unlucky" since the child was born out of wedlock).

Alfredo and Teresa raise the boy, whom they name Leon. Leon is cursed by the evil circumstances of his conception and by his Christmas Day birth. An early hunting incident gives him a taste for blood, which he struggles to overcome. Soon, a number of goats are found dead, and a herder's dog is blamed.

Thirteen years later, Leon as a young man (Oliver Reed) leaves home to seek work at the Gomez vineyard. Don Fernando Gomez (Ewen Solon) sets Leon to work in the wine cellar with Jose Amadayo (Martin Matthews) with whom he soon forms a friendship. Leon falls in love with Fernando's daughter, Cristina (Catherine Feller), and becomes despondent at the seeming impossibility of marrying her, and allows Jose take him to a nearby brothel, where he transforms and kills Vera and Jose, then returning to Alfredo's house. Too late, he learns that Cristina's loving presence prevents his transformation, and he is about to run away with her when he is arrested and jailed on suspicion of murder. He begs to be executed before he changes again, but the mayor does not believe him. His wolf nature rising to the surface, he breaks out of his cell, killing an Old Soak and the Gaoler. Shocked and disgusted by his appearance, the local people summon his scholarly stepfather, who has obtained a silver bullet made from a crucifix blessed by an archbishop. Though torn with grief, Alfredo shoots Leon dead and covers his body with a cloak.


Home video release

In North America, the film was released on 6 September 2005 along with seven other Hammer horror films on the 4-DVD set The Hammer Horror Series (ASIN: B0009X770O), which is part of MCA-Universal's Franchise Collection.

In other media

The film was adapted into a 15-page comic strip for the January 1978 issue of the magazine The House of Hammer (volume 1, # 10, published by General Book Distribution). It was drawn by John Bolton from a script by Steve Moore. The cover of the issue featured a painting by Brian Lewis as Leon in human and werewolf forms.


  1. Box office information for Terence Fisher films in France at Box office Story
  2. Clemens, Carlos (1968). Horror Movies: An illustrated Survey. London: Panther Books. p. 208.
  3. David Huckvale, Hammer Film Scores and the Musical Avant-Garde, Introduction, p.4
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