The Cove (film)

The Cove

A man swimming underwater surrounded by five dolphins. Above is the title "The Cove" and the tagline "Shallow Water, Deep Secret". Below is a group of quotes from film critics giving praise to the film, with the credits of the film at the bottom.

Canadian free-diving world champion Mandy-Rae Cruickshank swimming with dolphins in a photograph used for the film's movie poster[1]
Directed by Louie Psihoyos
Produced by Fisher Stevens
Paula DuPre Pesmen
Written by Mark Monroe
Starring Ric O'Barry
Hayden Panettiere
Scott Baker
Isabel Lucas
Hardy Jones
Music by J. Ralph
Cinematography Brook Aitken
Edited by Geoffrey Richman
Production
company
Distributed by Lionsgate
Roadside Attractions
Release dates
  • July 31, 2009 (2009-07-31)
Running time
87 minutes
Country United States
Language English
Japanese
Box office $1,140,043

The Cove is a 2009 documentary film directed by Louie Psihoyos which analyzes and questions dolphin hunting practices. It was awarded the Academy Award for Best Documentary Feature in 2010. The film is a call to action to halt mass dolphin kills, change fishing practices, and to inform and educate the public about the risks, and increasing hazard, of mercury poisoning from dolphin meat. The film is told from an ocean conservationist's point of view.[2][3] The film highlights the fact that the number of dolphins killed in the Taiji dolphin drive hunting is several times greater than the number of whales killed in the Antarctic, and asserts that 23,000 dolphins and porpoises are killed every year by the whaling industry. The migrating dolphins are herded into a cove where they are netted and killed by means of spears and knives over the side of small fishing boats. The film argues that dolphin hunting is unnecessary and cruel.

Since the film's release, The Cove has drawn controversy over neutrality and secret filming.

The film was directed by former National Geographic photographer Louie Psihoyos.[4] Portions were filmed secretly in 2007 using underwater microphones and high-definition cameras disguised as rocks.[2][5]

The documentary won the U.S. Audience Award at the 25th annual Sundance Film Festival in January 2009. It was selected out of the 879 submissions in the category.[2][6]

Synopsis

The film follows former dolphin trainer and activist Ric O'Barry's quest to document the dolphin hunting operations in Taiji, Wakayama, Japan. In the 1960s, O'Barry helped capture and train the five wild dolphins who shared the role of "Flipper" in the hit television series of the same name. The show, very popular, fueled widespread public adoration of dolphins, influencing the development of marine parks that included dolphins in their attractions. After one of the dolphins, in O'Barry's opinion, committed a form of suicide in his arms by closing her blowhole voluntarily in order to suffocate, O'Barry came to see the dolphin's captivity and the dolphin capture industry as a curse, not a blessing. Days later, he was arrested off the island of Bimini, attempting to cut a hole in the sea pen in order to set free a captured dolphin.[7] Since then, according to the film, O'Barry has dedicated himself full-time as an advocate on behalf of dolphins around the world.

After meeting with O'Barry, Psihoyos and his crew travel to Taiji, Japan, a town that appears to be devoted to dolphins and whales. In a nearby, isolated cove, however, surrounded by wire fences and "Keep Out" signs, an activity takes place that the townspeople attempt to hide from the public. In the cove, a group of Taiji fishermen engage in dolphin drive hunting. The film states that the dolphin hunt is, in large part, motivated by the tremendous revenue generated for the town by selling some of the captured dolphins, female bottlenose dolphins, to aquariums and marine parks and killing the majority of the rest. The dolphins that are not sold into captivity are then slaughtered in the cove and the meat is sold in supermarkets. According to the evidence presented in the film, the local Japanese government officials are involved in the hiding of the hunting, and the Japanese public is not fully aware of the hunt and the marketing of dolphin meat. The film states that the dolphin meat contains dangerously high levels of mercury and interviews two local politicians, Taiji city councilors who have, for that reason, advocated the removal of dolphin meat from local school lunches.

Attempts to view or film the dolphin killing in the cove are physically blocked by local police and the Japanese local government who treat the visitors with open intimidation, derision, and anger. Foreigners who come to Taiji, including The Cove's film crew, are shadowed and questioned by local police. In response, together with the Oceanic Preservation Society, Psihoyos, O'Barry, and the crew utilize special tactics and technology to covertly film what is taking place in the cove.[8] The film also reports on Japan's alleged "buying" of votes of poor nations in the International Whaling Commission. The film indicates that while Dominica has withdrawn from the IWC, Japan has recruited the following nations to its whaling agenda: Cambodia, Ecuador, Eritrea, Guinea-Bissau, Kiribati, Laos, and the Republic of the Marshall Islands. This is not entirely accurate, however, as Ecuador has been a strong opponent of whaling.[9][10] At the end of the film, O'Barry shows footage of the Taiji dolphin slaughter to a Japanese official, after the official repeatedly denies the incident; he is unmoved by the footage, and asks O'Barry where he obtained it. The film then cuts to a scene showing an annual meeting of the International Whaling Commission. O'Barry marches into a meeting of the Commission strapping a TV showing the footage on his chest (while the Japanese delegates are talking about how they have improved whaling tactics). O'Barry walks around the crowded meeting room displaying the images until he is escorted from the room.

Cast

Ric O'Barry at the Cove in Taiji, Japan 2014

Production

In the film, Ric O'Barry states, "Today they would kill me, if they could. And I'm not exaggerating, if these fisherman could catch me and kill me, they would."[12] The film used specialized camouflaged high-definition cameras that were designed to look like rocks. These hidden cameras helped capture footage and were so well camouflaged that, according to director Louie Psihoyos, the crew had a hard time finding them again.[13]

Reception

Japanese media

Some media in Japan have questioned whether one scene was manufactured for the camera, discussed whether the movie should properly be called a documentary and sought to discredit it.[14] Louie Psihoyos, the documentary's director, argues that such allegations are fabricated to protect the local whaling industry and that none of the scenes in the film were staged.[15]

An NHK TV program alleged that various techniques were used by anti-hunt activists in the film to irritate local people by saying nasty words both in Japanese and English, and then using violence or aggressive tactics with local fishermen until local police arrived. NHK concluded that the activists did so in order to capture angry and wild expressions by the local fishermen in the film and in photos.[16]

Critics

The film received very positive reviews from critics. Roger Ebert gave the film four stars (out of four), calling the film "a certain Oscar nominee".[17] Jeannette Catsoulis of The New York Times called the film "an exceptionally well-made documentary that unfolds like a spy thriller", going on to describe it as "one of the most audacious and perilous operations in the history of the conservation movement".[18] Other reviewers also played up the espionage angle of the film, including Time magazine's Mary Pols who said that The Cove "puts Hollywood capers like Mission Impossible to shame", and Peter Rainer of The Christian Science Monitor, who called it "a rousing piece of real-world thriller filmmaking".[19][20] Film review aggregator Rotten Tomatoes reported that 94% of critics had given the film positive reviews, based upon 125 total reviews, summarizing the consensus as "Though decidedly one-sided, The Cove is an impeccably crafted, suspenseful exposé of the covert slaughter of dolphins in Japan."[21] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 82, based on 26 reviews.[22]

There were several unfavorable reviews, usually describing the film as well-made propaganda. David Cox of The Guardian Film Blog called it a "piece of evangelism", and subsumed that from a neutral point of view "Westerners... kill and eat cows. Easterners eat dolphins. What's the difference?".[23] Academic Ilan Kapoor, echoing the famous phrase by Gayatri Spivak, argues that "it's a case of (mostly) 'white men saving cute dolphins from yellow men'."[24] Hirotaka Akamatsu, Japanese Minister of Agriculture and Fisheries, said "it is regrettable that this movie is made as a message that brutal Japanese are killing cute dolphins".[25] According to Michelle Orange of Movie Line "How much of this (The Cove) should we believe? As a piece of propaganda, The Cove is brilliant; as a story of ingenuity and triumph over what seems like senseless brutality, it is exceptionally well-told; but as a conscientious overview of a complex and deeply fraught, layered issue, it invokes the same phrase as even the most well-intentioned, impassioned activist docs: Buyer beware."[26] There has been some controversy over the depiction of the Japanese people in the film. However, upon questioning, director Louie Psihoyos said of his sympathy for the Japanese people, many of whom are unaware of the situation at the cove, "To me, it's a love letter. I'm giving you the information your government won't give you."[27]

Reactions in Western Australia

In August 2009, after the screening of the film in Sydney, Melbourne and Brisbane film festivals, the councillors of the Shire of Broome, Western Australia, voted unanimously to suspend its sister city relationship with the Japanese whaling port town of Taiji, as long as the latter continues its dolphin slaughter.[28][29][30] The decision was reversed in October 2009.[31]

Reactions in Taiji, Japan

The whale and dolphin hunting season in Japan usually begins on September 1 each year; in 2009, the hunting began on September 9. Although activists tend to believe that it was because of the publicity generated by the film,[32] it has been reported that the delay was due to the weather and rough seas.[33] According to campaigners, out of the 100 dolphins captured on September 9, some were taken to be sold to marine museums and the rest were released, while 50 pilot whales were killed and sold for meat on the same day. While campaigners claim that it has become apparent that The Cove is having an impact on the way in which Japanese fisherman normally conduct the dolphin hunt,[34] on March 23, 2010 the Japanese government stated "The dolphin hunting is a part of traditional fishery of this country and it has been lawfully carried out."[35]

Upon the film winning the Oscar, the town mayor of Taiji and the chief of Taiji Fishery Union said "The hunt is performed legally and properly with the permission of Wakayama Prefecture [local government]."[36] Several people who appear in the film, including Taiji assemblyman Hisato Ryono and Tetsuya Endo, an associate professor at Health Sciences University of Hokkaido, say that they were lied to by the documentary's producers about what the film would contain and Endo has pressed charges against the Japanese film publisher.[37]

Since the release of the film, a much larger number of activists, mainly non-Japanese, have visited Taiji to protest or film the dolphin hunts. The Taiji fishermen responded by constructing an elaborate structure of tarps to better conceal the drive-hunting activities in and around the cove.[38]

Release in Japan

The film was initially screened only at two small venues in Japan: at the Foreign Correspondents' Club in Tokyo in September 2009, and at the Tokyo International Film Festival in October 2009 where it received mixed reviews.[39][40] A Japanese film distributor, Medallion Media/Unplugged, subsequently acquired the rights to screen the film in Japan. The company hoped to begin a run of the movie in Japanese cinemas in June 2010.[41] Medallion prepared the documentary for presentation in Japan by pixelating the faces of Taiji residents and fishermen depicted in the film.[36] Nationalist protesters vowed to block the release of the film in Japan and dozens equipped with loudspeakers have demonstrated outside of the distributor's office in central Tokyo.[40][42]

As of June 2010, the controversy over the film and the film's subject had received little press attention in Japanese-language media in Japan. Boyd Harnell of the Japan Times stated on May 23, 2010, that Japanese news editors had told him that the topic was "too sensitive" for them to cover.[43]

In April 2010, Colonel Frank Eppich, the United States Air Force commander of Yokota Air Base, located near Tokyo, banned screenings of the film at the base theater. A base spokesman said that The Cove was banned because using a base venue to display the film could be seen as an endorsement of the film. The spokesman added, "We have a lot of issues with Japan ... and anything done on an American base would be seen as an approval of that event."[44] In response, Louie Psihoyos said that he would give away 100 DVD copies of the film for free to Yokota base personnel.[42]

A screening scheduled for June 26, 2010 at Theater N in Shibuya was canceled after staff were harassed by right-wing protesters. Unplugged stated that it was in negotiations with other theaters to screen the film.[45] Another theater in Tokyo and one in Osaka subsequently declined to screen the film. In response, a group of 61 media figures, including journalist Akihiro Ōtani and filmmaker Yoichi Sai, released a statement expressing concern over the threat to freedom of speech by the intimidation of right-wing groups.[46] The Directors Guild of Japan also asked theaters not to stop showing the film, arguing that "such moves would limit opportunities to express thoughts and beliefs, which are the core of democracy."[47]

On June 9, 2010, Tsukuru Publishing Co. sponsored a screening of the film and panel discussion at Nakano Zero theater in Nakano, Tokyo. The panelists included five who had signed the statement above. Afterwards, panel member Kunio Suzuki, former head of Issuikai, an Uyoku dantai (rightist) group, condemned the right-winger's threats against theaters and urged that the film be shown. "Not letting people watch the movie is anti-Japanese", said Suzuki.[48]

In response to the cancellation of screenings of the film in Japan, Japanese video sharing site Nico Nico Douga screened the film for free on June 18, 2010. The same week, Ric O'Barry was invited to speak at several universities about the film. O'Barry stated that he was planning on bringing several Hollywood stars to Taiji in September 2010 in an attempt to halt that year's hunt.[49]

On July 3, 2010, six theaters in Sendai, Tokyo, Yokohama, Kyoto, Osaka, and Hachinohe began screening the film. Right-wing nationalists protested outside four of the theaters, but close police supervision prevented any disruption to the viewing schedules and ensured free access for viewers to the theaters. The two in Tokyo and Yokohama were successful in obtaining prior court injunctions prohibiting protests outside their venues.[50]

A local Taiji activist group, called People Concerned for the Ocean, announced that they would distribute DVDs of the film, dubbed in Japanese, to all 3,500 residents of Taiji. The DVDs were to be distributed to the residents on March 5–6, 2011.[51]

The assistant chief of the whaling division at Japan's Fisheries Agency Hideki Moronuki is portrayed as having been fired in the movie.[52] Close-up Gendai, a Japanese social affairs television program, showed a video-conference in English with Psihoyos and asked how he came to think Moronuki was fired. Psihoyos stated that he met Akira Nakamae, the Deputy Minister of Fisheries, on an airplane going to the 2008 IWC meeting in Santiago[53] and was told then, but Nakamae denied ever having such a meeting.[14]

Lawsuit over alleged inaccuracies

Tetsuya Endō, an associate professor of the Health Sciences University of Hokkaido who is shown in the film discussing the high mercury content of dolphin meat, is suing the Japanese rights-holder, Medallion Media, and the distributor, Unplugged, for ¥11 million over what Endō said were misleading edits of his comments in the film which have damaged his reputation. The litigation opened in Tokyo District Court on December 1, 2010.[54]

Reactions in Seaworld

SeaWorld spokesperson Fred Jacobs has responded by saying that, "We think we're being unfairly criticized for something we're opposed to."[55] He adds that, "SeaWorld opposes the dolphin hunts documented in The Cove. We do not purchase any animals from these hunts. More than 80 percent of the marine mammals in our care were born in our parks. We haven't collected a dolphin from the wild in decades."[56] However, Jacobs does not condemn those who purchase from the Taiji dolphin hunt.[57] O'Barry has thus been criticized for emphasizing that dolphinariums are a large contributing factor to the economic success of the dolphin slaughter in Taiji and for encouraging boycotts of dolphin shows to protest the dolphin slaughter. The scene in The Cove that displays a map consisting of arrows emanating from Taiji and pointing to countries with dolphinariums has been said to be misleading since the majority of those countries do not currently have dolphins of Japanese origin. In the United States it is currently illegal to import dolphins obtained from a drive, including the drive hunt at Taiji, as it is considered an inhumane method.[55] Since 1993 there have been no permits issued to facilities in the United States to import dolphins acquired through drive hunt methods.[58] Marilee Menard, the executive director of the Alliance of Marine Mammal Parks and Aquariums, has also stated that she believes that the filmmakers are "misrepresenting that the majority of zoos and aquariums with dolphins around the world are taking these animals."[55]

Opposing documentary

In 2015, filmmaker Keiko Yagi released a documentary titled Beyond the Cove which presented the side of the Taiji fishermen. The film was screened at the Montreal World Film Festival.[59][60]

Noteworthy achievements

The Cove won over 25 film awards. Some notable awards include "Best Documentary" from the Environmental Media Awards,[61] Three Cinema Eye Honors[62] for "Outstanding Achievement", and the Academy Award for Best Documentary Feature on the 82nd Annual Academy Awards.[63]

Awards and nominations

The Cove has been nominated for or received numerous awards, including the following:

Traveling through film festivals and social events all around the United States, The Cove has also received the best documentary nod from many critics organizations, including The Boston Society of Film Critics,[76] San Diego Film Critics Society,[77] Dallas/Ft. Worth Film Critics Association,[78] Utah Film Critics Association,[79] Florida Film Critics Association,[80] Houston Film Critics Association,[81] and the Denver Film Critics Society.[82] As the film has received more and more recognition, the Oceanic Preservation Society translated their website into multiple languages to cater to interest from around the world.[83]

See also

References

  1. The Cove (2009). "The Cove Poster". Impawards.com. Retrieved April 23, 2010.
  2. 1 2 3 "Dolphin slaughter film a hit at Sundance" The Japan Times. (January 27, 2009). Retrieved on January 27, 2009.
  3. OPSociety.org Archived June 11, 2009, at the Wayback Machine., Oceanic Preservation Society – Facts
  4. Catsoulis, Jeannette. The Cove (2008) From Flipper's Trainer to Dolphin Defender The New York Times. July 31, 2009.
  5. Jurgensen, John. A Dolphin Horror Film The Wall Street Journal. July 31, 2009.
  6. The Cove Archived August 14, 2009, at the Wayback Machine. Sundance Festival 2009
  7. "SaveJapanDolphins.org". SaveJapanDolphins.org. Retrieved April 23, 2010.
  8. "TheCoveMovie.com". TheCoveMovie.com. Retrieved April 23, 2010.
  9. "Ecuador ECUADOR PROPONE PONER FIN A LA "CAZA CIENTÍFICA" QUE JAPÓN REALIZARÁ EN SANTUARIO AUSTRAL". Ministerio de Relaciones Exteriores del Ecuador. February 17, 2011. Retrieved September 21, 2010.
  10. "Ecuador has not joined the pro-whaling block in the IWC". Sea Shepherd. August 11, 2010. Retrieved September 21, 2010.
  11. "Scott Baker | Marine Mammal Institute". Mmi.oregonstate.edu. Retrieved April 23, 2010.
  12. In the first five minutes of the film
  13. Wired.com, How Filmmakers Used Spy Tech to Catch Dolphin Slaughter, August 20, 2009
  14. 1 2 『クローズアップ現代 問われる表現 イルカ漁映画』NHK2010年7月6日
  15. "Unfazed by 'The Cove,' Taiji's Fishermen Prepare to Resume Dolphin Hunt". August 27, 2010.
  16. "クジラと生きる Living with Whales". May 22, 2011.
  17. The Cove rogerebert.com
  18. Catsoulis, Jeannette (July 31, 2009). "Movie Review - The Cove - From Flipper's Trainer to Dolphin Defender". Movies.nytimes.com. Retrieved August 28, 2009.
  19. Pols, Mary (August 10, 2009). "Documentary Review: The Cove". TIME. Retrieved August 28, 2009.
  20. Rainer, Peter (August 7, 2009). "Review: 'The Cove'". csmonitor.com. Retrieved August 28, 2009.
  21. "The Cove Movie Reviews, Pictures". Rotten Tomatoes. IGN Entertainment, Inc. Retrieved 12 August 2015.
  22. "Cove, The reviews at Metacritic.com". Metacritic. CNET Networks, Inc. Retrieved November 24, 2009.
  23. Cox, David (October 26, 2009). "Guardian.co.uk". The Guardian. Retrieved April 23, 2010.
  24. Ilan Kapoor (2010-03-31). "Bright Lights Film Journal :: Troubled Waters: Crashing into The Cove". Brightlightsfilm.com. Retrieved 2010-09-21.
  25. "農林水産省/赤松農林水産大臣記者会見概要". Maff.go.jp. Retrieved April 23, 2010.
  26. From Lowbrow (July 30, 2009). "MovieLine.com". MovieLine.com. Retrieved April 23, 2010.
  27. Japan defends dolphin hunt in Oscar-winning 'Cove'. Associated Press. March 8, 2010.
  28. "Dolphin Kill Film to Shock Taiji Sister City Broome". Theaustralian.news.com.au. Retrieved April 23, 2010.
  29. Debbie Guest (2009-08-23). "Broome Suspends Sister City Relationship with Taiji Over Dolphin Slaughter". Theaustralian.news.com.au. Retrieved 2010-04-23.
  30. "太地のイルカ漁描く映画「The Cove」日本公開を期待". News.janjan.jp. August 27, 2009. Retrieved April 23, 2010.
  31. "Australian Town Embraces Taiji Again". The Japan Times. October 15, 2009. Retrieved October 28, 2009.
  32. "Hunters Pass On Opening Day Of Dolphin Season". All Things Considered. NPR. September 5, 2009. Retrieved September 7, 2009.
  33. "紀伊民報「イルカとクジラ捕獲 太地の追い込み漁」, September 9, 2009". Agara.co.jp. Retrieved April 23, 2010.
  34. Conservationists say 70 dolphins in Japan released. Associated Press. September 15, 2009.
  35. "イルカ漁は「法令に基づく伝統的漁業」 「ザ・コーブ」踏まえ政府が答弁書決定". Sankei.jp.msn.com. March 23, 2010. Retrieved April 23, 2010.
  36. 1 2 Matsutani, Minoru, "Cove Oscar is Taiji's Chagrin", Japan Times, March 9, 2010, p. 1. (アカデミー賞:「ザ・コーヴ」受賞に和歌山反発.)
  37. Alabaster, Jay, (Associated Press), "Cove Oscar Won't End Taiji Dolphin Kill", Japan Times, March 20, 2010, p. 2.
  38. Alabaster, Jay, (Associated Press), and Kyodo News, "Activists may shift tactics in Taiji; Sigh of relief" and Japan Times, March 3, 2011, p. 3.
  39. Tabuchi, Hiroko (October 22, 2009). "Film on the Dolphin Hunt Stirs Outrage in Japan". The New York Times. Retrieved February 9, 2010.
  40. 1 2 "Right-wingers vow to block release of 'The Cove' in Japan". Associated Press. 2010-04-10. Retrieved 2010-04-10.
  41. Matsutani, Minoru, "Distributor Hopes to Screen The Cove Soon", Japan Times, February 13, 2009, p. 1.
  42. 1 2 Associated Press, "'Cove' director reacts to base ban", Japan Times, April 23, 2010, p. 2.
  43. Harnell, Boyd, "Experts fear Taiji mercury tests are fatally flawed", Japan Times, May 23, 2010, p. 12.
  44. Harnell, Boyd, "Yokota base bans 'Cove' to be neutral", Japan Times, April 13, 2010, p. 1.
  45. Agence France-Presse, "Japan screens controversial film", The Straits Times, June 4, 2010.
  46. Kyodo News, "'Cove' censure threatens free speech: writers, filmmakers", Japan Times, June 9, 2010, p. 3.
  47. Bassett, Deborah (July 6, 2010). "The Cove Opens in Tokyo With Clash From Protesters". Huffington Post. Retrieved January 6, 2011.
  48. Matsutani, Minoru, "Rightist also tells theaters to run 'Cove'", Japan Times, June 11, 2010, p. 2.
  49. Associated Press, "Nico Nico Doga plans to stream 'Cove' for free", Japan Times, June 17, 2010, p. 2.
  50. Kyodo News, "Public screenings of 'The Cove' begin", Japan Times, July 4, 2010, p. 1.
  51. Matsutani, Minoru, "Activists to give Taiji residents free 'Cove' DVD", Japan Times, March 1, 2011, p. 2.
  52. "ワシントン条約第15回締約国会議 結果報告会". Kōchi Prefectural Government. May 29, 2010. Retrieved July 7, 2010.
  53. Sea Change Radio
  54. Kyodo News, "Professor in 'Cove' sues film firms over arbitrary editing", Japan Times, December 2, 2010.
  55. 1 2 3 Mieszkowski, Katharine (August 7, 2009), "Dolphins Are Dying to Amuse Us", Salon, retrieved June 7, 2011
  56. "The Cove's Shocking Discovery", The Oprah Winfrey Show, April 22, 2010, retrieved June 7, 2011
  57. Alexander, Brian (August 6, 2009), Dolphin hunt film sparks dilemma for tourists, msnbc.msn.com, retrieved January 9, 2012
  58. Rose, Naomi A.; E.C.M. Parsons, and Richard Farinato (2009). "The Case Against Marine Mammals in Captivity" (PDF). The Humane Society of the United States and the World Society for the Protection of Animals. Retrieved June 7, 2011. Cite uses deprecated parameter |coauthors= (help)
  59. Kyodo News, "Film supportive of dolphin drive hunts draws mixed reaction in Montreal", Japan Times, 8 September 2015
  60. Gilhooly, Rob, "Taiji drops anchor on dolphin hunts despite increasing pressure", Japan Times, 20 September 2015
  61. "EMA – 20th Anniversary Awards". Ema-online.org. Retrieved 2010-04-23.
  62. "'The Cove' Tops Cinema Eye Honors". indieWIRE. Retrieved 2010-04-23.
  63. "Oscar.com – Oscar Night – Winners". Oscar.go.com. Retrieved 2010-04-23.
  64. "Nominees for the 82nd Academy Awards" Archived 2010-04-19 at WebCite. Retrieved February 11, 2010.
  65. 1 2 TV Guide, "11 Top Oscar Moments" March 7, 2010 Archived December 5, 2010, at the Wayback Machine.
  66. The Salt Lake Tribune, "Hurt Locker Wins Top Oscar Prize" March 8, 2010
  67. DGA Website:"Kathryn Bigelow wins DGA Feature Film Award for The Hurt Locker. Other winners of 2009 DGA Awards announced." (January 31, 2010) Archived February 3, 2010, at the Wayback Machine.. Retrieved January 31, 2010.
  68. The National Board of Review Official Website, December 2009
  69. The Japan Times: "'Cove' named best documentary" (January 19, 2010). Retrieved January 19, 2010.
  70. King, Susan (December 13, 2009). "L.A. Film Critics announce 2009 winners [Updated]". Los Angeles Times.
  71. 1 2 "Toronto Film Critics Association Awards 2009". torontofilmcritics.com. 2009-12-16. Retrieved 2010-04-23.
  72. "Newport Beach Film Festival". Newportbeachfilmfest.com. Retrieved 2014-04-19.
  73. IndieWire.com, December 2009
  74. IndieWire.com, November 2009
  75. "BSFC Award Winners – Recent". Thebsfc.org. Retrieved 2010-04-23.
  76. "San Diego Film Critics Society – Movie Reviews by San Diego's Top Film Critics". Sdfcs.org. Retrieved 2010-04-23.
  77. Robinson, Anna (2009-12-17). "Dallas-Ft. Worth Film Critics Awards 2009". Altfg.com. Retrieved 2010-04-23.
  78. Montgomery, Steve (2009-12-18). "Utah Film Critics Awards 2009". Altfg.com. Retrieved 2010-04-23.
  79. "Florida Film Critics Circle – Home". Floridafilmcriticscircle.webs.com. Retrieved 2010-04-23.
  80. "The Hurt Locker wins top award from Houston film critics – 2009-Dec-19 – CultureMap Houston". Culturemap.com. Retrieved 2010-04-23.
  81. "Denver Film Critics Society 2009–2010 Award Nominations | Denver Film Critics Society". Denverfilmcritics.org. 2010-01-13. Retrieved 2010-04-23.
  82. "Welcome". The Cove Movie. Retrieved 2010-04-23.

External links

Coordinates: 33°35′55.92″N 135°56′46.86″E / 33.5988667°N 135.9463500°E / 33.5988667; 135.9463500

This article is issued from Wikipedia - version of the 12/1/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.