The Ascent of F6

First UK edition

The Ascent of F6: A Tragedy in Two Acts, by W. H. Auden and Christopher Isherwood, was the second and most successful play in the Auden-Isherwood collaboration, first published in 1936. It was a major contribution to English poetic drama in the 1930s.


The play tells the story of Michael Ransom, a climber, who, against his better judgement, accepts the offer of the British press and government to sponsor an expedition to the peak of F6, a mountain on the border of a British colony and a colony of the fictional country of Ostnia. Ransom is destroyed by his haste to complete the expedition ahead of the Ostnian climbers.


The play is widely regarded as an allegory of Auden's own temptation to be a public figure; this interpretation was first offered by R. G. Collingwood in The Principles of Art (1938).

The play was published in three slightly different versions: the first English edition in 1936, the American edition in 1937, and a second English edition in 1937.

The play is dedicated to Auden's geologist brother John Bicknell Auden who had taken part in an expedition near the Himalayan mountain K2.[1]

Auden personally invited Benjamin Britten to write the incidental music for the play. Britten composed the music in February 1937, the month of the play's first production, including a choral setting of "Stop all the clocks" (titled "Funeral Blues").[2]

Production history

The play was first produced at the Mercury Theatre, London on 26 February 1937, with incidental music by Benjamin Britten conducted from the piano by Brian Easdale.[2] Directed by Rupert Doone,[3] the cast included William Devlin as Michael Ransom, Dorothy Holmes-Gore as Mrs Ransom, and Hedli Anderson as the Singer.[2] After its initial run, The Ascent of F6 received 17 performances over the next two years.[4]



  1. Stearn, Roger T. (2004). "Auden, John Bicknell (1903–1991)". Oxford Dictionary of National Biography. Oxford University Press. doi:10.1093/ref:odnb/53476.
  2. 1 2 3 Mitchell, Letters from a Life, Vol. 1: p. 487
  3. Carpenter, Britten: p. 98
  4. Wallace, p. 13


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