Swastika Night
 Cover of the Feminist Press edition of Swastika Night | |
| Author | Murray Constantine |
|---|---|
| Country | United Kingdom |
| Language | English |
| Genre | Dystopian novel |
| Publisher | Victor Gollancz Ltd |
Publication date | 1937 |
| Media type | Print (Hardback) |
| Pages | 287 pp |
| ISBN | 0-935312-56-0 |
| OCLC | 12162019 |
| 823/.912 19 | |
| LC Class | PR6003.U45 S8 1985 |
Swastika Night is a futuristic novel by Katharine Burdekin, writing under the pseudonym Murray Constantine, first published in 1937. The book was a Left Book Club selection in 1940.
The novel is inspired by Adolf Hitler's claim that Nazism would create a "Thousand Year Reich".
The novel was forgotten for many years, until it was republished in the 1980s.[1]
Literary historian Andy Croft has described it as "the most original of all the many anti-fascist dystopias of the late 1930s".[2]
Plot synopsis
Swastika Night takes place in a world where the Nazis and Japanese won the twenty years (our World War II). It follows the protagonist Alfred, an Englishman in his 30s who works as a ground mechanic for the German Empire in the Salisbury Aerodrome. Alfred comes to Germany on a holy pilgrimage to see the holy sites of Hitlerism, the religion in this Nazi dominated world. These sites include the holy forest and the sacred airplane in Munich with which Hitler won the war by personally flying to Moscow it is said. In this world Hitler is seen as a seven foot tall, long blonde haired, blue-eyed man who was “exploded” from the head of God the Thunderer and a god in his own right. He is preached about by Knights (a cross between the traditional, feudal knights and a priest) who pass this job down from father to son.
When Alfred arrives at his Nazi friend Hermann’s village, he meets the Knight there, an old man by the name of Friedrich von Hess, Hermann works on this Knight’s land. The Knight reveals to Alfred about how history was distorted by a man who even when confronted by the truth proclaimed Hitler a god. The writing of this man’s book caused the Nazis to burn everything that contradicted the fact – even the book itself – and also anything that revealed life before the empire or during Hitler’s life. An ancestor of von Hess wrote about the truth and entrusted the secret to his descendants, he also obtained and preserved a picture of Hitler and a young blonde woman that Alfred originally mistakes for Hitler. This convinces the already sceptical Alfred that Hitler was not a god when he sees that Hitler was a small, brown haired man with a paunch.
Alfred then vows to return women to how they should be as in the novel they have become ugly things, with shaved heads and no self-respect used for solely reproduction and kept in a place called the women’s quarters from where they cannot escape and are seen as little more than animals. He also vows that he shall teach what is in his book to his fellow Englishmen and others so that eventually they can cause the shattering of the German Empire as the belief that holds it together falls apart. He presses that it must be an ideological, spiritual rebellion as a violent rebellion would be crushed by the occupation armies of the Germans. The reader may also realise that a violent rebellion would also only adhere to the Hitlerian beliefs of violence and strength.
Towards the end of the novel Alfred returns to Britain with the book where he starts teaching his son from the book. A few weeks after finishing the book Alfred, his son and Hermann (who followed Alfred to Britain) are almost caught by the SS, while Fred (Alfred’s son) escapes with the book, Hermann and Alfred are discovered by the SS, whereupon Hermann charges the SS and is killed. After this happens the SS try to discover the reason behind Hermann and Alfred being there, but are unsuccessful. An SS member then kicks Hermann’s corpse causing Alfred to fly into a rage and get beaten into unconsciousness, the beating is so bad that Alfred wakes up in hospital two days later and gets to talk to Fred one last time about continuing his work just before he dies of his injuries.
Reception
John Clute described Swastika Night as "a scathing feminist anatomy of war, sexism and power" and lists the novel as one of the "classic titles" of inter-war science fiction.[1] Adam Roberts stated "Burdekin's pre-war story reads as horribly prescient and its feminist emphasis ... provides a very valid critique of fascism".[3]
Bibliography
- Katherine Burdekin: Swastika Night: Old Westbury: Feminist Press: 1985: ISBN 0-935312-56-0
See also
References
- 1 2 Clute, John (1995). Science Fiction: The Illustrated Encyclopedia. Dorling Kindersley. pp. 121, 215. ISBN 0751302023.
- ↑ Hopkins, Chris (2006). English Fiction in the 1930s: Language, Genre, History. London: Continuum International Publishing Group. p. 138. ISBN 0826489389.
- ↑ Roberts, Adam. The History of Science Fiction. Palgrave Macmillan. ISBN 0333970225 (p.171).
Further reading
- Bleiler, Everett (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. p. 83.
Mentioned in
- Arnott, Jake (2012). The House of Rumour. Sceptre.