Stopover Tokyo

Stopover Tokyo
Theatrical poster
Directed by	Richard L. Breen
Produced by	Walter Reisch
Written by	Richard L. Breen Walter Reisch
Based on	novel by John P. Marquand
Starring	Robert Wagner Joan Collins Edmond O'Brien Ken Scott
Music by	Paul Sawtell
Cinematography	Charles G. Clarke
Edited by	Marjorie Fowler
Distributed by	20th Century Fox
Release dates	December 1957 (1957-12)
Running time	100 minutes
Country	United States
Language	English
Budget	$1,055,000[1]
Box office	$1,350,000 (US rentals)[2]

Stopover Tokyo is a 1957 American espionage drama directed by Richard L. Breen and starring Robert Wagner, Joan Collins, Edmond O'Brien and Ken Scott. Filmed in Japan in CinemaScope, the film is set in Tokyo and follows a US counterintelligence agent working to foil a communist assassination plot.

The film is based very loosely on the final Mr. Moto novel by John P. Marquand. The biggest change is that Mr. Moto is entirely cut from the film.

It was the sole feature film directed by Richard Breen, a distinguished screenwriter.

Plot

US Intelligence Agent Mark Fannon (Robert Wagner) is sent to Tokyo on a routine courier mission but soon uncovers communist George Underwood’s (Edmond O'Brien) plot to assassinate the American High Commissioner (Larry Keating).

While there he meets Welsh receptionist (Joan Collins), in whom fellow agent Tony Barrett (Ken Scott) has a romantic interest. This causes animosity between the two.

An attempt is made on Mark's life in a steam room and his local contact, Nobika, is assassinated. Lt. Afumi of the Tokyo police department escorts Tina and Mark to the scene of Nobika's death and shows them a note he found in Nobika's pocket.

Mark and Tina are detained by police. Mark phones Tony in Formosa to inquire about the name of the village in which Nobika lived. Mark goes there and tries to find classified information concealed in magazines. He meets Nobika's daughter, Koko.

Cast

Original Novel

In the 1950s Marquand had not written a Moto novel in fifteen years. He received an offer to write one from Stuart Rose, the editor of the Saturday Evening Post, who offered Marquand $5,000 to travel to Japan and an advance of $75,000.^[3]

He decided to write a new one because "I wanted to see whether or not I was still able to write a mystery, one of the most interesting forms of literary craftsmanship, if not art, that exists."^[4]

Marquand visited Japan for a month and wrote up the story towards the end of 1956. Mr Moto was not the actual hero of the novel - that role went to secret agent John Rhyce, who is sent to Tokyo to combat a communist plot along with fellow agent Ruth Bogart.^[5]

The novel was serialised in the Post from 24 November 1956 to 12 January 1957 under the title "Rendezvous in Tokyo". The magazine's editors did not like the story's unhappy ending but Marquand insisted upon it. The novel itself was published in early 1957. ^[3][6] It was a best seller and was, on the whole, well received, a writer on the New York Times calling it "superlative".^[4][7]

The novel would later be re-issued under the titles Right You Are, Mr Moto and The Last Case of Mr Moto.^[8]

Production

20th Century Fox, who made the original Peter Lorre Moto movies, bought the film rights to the story in April 1956, prior to publication. Sam Engel was originally going to produce and William Holden and Jennifer Jones were mentioned as possible stars.^[9]

The movie ended up being the first of a proposed series of movies from writers Richard Breen and Walter Reisch; Breen was to direct and Reisch to produce. Robert Stack was meant to play the lead but he refused the role because he did not want to go to Japan.^[10] Stack was suspended by the studio and the role given to Robert Wagner.^[11]

Cinematographer Charles G. Clarke made expansive use of location shooting in Kyoto, a sacred Shinto city which was only lightly bombed in World War II and taken off the nuclear bombing target list (from its original top listing) due to the efforts of Henry Stimson who argued for the preservation of its cultural assets. <Cary, Otis>

Actor Ken Scott was injured in a scene when Edmond O'Brien shot a prop gun at him and a blank cartridge hit his face. There was no serious damage.^[12]

Fox were so impressed with ten-year-old star Reiko Oyama they signed her to a long term contract.^[13]

Reception

Collins and Wagner promoted the film with a nationwide publicity tour.^[14]

However it was not particularly successful at the box office.

The Chicago Daily Tribute praised the location photography but said the film "starts suspensefully, but ends limply".^[15] The Los Angeles Times liked the scenery which they thought "helps overcome somewhat routine plot development" but felt Wagner "goes about his spying work energetically although it is thought that this type of character isn't exactly his cup of tea."^[16]

Breen and Resich were later reported as working on another film for Wagner, The Far Alert, about NATO naval flyers.^[17] However this film was never made.

A year after the movie came out Marquand told the New York Times that:

Mr Moto was my literary disgrace. I wrote about him to get shoes for the baby. I don't say I didn't have a pleasant time writing about him and he returned in Stopover Tokyo but I don't think I'll ever meet him again. Moto was an entirely different piece of writing from a so-called serious novel. He really became famous when they took him up in the movies. In book for he has never really sold well - never more than 5,000 to 6,000 copies. I can't say why people remember him, except they must remember the serials and pictures.^[18]

In 1959 Wagner disparaged the film:

When I started at Fox in 1950 they were making sixty five pictures a year. Now they're lucky if they make thirty. There was a chance to get some training in B pictures. Then TV struck. Everything went big and they started sticking me into Cinemascope spectacles. One day, smiling Joe Juvenile with no talent was doing a role intended for John Wayne. That was in a dog called Stopover Tokyo. I've really had to work to keep up.^[19]

References

• Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1.

External links

• Stopover Tokyo at the Internet Movie Database
• Stopover Tokyo at TCMDB
• Complete novel of Stopover Tokyo at Project Gutenberg