Showtune (musical)

Showtune
Logo, 2003 New York Production
Music	Jerry Herman
Lyrics	Jerry Herman
Book	Paul Gilger
Productions	1985 San Francisco 1998 West End 2003 Off-Broadway

Showtune is a musical revue celebrating the words and music of Broadway composer and lyricist Jerry Herman. Its title was inspired by Herman's autobiography of the same name. The revue's original title was The Best of Times. After its 1985 San Francisco premiere and several regional productions through the 1990s, the piece played in the West End in 1998 and Off-Broadway in 2003.

The forty songs featured in Showtune come from Herman's Broadway musicals Milk and Honey (1961), Hello, Dolly! (1964), Mame (1966), Dear World (1969), Mack & Mabel (1974), The Grand Tour (1979), A Day in Hollywood / A Night in the Ukraine (1980), and La Cage aux Folles (1983).^[1][2]

Conceived by Paul Gilger, the songs in Showtune are juxtaposed into thematic scenes and song-cycles, placing a strong emphasis on Herman's lyrics and their optimistic messages. The song-cycle format creates dramatic sub-texts giving through-lines to the show.^[2]

Scene and Song List

Synopsis

Act I

Herman's optimistic view of show business life is presented in "It's Today!", the opening number from Mame, and "Big Time", from Mack and Mabel. On the other hand, "We Need A Little Christmas" and "Put On Your Sunday Clothes!" present his strategies for dealing with bad news and hard times. In the latter number, the cast simulates a train, with the men's bowler hats becoming smokestacks and the ladies' parasols acting as the wheels. Backstage at a Cabaret, an actor makes up as "Zaza" the star of La Cage Aux Folles! ("A Little More Mascara"). A crescent moon descends, and Zaza performs "The Man in the Moon". The cast sings "I Am What I Am."

"The Four Seasons" is the theme for Herman's outlook on love. Spring is represented by "I Won't Send Roses", "Ribbons Down My Back" and "Dancing"; summer is a battle of the sexes, with "It Takes A Woman" (men) "Wherever He Ain't!" (women), "Hundreds of Girls" (men) and "So Long, Dearie" (women); and autumn includes "And I Was Beautiful" and "Kiss Her Now" (While She's Young), with the two songs then given in counterpoint. Finally, in winter, the sequence is philosophical: Although "Time Heals Everything", one must act "Before the Parade Passes By!", and "One Person" can change the world, if he or she will "Open a New Window".

Act II

As he thinks about the days of silent film, Mack Sennett recalls when "Movies Were Movies", and his love story is seen through the eyes of a cameraman who sings "Look What Happened to Mabel". Mabel dances a Charleston to "That's How Young I Feel". Jeanette MacDonald and Nelson Eddy perform "My Best Girl" on set for the umpteenth time, and she complains about his acting ("Nelson"). The company advises us to "Just Go to the Movies". A woman's unrequited love ("It Only Takes a Moment"), segues to a very pregnant Agnes Gooch who enters singing, "It only took a moment" and then her big number "Gooch's Song". A tap dancer encourages her to "Tap Your Troubles Away". Big production numbers for leading ladies follow: "Hello, Dolly!" and "Mame". The two divas sing "Bosom Buddies".

A serious and romantic segment follows, with "I Don't Want to Know", "Song on the Sand", "Shalom", "I'll Be Here Tomorrow", "If He Walked Into My Life" and "I Promise You a Happy Ending". These tender recollections yield to a big finale with a medley of production numbers "Mame", "The Best of Times" and a reprise of "It's Today". The cast takes its bows singing "Hello, Dolly!" and asks the audience to join in.

Note: An abridged one-act version follows the show's basic structure, with condensed medleys and about 30 of the songs.^[3]

Production history

San Francisco premiere

Showtune was originally titled Tune the Grand Up, and premiered May 1, 1985 at The 1177 Club in the Gramercy Towers on Nob Hill in San Francisco.^[4] The cabaret-style show was directed by Paul Gilger and Barbara Valente, with choreography by Valente.^[4] The production received unanimous rave reviews from 13 newspapers, including both the San Francisco Chronicle and the San Francisco Examiner. The show ran for 2 years, winning 11 awards including 3 awards for Best Musical from Hollywood Drama-Logue, Bay Area Theatre Critics Circle, and the San Francisco Council on Entertainment.

The cast was:

• John Nockels (Man 1)
• Darlene Popovic (Woman 1)
• James Followell (Man 2 and the Pianist)
• Alma Sayles (Woman 2)
• David Broussal (Man 3)
• Lise-Marie Thomas (Woman 3)

Cindy Herron joined the cast in the second year as Woman 3.

California and Hawaii

In March 1987, a production of Tune the Grand Up opened at the Lyceum Space Theatre in San Diego, California.^[5] The show was directed and choreographed by Barbara Valente, with the cast that included Cindy Herron, John Nockels, Tim Connell, Mimi Unser, Darlene Popovic and James Followell.^[5]

In September 1987, a third production of Tune the Grand Up was financed by actor Richard Smart at the 490 seat Kahilu Theatre in the town of Kamuela, Hawaii. The production was directed and supervised by Gilger. The cast again starred Nockels and Herron, who were joined by A.J. Holmes.

In 1996, producer Jennifer Strome optioned the rights to Tune the Grand Up and produced all subsequent productions of the revue up through the 2003 New York production, beginning with the 1996 production in the Delta King Riverboat Theatre in Sacramento, California. ^[6] The cast included Nockels and Barry Lloyd.

In November 1996, Tune the Grand Up returned to San Francisco at the Alcazar Theatre. The production was supervised by Jerry Herman, directed by Jay Manley and choreographed by Barbara Valente, with musical direction by Barry Lloyd. The cast was Pierce Brandt, Dan Johnson, Michelle E. Jordan, Barry Lloyd, Marsha Mercant and Jan Wasser.^[7] It won Hollywood Drama-Logue Awards, including one for each member of the cast.

Off-West End

In 1998, the revue was produced twice in London, by Strome in association with Sharleen Cooper Cohen,^[8]with a new title, The Best of Times. It was directed and choreographed by Bill Starr. It was produced at the Bridewell Theatre, with the cast that featured Lindsay Hamilton, and Karen Evans.^[9]

West End

The Bridewell production transferred, in November 1998, to the Vaudeville Theatre in the West End.^[10]

The cast was:^[10]

• Garth Bardsley
• Kathryn Evans
• James Followell (pianist)
• Sarah Payne
• Jamie Golding
• Lindsay Hamilton

New York tryout and Off-Broadway

In October 2002, the revue, now retitled Showtune, had an out-of-town tryout at the Helen Hayes Theatre in Nyack, New York. The production was directed and choreographed by Joey McKneely, with musical direction by James Followell. The cast was expanded from six to seven, with the addition of a fourth man.^[11][12]

• Martin Vidnovic (Man 1)
• Donna McKechnie (Woman 1)
• Paul Harman (Man 2)
• Sandy Binion (Woman 2)
• Tom Korbee (Man 3)
• Russell Arden Koplin (Woman 3)
• Bobby Peaco (Man 4 and the Pianist)^[11]

Showtune opened Off-Broadway at the York Theatre at St. Peter's, running from February 18, 2003 to April 13, 2003.^[13][14] The revue was produced by Jenny Strome and David Brown. The Off-Broadway production was also directed and choreographed by McKneely, with music direction by Followell and the same cast as the tryout, except that Karen Murphy replaced McKechnie.^[1][15][2]

Subsequent regional productions

In June 2003, Showtune played at the Pasadena Playhouse. The production was directed by Bill Starr and Sheldon Epps, with choreography by Starr. The cast included Vidnovic and Merle Dandridge.^[16]

In November 2003, Showtune was presented at the Caldwell Theatre in Boca Raton, Florida. The production was directed by Michael Hall, with choreography by Barbara Flaten and musical direction by Bobby Peaco. The cast included Vidnovic and Peaco.^[17]

International productions

Showtune has been produced at the 2006 Edinburgh Festival Fringe. It has also been seen in 2008 at the Galaxy Theatre in Tokyo and at the Hyogo Performing Arts Center in Nishinomiya, Hyogo. The Japanese-language production was directed by Akio Miki with the all-female Takarazuka Revue Company.

Cast recording

In 2004, a cast recording of Showtune was produced in New York City with the New York cast (except as noted). The conductor and music director was James Followell.^[18][19]

• Martin Vidnovic (Man 1)
• Karen Murphy (Woman 1)
• Paul Harman and Steve Wilson (Florida cast) (Man 2)
• Sandy Binion (Woman 2)
• Tom Korbee (Man 3)
• Stephanie Lynge (Florida cast) (Woman 3)
• Bobby Peaco (Man 4 and the Pianist)

Licensing

• Showtune page at Music Theatre International, United States licensing
• Showtune page at Josef Weinberger, United Kingdom licensing
• Showtune page at Hal Leonard, Australia licensing

References

External links

• Showtune article Playbill.com
• Showtune synopsis page at The Guide to Musical Theatre, United Kingdom website
• Showtune page JerryHerman.com
• Showtune page JorgePlace.com