Shintoho
For the pink film company founded in 1961 as a successor to Shintoho, see Shintōhō Eiga
Shintoho Co. Ltd. (新東宝株式会社 Shintōhō kabushiki kaisha, or New Tōhō Company) was a Japanese movie studio. It was one of the big six film studios (which also included Daiei, Nikkatsu, Shochiku, Toei, and Toho) during the Golden Age of Japanese cinema. It was founded by defectors from the original Toho company. Known primarily for exploitation cinema, it declared bankruptcy in 1961, after its last production, Jigoku.[1]
Major productions and distributions
- Stray Dog (1949) (distributed by Toho)
- Ginza Kankan Musume, directed by Koji Shima, 1949
- Akogare no Hawaii Kōro, directed by Torajiro Saito, 1950
- Escape at Dawn, 1950
- Portrait of Madame Yuki, directed by Kenji Mizoguchi, 1950
- Ginza Cosmetics directed by Mikio Naruse, 1951
- The Life of Oharu, directed by Kenji Mizoguchi, 1952
- Mother directed by Mikio Naruse, 1952
- Entotsu no mieru basho (Where Chimneys Are Seen), directed by Heinosuke Gosho, 1953
- Takekurabe directed by Heinosuke Gosho, 1955
- Ningen Gyorai Kaiten (1955)
- Non-chan Kumo ni Noru (1955)
- Koi Sugata Kitsune Goten, directed by Nobuo Nakagawa, 1956
- Onna Keirin-ō (1956)
- Series Super Giant, directed by Teruo Ishii, 1957
- Sen'un Ajia no Joō (1957)
- Kaidan Kasane-ga-fuchi, directed by Nobuo Nakagawa, 1957
- Meiji Tennō to Nichiro Daisensō (The Meiji Emperor and the Russo-Japanese War), directed by Watanabe Kunio, 1957[2]
- Nude Actress Murder Case: Five Criminals, directed by Teruo Ishii, 1957
- The Military Policeman and the Dismembered Beauty, directed by Kyotaro Namiki
- Hitogui Ama (1958)
- Yogoreta Nikutai Seijo (1958)
- Borei Kaibyo Yashiki, directed by Nobuo Nakagawa, 1958
- Kenpei to Yurei, directed by Nobuo Nakagawa, 1958
- Kyōen Kobanzame, directed by Nobuo Nakagawa, 1958
- Ghost of Chibusa Enoki (1958)
- Yellow Line directed by Teruo Ishii, 1960
- Jigoku, directed by Nobuo Nakagawa, 1961
References
- ↑ Balmain, Colette (2008). Introduction to Japanese Horror Film. Edinburgh University Press. p. 14. ISBN 9780748624751.
In 1947, daiei financed a separate cinematic production company called Shintōhō. Due to the success of Three Hundred and Sixty Nights (Ichikawa: 1948) – a melodrama about a love triangle between two girls and a boy – Shintōhō was able ...
- ↑ Haruo Shirane Envisioning The Tale of Genji: Media, Gender, and Cultural Production 2008- Page 325 "Meiji tennō to Nichiro daisensō (The Meiji Emperor and the Russo-Japanese War), dir. Watanabe Kunio, color, 113 minutes, , Shintōhō Company, 1957. The original concept was directed by production committee leader Ōkura Mitsugu; text, directed by Watanabe Kunio; screenplay, directed by Tateoka Ken'nosuke, and Emperor Meiji was portrayed directed by ..."
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