Ron Holgate

Ron Holgate
Born (1937-05-26) May 26, 1937
Aberdeen, South Dakota, U.S.
Occupation Actor, Singer
Years active 1960s–2000s
Spouse(s) Dorothy Collins (m. 1966–1977; divorced)
Anny DeGange (m. 1989–present)

Ronald "Ron" Holgate (born May 26, 1937, Aberdeen, South Dakota) is an American actor and opera singer. He won the Tony Award for Best Supporting Actor as Richard Henry Lee in the original Broadway production of 1776, a role he reprised in 1972 for the film.

Early life

The son of a school superintendent and a drama teacher, raised in South Dakota, Holgate originally intended to become a classical actor and studied drama with Alvina Krause at Northwestern University. While there, however, he was discovered by Boris Goldovsky, and went on to study opera at both Tanglewood and the New England Conservatory. In 1959, Holgate, a bass-baritone, won second prize in the Metropolitan Opera National Council Auditions, finishing after Teresa Stratas; he went on to tour with Goldovsky's New England Opera Theater.[1]

Career

By the early 1960s, however, Holgate had gone back to theater, only resuming a regular opera career in the 1970s. Roles like the narcissistic Miles Gloriosus in A Funny Thing Happened on the Way to the Forum (which he originated in the show's Broadway premiere) led to him developing a reputation for what Frank Rich called "vain ladies' men."[2]

Until 2005, he worked regularly on and Off-Broadway, in regional theatre, and in over a dozen national and international tours. As an opera singer, Holgate played leading roles in La Boheme, Don Giovanni, and the world premiere of Philip Marshall, among many others. He had an active career as a concert singer, which included performances at Carnegie Hall and a Broadway revue with his first wife, Dorothy Collins (1926–1994; who was a decade his elder). He and Collins were married from 1966 to 1977. He was featured in the first concert devoted to Stephen Sondheim's work.

Holgate appeared as Richard Henry Lee in 1776. Although he had only one song, "The Lees of Old Virginia", and a scant few lines of additional dialogue, he earned that season's Tony Award as Best Featured Actor in a Musical.[3] Critic Walter Kerr commented that "there is simply no stopping Mr. Holgate as he explodes with the sheer happiness of having come to exist."[4] (Holgate and fellow 1776 performer William Daniels were nominated in the same, supporting category. Daniels turned down the nomination, because he felt that his role as John Adams was clearly the lead.[5]) Holgate is also well remembered for creating the role of the vain opera star Tito Morelli in Lend Me a Tenor. He was Buffalo Bill Cody in the 1999 revised edition of Annie Get Your Gun starring Bernadette Peters and Tom Wopat, and in the early 2000s he toured as Caldwell B. Cladwell in the first national tour of the musical Urinetown. Later in 1999, he played Harrison Howell in the Broadway revival of Kiss Me, Kate; as an inside joke, when he made his initial appearance, the orchestra played the intro to "The Lees of Old Virginia," which roused hearty laughter from audience members who remembered his signature role.

Holgate has few film and television credits. He played Lee again in the film 1776, and was featured in the straight-to-video Men of Means. He has acted occasionally in daytime soap operas, including Another World, Guiding Light, and One Life to Live.

Personal life

Holgate was married to singer Dorothy Collins from 1966 to 1977, to Anny DeGange from 1989 to the present, and has three daughters, Melissa, Chloe, and Lily.

Stage productions

Broadway
Off-Broadway

Awards and nominations

References

  1. Kevin Kelly, "'Flukey Kind of Thing...'", Boston Globe, December 16, 1990, pg. B21; accessed 2007-12-24.
  2. Frank Rich, "When One Tenor Is Much Like Another", New York Times, March 3, 1989, pg. C3; accessed 2007-12-24.
  3. "Tony Awards, 1969" broadwayworld.com, accessed June 26, 2011
  4. Walter Kerr, "'1776' And All's Well", New York Times, March 23, 1969, pg. D1. Accessed 2007-12-24.
  5. Mandelbaum, Ken. "Tony Moments to Remember (And a Few to Forget)", New York Times, June 2, 1996, pg. H10

Further reading

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