Reptiles in culture
Reptiles have featured in culture for centuries, from scaled and winged mythical dragons, versions of real reptiles such as deceptive snakes and dangerous crocodiles, to dinosaurs, discovered in the nineteenth century and by 1854 represented to the public as the large-scale sculptures of the Crystal Palace Dinosaurs. Practical uses of reptiles include the manufacture of snake antivenom, and the farming of crocodiles, principally for leather but also for meat.
Dinosaurs have been widely depicted in culture since the English palaeontologist Richard Owen coined the name dinosaur in 1842. As soon as 1854, the Crystal Palace Dinosaurs were on display to the public in south London. One dinosaur appeared in literature even earlier, as Charles Dickens placed a Megalosaurus in the first chapter of his novel Bleak House in 1852.
The dinosaurs featured in books, films, television programs, artwork, and other media have been used for both education and entertainment. The depictions range from the realistic, as in the television documentaries of the 1990s and first decade of the 21st century, or the fantastic, as in the monster movies of the 1950s and 1960s.
The growth in interest in dinosaurs since the Dinosaur Renaissance has been accompanied by depictions made by artists working with ideas at the leading edge of dinosaur science, presenting lively dinosaurs and feathered dinosaurs as these concepts were first being considered. Cultural depictions of dinosaurs have been an important means of translating scientific discoveries to the public.
Cultural depictions have also created or reinforced misconceptions about dinosaurs and other prehistoric animals, such as inaccurately and anachronistically portraying a sort of "prehistoric world" where many kinds of extinct animals (from the Permian animal Dimetrodon to mammoths and cavemen) lived together, and dinosaurs living lives of constant combat.
Other misconceptions reinforced by cultural depictions came from a scientific consensus that has now been overturned, such as the alternate usage of dinosaur to describe something that is maladapted or obsolete, or dinosaurs as slow and unintelligent.
Crocodiles are protected in many parts of the world, and are farmed commercially. Their hides are tanned and used to make leather goods such as shoes and handbags; crocodile meat is also considered a delicacy. The most commonly farmed species are the saltwater and Nile crocodiles. Farming has resulted in an increase in the saltwater crocodile population in Australia, as eggs are usually harvested from the wild, so landowners have an incentive to conserve their habitat. Crocodile leather is made into wallets, briefcases, purses, handbags, belts, hats, and shoes. Crocodile oil has been used for various purposes. Crocodile meat is occasionally eaten as an "exotic" delicacy in the western world.
Crocodiles have appeared in religions across the world. Ancient Egypt had Sobek, the crocodile-headed god, with his cult-city Crocodilopolis, as well as Taweret, the goddess of childbirth and fertility, with the back and tail of a crocodile. In Hinduism, Varuna, a Vedic and Hindu god, rides a part-crocodile makara; his consort Varuni rides a crocodile. Similarly the goddess personifications of the Ganga and Yamuna rivers are often depicted as riding crocodiles. In Goa, crocodile worship is practised, as at the annual Mannge Thapnee ceremony. In Latin America, Cipactli was the giant earth crocodile of the Aztec and other Nahua peoples.
The supposed weeping of insincere crocodile tears is derived from an ancient anecdote that crocodiles weep to lure their prey, or that they cry for the victims they are eating, first told in the Bibliotheca by Photios. The story is repeated in bestiaries such as De bestiis et aliis rebus. This tale was first spread widely in English in the stories of the travels of Sir John Mandeville in the 14th century, and appears in several of Shakespeare's plays. In fact, crocodiles can generate tears, but they do not cry.
Deaths from snakebites are uncommon in many parts of the world, but are still counted in tens of thousands per year in India. Snakebite can be treated with antivenom made from the venom of the snake. To produce antivenom, a mixture of the venoms of different species of snake is injected into the body of a horse in ever-increasing dosages until the horse is immunized. Blood is then extracted; the serum is separated, purified and freeze-dried.
In India, snake charming is a traditional roadside show. The snake charmer carries a basket that contains a snake to which he plays tunes from his flute, to which the snake appears to dance. Snakes respond to the movement of the flute, not the actual noise.
Snake soup is made in Cantonese cuisine. In China, Taiwan, Thailand, Indonesia, Vietnam and Cambodia, drinking the blood of the cobra is believed to increase sexual virility. Snake wine (蛇酒) is an alcoholic beverage produced by infusing whole snakes in rice wine or grain alcohol. The drink was first recorded to have been consumed in China during the Western Zhou dynasty and considered an important curative and believed to reinvigorate a person according to Traditional Chinese medicine.
The snake or serpent has played a powerful symbolic role in different cultures. In Egyptian history, the Nile cobra adorned the crown of the pharaoh. It was worshipped as one of the gods and was also used for sinister purposes: murder of an adversary and ritual suicide (Cleopatra). In Greek mythology snakes are associated with deadly antagonists, as a chthonic symbol, roughly translated as 'earthbound'. The nine-headed Lernaean Hydra that Hercules defeated and the three Gorgon sisters are children of Gaia, the earth. Medusa was one of the three Gorgon sisters who Perseus defeated. Medusa is described as a hideous mortal, with snakes instead of hair and the power to turn men to stone with her gaze. After killing her, Perseus gave her head to Athena who fixed it to her shield called the Aegis. The Titans are also depicted in art with snakes instead of legs and feet for the same reason—they are children of Gaia and Uranus, so they are bound to the earth.
In India, snakes are worshipped as gods, with many women pouring milk on snake pits. The cobra is seen on the neck of Shiva, while Vishnu is depicted often as sleeping on a seven-headed snake or within the coils of a serpent. There are temples in India solely for cobras sometimes called Nagraj (King of Snakes), and it is believed that snakes are symbols of fertility. In the annual Hindu festival of Nag Panchami, snakes are venerated and prayed to.
The ouroboros is a widely used symbol, claimed to be related to alchemy. It is depicted as a coiled snake eating its own tail, representing the cycle of life, death and rebirth. The snake is one of the 12 celestial animals of the Chinese Zodiac. Ancient Peruvian cultures often depicted snakes.
In religious terms, the snake and jaguar are arguably the most important animals in ancient Mesoamerica. "In states of ecstasy, lords dance a serpent dance; great descending snakes adorn and support buildings from Chichen Itza to Tenochtitlan, and the Nahuatl word coatl meaning serpent or twin, forms part of primary deities such as Mixcoatl, Quetzalcoatl, and Coatlicue."
In Christianity and Judaism, a serpent appears in Genesis 3:1 to tempt Adam and Eve with the forbidden fruit from the Tree of Knowledge. In Neo-Paganism and Wicca, the snake is seen as a symbol of wisdom and knowledge.
The cytotoxic effect of snake venom is being researched as a potential treatment for cancers.
The tortoise is a symbol of wisdom and knowledge, and is able to defend itself on its own. It personifies water, the moon, the Earth, time, immortality, and fertility. Creation is associated with the tortoise and it is also believed that the tortoise bears the burden of the whole world. The turtle has a prominent position as a symbol of steadfastness and tranquility in religion, mythology, and folklore from around the world. A tortoise's longevity is suggested by its long lifespan and its shell, which was thought to protect it from any foe. In the cosmological myths of several cultures a World Turtle carries the world upon its back or supports the heavens.
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