Personal Affairs

For the 2016 Israeli film, see Personal Affairs (film).
Personal Affairs
Genre Drama, Comedy
Written by Gabbie Asher
Directed by Jenny Ash (2 episodes)
James Henry (2 episodes)
Ashley Way (2 episodes)
Starring Laura Aikman
Olivia Grant
Maimie McCoy
Ruth Negga
Annabel Scholey
Country of origin United Kingdom
Original language(s) English
No. of series 1
No. of episodes 5 or 6 depending on editing
Production
Producer(s) 2AM TV
BBC Scotland
Location(s) Dumbarton, Scotland
Running time 60 minutes
Release
Original network BBC Three
BBC HD
Picture format 1080p (HDTV)
Original release 16 June – 14 July 2009
External links
Website

Personal Affairs (also known as P.A's) was a 2009 British television drama-comedy series, broadcast on BBC Three. It starred Annabel Scholey, Laura Aikman, Maimie McCoy and Ruth Negga as four City of London Personal Assistants looking for their lost friend Grace Darling (Olivia Grant).

Production

The interior scenes were filmed at the BBC Scotland drama studios in Dumbarton, whilst most of the exterior scenes were filmed in London.

Cast

Main Cast

The PAs

The Bosses

Supporting Cast

Recurring Cast:

Minor Cast:

Episodes

Series One

When Grace's boss Rock proposes, her life begins to unravel in a most unexpected way.
The girls visit Grace's mysterious house, Midge's past catches up with her and a surprise visitor helps Lucy decide where her future lies.
With Grace still missing, a nasty surprise makes the girls fear for her safety.
Will Nicole dare to give love a chance? Midge comes face to face with the past.
The girls get closer to finding Grace. A guest brings chaos to the Hartmann Payne party.
The mystery around Grace is finally revealed...

The theme used during the title sequence is 21st Century Life by Sam Sparro.

NB. On the DVD and outside the UK, Series One comprises the six episodes listed here. However, only five episodes were broadcast in the UK. The Episode One BBC3 audiences saw was a 70-minute edited version of "A Decent Proposal" and "Baby Boom or Bust", with 50 minutes cut.

Reception

The series was panned by most reviewers. Alison Graham of the Radio Times called it "life-sappingly dreadful" and asked, "how did a series so crunchingly awful actually make it to a television screen?"[1] Tom Sutcliffe of The Independent described it as "Enid Blyton with added shagging", concluding: "It's terrible, but every now and then it glints oddly in the light in a way that makes it hard to write it off entirely."[2]

References

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