Ottomány culture

The Ottomány culture, also known as Otomani culture in Romanian, is a local Bronze Age culture (ca. 2100–1600 BC), getting its name from eponymous site near the village of Ottomány located in modern-day Bihor County, Romania.

Territorial extent

The Ottomány culture is located in Crișana (western Romania), eastern Hungary, eastern Slovakia, western Ukraine - Transcarpatia (Zakarpattia Oblast - within stretch of Carpathian mountains) and southeast Poland (stretch of Carpathian mountains and nearby areas). Thus, people of Ottomány culture secured middle stretch of what will be later known as "Amber route", and indeed, amber is often found in Ottomány sites.

Habitat, settlements, housing and material culture

Otomani Settlement.
Pottery

People belonging to this vast culture settled along river banks and in valleys but also on strategic places like mountain passes and hills used for mighty fortified settlements. Some places like caves and natural springs were used like for cult activities. This culture was contemporary with Wietenberg culture in Romania, Unetice-Madarovce-Veterov-Boheimkirchen cultural complex in Moravia, Austria and western Slovakia, Mierzanowice culture in Poland and Makó culture in Hungary. The high cultural level is illustrated most by fortified settlements with highly advanced defensive architecture including ditches, stone walls, ramparts, towers and complicated gates protected by bastions, as well as by urbanistically organized houses (1, 2 or three rooms), tell disposition at lowland sites (consequent use of houses made of clay, creating and artificial hill with many stratigraphic levels), the high level of metal working (bronze, gold, silver), a high level of bone and antler working (including elements of horse harness made of antler), sophisticated pottery, often considered one of the most exquisite ceramic cultures of prehistoric Europe, with beautifully adorned amphorae, jugs, broad bowls, small cups, pottery of milk processing, and piraunoi - transportable ceramic ovens, richly decorated, often interpreted as being used not only for profane, but also cult activities(burning incense). Some distinctive features of Ottomány ceramics are decoration with spiral or circular motifs, rich plastic ornamentation, use of a wave pattern or pattern of "running spirals", polishing of pottery to reach "metallic effect" and high firing temperatures. Metalworking is illustrated by gold jewelry, mainly earrings, small bronze objects (pins, personal ornaments, small tools - needles, awls), military items include battle axes, spear-heads, daggers, knives, and arrowheads. Although stone was still widely used for sickles and working axes.

Mortuary rite

Burials were typically inhumations with the body in a flexed position in large flat cemeteries in direct vicinity of settlements, with different sides for men and women, at the final stages shifting towards bi-ritual rites, with more cremations, using urns. Graves are equipped with rich grave goods, including personal adornments like beads (in male graves often made of animal teeth and boar tusks) and metal jewelry, tools, arms and ceramics. In a child grave at Nizna Mysla cemetery (Eastern Slovakia), a ceramic model of a four-wheel wagon was found and has been interpreted either as child's toy or a cult object.

Collapse and legacy

The end of the Ottomány culture is connected with turbulent events at the end of Old Bronze Age in Central Europe, where there was a collapse of the whole "Old Bronze Age world" with its highly advanced culture of mighty hill-forts, rich burials, and trade over wast distances. The gradual decline in the number of fortified settlements, change of burial rites, and the decision of people to desert fortified settlements could have had several reasons, including the collapse of trade and exchange networks, the attacks of enemies, the internal collapse of society or environmental causes. The following Middle Bronze Age/Late Bronze Age cultures are very different in their burial rites (cremation, erecting of barrows) as well as in their handling of bronze - there is an "explosion" in bronze working, and many bronze hoards found across all of Europe illustrate this change in quantity and quality of produced bronze objects. We see not only bronze ornaments and arms (including first examples of swords), but also bronze tools (sickles, axes, adzes), which changed the everyday life of prehistoric man.

See also

References

    Bronze Age culture in Transylvania, Central Romania

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