Oil-paper umbrella

Oil-paper umbrella
Chinese name
Traditional Chinese	油紙傘
Simplified Chinese	油纸伞
Transcriptions Standard Mandarin Hanyu Pinyin yóuzhǐsǎn
Japanese name
Kanji	和傘
Transcriptions Revised Hepburn wagasa

Oil-paper umbrella (Chinese: 油紙傘, pinyin: yóuzhǐsǎn, Mandarin pronunciation: [i̯ǒu̯ʈʂɨ̀sàn]) is a type of paper umbrella that originated from China. It subsequently spread across Asia, to Japan, Korea, Vietnam, Malaysia, Burma, India, Sri Lanka, Thailand and Laos. People in these countries have further developed the oil paper umbrella with different characteristics. As the Hakka moved to Taiwan, the oil-paper umbrella also began to develop in Taiwan.^[1]

Other than the purpose of providing shade, oil-paper umbrellas are also traditional essential wedding items. In both traditional Chinese and Japanese weddings, the matron of honour would cover the bride with the oil-paper umbrella upon arrival to ward off evil spirits. Purple umbrellas are a symbol of longevity for the elders, while white umbrellas are used in funerals. Oil-paper umbrellas are also used as props in Japanese traditional dances and tea ceremonies.

In the early Hakka society, two umbrellas were usually given as dowry, due to the "paper" and "child" homonym in the language, symbolizing a blessing for the woman to "give birth to a son soon", a propitiatory compliment to the newlyweds at the time. Also, as the character "umbrella" contains "four people", gifting the umbrellas represents a blessing for the couple to have many sons and grandsons. In addition, because of the "oil" and "have" homonym, and that the umbrellas open into a round shape, they symbolize a happy, complete life. It was also customary to give an umbrella to a 16-year-old young man at his rite of passage.

In religious celebrations, oil-paper umbrellas are often seen on the sacred sedan chairs as cover, used to shelter people from rain and sunlight, also to drive the evil spirits away. Today, oil-paper umbrellas are mostly sold as works of art or souvenirs.

History

The spread of oil-paper umbrellas was started by the invention of Yun (雲氏), wife of Luban (魯班). "Chop bamboo sticks to thin strips, covered in animal fur, closed to become a cane, opened as a cone." But early umbrella materials were mostly feathers or silks, later replaced by paper. When oil paper umbrellas first appeared is unknown. Some estimate that they spread across to Korea and Japan during the Tang dynasty. It was commonly called the "green oil paper umbrella" during the Song dynasty. The popularity grew and the oil paper umbrella became commonplace during the Ming dynasty. They are often mentioned in popular Chinese literature.

Basic production process

The production process and required procedures are different in each region. However, in general they can be divided into four main steps:

1. Bamboo is selected
2. The bamboo is crafted and soaked in water. It is then dried in the sun, drilled, threaded and assembled into a skeleton.
3. Paper is cut and glued onto the skeleton. It is trimmed, oiled, and exposed to sunlight.
4. Lastly, patterns are painted onto the umbrella.

Oil paper umbrellas in China

The art on the Chinese style of oil-paper umbrellas are majorly focused on tradition black and white Chinese painting such as flowers, birds and scenery. Others include scenes from famous Chinese literature, such as Dream of the Red Chamber and Romance of the West Chamber. Yet, some have Chinese calligraphy instead of paintings. However, traditional colors are kept on the sticks and the scaffold of the umbrella to maintain the antiquity.

Yuhang, Zhejiang

In Yuhang District, Zhejiang, oil-paper umbrellas have been produced since the era of the Qianlong Emperor (1769), by Dong Wenyuan (Chinese: 董文遠; pinyin: Dǒng Wényuǎn), who owned an umbrella shop. Oil-paper umbrellas in Yuhang are made with high mechanical skills and top materials, which provide their endurance. Prolonged exposure to sunlight and rain does no damage, thus their popularity among common people. Lots of travellers who passed through Yuhang would buy umbrellas from Dong Wenyuan's umbrella shop as souvenirs for friends and relatives. Oil-paper umbrellas in Yuhang are available in a variety of different types and purposes, including those used for fishing or as collectibles.

In 1951, Zhejiang province have chosen Yuhang as the focused point of industrial artifact for oil paper umbrellas, and initiated a group for this establishment in 1952. The later established "Artifact Rain umbrella industry co-operations" (雨傘手工業合作社) was the first industry of artifacts in Zhejiang province. This establishment was once in the spotlight of the Chinese media, however, as the popular metallic umbrella appeared on the market and oil-paper umbrellas have faced extinction.

On December 5, 2006, artisan Liu youquan (劉有泉) met a government official of the Yuhang district and proposed to recover the oil paper umbrella in Yuhan, with the intention of starting a new pop culture and increase the local wealth. Liu spent a few hundred RMB and bought some dozens of bamboo umbrella from an bamboo umbrella factory. But Liu did not have the skills, only to keep these as a "canvas" for 30 some years. A local media reported for a search of an oil paper umbrella artisan and increased local awareness. Four days later, four artisans:Fang Jinquan (房金泉), Chen Yuexiang (陳月祥), Shen Lihua (沈麗華), and Sun Shuigen (孫水根) prompted and have intentions to recover the art (drawing oil paintings on the bamboo umbrella). They have passed their skills and technique to some local bamboo farmers and brought income to them. The governmental officials of Yuhang have listed this art for major protection and important antique artifact (Antiquities Act).

Production and materials

Production requires skilled hands and technique as well as personal experience. Training to become a master in oil paper umbrella manufacture requires an apprenticeship and a great deal of practice. Apprentices must practice the skills for three years to officially master this technique. Tools are made by professional blacksmiths. The material of the umbrellas are chosen with care. The Umbrella scaffold is made from either bamboo or wood, tied with hair strings. The best umbrellas are made from peach flowers, as the umbrella surface is soaked in persimmon pigment. The persimmon pigment is made from fermenting the juice of green persimmons,^[2] which provides a suitable stickiness. The soaked flower petals are stuck to the umbrella scaffold one by one. Paintings or pictures are drawn on the peach flower petals prior to painting tung oil on top. The finalized umbrella is left to dry in a dry dark room. It requires at least 70 steps to produce a well crafted oil paper umbrella.

Sichuan

In Luzhou, Sichuan, the oil-paper umbrella culture started around the end of Ming and the onset of Ching dynasty. Oil paper umbrella have existed here for as long as four hundred years. Herem, the umbrellas are exquisite with fine paintings, abundant colors and beautiful outlooks, the umbrellas are also famous for their ability to shield strong winds. In 1993 May, six experienced artisans have spent four months to produce a famous "二龍戲珠" umbrella, which was exported to countries such as England, Malaysia and Singapore. The "二龍戲珠" was made out of 88 pinaceae and 52 bamboo sticks with 1800 skin paper and 100 kilograms of oil pigment. The "二龍戲珠" went through over 70 procedures and was named as the "Chinese King of Umbrella".

After Western umbrella have increased popularity, the Luzho oil paper umbrella have diminished dramatically, in addition, due to the sophisticated procedures, the high production cost and low profit, not many young men are willing to commit to this art. In 2004, only about thirty experienced artisans are willing to continue this umbrella production. Many people worried that the skills may soon become extinct. In 2005 October, an exhibition in Shanghai invited the local government to an exhibition of oil paper umbrellas, and they have recovered some popularity since then.

After the recovery, Yunnan and Luzho minorities gained awareness on oil paper umbrella and used them during ceremonies and gifts. Later, the umbrellas were exported to Japan, Singapore, Korea, Hong Kong and Macau.

Production and materials

Contemporary local artisans still utilize the traditional method of oil paper umbrella production, which includes the 70 so procedures of total manual production. Such as slicing the bamboo and painting the pictures. Materials used are also orthodoxical to the traditional materials, such as the bamboo sticks are directly brought from the mountains where it was chopped. Tools of production are old too. Such as the black stone ink is already 450 years old. Quality control is strict, the four trenches should not meet and the tung oil must be spread evenly across the umbrella surface. The paintings adhere to the situations they are used for.

Jiangxi

Oil-paper umbrella in the Wuyuan County of the Jiangxi province are orthodoxical and beautiful in appearance, as well as endurable with portability, named the "金溪斗笠甲路傘".

History and modifications

During the Song dynasty, a local resident of Jiangxi named "馬庭嵐" was awarded the position Chancellor, who then brought an oil-paper umbrella back to Jiangxi with him from a major city. One named "甲路人" have improved upon the prototype and passed it on to his descendants. It was said that during the Ching dynasty when Kangxi Emperor Chinese: 康熙 was on the throne, one day Kangxi Emperor secretly travelled to Wuyuan and it was raining. Kangxi Emperor saw a kid who threw a stone at the umbrella, however, the stone bounced back off from the umbrella without damaging it. Kangxi Emperor was surprised by the quality and strength of the oil paper umbrella and gave it a positive name called the "甲路紙傘甲天下". It is then commonly called the "甲路傘".

甲路傘 was awarded the first place during an international exhibition in the 1936, and reached its peak at 1943, which recorded to have once produced 25,000 umbrellas and exported 17,000 annually. In 2000, however, only three eighty-year-old artisans have possessed the skill, in addition, one of the raw materials, persimmon tree is in extinction. 甲路傘 have since them became extinct. In 2006, the locals have produced a new and natural breed and increased the quality of 甲路傘. 甲路傘 production reached 50,000 annually and exported to countries such as United States, Japan and Korea. Contemporarily, there are four factories located in Wuyuan with an net worth of eight million RMB, thirty villagers and 1,800 workers.

Production procedures and materials

甲路傘 is made from high quality bamboo, skin paper and tung oil. The main procedures are slicing the umbrella scaffold, cutting the umbrella portion, installing the umbrella sticks, boiling the umbrella stick, adding the skin paper, painting on the skin paper, editing the umbrella skin, brushing on tung oil, stitching the umbrella with decorations, installing the handle and the head. Altogether about thirty procedures.

Hunan

Oil-paper umbrellas in Changsha, Hunan province date back to about 100 years, the earliest oil-paper umbrella shop is 陶恆泰紙傘店, Which is named after "陶季橋", who established the shop during the Ching dynasty.

History and modifications

In 1900, Liang Jingting (Chinese: 梁敬庭), who worked in an umbrella shop in Changsha opened his own umbrella shop called the "梁宏發傘". It produces the old type of oil, black ink umbrella. The beautiful name "湘潭木屐 靖港油傘" is attributed to its fine features and endurance. In 1921, the 潘饋清 brothers started a factory called "菲菲傘" that mass-produces umbrella skin paper. The umbrella skin it produced included traditional flowered ones and many other pictures, these umbrellas were exported to Hong Kong, Macau and South East Asia. The umbrella was awarded in a Chinese exhibition in 1929. The highest production rate was thirty thousand per year until February 1975. "靖港雨傘社" was abolished, and 靖港 oil paper umbrella production was terminated.

Production procedures and materials

The raw materials of the Changsha oil-paper umbrella are skin paper, nan bamboo, cotton silk, fa rope, tung oil, persimmon water, pigment, cow horn and wood. The umbrellas produced by "陶恆茂" are especially fine featured and commit to the abide to the traditional production methods with strict materials.

Hubei

History and modifications

The Hankou, Hubei, province has been producing oil paper umbrella for a few hundred years. In 1864, Somun Chinese: 蘇文 who was originally from Hunan invested in an umbrella shop along with what he has learnt. He later opened an official umbrella shop called "蘇恆泰傘店", hired 12 workers and 3 apprentices. The production rate is about 500-600 umbrellas per month, and he also brought up the popularity of the umbrella market locally. He later expanded his business and gained enormous profits.

蘇恆泰 oil-paper umbrella gained much popularity locally. It was once popular to buy umbrellas for marriages with the brides and the grooms. Bride holding a blue one and groom holding a red one with the connotation of a beautiful marriage. In 1970, the 蘇恆泰 oil paper umbrella has become extinct, and this art was officially extinct.

Production procedures and materials

蘇恆泰 oil-paper umbrella uses to class material, the scaffold are made from a special type of bamboo and the umbrella handle from a special type of wood from Hunan. Tung oil, skin paper and persimmon oil are all strictly picked. A 蘇恆泰 oil-paper umbrella could last for about eight to twelve years.

Fujian

Oil-paper umbrella have been produced in both Fuzhou and Nanping of Fujian. Oil paper umbrella is one of the three treasures in Fuzhou (福州三寶). The other two are namely the 脫胎漆器 (Lacquerware) and the 牛角梳 (combs made of cattle horn). Umbrellas play a large part in Fuzhou residents' daily lives, local people call it 包袱傘, which literally means everyone's backpack has an umbrella in it. Oil paper umbrella in Nanping is famous with two other brands altogether known as the "three mouth" (三口), the other two mouths are 水口 and 閩清口. The production initiated in the twentieth century. The highest production recorded was fifty thousand annually. The traditional oil paper umbrella was gradually replaced by the collapsible umbrella in the 1970 decade. The local artisans switched to producing small and portable umbrellas since then. The umbrellas produced in Nanping is currently exported to Hong Kong, Macau, Taiwan, South East Asia, Europe and America.

History and modifications

The oil-paper umbrella in Fuzhou is dated as long as the Five Dynasties and Ten Kingdoms period. When 王審知 established his own kingdom called "閩國" at Fuzhou, he brought the oil paper umbrella from Zhejiang with him. During the Ching dynasty, there were as many as 300 shops in Fuzhou. Oil paper umbrella was also one of the symbol for riot against the Japanese during the Xinhai revolution. The oil-paper umbrella in Fuzhou was famous for its endurance in an expo in Panama in 1915 and Chicago in 1933.

In 1985, the Fuzhou oil paper umbrella have had significant improvement and advancement and were exported to Japan, Europe and South East Asia. Every umbrella has 72 sticks in the scaffold, opens wide and closes small giving it a snake appearance, thus also named the "Snake Umbrella".

In 1990, a government official 林愛枝 went to Seattle for an umbrella exhibition, and a red umbrella he showed provoked a great response in the audience. But Fuzhou umbrella shop closed down in 1997, the production is now low with a minor export to Japan. Despite local umbrella artisans have already being occupied with other jobs, they still petition the local government's assistance in the recovery of this art.

Production and materials

Fuzhou oil-paper umbrella materials are chosen strictly with high quality. The scaffold must be made from bamboos of the Northern Fujian province with good elasticity and endurance, and the bamboos must be at least five years old. A single umbrella must go through 83 procedures.

Traditional Fuzhou oil-paper umbrella art is divided into five sub portions including umbrella scaffold, umbrella installment, umbrella head, handle and painting. The mainstream art is the umbrella installment. There are also a few famous local umbrella painters including 程家寶, 林永欽 and 劉夢秋.

Yuanan

History and modifications

Oil-paper umbrella production in Tengchong, Yunnan, dates back to two-hundred years ago, or nine generations, also called the 紙撐子. It was rumoured that 鄭以公 who once met two umbrella artisans and learnt the skills from them brought the skills with him back to Tengchong, and passed it on to his descendants. In the past, oil paper umbrella spread across all markets in Tengchong. The local Hakka especially liked the oil-paper umbrellas. The village chief 鄭傳國 said that once 80% of the villagers knew how to make oil paper umbrellas, but now only four that are still making them. The current best production household is the 鄭家朝, who is picky about the material and techniques. Tung oil and persimmon water are made adhering to the traditional methods of production. The final umbrella is elegant and strong. The production rate is about one to two per day. 鄭映樓, who only makes big umbrellas likes to place big umbrellas in front of his shop to shed the sun and attract customers, therefore also named the "shed shop umbrella" (照舖傘). They only produce umbrellas when they have free time from farm works currently.

The oil-paper umbrellas produced in Tengchong are finely tuned, abundant with colors and beautiful outlook. They were once sold in other provinces of China. However, there have been a gradual decrease in production during the 1950s. The oil umbrella production now is only to pass on the skills to prevent the extinction of this handcraft locally.

Materials and production

The oil-paper umbrella uses special bamboos and wood translocated from 雲華 and 古永 as umbrella handle and scaffold. The umbrella surface uses skin bought from 界頭. Brushed with tung oil, named the green cloth (綠衣子). Procedures including slicing bamboo scaffold, stitching, surface skin, brushing persimmon water, collapsing the scaffold, drying the umbrella, painting, installing handle, brushing tung oil, adding cloths, stitching again. It averages out about two umbrella a day.

Oil paper umbrella in customs and cultural ceremonies

Hakka marriage and bride dowry

In traditional Hakka marriages, the bride's parents must pay dowry to the husband's family, in which oil paper umbrella is one of the required dowries. "紙" (Paper) is a homonym for "子" (sons) in Chinese, for the connotation of having sons early. The character "傘" (umbrella), contains five "人" (man) with the connotation of lots of sons and grandsons. Oil paper umbrella is straight up, with the symbol to eradicate evil spirits. The circular appearance symbolizes "fullness" connotation of a beautiful marriage. And since the umbrella itself can shield rain and wind, thus prohibiting evil spirits from entering in. Other dowries that come with the oil paper umbrella include five colored pants, make up table, door curtain and boxes. In wealthier families, dowries could include god and jewelry or high quality cloth or blankets. In addition, bride family would give vegetables that have homonym with positive words such as 芹菜, 大蒜, 香蔥, 韭菜 that are then tied with red rope given as gifts to the husband's family. Oil paper umbrella as a dowry is still a custom in the Hakka family in Taiwan and some other countries in South East Asia.

Hakka second burial funerals

Since many of the Hakka populations are in the mountainous areas of China, most corpses are buried on the mountains. Initially, Hakka people do not put up a grave stone, however, after the second time the corpse is buried (usually 3–5 years later), the additional grander ceremony is added. When burying, usually in the eighth month on the Chinese calendar, an experienced burial master is hired to dig the old burial and inter the clean bones for an official and permanent burial at the exact spot. The oil-paper umbrella is used to cover the bones while they are being cleaned.

Engagement present of the Yao people

In the population of Yao located in Longhui County of Hunan, oil paper umbrella is used as an engagement present by the men side. When a consensus is built between the two families, the family of the man's side would hire an experienced man to propose a marriage in the woman's house. The first propose does not require any gift but only the permission of the parents of the bride. During the day of engagement, the man's side needs to bring an oil paper umbrella to the woman's house and place it on the sacred table located in the house; the bride must take the umbrella from the table personally and close the umbrella that are stitched with 12 triangles. Then the experienced man must bring the oil paper umbrella back to the husband's house for the proof of a successful engagement. On the way back, the experienced man must not open the umbrella himself. If a divorce is made later, the husband must return the string on the stitch back to the bride.

Funerals of the Dai people

Dai people located in Yunnan use a special type of paper called "嘎拉沙" (Garasa) to make oil paper umbrella, which is brushed with sesame oil. The Dai believe that the umbrella could lead the dead to heaven. This type of umbrella is still available in a village today.

Hakka dance ceremony

"Umbrella Dance" is one of the traditional dances of the Hakka culture, during the ceremony, the dancer must be holding a paper umbrella and wearing blue shirt (traditional Hakka Clothing). Hakka Dance Ceremony is an important part of the Hakka Culture along with "tea leaf drama" and "mountain song".

Oil-paper umbrella in Taiwan

Oil-paper umbrella have been the cultural symbol of the Hakka in Meinong District of Kaoshiung. The production procedures are divided to five major portions. This include the umbrella scaffold, umbrella production, umbrella head, umbrella handle and art painting. With any one of the above been done, the umbrella could be called as a "full art" (全藝).

History and modifications

Oil-paper umbrella production in Meinong initiation have two rumors.

• One was that it started during the Japanese rule, during which, Lin (林阿貴) and Wu (吳振興) invited Chinese oil paper umbrella artisans to Taiwan for the purpose of passing the skills to the locals.
• The other was that oil-paper umbrella artisan Guo (郭玉琴) have arrived in Taiwan from Guandong province. Since then, he had permanently stayed in the Meinong district and spread the skills locally. Early Meinong oil paper umbrella factor were called "廣" (pronounced "Goung") for connotations of wealth, wide and progression. In 1960, oil paper umbrella, tobacco leaves and rice were Meinong district's major income sources. At that time, it was the renaissance of oil paper umbrella. It was estimated that there were at least twenty factories producing twenty thousand oil paper umbrellas annually. However, with the rapid industrialization in Taiwan, mechanically produced Western umbrellas have replaced them in attribute to low cost, longevity and portability. Taiwan has become the key country of Western umbrella production, and forced lots of traditional handmade oil-paper umbrella factories out of business.

In 1970, an English journal used the Goung (廣進勝) oil-paper umbrella pioneer, Lin (林享麟) and his umbrella as the magazine cover, along with detailed article of the culture and production of oil paper umbrella. BBC have also included a series of recording of the oil paper umbrella called the "Long Search". In addition, 1983, famous Hakka movie producer, Lin Fu-De (林福地), have incorporated the oil paper umbrella into his drama, Star Knows My Heart. When the drama was played in the Japanese television, Taiwanese oil paper umbrella gained impression in the Japanese, who have ordered a large quantity for imports. After 1980, with the increase of Taiwan overall financial status, Meinong's increased tourism, oil paper umbrella have recovered its utility in the daily life along with its value as a local culture and travel souvenir.

Production and materials

Meinong oil-paper umbrella scaffolds are made mainly from bamboo sticks, which are translocated from places such as Puli, Zhushan, Nantou County and the Qishan District of Kaoshiung. Especially the famous moso bamboo of the Qushan district. Moso bamboo is famous for its strength and elasticity. Thus the scaffold are mainly made of moso bamboo. Prior to production, moso bamboo are soaked in water to eliminate the sugar for a month. Then they are dried under the sun to prevent infection of bugs. After cutting and slicing, they become the fundamental scaffold of the umbrella, with additional modifications such as umbrella head, handle and hole drilling for stitching. After the scaffold production, wax are applied on to the surface as well as the sides. Then persimmon oil, sun bake, painting, handle installment, umbrella head fixed, stitched for a finalized oil paper umbrella.

Oil-paper umbrella in Japan

Oil-paper umbrellas are often known in Japanese as wagasa (Japanese: 和傘, "Japanese umbrella"), and these with a bull's-eye design are called janomegasa (蛇の目傘). The handle and scaffold are often colored black, however, sometimes other colors are applied as well. The surface paintings include traditional Japanese culture, gained popularity from the Azuchi–Momoyama period to Edo period.^{[lower-alpha 1]}

History

The origin of oil-paper umbrellas could be traced to those fabric canopies brought from Korea to Japan during the Asuka period, which samples are preserved among the Shōsōin treasures.^[4][5][6] Initially, the oil-paper umbrella was a sacred instrument in Buddhist ceremony. During the Heian period, techniques in paper production and bamboo work advanced. In the Muromachi period, pigments and wax were applied to the surface of the paper for additional resistance to water.

During the Azuchi-Momoyama period, Luzon Sukezaemon introduced an umbrella with a shield from the Philippines, which contributed the popularity of the wagasa. During the Genroku era, modifications were made to enhance its utility to specific circumstances. Some monks and doctors used shorter and thicker umbrellas with business trademarks or logos on them, then lent them to customers as advertisement. Umbrellas also became the geisha's tool as well. In addition, some unemployed Edo period samurai crafted oil paper umbrellas as a secondary occupation. A famous example is the Ajima-kasa (阿島傘), made in Nagano Prefecture, which is still made there.

However, with the popularity of Western umbrellas in the Meiji period, oil-paper umbrellas have diminished markets today, with only a few locations producing it, such as Kyoto, Gifu Prefecture and Yodoe, Tottori Prefecture.

Tsujikura is the oldest shop of oil-paper umbrella in Japan.

Kyoto

A style of oil-paper umbrella in Kyoto is called kyōwagasa (京和傘). Kyowagasa are completely handmade, colors and images are of Japanese features, materials are also strictly controlled. The handle and scaffold are made from bamboo of Kameoka, Kyoto; the umbrella skin is made from Meinong paper of Gifu. The surface of the umbrella skin is brushed with sesame oil and tied with fine strings. An experienced artisan usually produces ten to twenty kyowagasa a month. One umbrella style has concentric circles on the exterior side of the umbrella skin called the janomegasa (蛇の目傘), which literally means eye of a snake.

Gifu

Oil-paper umbrella production in Gifu started around 1750. Every oil-paper umbrella made in Gifu goes through over a hundred procedures. During the Shōwa period, the production in Gifu reached its peak at about fifteen million annually. Today, the production is only about a few tens of thousands per year.

Yodoe

Oil-paper umbrella production started in Yodoe, Tottori in 1821, by the Kurayoshiya (倉吉屋). During the Meji period, the production in Yodoe was only about a few thousand annually. However, due to the abundance and accessibility of bamboo and other raw materials, during the Taishō period, production by factories increased 71% and a net production of 17,000 Wagasa annually. Most areas in western Japan regularly used the Yodoe Wagasa.

Wagasa in Japanese culture

Other than its utility, oil-paper umbrellas appear quite often in Japanese culture, and are often associated with geisha, traditional dance, tea ceremony, and daily utility including wedding ceremony. Oil-paper umbrella shops in Gion have classified their customers into categories for different styles of oil-paper umbrella:

• Geisha use purple
• Dancers use pink
• Middle aged clients like green or red
• Men and elderly use dark blue
• Actors tend to pick black or brown

Different colors have different connotations and symbolism; in traditional weddings, brides are usually covered under a red oil-paper umbrella.

Oil-paper umbrellas in Thailand

Oil-paper umbrella art in the Northern Thailand, or Chiang Mai dates back to around two hundred years. The umbrella scaffold is made from green bamboo sticks, the colors and images are abundant including pictures of scenery, animals, people and flowers. The umbrella surfaces can have a square shape in addition to the traditional circular one. Oil paper umbrellas in Thailand have unique features, which often entice tourists to buy them. Of the several types, the most famous are the ones made in the Bo Sang village. Most farmers produce oil paper umbrellas during their free time in specialized factories.

History and modifications

The rumours of the local people have guessed that the oil paper umbrella have been brought into Thailand by the Bamar. Long ago, a monk in Thailand named "Pra Inthaa" who practiced Buddhism in "Wat Bo Sang" temple and travelled a lot. One time as he approached near the Northern border of Burma and stayed there for a few days, the Thai people there accommodated him while his stay. During a time when Pra Inthaa ate his breakfast, a Bamar gave him an umbrella along with the prayer of the monk. The monk thought the umbrella was very convenient and was curious for how it was made, he decided to learn to make the umbrella. Thus he visited the village that was specialized in the production of umbrella located in Burma. Pra Inthaa recorded the detailed production procedures and brought it with him back to Wat Bo Sang temple.

After arriving back at Wat Bo Sang, Pra Inthaa was on a hunt for the needed materials to produce the umbrella, with some assistance of the villagers, they were able to make the first umbrella in Thailand. Initially, not many villagers were motivated to make umbrellas, however, once they found the convenience of it, many were attracted to mass-produce and buying it. Oil paper umbrella production became one of the major source of income for the Bo Sang village.

In 1941, Bo Sang villagers have cooperated and established the "Bo Sang Umbrella Making Cooperative Ltd.". The chief of the company is Jamroon Suthiwiwat. The company is specialized in making umbrella of different sizes such as 14, 16, 18, 20, 35, 40 inches and even bigger umbrella. In 1957, Governmental association "Center for Industrial Promotion for the North" have assisted the villagers and improved their production techniques.

Production and materials

The umbrella skin is made from the tree skin of Morus plant called "sa". Morus skin is cooked to soft, washed, smashed, washed and bleached. It is covered in cloth to increase the thickness. Then dried under the sun. Oil paper umbrella production are all handmade including slicing the bamboo stick, combining the umbrella scaffold, addition of the skin, painting and drying. Bo Sang umbrella use oil paint to paint and are all painted completely by hand.

Umbrella festival

The oil-paper umbrella festival takes place in Chiang Mai during the January or February of every year. It is one of the most popular festivals and attracts a lot of tourists. The festival mainly takes place in the streets of Bo Sang, every places in the village are decorated with oil paper umbrella. There are also competitions taking place between artisans and artists of the oil paper umbrella, prizes are awarded to the winners. Women from the Bo Sang village performs the bicycle show with the oil paper umbrella and are simultaneously competing for "Miss Bo Sang" of the year.

Karakasa in art

• 
  Aimé Morot, Nude with a Japanese Umbrella
• 
  Hiroshige, The Fifty-three Stations of the Tōkaidō, Rain Shower at Shōno
• 
  Hyakunin Isshu by Kuniyoshi. Jakuren and a companion strolling in a grove of yew trees
• 
  Reproduction of a hand coloured photograph of a Sinhalese man in Mumbai, 1897
• 
  From Burmah a watercolor by Rao Bahadur M. V. Dhurandhar depicting a Muslim woman from Myanmar

See also

• Cocktail umbrella

Notes

References

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