Mike Richardson (publisher)

"Things from Another World" redirects here. For the 2011 film, see Things from Another World (film).
Mike Richardson
Born (1950-06-29) June 29, 1950
Milwaukie, Oregon
Nationality American
Area(s) Writer, Publisher
Notable works
Awards
www.darkhorse.com

Mike Richardson (born June 29, 1950) is an American publisher, writer, and Emmy-winning producer. In 1986, he founded Dark Horse Comics, an award winning international publishing house located in Milwaukie, Oregon.[1] Richardson is also the founder and President of the Things From Another World retail chain and president of Dark Horse Entertainment,[2] which has developed and produced numerous projects for film and television based on Dark Horse properties or licensed properties.[3] In addition, he has written numerous graphic novels and comics series, including The Secret, Living with the Dead, and Cut as well as co-authoring two non-fiction books: Comics Between the Panels and Blast Off![4]

Early life

Richardson was born in Portland, Oregon. His family moved to Milwaukie, a suburb of Portland, in 1955. He is a graduate of Portland State University, where he majored in art and played for the university basketball team.

Career

While in college, Richardson built a list of clients as a freelance artist and had planned on starting an art agency under the name Dark Horse Graphics. In 1980, Richardson quit his job producing art and designing products for a furniture company located in Portland and moved to Bend, Oregon with his wife, Karie, and their newborn daughter, Michelle. He used a credit card with a $2,500.00 limit to open a small, pop culture retail store. The store’s name, Pegasus Fantasy Books, was chosen off a list of twenty suggestions he submitted to the State of Oregon when applying for a DBA registration. The store opened for business on January 1, 1980. After a name change to Things From Another World in 1993, the original store grew into a chain with as many as eleven locations in three states, including Universal Studio’s CityWalk in Los Angeles and Sony’s Metreon in San Francisco. The success of the on-line TFAW retail site led to a decision to limit expansion plans and, reduce the number of brick-and-mortar locations, in favor of increased emphasis toward on-line sales.

Dark Horse Comics

Richardson frequently hosted writers and artists at signings in his retail stores. He repeatedly heard these creators complain that they did not own or control the characters they created, a general practice continued from the industry’s earliest days. An idea began to form in his mind about creating a comics publishing company that offered ownership to those creating intellectual properties. Dark Horse Comics was born focusing on the rights of comics creators, and with the help of friend and writer Randy Stradley, released its first publication, Dark Horse Presents #1, in July 1986. Richardson paid 100% of the book’s profits to the creators featured in the book. Hoping to sell 10,000 copies in order to break even, DHP #1 topped the 50,000 sales mark. The company quickly grew from there. Paul Chadwick’s Concrete graduated from the pages of DHP into its own title, and became a critical, as well as financial, success. Many of the titles and characters created in the early days of Dark Horse were created, written, or plotted by Richardson and Stradley.

Over the years, Dark Horse grew behind creator owned projects such as Frank Miller and Geof Darrow’s Hard Boiled, Miller’s Sin City and 300 Mike Mignola’s Hellboy, and Eric Powell’s The Goon. Richardson’s interest in Japanese pop culture led to Dark Horse’s early entry into the American manga scene. The company achieved success with major Japanese titles, including Kazuo Koike and Goseki Kojima’s Lone Wolf & Cub, Katsuhiro Otomo’s Akira, and Masamune Shirow’s Ghost In the Shell. Following these successes, Dark Horse imported Hiroaki Samura’s Blade of the Immortal and Kosuke Fujishim’s Oh My Goddess to the United States’ where the series' have become two of the longest running Japanese manga titles in the country.

In 1988, Dark Horse introduced a series based on Jim Cameron’s Aliens film. Breaking from comics’ tradition, the series was presented as a direct sequel, continuing the adventures of the movie’s main characters and related directly to the film’s plot. This approach was repeated by Dark Horse in subsequent series based on films such as Terminator, Predator, Star Wars, and the comics mega-hit, Aliens vs. Predator. This approach to film properties has become standard in the comics industry, and Dark Horse remains a leader in that category. Dark Horse is currently the largest privately owned comics company in North America.

Along with his other activities, Richardson continues to write comics. In 2014, his collaboration with Stan Saki, 47 Ronin, was placed on the American Libraries Teen reading List.

Dark Horse Entertainment

Early on, Dark Horse Comics received attention from the film industry, with producers and studios attempting to option the publisher’s titles. From the beginning, Richardson’s goal was to keep Dark Horse and its creators as involved in the development of its titles for entertainment as possible. It quickly became apparent that the only way to assure involvement was to act as a producer on those projects. In 1989, Richardson met producer Larry Gordon, who had heard about the company through his creative executive, Lloyd Levin. Gordon offered him the chance to get involved with a small horror film he was developing, As a result, Richardson set up Dark Horse Productions, later to become Dark Horse Entertainment, and received a co-producer credit on Many Cota’s Dr. Giggles. Two of Richardson’s own creations, The Mask, and TimeCop followed in 1994 and both topped the box office charts. In 2008, Richardson received an Emmy as Producer of the John Landis directed documentary, Mr. Warmth, The Don Rickles Project. Richardson and DHE have been involved in producing over 30 film and television projects since 1992.

Personal life

Richardson is married with children. He names Charles Dickens and James Ellroy as his favorite writers, and The Beatles' Sgt. Pepper's Lonely Hearts Club Band as his favorite album. He is also fond of basketball, guitars and fine wine.[5] He resides in Lake Oswego, Oregon.

Bibliography

Comics

Editor

Writer

Books

Filmography

Year Film Writer Producer Director Notes
1992 Dr. Giggles
No
Manny Coto Co-producer
1994 The Mask
No
Chuck Russell Executive producer
Timecop
No
No
Peter Hyams Executive Producer
1995 Enemy
No
TV movie
1996 Barb Wire
No
David Hogan Nominated—Razzie Award for Worst Picture
The Mask Animated
No
Executive Producer

TV series

1997-1998 Timecop
No
Executive producer

TV series

1999 Virus
No
John Bruno Executive producer
Mystery Men
No
Kinka Usher
1999-2001 Big Guy and Rusty the Boy Robot
No
Executive producer

TV series

2003 Timecop 2: The Berlin Decision
No
Steve Boyum Direct-to-DVD
2004 Hellboy
No
Guillermo del Toro
Alien vs. Predator
No
Paul W. S. Anderson Executive producer
2005 Monarch Of The Moon
No
Executive producer
Splinter
No
Michael Olmos Executive producer
Son of the Mask
No
Lawrence Guterman Executive Producer
2006 Hellboy: Sword of Storms
No
Tad Stones
Phil Weinstein
Direct-to-DVD

Executive producer

Nominated—Primetime Emmy Award for Outstanding Animated Program

Driftwood
No
Tim Sullivan (director)
2007 Hellboy: Sword of Storms
No
Tad Stones
Phil Weinstein
Direct-to-DVD
Executive producer
My Name Is Bruce
No
Bruce Campbell
30 Days of Night
No
David Slade Executive Producer
Mr. Warmth: The Don Rickles Project
No
John Landis Emmy Award winner
2008 Hellboy II: The Golden Army
No
Guillermo del Toro
2012 Dark Horse Motion Comics
No
Internet series
2013 R.I.P.D.
No
Robert Schwentke
2015 Dark Matter
No
Executive Producer

Television series

2016 The Legend of Tarzan
No
David Yates Producer

Nominations and Awards

References

  1. Mike Richardson at the Big Comic Book DataBase
  2. Mike Richardson at Dark Horse
  3. Interview by Bob Andelman
  4. "ICv2 Interview". Icv2.com. Retrieved August 5, 2013.
  5. Comics Buyer's Guide #1669, September 2010, Page 82.

External links

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