A four-piece band performing onstage

Megadeth in 2010. From left to right: David Ellefson, Dave Mustaine, Shawn Drover and Chris Broderick. In the background artwork is mascot Vic Rattlehead.
Background information
Origin Los Angeles, California, U.S.
Years active
  • 1983–2002
  • 2004–present
Associated acts
Past members cf. List of Megadeth members

Megadeth is an American heavy metal band from Los Angeles, California. The group was formed in 1983 by guitarist Dave Mustaine and bassist David Ellefson, shortly after Mustaine's dismissal from Metallica. A pioneer of the American thrash metal scene, the band is credited as one of the genre's "big four" with Anthrax, Metallica and Slayer, responsible for thrash metal's development and popularization. Megadeth plays in a technical style, featuring fast rhythm sections and complex arrangements. Themes of death, war, politics and religion are prominent in the group's lyrics.

In 1985, the band released its debut album on the independent label Combat Records. The album's moderate commercial success caught the attention of bigger labels, which led to Megadeth signing with Capitol Records. Their first major-label album, Peace Sells... but Who's Buying?, was released in 1986 and influenced the underground metal scene. Despite its prominence in thrash metal, frequent disputes between its members and substance abuse issues brought Megadeth negative publicity during this period.

After the lineup stabilized, the band released a number of platinum-selling albums, including Rust in Peace (1990) and Countdown to Extinction (1992). These albums, along with touring worldwide, helped bring public recognition to Megadeth. The band temporarily disbanded in 2002 when Mustaine suffered an arm injury and re-established in 2004 without bassist Ellefson, who had taken legal action against Mustaine. Ellefson settled with Mustaine out of court and rejoined the group in 2010. Megadeth has hosted its own music festival, Gigantour, several times since mid-2005.

As of 2014, Megadeth has sold 50 million records worldwide, earned platinum certification in the United States for five of its fifteen studio albums, and received eleven Grammy nominations. The band's mascot, Vic Rattlehead, regularly appears on album artwork and, since 2010, in live shows. The group has experienced controversy over its musical approach and lyrics, including canceled concerts and album bans. MTV has refused to play two of the band's videos that the network considered to condone suicide.


1983–84: Formation

Dave Mustaine was the lead guitarist for Metallica when the band formed in 1981. He was a member for nearly a year and helped compose some of the group's early songs.[1] However, before Metallica began recording its debut album, Mustaine was expelled over substance abuse and conflicts with James Hetfield and Lars Ulrich.[2] Two months later, Mustaine and bassist David Ellefson formed Megadeth in Los Angeles. Mustaine wanted the new band to play faster and heavier music than Metallica.[3] According to Mustaine, the name "Megadeth" represents the annihilation of power.[4] It is a misspelling of the term megadeath, meaning one million deaths by nuclear explosion.[5] The name came from a pamphlet by California senator Alan Cranston that Mustaine found on the floor of a bus after being fired from Metallica. It read: "The arsenal of megadeath can't be rid no matter what the peace treaties come to."[6]

Despite his enthusiasm, Mustaine had trouble finding other members to fill out the lineup. He and Ellefson examined about 15 drummers, hoping to find one who understood meter changes in music. In the meantime, Kerry King from Slayer filled in on rhythm guitar.[7] They eventually selected Lee Rausch as drummer, and settled on Mustaine as lead vocalist after six months of searching. Mustaine was also the band's primary songwriter, lead, and rhythm guitarist.[8] In 1984, Megadeth recorded a three-song demo tape featuring Mustaine, Ellefson, and Rausch.[7] The demo featured early versions of "Last Rites/Loved to Death", "The Skull Beneath the Skin", and "Mechanix", all of which appeared on the band's debut album.[9] After several performances in 1984, Megadeth replaced Rausch with jazz fusion drummer Gar Samuelson. Guitarist Chris Poland joined the group that December.[3] After considering several labels, Mustaine signed the band to Combat Records, a New York-based Independent record label that offered Megadeth the highest budget to record and tour.[7]

1985: Killing Is My Business... and Business Is Good!

In 1985, Combat Records gave the band $8,000 to record and produce its debut album. After spending $4,000 of the budget on drugs, alcohol, and food, the band fired the original producer and finished the recording themselves.[10] Despite its low fidelity sound,[11] Killing Is My Business... and Business Is Good! was relatively successful in underground metal circles on its release that summer and attracted major-label interest.[12] Music writer Joel McIver praised its "blistering technicality" and stated that the album "raised the bar for the whole thrash metal scene, with guitarists forced to perform even more accurately and powerfully".[13] The front cover marked the debut of band mascot Vic Rattlehead, who regularly appeared on subsequent album artwork.[14]

Killing Is My Business... and Business Is Good! features "Mechanix," a song Mustaine wrote during his time with Metallica. Though Mustaine told the band after his dismissal not to use the music he had written, Metallica recorded a different version of the song entitled "The Four Horsemen", with a slower tempo and a melodic middle section.[15] The album also included a cover of Nancy Sinatra's "These Boots Are Made for Walkin'," at a faster tempo and with altered lyrics. Megadeth's version generated controversy during the 1990s, when its writer, Lee Hazlewood, called Mustaine's changes "vile and offensive".[16] Under threat of legal action, the song was removed from pressings released from 1995 to 2001.[17] In mid-1985, on a bill with Exciter, Megadeth played its first North American tour: the Killing for a Living Tour. Poland was in the band as the tour began, but abruptly left and was replaced by touring guitarist Mike Albert. Poland rejoined Megadeth in October, shortly before the group began its second album for Combat.[18]

1986–87: Peace Sells... but Who's Buying?

"Peace Sells"
"Peace Sells" features lyrics disapproving of the American way. Music critics noted its cynicism toward the economic situation in the United States[19][20]

Problems playing this file? See media help.

According to Mustaine, the band was under pressure to deliver another successful album: "That sophomore offering is the 'be-all or end-all' of any band. You either go to the next level, or it's the beginning of the nadir."[21] The songs were developed relatively quickly in an old warehouse south of Los Angeles before recording began.[18] Mustaine composed the music, with the other members adding arrangement ideas.[22] Megadeth's second album was produced on a $25,000 budget from Combat Records. Dissatisfied with its financial limitations, the band left Combat and signed with Capitol Records. Capitol bought the rights to the upcoming album, and hired producer Paul Lani to remix the earlier recordings. Released in late 1986, Peace Sells... but Who's Buying? has clearer production and more sophisticated songwriting.[23] Mustaine wanted to write socially conscious lyrics, unlike mainstream heavy metal bands who sang about "hedonistic pleasures".[24] The album was noted for its political commentary and helped Megadeth expand its fanbase.[25] The title track was the album's lead single and was accompanied by a music video that received regular airplay on MTV.[26]

Stylized "Megadeth" in black on a white background
Megadeth's logo first appeared on its second album, and has featured on all its recordings since.[27]

In February 1987, Megadeth was the opening act on Alice Cooper's Constrictor tour,[28] and the following month the band began its first headlining world tour in the United Kingdom. The 72-week tour was supported by Overkill and Necros, and continued in the United States.[29] During the tour, Mustaine and Ellefson considered firing Samuelson for his drug abuse.[30] According to Mustaine, Samuelson had become too much to handle when intoxicated. Drummer Chuck Behler traveled with Megadeth for the last dates of the tour as the other band members feared Samuelson would not be able to continue touring.[31] Poland occasionally quarreled with Mustaine, and was accused of selling band equipment to buy heroin.[30] As a result, Samuelson and Poland were asked to leave Megadeth in 1987.[29] That year, 16-year-old guitarist Jeff Loomis of Sanctuary auditioned for the band. Mustaine complimented Loomis' playing but considered him too young to join.[32] Poland was initially replaced by Jay Reynolds of Malice, but as the band began working on its next record, Reynolds was replaced by his guitar teacher, Jeff Young, when Megadeth was six weeks into the recording of its third album.[31]

1988–89: So Far, So Good... So What!

With a major-label budget, the Paul Lani-produced So Far, So Good... So What! took over five months to record. The album was plagued with problems during production, partially due to Mustaine's struggle with drug addiction. Mustaine later said: "The production of So Far, So Good... So What! was horrible, mostly due to substances and the priorities we had or didn't have at the time." Mustaine clashed with Lani on several occasions, beginning with Lani's insistence that the drums be recorded separately from the cymbals, an unheard-of process for rock drummers.[33] Mustaine and Lani became estranged during the album's mixing, and Lani was replaced by Michael Wagener, who remixed the album.[34]

So Far, So Good... So What! was released in January 1988 and was well received by fans and critics.[35] The album featured a cover version of the Sex Pistols' "Anarchy in the U.K."; Mustaine changed the song's lyrics, later saying that he had simply heard them incorrectly. To support the album, Megadeth embarked on a world tour, opening for Dio in Europe and then joining Iron Maiden's Seventh Tour of a Seventh Tour in the United States.[36] In August, the band appeared at the Monsters of Rock festival at Castle Donington in the United Kingdom, performing to an audience of more than 100,000. One show featured a guest appearance by Metallica drummer (and Mustaine's former bandmate) Lars Ulrich. The band was added to the Monsters of Rock European tour, but left after the first show due to Ellefson's drug problems, for which he was treated immediately.[37]

Shortly after the Monsters of Rock appearance, Mustaine fired Behler and Young and canceled Megadeth's scheduled Australian tour. "On the road, things escalated from a small border skirmish into a full-on raging war", Mustaine later recalled. "I think a lot of us were inconsistent [on the 1988 tour] because of the guy we were waiting for after the show."[38] During the tour, Mustaine noticed problems developing with Behler and brought in drummer Nick Menza as Behler's drum technician. As with Samuelson, Menza was expected to take over if Behler could not continue the tour. Menza replaced Behler in 1989.[39] Young's dismissal resulted from Mustaine's suspicions that he was having an affair with Mustaine's girlfriend, an allegation Young denied.[40]

The band was unable to quickly find a suitable replacement for Young. At this time, Megadeth recorded a cover version of Alice Cooper's "No More Mr. Nice Guy" which appeared on the soundtrack to the Wes Craven horror movie Shocker.[41] The video was directed by Penelope Spheeris, who recalled the filming as a "Herculean task" as Mustaine was unable to play guitar because of his drug addiction.[42] In June 1988, Megadeth appeared in Spheeris' documentary The Decline of Western Civilization Part II: The Metal Years.[42] The documentary chronicled the Los Angeles heavy metal scene of the late 1980s with a focus on glam metal.[43] Mustaine remembered the film as a disappointment, as it aligned Megadeth with "a bunch of shit bands".[44] During the March 1989 auditions for a new lead guitarist, Mustaine was arrested for driving under the influence and possession of narcotics after crashing into a parked vehicle occupied by an off-duty police officer.[45] Mustaine entered court-ordered drug rehabilitation shortly afterwards, and became drug-free for the first time in ten years.[42]

1990–91: Rust in Peace

With Mustaine sober, Megadeth continued searching for a new lead guitarist. Among those who auditioned were Lee Altus of Heathen and Eric Meyer of Dark Angel. Meyer was invited to join the band after Poland's departure, but chose to remain with Dark Angel.[46] Guns N' Roses guitarist Slash had been jamming with Mustaine and Ellefson, and although it seemed that he might join Megadeth, he remained with Guns N' Roses.[47] Dimebag Darrell of Pantera was offered the job, but refused to join without his brother, Pantera drummer Vinnie Paul. As Megadeth had already hired Menza, Darrell declined to join the band.[48]

Marty Friedman filled the guitarist position at the recommendation of Ron Laffitte, a member of Capitol management. Laffitte had heard Dragon's Kiss, a solo recording by Friedman when he was in Cacophony.[49] Mustaine and Ellefson were satisfied with Friedman's style and thought he understood Megadeth's music.[50] With Friedman in the group, the band completed what fans consider the definitive Megadeth lineup.[51] The revitalized band entered Rumbo Studios in March 1990 with co-producer Mike Clink to begin Megadeth's most critically acclaimed album to date, Rust in Peace. For the first time the band's members remained sober in the studio, alleviating many problems which plagued previous albums. Clink was the first producer to complete a Megadeth album without being fired.[52] Its recording was documented in Rusted Pieces, a home video released in 1991 with six music videos and an interview with the band.[53]

Released in September 1990, Rust in Peace debuted at number 23 in the United States and number eight in the United Kingdom.[54][55] Mustaine had developed a writing style with a rhythmically complex, progressive edge, and the songs had longer guitar solos and frequent tempo changes.[56] Described as a genre-defining work by Decibel,[49] the album solidified Megadeth's reputation in the music industry.[8] It features the singles "Holy Wars... The Punishment Due" and "Hangar 18", both of which were accompanied by music videos and became live staples. Rust in Peace received a Grammy nomination in 1991 for Best Metal Performance,[57] and was the group's third album to go platinum when certified in December 1994.[58]

Early in 1990, Slayer proposed a major tour featuring American thrash metal bands. Megadeth accepted, joining Slayer, Testament, and Suicidal Tendencies for the successful European Clash of the Titans tour.[59] An American leg began the following year featuring Megadeth, Slayer, and Anthrax, with Alice in Chains as a supporting act. The tour was considered a multi-headliner, as the three main bands alternated time slots.[60] In addition to the Clash of the Titans tour, Megadeth played with Judas Priest in North America late in 1990 and appeared at the second Rock in Rio festival in January 1991.[61]

1992–93: Countdown to Extinction

"Symphony of Destruction"
Countdown to Extinction's first single, "Symphony of Destruction", has become one of Megadeth's best-known songs with its concise structure and memorable hooks.[62]

Problems playing this file? See media help.

The recording sessions for Megadeth's fifth studio album began in January 1992 at Enterprise Studios in Burbank, California. Max Norman was chosen to produce the album, as the band was pleased with his mixing of Rust in Peace.[63] Megadeth spent nearly four months in the studio with Norman, writing and recording what became the band's most commercially successful effort, Countdown to Extinction.[64] The album, whose title was suggested by Menza, features songwriting contributions from each band member.[65] Ellefson explained that the band changed its approach to songwriting for this album, beginning to write more melodic songs.[66]

Released in July 1992, Countdown to Extinction entered the Billboard 200 chart at number two and was certified double platinum in the United States.[67][68] The album's overseas success helped the band to develop a larger following outside the US.[69] It received a nomination for Best Metal Performance at the 1993 Grammy Awards,[70] and its title track won a Genesis Award from the Humane Society in 1993 for raising awareness for animal rights issues.[71] Ellefson later said that he and Friedman were disappointed that Megadeth did not win the Grammy: "It was such a bizarre moment, because it was as if the amount of work it had taken to ramp up to that hopeful night was literally gone in a second."[72]

A world tour in support of the album was launched in late 1992, with Pantera and White Zombie as supporting acts.[72] The tour included a North American leg in early 1993, with Stone Temple Pilots as the opening act. One month into the leg, the remaining shows, including dates in Japan, were canceled when Mustaine returned to substance abuse, ending up in a hospital emergency room.[73] After seven weeks in rehab, Mustaine emerged sober again and the band returned to the studio to record "Angry Again". The song featured the soundtrack of the 1993 film Last Action Hero and received a Grammy nomination in 1994.[74]

During mid-1993, Megadeth performed at a number of shows with Metallica in Europe. The first was at Milton Keynes Bowl in England, and included Diamond Head.[72] In July, Megadeth was added as the opening act for Aerosmith's Get a Grip Tour, but was removed from the bill after three shows.[75] Aerosmith said that Megadeth was "dumped" because of Mustaine's erratic behavior, while Capitol Records said it was due to "artistic restrictions".[76] After the canceled US tour, Megadeth returned to the studio to record "99 Ways to Die", which appeared on The Beavis and Butt-head Experience, a compilation album released in November featuring songs interspersed with commentary by the main characters of the animated series Beavis and Butt-head. The song was nominated for Best Metal Performance at the 1995 Grammy Awards.[77] During these sessions, Megadeth recorded a cover version of Black Sabbath's "Paranoid", which appeared on the Black Sabbath tribute album Nativity in Black; it was nominated for a Grammy the following year.[78]

1994–95: Youthanasia

In early 1994, Megadeth reunited with producer Max Norman for the follow-up to Countdown to Extinction. With three band members living in Arizona, initial work began at Phase Four Studios in Phoenix.[79] A few days into pre-production, problems with Phase Four's equipment forced the band to look for another studio. Mustaine insisted on recording in Arizona, but no suitable recording facility could be found. At Norman's request, the band built its own recording studio in Phoenix in a rented warehouse, later called "Fat Planet in Hangar 18".[80] During the studio's construction, much of the pre-production songwriting and arrangements were done at Vintage Recorders in Phoenix.[29] At Norman's suggestion, the tracks on Youthanasia had a slower tempo than previous albums, at about 120 beats per minute.[81] The band abandoned the progressive approach from its previous albums and focused on stronger vocal melodies and more accessible, radio-friendly arrangements.[82] For the first time, Megadeth wrote and arranged the entire album in the studio, including basic tracks recorded live by the entire band. The album's recording was video recorded and released as Evolver: The Making of Youthanasia in 1995.[83]

After eight months of studio work, Youthanasia was released in November 1994. It debuted at number four on the Billboard 200 and charted in several European countries.[84] The album was certified gold in Canada the day it was released,[85] and was certified platinum in the US two months later.[67] Megadeth hired fashion photographer Richard Avedon to enhance the band's image. Avedon had the band members exchange their jeans and T-shirts for a more conscious appearance.[86] To promote Youthanasia, the band played a Halloween show in New York City called "Night of the Living Megadeth", which was broadcast live on MTV.[81] In November, the band performed twice on the Late Show with David Letterman, playing "Train of Consequences" on the first appearance and "À Tout le Monde" on the second.[87][88]

An eleven-month tour began in South America in November 1994. In 1995, Megadeth played in Europe and North America with several opening acts, including Corrosion of Conformity, Korn and Fear Factory.[89] The tour culminated with an appearance at the Monsters of Rock festival in Brazil, co-headlining with Alice Cooper and Ozzy Osbourne.[90] In January 1995, Megadeth appeared on the soundtrack of the horror movie Demon Knight with the song "Diadems".[91] In July, Megadeth released Hidden Treasures, an extended play featuring songs which originally appeared on movie soundtracks and tribute albums.[92]

1996–98: Cryptic Writings

After the extensive world tour in support of Youthanasia, Megadeth took time off late in 1995. Mustaine began work on MD.45, a side project with vocalist Lee Ving of Fear. The duo hired drummer Jimmy DeGrasso, who had played with Alice Cooper on the South American Monsters of Rock tour earlier that year.[93] Marty Friedman built a studio in his new home in Phoenix and completed his fourth solo album, released in April 1996.[94] In September 1996, Megadeth went to London to work on songs for the next album. The songwriting was closely supervised by new manager Bud Prager, who contributed musical ideas and lyrics; many lyrics and song titles were changed at his request.[95] Regarding Prager's influence, Mustaine later wrote: "I figured maybe this guy [Prager] could help me get that intangible number one record I so badly wanted."[96] The album, recorded in Nashville, was Megadeth's first collaboration with country pop producer Dann Huff, who had met Mustaine in 1990.[97]

Cryptic Writings was released in June 1997. The album peaked at number ten on the Billboard 200,[54] and was eventually certified gold in the United States. Its lead single, "Trust", became Megadeth's highest charting song on the Mainstream Rock Tracks at number five,[98] and was nominated for Best Metal Performance at the 1998 Grammy Awards.[99] Although all four singles from the album entered the top 20 on Billboard's Mainstream Rock Tracks chart,[100] press response to the album was mixed. The album featured a diverse set of songs which the Los Angeles Times described as a "rousing balance" between older material and experimental songs.[101] Asked about the album's eclecticism, Mustaine said that Cryptic Writings was divided into thirds. One part was based around faster, more aggressive material, another was "radio-orientated music like Youthanasia", and the final third was more melodic.[94]

After more than a year since the band's last concert, Megadeth returned as a live act in June 1997, beginning a world tour with the Misfits and touring in the United States with Life of Agony and Coal Chamber.[90] In July, the band participated in Ozzfest '98 but, halfway through the tour, Menza reportedly discovered a tumor on his knee and left to undergo surgery.[102] Jimmy DeGrasso, who had collaborated with Mustaine in MD.45, was hired to replace Menza for the remainder of the tour.[103] Though initially meant to be a temporary replacement, DeGrasso joined the band permanently after the tour. Mustaine later said that he dismissed Menza from the band because he believed the drummer had lied about having cancer.[48]

1999–2000: Risk

Following the band's mainstream radio success with Cryptic Writings, Megadeth again worked with Dann Huff on its eighth studio album. The band began writing in January 1999, supervised by manager Bud Prager, who was credited with co-writing five of the album's twelve songs.[104] With high expectations following the chart success of "Trust", Prager convinced Mustaine to grant Huff even more control over the album's recording, a decision Mustaine later regretted.[105]

Risk, released in August 1999, was a critical and commercial failure and led to backlash from many longtime fans. Although its two predecessors incorporated rock elements alongside a more traditional heavy metal sound, Risk was virtually devoid of metal.[106][107] About the band's musical direction, Dave Mustaine said: "We hit the nadir of our career with Risk, and I vowed after that we were going to get back to our roots. It took a little bit of time to do that."[108] Despite this, Risk was certified gold in the United States.[109] The album's lead single, "Crush 'Em", appeared on the soundtrack for Universal Soldier: The Return and was used as an entrance theme for NHL hockey games and professional wrestling events.[110]

On July 14, 1999, former drummer Gar Samuelson died of liver failure at age 41 in Orange City, Florida.[111] Three days later, during Megadeth's performance at Woodstock 1999, Mustaine dedicated "Peace Sells" to Samuelson's memory. That month, Megadeth also recorded a cover version of the Black Sabbath's "Never Say Die" for the second Nativity in Black tribute album.[112] The band began a world tour in support of Risk in September, playing with Iron Maiden during the European leg. Three months into the tour, Friedman announced his resignation from Megadeth, citing musical differences.[113] Mustaine later said: "I told [Marty] after Risk that we had to go back to our roots and play metal, and he quit."[114] In January 2000, guitarist Al Pitrelli, formerly of Savatage and the Trans-Siberian Orchestra, became Friedman's replacement.[115]

In April, Megadeth returned to the studio to work on its ninth studio album. A month into production, the band received an offer to join the Maximum Rock tour with Anthrax and Mötley Crüe. Megadeth put the recording on hold and toured North America during the second quarter of 2000.[90] Early in the tour, Anthrax was removed from the bill, allowing Megadeth to play an extended co-headlining set.[116] The tour, however, had poor ticket sales.[117]

2000–01: The World Needs a Hero

After 15 years with Capitol Records, Megadeth left the label in July 2000. According to Mustaine, the departure was due to ongoing tensions with Capitol management.[118] Capitol returned the band's newest recordings and released a greatest hits album, Capitol Punishment: The Megadeth Years, with two new tracks: "Kill the King" and "Dread and the Fugitive Mind".[119] In November, Megadeth signed with Sanctuary Records. The band returned to the studio in October to finish its next album, The World Needs a Hero, which was near completion when Megadeth joined the Maximum Rock tour six months earlier. Following the negative response to Risk,[120] Mustaine fired Bud Prager and produced the album himself.[121] The songs were written by Mustaine alone, except for "Promises", which had contributions from Pitrelli.[122] Two days before the release of The World Needs a Hero, Megadeth appeared in an episode of VH1's Behind the Music showcasing Mustaine, Ellefson, several past members, and Mustaine's old Metallica bandmates James Hetfield and Lars Ulrich.[123]

The World Needs a Hero was released in May 2001, and debuted at number sixteen on the Billboard 200. It was banned in Malaysia when the national government determined that the album's artwork was "unsuitable for the nation's youth". Consequently, the band canceled its August 2 concert in Kuala Lumpur.[124] The album marked Megadeth's return to a more aggressive sound after the stylistic variations of its previous two albums,[122] but critics felt it fell short of expectations.[125] Mustaine compared the album to a huge ship at sea, turning and trying to right itself to get back on course.[118] Its lead single, "Moto Psycho", reached number 22 on the Billboard Mainstream Rock chart.[126]

A European tour with AC/DC in support of The World Needs a Hero began in mid-2001, followed by an American tour with Iced Earth and Endo in September.[123] Mustaine allowed fans to choose the setlist in each American city.[124] However, the tour was cut short following the September 11 attacks; all dates were canceled, including a DVD shoot in Argentina. The band instead played two shows in Arizona on November 16 and 17, which were filmed and released as Megadeth's first live release, Rude Awakening.[127] That year, Killing Is My Business... and Business Is Good! was remixed and remastered; the reissue featured modified artwork and several bonus tracks.[128]

2002–03: Breakup

A long red-haired man standing in front of a microphone
Mustaine dissolved Megadeth in 2002, following his arm injury that disabled him to play guitar.

In January 2002, Mustaine was hospitalized for the removal of a kidney stone and was administered pain medication that triggered a relapse of his drug addiction. Following his stay, Mustaine checked himself into a treatment center in Texas, where he suffered a peculiar injury causing severe nerve damage to his left arm.[129] The injury, induced by falling asleep with his left arm over the back of a chair, caused compression of the radial nerve. He was diagnosed with radial neuropathy, which left him unable to grasp or even make a fist with his left hand.[130]

On April 3, Mustaine announced in a press release that he was disbanding Megadeth as his arm injury rendered him unable to play guitar.[131] For the next four months, he had physical therapy five days a week, and slowly began to "re-teach" his left hand.[132] To fulfill contract obligations to Sanctuary, Megadeth released the compilation album Still Alive... and Well? The first half of the album contains live tracks recorded at the Web Theatre in Phoenix, and the second half has studio recordings from The World Needs a Hero.[133]

Following nearly a year of recovery, including physical and electroshock therapy, Mustaine began work on what was to have been his first solo album. The new material was recorded with session musicians Vinnie Colaiuta and Jimmie Lee Sloas in October 2003. The project was put on hold when Mustaine agreed to remix and remaster Megadeth's eight-album back catalog on Capitol Records,[134] re-recording portions that were missing or altered without his knowledge in the original mixing.[135]

2004: The System Has Failed

A four-piece band cheering the audience at the end of a concert
Megadeth's 2004–06 lineup: Shawn Drover, James MacDonough, Dave Mustaine and Glen Drover

In May 2004, Mustaine returned to his solo project. Contractual obligations to the band's European label, EMI, resulted in the recording's release as a Megadeth album.[136] Mustaine reformed the band and contacted the fan-favorite Rust in Peace lineup to re-record backing tracks. While drummer Nick Menza agreed to return, both Marty Friedman and David Ellefson were unable to come to an agreement with Mustaine.[137] Menza was sent home shortly after rehearsals began, a few days before the start of a tour supporting Megadeth's upcoming album. Mustaine said Menza was insufficiently prepared for the physical demands of a US tour, and "it just didn't work out".[138] This was the first album without Ellefson. Chris Poland, who played lead guitar on Megadeth's first two albums, was hired to contribute guitar solos to the new album, working with Mustaine for the first time since the 1980s. Poland opted to serve only as a session musician, wanting to remain focused on his jazz fusion project OHM.[139]

The System Has Failed was released in September 2004. Critics heralded it as a return to form; Revolver gave the album a favorable review, calling it "Megadeth's most vengeful, poignant and musically complex offering since 1992's Countdown to Extinction".[140] The album marked a shift toward the band's earlier sound; journalist Amy Sciarretto of CMJ New Music Report wrote that the album contained "neo-thrash riffing with biting, politically charged lyrics".[141] The System Has Failed debuted at number eighteen on the Billboard 200[54] and was led by "Die Dead Enough", which reached number 21 on the US Mainstream Rock chart.[126] Mustaine announced that the album would be the band's last and would be followed by a farewell tour, after which he would focus on a solo career.[142]

Megadeth began the Blackmail the Universe world tour in October, enlisting touring bassist James MacDonough of Iced Earth and guitarist Glen Drover of Eidolon and King Diamond. Five days before the first show, Menza was replaced by Shawn Drover, who remained with the band as a regular member.[143] The band toured the US with Exodus and Europe with Diamond Head and Dungeon.[144][145] In June 2005, Capitol released a greatest-hits compilation, Greatest Hits: Back to the Start, featuring remixed and remastered versions of songs chosen by fans from Megadeth's Capitol albums.[146]

2005–06: Gigantour

A long-haired man playing bass guitar onstage
James LoMenzo was Megadeth's bassist from 2006 to 2010.

In mid-2005, Mustaine organized an annual heavy metal festival tour, Gigantour. Megadeth headlined the inaugural tour with acts such as Dream Theater, Nevermore, Anthrax, and Fear Factory. Performances at the Montreal and Vancouver shows were filmed and recorded for a live DVD-and-CD set released in the second quarter of 2006.[147] On October 9, following the successes of The System Has Failed and the Blackmail the Universe world tour, Mustaine announced to a sold-out crowd at the Pepsi Music Rock Festival in Argentina that Megadeth would continue to record and tour.[148] The concert, held at Obras Sanitarias stadium in Buenos Aires in front of 25,000 fans, was filmed and released on DVD as That One Night: Live in Buenos Aires in 2007.[149]

In February 2006, bassist James MacDonough left the band over "personal differences".[150] He was replaced by James LoMenzo, who had worked with David Lee Roth, White Lion and Black Label Society.[151] The new Megadeth lineup made its live debut headlining the Dubai Desert Rock Festival in the United Arab Emirates with Testament.[152] In March, Capitol released a two-disc DVD, Arsenal of Megadeth, which included archive footage, interviews, live shows, and many of the band's music videos. Due to licensing issues, soundtrack and non-Capitol videos were not included.[153] The second Gigantour began during the third quarter of 2006; Megadeth again headlined, this time with Lamb of God, Opeth, Arch Enemy and Overkill.[154] The 2006 tour included three dates in Australia, supported by Soulfly, Arch Enemy and Caliban.[155]

2007–08: United Abominations

A long-haired man playing guitar onstage
Guitarist Chris Broderick joined Megadeth in 2008, replacing Glen Drover.

In May 2006, Megadeth announced that its eleventh studio album, United Abominations, was near completion. Originally scheduled for release in October, Mustaine said that the band was "putting the finishing touches on it" and postponed its release to May of the following year.[156] He commented on the release: "Metal needs a really good old-school record again. I believe I have delivered."[157] United Abominations was the band's first album to feature Glen Drover, Shawn Drover, and James Lomenzo. It also has a newer version of "À Tout le Monde" entitled "À Tout le Monde (Set Me Free)". The 2007 version is a duet with Cristina Scabbia of Lacuna Coil; it was recorded at a slightly faster tempo than the original and contains an extended solo.[158]

Released in May 2007, United Abominations debuted at number eight on the Billboard 200, selling 54,000 copies in the first week.[159] In March, Megadeth began a North American tour opening for the newly reformed Heaven & Hell. The band played with Down for Canadian shows and with Machine Head for the US dates.[160] A European summer festival tour followed. Late in the year, Megadeth returned to the United States to headline its Tour of Duty.[161] In November, the band brought Gigantour to Australia with a lineup including Static-X, DevilDriver and Lacuna Coil.[162]

In January 2008, Glen Drover quit Megadeth, stating that he was tired of the frequent touring and wanted to spend more time with his family. He also cited personal issues with other band members.[163] Drover was replaced by Chris Broderick, formerly of Nevermore and Jag Panzer.[164] Broderick was initially asked by Mustaine's management company at the end of 2007 if he would be interested in auditioning for Megadeth. After an informal meeting at Mustaine's house, Broderick was introduced as the band's new guitarist.[165] Mustaine complimented Broderick's playing skills and called him "the best guitarist Megadeth has ever had".[166] Broderick's former Nevermore bandmate, Van Williams, congratulated Megadeth on "getting one hell of a good player, more importantly they're getting a great guy to hang out with and a true friend".[167]

The new lineup made its live debut at the Helsinki Ice Hall on February 4. The 2008 Gigantour, with 29 North American dates, began shortly afterwards.[168] Mustaine wanted a shorter lineup, allowing each band a chance to perform well. The third tour featured In Flames, Children of Bodom, Job for a Cowboy and High on Fire.[169] Megadeth continued the Tour of Duty in South America and Mexico in May and June. A compilation album, Anthology: Set the World Afire, was released in September 2008.[170]

2009–10: Endgame

In February 2009, Megadeth and Testament were scheduled on the European "Priest Feast" tour, with Judas Priest as headliners.[171] At this time, Metallica, who had been inducted into the Rock and Roll Hall of Fame, invited Mustaine to attend the ceremony. Mustaine was informed that he would not be inducted to the Hall of Fame because such honors were granted only to those members who received recording credit on a Metallica album.[172] Mustaine congratulated the group respectfully, and honored his commitment to the European tour with Judas Priest.[173] In April, Megadeth and Slayer co-headlined the Canadian Carnage. This was the first time they had performed together in more than 15 years. Machine Head and Suicide Silence opened for the four shows that occurred later in June.[174]

In May, Megadeth finished recording its twelfth album, Endgame.[175] According to Mustaine, the name paid homage to Alex Jones' 2007 film of the same name.[176] The release date for Endgame was announced on the Megadeth official website, and Metal Hammer was the first to review the album track-by-track.[177] Megadeth began its Endgame tour in October, and finished it in December. The tour featured a number of supporting acts, including Machine Head, Suicide Silence, and Warbringer.[178] In January 2010, Megadeth was set to embark on the American Carnage tour with Slayer and Testament, but the tour was postponed due to Tom Araya's back surgery.[179] Several weeks later, Megadeth's "Head Crusher" was nominated for Best Metal Performance at the 2010 Grammy Awards, the band's eighth Grammy nomination in 19 years.[180]

In March, Megadeth embarked on the Rust in Peace 20th Anniversary Tour, which took place in North America and had support from Testament and Exodus. During the tour, Megadeth played Rust in Peace in its entirety.[181] Prior to the start of the tour, original bassist Ellefson rejoined Megadeth after eight years. In an interview for Classic Rock, he stated that Shawn Drover contacted him, informing him that bassist LoMenzo was leaving the band, saying "if ever there was a time for you and Dave [Mustaine] to talk, now is it".[182]

2010–12: Thirteen

Two men performing onstage
David Ellefson and Dave Mustaine performing at the Norway Rock Festival in July 2010.

Megadeth, along with Metallica, Slayer, and Anthrax, collectively known as the "big four" of thrash metal, agreed to perform on the same bill during mid-2010. These performances were part of the Sonisphere Festival and were held in a number of European countries.[183] One such performance in Sofia, Bulgaria, was filmed and released as a video album entitled The Big Four: Live from Sofia, Bulgaria.[184] These shows continued the following year in the United States. The first took place in Indio, California, and was the only scheduled show in the United States at the time,[185] although a second American production was held at Yankee Stadium in New York City shortly afterwards.[186]

In July 2010, after the European "big four" shows, Megadeth and Slayer commenced the first leg of the American Carnage Tour, where Megadeth played Rust in Peace in its entirety, while Slayer performed its album Seasons in the Abyss, both of which were released in 1990.[187] From these shows onward, Vic Rattlehead started making sustained onstage appearances, to improve the visual facet of Megadeth's live performances.[188] Shortly afterward, the two bands united with Anthrax for the Jägermeister Music Tour in late 2010.[189] During the final show of the tour, Kerry King joined Megadeth on stage at the Gibson Amphitheatre in Hollywood to perform Megadeth's "Rattlehead". It was the first time that King had performed onstage with Megadeth as the latter's early shows in 1984.[190] Megadeth and Slayer again shared the stage for the European Carnage Tour in March and April 2011.[191] Megadeth also headlined the fourth annual Rockstar Mayhem Festival in July and August the same year.[192]

In September, the band released the DVD album Rust in Peace Live, recorded at the Hollywood Palladium in Los Angeles.[193] Later that month, Megadeth released "Sudden Death" for the video game Guitar Hero: Warriors of Rock.[194] The song was commissioned by the publishers of the Guitar Hero franchise, who wanted the track to feature dark lyrics and multiple guitar solos.[195] It was nominated for Best Metal Performance at the 2011 Grammy ceremony.[196]

Megadeth returned to its own Vic's Garage studio to record its thirteenth album, to be produced by Johnny K, because Andy Sneap, the producer of Megadeth's previous two albums, was unavailable.[197] The album was titled Thirteen and featured previously released tracks such as "Sudden Death" and "Never Dead".[198] The album was released in November 2011, and charted at number eleven on the Billboard 200; its lead single "Public Enemy No. 1" received a Grammy nomination for Best Hard Rock/Metal Performance, but did not win.[199] Shortly after the album was released, Dave Mustaine stated that, after a four-year hiatus, there would be a new Gigantour tour in early 2012.[200] The lineup consisted of Motörhead, Volbeat, and Lacuna Coil alongside Megadeth.[201] After the conclusion of Gigantour, Rob Zombie and Megadeth announced a nine-date co-headlining US tour scheduled for May 2012.[202]

2012–14: Super Collider

In September 2012, it was announced that the band would re-release Countdown to Extinction in honor of the album's 20th anniversary. To mark the occasion, Megadeth launched a tour in which the band performed the album live in its entirety.[203] One such performance, filmed at the Pomona Fox Theater, was released as a live album called Countdown to Extinction: Live the following year.[204] Additionally, another track from Thirteen, "Whose Life (Is It Anyways?)", was nominated for Best Hard Rock/Metal Performance at the 2013 Grammy Awards, but lost to Halestorm's "Love Bites (So Do I)".[205]

Two men signing autographs in a crowded submarine
Shawn Drover and Chris Broderick sign autographs aboard the Los Angeles-class attack submarine USS Helena (SSN-725).

In August, the band announced the recording of its fourteenth album with producer Johnny K.[206] At the start of 2013, Megadeth left Roadrunner Records for Mustaine's newly founded label, Tradecraft, distributed through Universal Music Group.[207][208] The album, Super Collider, was released in June and debuted at number six on the Billboard 200, the band's highest chart position since 1994's Youthanasia.[209] Critical reaction to the album, however, was largely negative.[210] Shortly after the release of Super Collider, Mustaine stated that he had already started thinking about a fifteenth Megadeth album. He said this had been spurred by the death of Slayer guitarist Jeff Hanneman, which gave him a sense of mortality.[211] Mustaine elaborated: "You know, time is short. Nobody knows how long they're gonna live. You see what happened with Jeff Hanneman, so I wanna write as much as I can while I can."[212]

The 2013 edition of Gigantour featured Black Label Society, Hellyeah, Device, and Newsted as opening bands.[213] At the final show, Jason Newsted, Metallica's former bassist, joined Megadeth onstage to perform "Phantom Lord", a song Mustaine had co-written during his stint with Metallica.[214] Early in 2014, Megadeth was slated to play the Soundwave festival in Australia, but pulled out over a disagreement with tour promoter A. J. Maddah concerning the band's sideshows with Newsted.[215] Icon, an eleven-song compilation of Megadeth's Capitol-era material, was released as part of Universal Music's Icon series in February.[216]

2014–present: Dystopia

Drummer Dirk Verbeuren joined the band in 2016 replacing Chris Adler.

The band encountered several setbacks through the second half of 2014. The August concert in Tel Aviv was canceled due to an armed conflict between Israel and Gaza.[217] Megadeth was scheduled to appear on Motörhead's Motörboat cruise in late September, but withdrew because of Mustaine's complications following his cervical spine surgery.[218] In late November, Drover quit the band after ten years, wanting to pursue his own musical interests. This was quickly followed by the departure of Broderick, due to artistic and musical differences.[219] Ellefson denied rumors that Megadeth would disband, and said he and Mustaine would continue working on new music.[220] Lamb of God drummer Chris Adler and guitarist Kiko Loureiro of Angra performed on Megadeth's fifteenth studio album.[221] Mustaine said that one of the reasons for Broderick's and Drover's departure was the frustration caused by Megadeth's fan base demanding a reunion with Friedman and Menza.[222]

In October 2015, Megadeth streamed "Fatal Illusion" off the album Dystopia, which was released in January 2016.[223] In support of Dystopia, Megadeth embarked on a North American tour in February and March with Suicidal Tendencies, Children of Bodom and Havok (though Havok was soon removed from the tour by Megadeth's management following a dispute over a contract).[224] Menza died from a heart attack in May while performing with OHM at a jazz club in Los Angeles.[225] Mustaine announced that Adler, who performed double duty drumming, was no longer in the band due to scheduling conflicts between Lamb of God and Megadeth activities. He was replaced by Dirk Verbeuren from Soilwork, on Adler's recommendation.[226] A second US tour is planned for September and October with Amon Amarth, Suicidal Tendencies, Metal Church[227] and Butcher Babies.[228] Speaking to All About The Rock Dirk has said "We’ve already discussed the next album and Dave asked me to contribute ideas, so I’m more than a little excited to see what I can come up with[229]".


Mustaine has made numerous inflammatory statements in the press,[230] usually regarding issues with former Metallica bandmates. The feud stemmed from his ejection from the band, how it was conducted, and disagreements on songwriting credits.[231] Mustaine expressed his anger in the movie Some Kind of Monster,[232] in a scene he later disapproved of as he felt he was mischaracterized, and that it did not represent the full extent of what happened during the meeting.[233]

During a live performance of "Anarchy in the U.K." at a 1988 show in Antrim, Northern Ireland, Mustaine drunkenly and confusedly dedicated the song to "the cause" of "giving Ireland back to the Irish!"[nb 1] Before the final song, Mustaine said, "This one's for the cause!"[52] This elicited a riot and fighting between Catholics and Protestants among the audience. The band had to travel in a bulletproof bus for the remainder of the tour of Northern Ireland and the Republic of Ireland.[116] Mustaine later said that he had been misled by T-shirt bootleggers about the meaning of the expression "the cause". This incident served as inspiration for the song "Holy Wars... The Punishment Due".[235]

Controversial and misinterpreted lyrics have caused complications for the band. In 1988, MTV deemed that the song "In My Darkest Hour" encouraged suicide and banned the video.[236] The station banned the video for "À Tout le Monde" for the same reason, though Mustaine said the song was written from the perspective of a dying man saying his last words to his loved ones.[158] According to him, MTV considered the videos for "Skin o' My Teeth" and "Symphony of Destruction" a "little bit too harsh" and refused to play them as well.[237]

During a world tour in 2001, the Malaysian government canceled the band's show in the nation's capital because the authorities had a negative perception of the group's image and music.[238] The government pointed the band's mascot Vic Rattlehead as inappropriate and told the members that they would be arrested if they performed.[239] Dave Mustaine responded: "I recognize what the Malaysian government is trying to do, and it is admirable of them trying to protect the young people in the country. But it just shows the degree of ignorance and apathy that the government has toward the problem."[118]

In 2003, after recovering from an arm injury that threatened to end his career, Mustaine became a born again Christian.[240] Minor controversy was sparked by Mustaine's announcement that Megadeth would not play certain songs live due to his new identification as a Christian.[241] In May 2005, Mustaine allegedly threatened to cancel shows in Greece and Israel with extreme metal bands Rotting Christ and Dissection due to the bands' anti-Christian beliefs. This caused the two bands to cancel appearances.[242]

Wikisource has original text related to this article:

In July 2004, Ellefson sued Mustaine for $18.5 million in Manhattan Federal Court. Ellefson alleged that Mustaine short-changed him on profits including tour merchandise and publishing royalties.[243] The suit was dismissed in 2005, and Mustaine filed a countersuit alleging that Ellefson had used the band's name in an advertisement for musical equipment;[244] the suit was settled out of court.[245]


Influences and style

Traditional heavy metal bands such as UFO, Black Sabbath, Budgie,[246] new wave of British heavy metal (NWOBHM) bands such as Motörhead, Iron Maiden, and Diamond Head, and punk rock bands such as the Sex Pistols and Ramones had a significant influence on Megadeth's sound.[247] Hard rock bands such as AC/DC[248] and Led Zeppelin[249] were also influential on the group's guitar style. Although the music has roots in punk,[250] university professor Jason Bivins wrote that Megadeth followed the basic blueprint of Motörhead and Iron Maiden. He described the style as a mix of "the instrumental virtuosity of the NWOBHM with the speed and aggression of hardcore punk", while also drawing lyrical inspiration from the horror-obsessed punk band Misfits.[251] Mustaine has also listed albums by the Beatles as recordings that influenced him.[252]

Mustaine is the band's primary songwriter. He develops songs starting with a particular riff that, with modifications, becomes the central part of the song.[253] He has said that song fragments are composed separately, and then the band makes a compact structure from them.[254] Drummer Shawn Drover stated that Mustaine had saved many riffs over the years and that some recent material is based on those demo recordings.[255] Ellefson stated that the band constantly creates new material, and that making a recording begins with exchanging ideas after which the band enters the studio and discusses the concept, direction, artwork, and song titles.[256] The lyrics are usually written after the music is arranged.[257] Discussing the band's lyrics, Mustaine said that many of the themes are derived from literature, such as the novels of George Orwell.[258]

The music of Megadeth and its underground metal contemporaries from the 1980s featured harsh vocals, double bass drum patterns, staccato riffing, tremolo picking, and screeching lead guitar work; albums from this period were produced on low budgets.[259] After forming Megadeth, Mustaine followed the thrash metal style of his previous band, Metallica, with more emphasis on speed and intensity.[260] Megadeth's music is characterized by its neat instrumental performance, featuring fast rhythm sections, complex arrangements, and "snarling" vocals.[69] When asked to describe Megadeth's guitar style, Mustaine answered: "When you go to a show and see a guitar player who just stands there, that's a guitar player. A thrash guitar player is a guy who plays like he wants to beat the guitar's guts out."[28] Most of the songs are recorded in standard guitar tuning as Mustaine believes it to provide a superior melody to alternative methods of tuning.[261]

During the band's early days, Mustaine was the rhythm guitarist, while Chris Poland played lead. Although Poland performed only on Megadeth's first two albums, music journalists Pete Prown and Harvey P. Newquist credit him with making the music more colorful because of his jazz influences.[8] According to former Metal Maniacs editor Jeff Wagner, the band's songwriting techniques peaked with the fourth album, Rust in Peace, which he described as a "flurry of precision and fluidity, making good on Megadeth's claim to being the world's state-of-the-art speed metal band".[262] Musicologist Glenn Pillsbury stated the guitar work on the album was a mixture of Mustaine's "controlled chaos" and the "technical brilliance" of Marty Friedman.[56] Studio efforts released in the mid- and late 1990s featured songs with compact structures and less complicated riffing.[263]

Megadeth's lyrics often focus on death, war, politics, and religion.[264] The lyricism centers on nihilistic themes, but occasionally deals with topics such as alienation and social problems.[68] The earliest releases featured themes such as occultism, graphic violence, and Satanism.[17][265] Nuclear warfare and government conspiracy were preoccupations on albums such as Rust in Peace and Countdown to Extinction.[60] During Megadeth's commercial peak, Mustaine elaborated on more personal themes such as addiction and intimate relationships. For the lyrics on Cryptic Writings, Mustaine said that he wanted to write songs that had more appeal to a wider audience.[266] The title of United Abominations is a satiric play on the name of the United Nations; Mustaine criticized the organization's ineffectiveness on a number of songs on that album.[267] Later albums contained lyrics in a similar vein.[69]


Having sold over 50 million units worldwide as of 2014,[268] Megadeth is one of the few bands from the 1980s American underground metal scene to have achieved mass commercial success.[269] Along with contemporaries Metallica, Slayer, and Anthrax, Megadeth is regarded as one of the core founding groups of thrash metal.[270] These bands are often referred to as the "big four" of thrash metal,[271] responsible for the genre's development and popularization. Loudwire ranked Megadeth the third best thrash metal band of all time, praising the group's "provoking lyrics and mind-warping virtuosity".[272] CMJ New Music Report called the band's debut album a seminal release and a representative of "the golden age of speed metal".[273] Similarly, Billboard called the band's second album Peace Sells... but Who's Buying? a "landmark of the thrash movement" whose lyrics it found still relevant.[274] MTV also recognized the band as an influential metal act, highlighting the technical aspect of the early albums.[275]

Megadeth is considered one of the most musically influential groups that originated in the 1980s.[268] As part of the early American thrash metal movement, the band's music was a direct influence on death metal.[259] Sociologist Keith Kahn-Harris wrote that the mainstream success of Megadeth was one of the reasons for the expansion of extreme metal to countries where it had previously been unknown.[276] The band's sound and album artwork influenced a number of thrash metal bands in the 21st century,[277] including Toxic Holocaust and Warbringer.[255][278] According to Nielsen SoundScan, Megadeth has sold 9.2 million copies of its albums in the United States between 1991 and 2014.[279]


For more details on this topic, see List of Megadeth band members.


For a more comprehensive list, see List of awards and nominations received by Megadeth.

Genesis Awards:[280]

Loudwire Music Awards:[281]

Metal Hammer Golden Gods Awards:[282]

Revolver Golden Gods Awards:[283]


For a more comprehensive list, see Megadeth discography.


  1. Before the show in Antrim, Mustaine discovered that bootlegged Megadeth T-shirts were on sale in the venue. The seller explained to Mustaine that he was raising money for "The Cause". Mustaine felt supportive of the idea and unknowingly dedicated the last song to the organization, saying: "This one’s for the cause, give Ireland back to the Irish, anarchy in Antrim." The quote was inspired by Paul McCartney's song "Give Ireland Back to the Irish".[234]


  1. Mustaine 2010, p. 101.
  2. Gulla 2009, p. 101.
  3. 1 2 Wagner 2010, p. 42.
  4. Summers, Jodi Beth (June 1987). "Out to Lunch". Hit Parader. Retrieved November 15, 2013.
  5. Moore 2009, p. 103.
  6. Mustaine 2011, p. 87.
  7. 1 2 3 Doe, Bernard (December 1985). "Megadeth – Love It To Death". Metal Forces. Retrieved November 13, 2013.
  8. 1 2 3 Prown & Newquist 1997, p. 227.
  9. Mustaine 2011, p. 124.
  10. Ellefson & McIver 2013, p. 53.
  11. Ellefson & McIver 2013, p. 55.
  12. Bukszpan 2003, p. 242.
  13. McIver 2008, Chapter 7.
  14. "Megadeth: The Making Of The New 'Vic Rattlehead' Mask". October 2, 2012. Retrieved March 6, 2013.
  15. Hart, Josh (August 15, 2011). "Dave Mustaine on Early Days With Metallica: "I Had Always Called Us the 'Four Horsemen'"". Revolver. Guitar World. Retrieved November 16, 2013.
  16. Killing Is My Business... and Business Is Good! liner notes (2002 reissue). Loud Records. 2002. p. 8.
  17. 1 2 Begrand, Adrien (April 30, 2002). "Megadeth: Killing is My Business... and Business is Good!". PopMatters. Retrieved November 16, 2013.
  18. 1 2 Ellefson & McIver 2013, p. 58.
  19. Pett, Sukey (March 1987). "Peace, Love, And Megadeth". Spin (12): 14. Retrieved July 6, 2014.
  20. Moore 2009, p. 102.
  21. Kot, Greg (August 15, 2010). "Megadeth's Dave Mustaine says he and Metallica have hugged out". Chicago Tribune. Retrieved November 17, 2013.
  22. Tarquin 2012, p. 72.
  23. Konow 2009, p. 243.
  24. Matsumoto, Jon (October 16, 1986). "Megadeth: These Heavy Metalers Thrash For Peace". Los Angeles Times. Retrieved November 15, 2013.
  25. Talevski 2010, p. 570.
  26. Ellefson & McIver 2013, p. 61.
  27. Stern, Lauren (August 6, 2012). "Megadeth – Best Band Logos". Loudwire. Retrieved July 7, 2014.
  28. 1 2 Popson, Tom (February 6, 1987). "Megadeth Hed To Go Here". Chicago Tribune. Retrieved November 15, 2013.
  29. 1 2 3 Rees & Crampton 1999, p. 658.
  30. 1 2 Konow 2009, p. 244.
  31. 1 2 Gomes, Celesete (August 1988). "So Far, So Good For Megadeth". Classic Rock. Retrieved November 8, 2013.
  32. EvilG. "Nevermore Interview With Jeff Loomis". Metal Rules. Retrieved November 18, 2013.
  33. So Far, So Good... So What! liner notes (2004 reissue). Capitol Records. 2004. p. 2.
  34. Ellefson & McIver 2013, p. 71.
  35. Christgau, Robert (1987). "Consumer Guide Reviews". The Village Voice. Retrieved December 6, 2013.
  36. Rees & Crampton 1999, p. 546.
  37. Ellefson & McIver 2013, p. 72.
  38. Niles, Eric (September 1990). "Rust in Peace". Music Connection. Retrieved December 8, 2013.
  39. Kajzer & Lotring 2010, p. 192.
  40. Dome, Malcolm (December 21, 2009). "Megadeth Bitching: Mustaine And Young At War!". Classic Rock. Retrieved December 8, 2013.
  41. Buckley 2003, p. 660.
  42. 1 2 3 Bukszpan 2003, p. 244.
  43. Unterberger & Hicks 1999, p. 416.
  44. Megadeth: Rusted Pieces VHS. Capitol Records/EMI. January 1, 1991.
  45. Janosik 2006, p. 97.
  46. Willems, Steven (December 4, 2000). "Interview With Dark Angel". Voices From The Dark Side. Retrieved March 7, 2014.
  47. Ellefson & McIver 2013, p. 79.
  48. 1 2 "Dave Mustaine: Kerry King Hates My Guts". August 16, 2013. Retrieved November 18, 2013.
  49. 1 2 "Megadeth "Rust in Peace"". Decibel. Retrieved December 8, 2013.
  50. Ellefson & McIver 2013, p. 88.
  51. Kajzer & Lotring 2010, p. 320.
  52. 1 2 Bienstock, Richard (September 17, 2010). "Megadeth: Rust Never Sleeps". Guitar World. Retrieved November 22, 2013.
  53. Rubiner 1993, p. 167.
  54. 1 2 3 "Megadeth – Chart History (Albums)". Billboard. Retrieved December 4, 2013.
  55. "Chart Stats – Megadeth". Chart Stats. Retrieved February 24, 2013.
  56. 1 2 Pillsbury 2006, p. 82.
  57. "Megadeth: First Look At 'Rust In Peace Live' DVD". August 23, 2010. Retrieved December 8, 2013.
  58. Morris, Chris (January 14, 1995). "Ace Of Base, 'Lion King' Lead Record Certs". Billboard: 76. Retrieved December 8, 2013.
  59. McIver 2008, Chapter 13.
  60. 1 2 Harrison 2011, p. 60.
  61. Ellefson & McIver 2013, p. 101.
  62. Popoff 2002, p. 108.
  63. Countdown to Extinction liner notes (Japanese edition). Capitol Records. 1992. pp. 3–5, 7–8, 10.
  64. Herrmann, Brenda (July 30, 1992). "Megadeth – Countdown to Extinction (Capitol)". Chicago Tribune. Retrieved December 8, 2013.
  65. Prince, Patrick (November 19, 2012). "Megadeth fully embraces "Countdown" anniversary". Goldmine. Retrieved November 17, 2013.
  66. Ellefson & McIver 2013, p. 103.
  67. 1 2 "RIAA Gold and Platinum Database Search". Recording Industry Association of America. Retrieved December 9, 2009.
  68. 1 2 Joyner 2002, p. 301.
  69. 1 2 3 Erlewine, Stephen Thomas. "Megadeth Biography". AllMusic. Retrieved November 15, 2013.
  70. MacDonald, Patrick (January 8, 1993). "Grammys show influence of Seattle music". The Seattle Times. Retrieved December 17, 2009.
  71. Grow, Kory (September 13, 2012). "Megadeth – Countdown To Extinction 20th Anniversary Edition Cover Art Shown In New York's Times Square". Brave Words & Bloody Knuckles. Retrieved November 17, 2013.
  72. 1 2 3 Ellefson & McIver 2013, p. 106.
  73. Chirazi, Steffan (October 1993). "Trial by Fire". RIP. Retrieved December 8, 2013.
  74. Ramirez, Carlos. "10 Most Underrated Megadeth Songs". Noisecreep. Retrieved November 24, 2013.
  75. Hartmann, Graham (April 2, 2014). "Megadeth's David Ellefson Plays 'Wikipedia: Fact or Fiction?'". Loudwire. Retrieved May 25, 2014.
  76. Spin staff (October 1993). "Clash of the Quasi-Titans". Spin. 9: 36. Retrieved November 18, 2013.
  77. Harris, Chris (January 29, 2010). "The Grammys Don't Understand Metal". Noisecreep. Retrieved December 8, 2013.
  78. MacDonald, Patrick (January 5, 1996). "Presidents of the U.S. are riding high in the musical polls". The Seattle Times. Retrieved December 17, 2009.
  79. Larkin 1995, p. 2777.
  80. Youthanasia liner notes (2004 reissue). Capitol Records. 2004. pp. 2, 24–25.
  81. 1 2 Ellefson & McIver 2013, p. 118.
  82. Erlewine, Stephen Thomas. "Megadeth: Youthanasia". AllMusic. Retrieved December 8, 2013.
  83. "Megadeth: Evolver – Making of Youthanasia (1995)". New York Times. Retrieved December 9, 2013.
  84. Nielsen Business Media, Inc (November 19, 1994). "Billboard 200". Billboard: 88. Retrieved December 9, 2013.
  85. "Canadian album certifications – Megadeth – Youthanasia". Music Canada. Retrieved December 9, 2013.
  86. Merkle, P.J. (May 1995). "Megadeth: Bewitched, Bothered and Bewildered". Hit Parader. Retrieved September 16, 2013.
  87. "Late Show With David Letterman: Episode Guide". MSN Entertainment. November 18, 1994. Retrieved July 17, 2014.
  88. Menza, Nick. "When Megadeth Needed a Drummer". Nick Menza's Official Website. Retrieved July 18, 2014.
  89. "The Killing Road – A History Of Megadeth's Opening Acts". Roadrunner Records. February 2, 2012. Retrieved December 9, 2013.
  90. 1 2 3 "History". Retrieved December 9, 2013.
  91. Henderson, Alex. "Tales from the Crypt: Demon Knight (Original Soundtrack)". AllMusic. Retrieved December 9, 2013.
  92. Golemis, Dean (November 9, 1995). "Megadeth: Hidden Treasures (Capitol)". Chicago Tribune. Retrieved December 11, 2013.
  93. Prato, Greg. "MD.45 – Biography". AllMusic. Retrieved December 10, 2013.
  94. 1 2 Wiederhorn, Jon (June 1998). "Last Men Standing". Guitar World. Retrieved December 10, 2013.
  95. Ellefson & McIver 2013, p. 129.
  96. Cryptic Writings liner notes (2004 reissue). Capitol Records. 2004. pp. 2–3.
  97. Mustaine 2011, p. 275.
  98. "Megadeth – Chart History (Songs) – second page". Billboard. Retrieved December 10, 2013.
  99. Billboard staff (January 17, 1998). "40th Annual Grammy Awards: Final Nominations". Billboard: 78. Retrieved December 10, 2013.
  100. "Cryptic Writings – Megadeth – Charts". AllMusic. Retrieved December 10, 2013.
  101. Masuo, Sandy (June 29, 1997). "In Brief: Megadeth, "Cryptic Writing," Capitol.". Los Angeles Times. Retrieved December 10, 2013.
  102. Metal Sludge staff (March 12, 2002). "20 question with ex-Megadeth drummer Nick Menza". Metal Sludge. Retrieved November 15, 2013.
  103. "Nick Menza: "I Was Fired From Megadeth Two Days After Surgery"". RockRage. February 19, 2002. Retrieved December 10, 2013.
  104. Risk liner notes (2004 reissue). Capitol Records. 2004. pp. 2–5, 9, 11, 13, 15.
  105. Hjelm, Fredrik (2001). "It Wasn't Fun Anymore". Shockwaves Online. Retrieved December 10, 2013.
  106. Stagno, Mike (September 19, 2006). "Megadeth: Risk". Sputnikmusic. Retrieved December 11, 2013.
  107. Huey, Steve. "Risk – Megadeth". AllMusic. Retrieved December 9, 2013.
  108. Plenda, Melanie (July 3, 2013). "Frontman Dave Mustaine talks about reviving thrash-metal sound, getting back into the studio, hitting the road". Retrieved November 22, 2013.
  109. Sciarretto, Amy (January 31, 2000). "Loud Rock News". CMJ New Music Report. 61: 35. Retrieved March 28, 2014.
  110. "Megadeth's Mustaine Raring To "Crush 'Em"". MTV. June 23, 1999. Retrieved December 11, 2013.
  111. MTV News staff (July 23, 1999). "Original Megadeth Drummer Samuelson Dead At 41". MTV. Retrieved July 16, 2014.
  112. Rosen 2011, p. 92.
  113. Saidman, Sorelle (January 10, 2000). "Megadeth Guitarist Marty Friedman Leaves Band". MTV. Retrieved December 12, 2013.
  114. Prato, Greg (July 29, 2009). "Megadeth's Dave Mustaine Talks New Riffs, Old Drama". Rolling Stone. Retrieved December 15, 2013.
  115. Newman, Melinda (January 22, 2000). "The Beat". Billboard: 18. Retrieved December 12, 2012.
  116. 1 2 Metal Sludge staff (September 4, 2001). "23 Questions With Dave Mustaine". Metal Sludge. Retrieved December 10, 2013.
  117. Ellefson & McIver 2013, p. 136.
  118. 1 2 3 Baird, Kirk (September 14, 2001). "Acerbic Mustaine explains Megadeth's metal issues". Las Vegas Sun. Retrieved December 7, 2013.
  119. Huey, Steve. "Capitol Punishment: The Megadeth Years". AllMusic. Retrieved December 5, 2013.
  120. Huey, Steve. "Megadeth: The World Needs A Hero". AllMusic. Retrieved December 7, 2013.
  121. "Megadeth Completes 'Hero'". Billboard. January 22, 2001. Retrieved December 7, 2013.
  122. 1 2 Chandrasekhar, Chaitra (May 15, 2001). "Back to their Metallic Roots". The Tech. 121 (26). Retrieved December 7, 2013.
  123. 1 2 "Metal Returns: Megadeth, Halford, Slayer". Billboard. February 20, 2001. Retrieved December 7, 2013.
  124. 1 2 "Fans To Choose Set Lists For U.S. Megadeth Trek". Billboard. August 6, 2001. Retrieved December 7, 2013.
  125. Brackett, Nathan; Hoard, Christian David, eds. (2004). The New Rolling Stone Album Guide. Simon & Schuster. p. 534. ISBN 0-7432-0169-8.
  126. 1 2 "Megadeth – Chart History (Songs)". Billboard. Retrieved December 4, 2013.
  127. Ellefson & McIver 2013, p. 139.
  128. Ellefson & McIver 2013, p. 218.
  129. Wiederhorn, Jon (March 2, 2004). "Megadeth Pack It In After Nearly 20 Years". MTV. Retrieved May 19, 2014.
  130. "Injury Forces Mustaine To Disband Megadeth". Billboard. April 3, 2002. Retrieved November 25, 2013.
  131. "Megadeth to split up". BBC News. April 4, 2002. Retrieved January 21, 2014.
  132. Epstein, Dan (August 2003). "Die Another Day". Guitar World. Retrieved November 25, 2013.
  133. Torreano, Bradley. "Megadeth: Still, Alive...and Well?". AllMusic. Retrieved December 5, 2013.
  134. "Dave Mustaine: 'I Am And Always Will Be Megadeth'". July 12, 2003. Retrieved November 25, 2013.
  135. Ayers, Chris (March 2005). "Megadeth: Remixed and Remastered Series". Exclaim!. Retrieved December 13, 2013.
  136. Wiederhorn, Jon (September 10, 2004). "Dave Mustaine, Megadeth Return To Life With New System". MTV. Retrieved May 19, 2014.
  137. Nalbandian, Bob (August 28, 2004). "Dave Mustaine Interview". Hard Radio. Retrieved November 19, 2006.
  138. "Megadeth's Mustaine Says Nick Menza Wasn't Prepared To Tour With The Band". November 16, 2004. Retrieved December 3, 2013.
  139. Gitter, Mike (October 24, 2012). "Where Are They Now? Chris Poland of Megadeth". Noisecreep. Retrieved December 3, 2013.
  140. Dizon, Joey (July 7, 2012). "A Life of 'Deth". The Philippine Star. Retrieved July 17, 2014.
  141. Sciarretto, Amy (September 13, 2004). "Genre Focus – Megadeth; The System Has Failed". CMJ New Music Report: 22. Retrieved November 22, 2013.
  142. "Dave Mustaine Discusses Going Solo, Dimebag, Kerry King And Metallica". February 11, 2005. Retrieved December 4, 2013.
  143. "Megadeth Tour Manager Talks About Drummer Nick Menza's Departure". Brave Words & Bloody Knuckles. November 5, 2004. Retrieved December 4, 2013.
  144. "Updated: Exodus Added To More Dates On Megadeth's U.S. Tour". October 16, 2004. Retrieved December 4, 2013.
  145. "Diamond Head To Support Megadeth In Europe". December 30, 2004. Retrieved December 4, 2013.
  146. Begrand, Adrien (July 28, 2005). "Megadeth: Greatest Hits: Back to the Start". Popmatters. Retrieved December 3, 2013.
  147. Bowar, Chad (October 1, 2006). "Gigantour DVD Review". Retrieved July 16, 2014.
  148. "Megadeth Will Continue". October 10, 2005. Retrieved December 4, 2013.
  149. Prato, Greg (March 27, 2007). "Megadeth: That One Night: Live in Buenos Aires". AllMusic. Retrieved December 4, 2013.
  150. "Ex-Megadeth Bassist MacDonough: 'There Is No Animosity Here'". February 20, 2006. Retrieved December 4, 2013.
  151. "Megadeth bassist James Lomenzo joins Yamaha Guitars". Yamaha Corporation. January 25, 2008. Retrieved December 4, 2013.
  152. "Megadeth Play First Show With Bassist James LoMenzo". March 18, 2006. Retrieved December 4, 2013.
  153. Bowar, Chad (March 21, 2006). "Megadeth – Arsenal Of Megadeth DVD". Retrieved December 4, 2013.
  154. "Gigantour 2006 Announced: Megadeth, Lamb of God, Opeth, Arch Enemy, Overkill Confirmed". July 23, 2006. Retrieved December 4, 2013.
  155. "Gigantour 2006 – Australian Mini-Tour". Brave Words & Bloody Knuckles. November 10, 2006. Retrieved December 4, 2013.
  156. "Megadeth: New Album Pushed Back To 2007". August 23, 2006. Retrieved November 25, 2013.
  157. "Megadeth: 'United Abominations' To Be Released In May". January 21, 2007. Retrieved November 28, 2013.
  158. 1 2 "Megadeth's New Version Of 'A Tout Le Monde' To Feature Lacuna Coil's Scabbia". March 3, 2007. Retrieved November 26, 2013.
  159. Hasty, Katie (May 23, 2007). "Linkin Park Scores Year's Best Debut With 'Midnight'". Billboard. Retrieved November 26, 2013.
  160. Freeman, John (May 3, 2007). "Heaven and Hell (Black Sabbath), Megadeth, Machine Head". Dallas Observer. Retrieved November 26, 2013.
  161. Kilgore, Kym (July 10, 2007). "Megadeth's 'Tour of Duty'". Sound Spike. Retrieved November 27, 2013.
  162. "Megadeth, Static-X, DevilDriver, Lacuna Coil Team Up For Australia's Gigantour". August 8, 2007. Retrieved November 28, 2013.
  163. Dodgin, Rich (October 31, 2013). "Interview with Glen Drover". All About the Rock. Retrieved November 26, 2013.
  164. Laing, Robert (January 8, 2008). "Rumour: Megadeth to recruit new guitarist". MusicRadar. Retrieved November 29, 2013.
  165. Aledort, Andy (June 13, 2013). "Interview: Megadeth's Chris Broderick Talks Technique". Guitar World. Retrieved November 29, 2013.
  166. Bezer, Terry (March 9, 2009). "Megadeth's Dave Mustaine: Broderick Is 'Best Guitarist Megadeth Has Ever Had'". Metal Hammer. Retrieved November 29, 2013.
  167. "Nevermore drummer: Megadeth is getting "One Hell Of A Good Player, Great Guy And True Friend"". January 16, 2008. Retrieved November 29, 2013.
  168. Guitar World staff (January 14, 2008). "Dave Mustaine Announces Gigantour 2008 & New Guitarist". Guitar World. Retrieved July 5, 2014.
  169. Ratliff, Ben (April 24, 2008). "Thrash Times Five When Bands Convene". New York Times. Retrieved November 28, 2013.
  170. Bowar, Chad (September 30, 2008). "Megadeth – Anthology: Set The World Afire". Retrieved November 28, 2013.
  171. "'Priest Feast' Featuring Judas Priest, Megadeth, Testament: Dutch Date Added". October 29, 2008. Retrieved November 19, 2013.
  172. Mustaine 2011, p. 370.
  173. "Dave Mustaine to Metallica: I Am So Very Proud of All You Have Accomplished". February 27, 2009. Retrieved November 19, 2013.
  174. "Megadeth And Slayer To Co-Headline 'Canadian Carnage' Trek". April 27, 2009. Retrieved November 19, 2013.
  175. Bezer, Terry (June 19, 2009). "Megadeth Reveal More About New Album". Metal Hammer. Retrieved November 19, 2013.
  176. Jones, Alex (September 11, 2009). "Megadeth Awakens to the New World Order". Retrieved November 19, 2013.
  177. Bezer, Terry (July 27, 2009). "Megadeth 'Endgame' Track-By-Track Preview". Metal Hammer. Retrieved November 19, 2013.
  178. Buchanan, David (September 15, 2009). "Megadeth brings Endgame to life, tours North America". Consequence of Sound. Retrieved November 19, 2013.
  179. "Slayer, Megadeth, Testament: Complete 'American Carnage' Details Revealed". November 16, 2009. Retrieved November 19, 2013.
  180. "Megadeth's "Head Crusher" Nominated For a Grammy". Roadrunner Records. July 12, 2011. Retrieved November 19, 2013.
  181. Guitar World staff (January 25, 2010). "Megadeth Announce 'Rust In Peace' 20th Anniversary Tour Dates". Guitar World. Retrieved November 19, 2013.
  182. Dome, Malcolm (February 9, 2010). "David Ellefson Exclusive: Why I'm Back In Megadeth". Classic Rock. Retrieved November 19, 2013.
  183. MusicRadar staff (December 15, 2009). "Thrash metal's 'Big Four' for Sonisphere 2010!". MusicRadar. Retrieved November 20, 2013.
  184. Paine, Andre (June 10, 2010). "Metallica Heading To Cinemas". Billboard. Retrieved November 20, 2013.
  185. Downey, Ryan J. (April 25, 2011). "Metallica, Megadeth, Slayer And Anthrax Make Big 4 History". MTV. Retrieved November 20, 2013.
  186. Ratliff, Ben (September 15, 2011). "Metallica Earns Its Top Billing of the Big Four". New York Times. Retrieved November 20, 2013.
  187. Guitar World staff (April 26, 2010). "Slayer to Perform Complete 'Seasons in the Abyss' Album on Upcoming Tour". Guitar World. Retrieved November 20, 2013.
  188. Bezer, Terry (August 20, 2010). "Vic Rattlehead Makes Megadeth Live Debut". Metal Hammer. Retrieved March 6, 2013.
  189. Freedman, Pete (September 30, 2010). "Backstage with Anthrax, Megadeth & Slayer!". Spin. Retrieved November 20, 2013.
  190. Vick, Megan (October 25, 2010). "Slayer's Kerry King Performs with Megadeth". Billboard. Retrieved November 20, 2013.
  191. "Slayer, Megadeth To Join Forces For 'European Carnage' Tour". December 18, 2010. Retrieved November 20, 2013.
  192. Debenedictis, Matt (January 31, 2011). "Disturbed, Godsmack, Megadeth Headlining Rockstar Mayhem Festival 2011". Noisecreep. Retrieved November 20, 2013.
  193. Guitar World staff (June 23, 2010). "Megadeth to Release 'Rust In Peace Live' Blu-Ray, DVD and CD". Guitar World. Retrieved November 20, 2013.
  194. East, Thomas (September 1, 2010). "Guitar Hero: Warriors Of Rock Megadeth trailer". Official Nintendo Magazine. Retrieved November 20, 2013.
  195. Harris, Chris (June 4, 2010). "Mustaine Pens Fresh Megadeth Track For 'Guitar Hero'". Rolling Stone. Retrieved November 20, 2013.
  196. Sciarretto, Amy (December 1, 2010). "Grammy Nominees 2011 Announced for Hard Rock and Metal". Noisecreep. Retrieved November 20, 2013.
  197. Graff, Gary (October 31, 2011). "Megadeth's Dave Mustaine: 6 Questions About 'Thirteen'". Billboard. Retrieved November 20, 2013.
  198. Prato, Greg (July 12, 2011). "Dave Mustaine Reveals New Megadeth Album Details". Rolling Stone. Retrieved November 20, 2013.
  199. Bittke, Brett (December 2, 2011). "Megadeth Receives their 10th Grammy Nomination". Screamer magazine. Retrieved November 20, 2013.
  200. Young, Alex (November 1, 2011). "Megadeth, Motorhead, team up for Gigantour 2012". Consequence of Sound. Retrieved November 20, 2013.
  201. MacIntyre, Dave (February 16, 2012). "Gigantour 2012 featuring Lacuna Coil, Volbeat, Motorhead and Megadeth". PopMatters. Retrieved November 20, 2013.
  202. Riddle, Tree (February 21, 2012). "Rob Zombie and Megadeth To Embark on Co-Headlining 2012 U.S. Tour". Loudwire. Retrieved November 20, 2013.
  203. Childers, Chad (September 10, 2012). "Megadeth to Celebrate 20th Anniversary of 'Countdown to Extinction' With Reissue and Fall 2012 Tour". Loudwire. Retrieved November 17, 2013.
  204. Ouellette, Mary (September 21, 2013). "Megadeth Reveal 'Countdown To Extinction: Live' Trailer". Loudwire. Retrieved November 17, 2013.
  205. "Halestorm: "Winning A Grammy Is A Huge Milestone For Us"". Metal Hammer. February 12, 2013. Retrieved November 17, 2013.
  206. "Megadeth Taps Producer Johnny K For New Album". August 22, 2012. Retrieved August 23, 2012.
  207. "Megadeth Working On 'Dark', 'Heavy' And 'Fast' New Album". January 28, 2013. Retrieved January 29, 2013.
  208. Hartmann, Graham (February 12, 2013). "Megadeth Announce June Release for Upcoming Album 'Super Collider'". Loudwire. Retrieved February 12, 2013.
  209. Caulfield, Keith (June 12, 2013). "Queens Of The Stone Age Get First No. 1 Album On Billboard 200". Billboard. Retrieved September 28, 2013.
  210. "Super Collider – Megadeth". Metacritic. CBS Interactive. Retrieved June 17, 2013.
  211. Wise, Lauren (November 25, 2013). "Megadeth's Dave Mustaine: There's Been a Renaissance With Us". Phoenix New Times. Retrieved December 16, 2013.
  212. "Megadeth Planning New Album: 'Time Is Short'". July 24, 2013. Retrieved November 17, 2013.
  213. Hartmann, Graham (May 3, 2013). "Black Label Society Join Lineup for Megadeth's Gigantour 2013 + Dates Announced". Loudwire. Retrieved June 12, 2014.
  214. Bowar, Chad (August 12, 2013). "Megadeth and Jason Newsted Play Metallica's 'Phantom Lord' During Toronto Gigantour Finale". Loudwire. Retrieved June 12, 2014.
  215. Vincent, Peter (February 10, 2014). "Soundwave 2014: Megadeth cancels Australian tour". The Sydney Morning Herald. Retrieved February 15, 2014.
  216. "Megadeth: 'Icon'-Series Compilation Due This Month". February 15, 2014. Retrieved July 6, 2014.
  217. Joyce, Colin (August 5, 2014). "Cee Lo Green and Megadeth Cancel Israel Shows". Spin. Retrieved August 7, 2014.
  218. Leight, Elias (September 10, 2014). "Megadeth Pulls Out of Motorhead's Motorboat Cruise". Billboard. Retrieved September 17, 2014.
  219. Kielty, Martin (November 26, 2014). "Broderick & Drover Quit Megadeth". Classic Rock. Retrieved November 27, 2014.
  220. Kaufman, Spencer (December 2, 2014). "Megadeth's David Ellefson: We Are Not Disbanding". Loudwire. Retrieved December 3, 2014.
  221. "Meet Megadeth's New Guitarist: Kiko Loureiro of Angra". Guitar World. April 2, 2015. Retrieved April 6, 2015.
  222. Epstein, Dan (July 20, 2015). "Interview: Megadeth's Dave Mustaine Gives Update from the Studio". Revolver. Retrieved July 22, 2015.
  223. Bienstock, Richard (October 1, 2015). "Megadeth Premiere New Song, "Fatal Illusion"". Revolver. Retrieved October 2, 2015.
  224. "Megadeth, Suicidal Tendencies, Children Bodom: North American Tour Dates Announced". December 7, 2015. Retrieved December 7, 2015.
  225. Kennedy, Maev (May 22, 2016). "Former Megadeth drummer Nick Menza dies after collapsing on stage". The Guardian. Retrieved July 15, 2016.
  226. Childers, Chad (July 14, 2016). "Megadeth Officially Confirm Dirk Verbeuren as New Drummer". Loudwire. Retrieved July 15, 2016.
  227. "Megadeth Announces U.S. Tour With Amon Amarth, Suicidal Tendencies, Metal Church, Havok". July 18, 2016. Retrieved July 18, 2016.
  228. "BUTCHER BABIES Added To MEGADETH's Tour With AMON AMARTH, SUICIDAL TENDENCIES, METAL CHURCH". September 10, 2016. Retrieved September 10, 2016.
  229. "Interview with Megadeth's Dirk Verbeuren". 2016-08-09. Retrieved 2016-08-10.
  230. Crawford, Allyson B. (April 5, 2012). "Megadeth Frontman Dave Mustaine's Most Controversial Quotes". Noisecreep. Retrieved November 21, 2013.
  231. Hartmann, Graham (August 31, 2012). "Metallica vs. Dave Mustaine – Nastiest Rock Feuds". Loudwire. Retrieved November 21, 2013.
  232. Hay, Carla (January 17, 2004). ""Monster" Film Reveals Metallica's Dynamics". Billboard. 116: 15. Retrieved November 21, 2013.
  233. Wiederhorn, Jon (July 20, 2004). "Megadeth Frontman, Filmmakers At Odds Over Metallica Doc". MTV. Retrieved November 21, 2013.
  234. Herzog, Kenny (July 18, 2011). "Dave Mustaine Interview". The A.V. Club. Retrieved June 4, 2014.
  235. "Holy Wars...The Punishment Due". Rolling Stone. Retrieved December 6, 2013.
  236. Mann, Laura (August 1, 2011). "The Ten Best Music Videos Banned by MTV". Dallas Observer. Retrieved November 22, 2013.
  237. Pessin, Anna Lisa (October 1992). "Dressed for Success". Spin. 8: 52. Retrieved September 20, 2013.
  238. Jeckell, Barry A. (August 6, 2001). "Billboard Bits: LL Cool J, Megadeth, Money Mark". Billboard. Retrieved December 13, 2013.
  239. "'Hero' Takes A Fall In Malaysia". New Musical Express. July 24, 2001. Retrieved December 13, 2013.
  240. Stroumboulopoulos, George. "Interview: Dave Mustaine". CBS. Retrieved November 22, 2013.
  241. Prince, Patrick (June 13, 2011). "Dave Mustaine at 'Peace' in his career, 25 years later". Goldmine. Retrieved November 22, 2013.
  242. Kerby, Jeff (July 24, 2005). "Dave Mustaine Speaks to From Gigantour". Retrieved November 22, 2013.
  243. "Megadeth Founders Exchange Lawsuits". Billboard. August 9, 2004. Retrieved November 22, 2013.
  244. "Megadeth's Mustaine Sues Former Bassist". Billboard. July 26, 2005. Retrieved June 4, 2014.
  245. Wiederhorn, Jon (February 10, 2010). "Megadeth Frontman Extends Olive Branch to Original Bassist". Noisecreep. Retrieved November 22, 2013.
  247. Smyers, Darryl (March 1, 2012). "Megadeth's Dave Ellefson Talks About Christianity and Lady Gaga". Dallas Observer. Retrieved November 23, 2013.
  248. Full Metal Jackie (October 7, 2013). "Megadeth Frontman Dave Mustaine on Touring With Iron Maiden, Social Media + More". Loudwire. Retrieved November 23, 2013.
  249. Edmondson 2013, p. 147.
  250. Dika 2012, p. 188.
  251. Bivins 2008, p. 74.
  252. Carney, Christine (September 18, 2007). "Megadeth's Mustaine Talks About Albums That Influenced Him;". Retrieved November 26, 2013.
  253. Sharken, Lisa (January 9, 2007). "Dave Mustaine of Megadeth". Seymour Duncan. Retrieved December 3, 2013.
  254. Bosso, Joe (December 14, 2011). "Interview: Megadeth's Dave Mustaine talks Thirteen, Metallica and riffs". MusicRadar. Retrieved December 3, 2013.
  255. 1 2 Toto, Anthony (November 29, 2013). "Interview: Megadeth". Pop-Break. Retrieved December 7, 2013.
  256. Wise, Lauren (October 28, 2013). "Megadeth's Dave Ellefson: "All The Best Things In My Life Were Not My Idea"". Phoenix New Times. Retrieved December 16, 2013.
  257. Chamberlain, Rich (June 3, 2013). "Dave Mustaine on Super Collider, Endgame, Risk and more". MusicRadar. Retrieved July 11, 2014.
  258. Ruggiero, Bob (December 11, 2013). "Megadeth's Dave Mustaine Hopes You're Still Buying". Houston Press. Retrieved December 15, 2013.
  259. 1 2 Purcell 2003, p. 53.
  260. "Megadeth Biography". Rolling Stone. Simon & Schuster. 2001. Retrieved November 22, 2013.
  261. Bienstock, Richard (January 17, 2013). "Interview: Megadeth Guitarist Dave Mustaine on 2009's 'Endgame'". Guitar World. Retrieved December 15, 2013.
  262. Wagner 2010, p. 43.
  263. Michael Moses, Dan Kaye (June 5, 1999). "What Did You Do In The War, Daddy?". Billboard: 12. Retrieved November 22, 2013.
  264. Arnett 1996, p. 44.
  265. Powell, Mike (September 2011). "Diggin' In the Crates For Untold Treasures". Spin. 27: 92. Retrieved November 21, 2013.
  266. Taylor, Chuck (November 29, 1997). "Metal Mainstay Megadeth Alters Its Lyrics But Not Its Music For The '90s". Billboard: 74. Retrieved November 21, 2013.
  267. Phillips & Cogan 2009, p. 157.
  268. 1 2 McPhate, Christian (July 11, 2013). "Megadeth Bassist Dave Ellefson on the Metal Aging Process". Dallas Observer. Retrieved November 23, 2013.
  269. Edmondson 2013, p. 49.
  270. Thompson 2007, p. 135.
  271. Phillips & Cogan 2009, p. 210.
  272. Rivadavia, Eduardo (August 15, 2013). "10 Best Thrash Metal Bands of All Time". Loudwire. Retrieved November 24, 2013.
  273. CMJ Network, Inc (February 11, 2002). "Loud Rock". CMJ New Music Report: 45. Retrieved November 24, 2013.
  274. Paoletta, Michael (August 14, 2004). "Vital Reissues". Billboard: 45. Retrieved November 24, 2013.
  275. Wiederhorn, Jon. "Greatest Metal Bands – Honorable Mentions". MTV. Retrieved November 24, 2013.
  276. Kahn-Harris 2007, p. 132.
  277. Ramirez, Carlos (July 29, 2009). "Top 10 New School Thrash Bands". Noisecreep. Retrieved December 13, 2013.
  278. "Warbringer: 'Hunter-Seeker' Lyric Video Released". September 17, 2013. Retrieved December 13, 2013.
  279. Gensler, Andy (June 3, 2014). "How Marty Friedman Went From Megadeth to the 'Ryan Seacrest Of Japan'". Billboard. Retrieved June 5, 2014.
  280. "Megadeth 'Countdown to Extinction: Live' To Be Released Worldwide on September 24". Business Wire. August 28, 2013. Retrieved December 26, 2013.
  281. Loudwire staff (January 2, 2012). "Megadeth Win Two 2011 Loudwire Music Awards". Loudwire. Retrieved December 29, 2013.
  282. "Metal Hammer Golden Gods Awards: Complete List of Winners". June 17, 2008. Retrieved March 8, 2009.
  283. Carman, Keith (April 8, 2009). "Isis, Metallica, Slipknot Winners At the Epiphone Revolver Golden Gods Awards". Exclaim!. Retrieved April 10, 2009.


External links

Wikimedia Commons has media related to Megadeth.
Wikiquote has quotations related to: Megadeth

This article is issued from Wikipedia - version of the 11/27/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.