McNamara's Band

"McNamara's Band" (originally "MacNamara's Band") is a popular song composed in 1889 by Shamus O'Connor (music) and John J. Stamford (lyrics). Stamford was then the manager of the Alhambra Theatre in Belfast and the song was written expressly for the theater's owner, the Irish-American music hall veteran William J. "Billy" Ashcroft. Ashcroft, often referred to as "The Solid Man" for his association with the Edward Harrigan song "Muldoon, the Solid Man," had earlier in his career in the U.S. performed a blackface routine called "The Lively [or 'Musical'] Moke," which interspersed comic song and dance with brief performances on multiple instruments. "McNamara's Band" gave him scope for a similar Irish "character song."[1][2]

Irish music hall historians Watters and Murtagh described Ashcroft's performance of the routine: "Here 'McNamara' breaks into a dancing quick-step March up and down the Stage, his nimble fingers snatching up one instrument after another, blowing the bassoon, tootling the flute, beating the drum with the knob of his baton - A One-Man Band." [3]

Modern listeners associate the song with the version recorded in late 1945 by Bing Crosby, with a set of lyrics credited to "The Three Jesters." Released on Decca Records in early 1946, the song became a Top Ten hit for Crosby. It remains one of his most popular songs and is often sung on St. Patrick's Day. A slightly earlier recording of this song appeared in the 1945 film The Way to the Stars. Stanley Holloway leads the crowd in a pub close to a Royal Air Force base during in World War II.

It has been claimed that the song was inspired by an actual band, the St Mary's Fife and Drum Band, formed in Limerick in 1885. In the late 19th century the band featured four brothers, Patrick, John, Michael and Thomas McNamara, and became famous for playing shows all across Ireland. In the early 20th century Patrick and Thomas emigrated to the United States and formed the "McNamara's Band" with Patrick "Patsy" Salmon, another Limerick emigre. After Salmon left the group Patrick and Thomas formed "McNamara's Trio" with Thomas on piccolo, Patrick on violin and Patrick's daughter, Eileen, on the piano. The trio recorded and released several songs for Vocalion Records.[4]

Lyrics

The most widely used set of lyrics is the adaptation by Crosby's "Three Jesters" (Red Latham, Wamp Carlson and Guy Bonham).[5]

The original lyrics:

My name is McNamara, I'm the Leader of the Band,
And tho' we're small in number we're the best in all the land.
Oh! I am the Conductor, and we often have to play
With all the best musicianers you hear about to-day.

(Chorus)
When the drums go bang, the cymbals clang, the horns will blaze away,
MacCarthy puffs the ould bassoon while Doyle the pipes will play;
Oh! Hennessy Tennessy tootles the flute, my word 'tis something grand,
Oh! a credit to Ould Ireland, boys, is McNamara's Band!

Whenever an election's on, we play on either side-
The way we play our fine ould airs fills Irish hearts with pride.
Oh! if poor Tom Moore was living now, he'd make yez understand
That none could do him justice like ould McNamara's Band.

(Chorus)

We play at wakes and weddings, and at every county ball,
And at any great man's funeral we play the "Dead March in Saul,"
When the Prince of Wales to Ireland came, he shook me by the hand,
And said he'd never heard the like of "McNamara's Band."

The Three Jesters' version is different: The politics of "Ould Ireland" are removed; the words are made more "Irish," e.g. "Me name is..." rather than "My name is...;" and stereotypes are added in the final lines to make the selection essentially a comedy song.

Oh!, me name is McNamara, I'm the Leader of the Band,
And tho' we're few in numbers we're the finest in the land.
We play at wakes and weddings, and at every fancy ball,
And when we play at funerals we play the march from Saul.

(Chorus)
Oh! the drums go bang, and the cymbals clang, and the horns they blaze away,
McCarthy pumps the old bazoon while I the pipes do play;
And, Hennessey Tennessey tootles the flute, and the music 'tis somethin' grand,
A credit to old Ireland is McNamara's Band!

Right now we are rehearsin' for a very swell affair,
The annual celebration, all the gentry will be there.
When General Grant to Ireland came, he took me by the hand,
Says he, "I never saw the likes of McNamara's Band."

(Chorus)

Oh me name is Uncle Yulius and from Sweden I have come,
To play with McNamara's Band and beat the big bass drum,
And when I march along the street the ladies think I'm grand,
They shout "There's Uncle Yulius playing with an Irish band."

(no chorus here)

Oh! I wear a bunch of shamrocks and a uniform of green,
And I am the funniest looking Swede that you have ever seen.
There's O'Briens and Ryans and Sheehans and Meehans, they come from Ireland,
But by Yimminy I'm the only Swede in McNamara's Band.

The English Premier League football team Tottenham Hotspur F.C. adopted the song as their club anthem, with one verse changed:

Oh the whistle blows the cockerel crows, and now we're in the game,
It's up to you, you Lilywhites, to play the Tottenham way.
Oh there's many a team from many a town and some are great and small,
But the famous Tottenham Hotspur are the greatest of them all.

Trivia

Other

It has been suggested by older Spurs supporters, and in some books, that it was because Spurs had a Manager, Peter McWilliam (1912–27 & 1938–42) and that this is the reason McNamaras Band (Macs band) was adopted. Whatever the origin many fans will remember the tingle of excitement when the music started to play as the captain appeared coming up the steps of the old West Stand that led to the pitch, always exactly as the music started. The last player out of the dressing room pressed a button on the wall of the passage which rang a bell which in turn prompted the tape to be played.

References

  1. http://blarneystar.com/Muldoon6.4.11.pdf
  2. The "City Summary," New York Clipper, December 17, 1870, p. 294 reported Ashcroft's act at the Globe Theater: "Wm. Ashcroft, the original performer of the song and dance entitled 'The Lively Moke,' in his performance of it introduced a great variety of dances, and played with real proficiency upon a large number of musical instruments.
  3. Eugene Watters and Matthew Murtagh, Infinite Variety: Dan Lowrey's Music Hall, 1879-97, Dublin: Gill and Macmillan, 1973
  4. limerickslife.com/st-Mary's-band/
  5. http://web.ocpl.org/sheetmusic/viewfile.php?id=MacNamaras_band.pdf

External links

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