Mansudae Art Studio

Mansudae Art Studio
Chosŏn'gŭl 만수대창작사
Hancha 萬壽臺創作社
Revised Romanization Mansudae Changjaksa
McCune–Reischauer Mansudae Ch'angjaksa

The Mansudae Art Studio is an art studio in Pyeongcheon District, Pyongyang, North Korea. It was founded in 1959,[1] and it is one of the largest centers of art production in the world, at an area of over 120,000 square meters.[2] The studio employs around 4,000 people, 1,000 of whom are artists picked from the best academies in North Korea.[1][3][4] Most of its artists are graduates of Pyongyang University.[1] The artists do not receive profits from their works, however, as all proceeds go to the state.[3] The studio consists of 13 groups, including those for woodcuts, charcoal drawings, ceramics, embroidery and jewel paintings, among other things.[1] The studio has produced many of North Korea's most important monuments, such as the Monument to the Founding of the Korean Workers Party,[5] the Chollima Statue, and the Mansudae Monument.[6][7] Its foreign commercial division is known as the Mansudae Overseas Project Group of Companies, which as of 2014 has created monuments for 18 African and Asian nations.[7] All images of the Kim family are produced by the Mansudae Art Studio.[5] Before his death, the Mansudae Art Studio was under the guidance of Kim Jong-il.[3][8] Since 2009, the studio has had its own space also in the 798 Art District in Beijing, China, known as the Mansudae Art Museum.[1]

Organization and management

Artists working on ceramics at Mansudae Art Studio

The studio consists of around 4,000 workers, 1,000 of whom are artists aged from their mid-20's to mid-60's and selected from the best academies in the country, especially from Pyongyang University. The studio takes up over 120,000 square meters, 80,000 of which are indoors.[1] The campus-like studio includes a soccer stadium, sauna, medical clinic, paper mill, kindergarten, and even a gift shop.[3][5] The studio is a state-approved destination for foreign tourists, and the gift shop has enabled tourists to purchase North Korean art for years, as selling artwork is one of the North Korea state's easiest means of gaining foreign currency.[6] The studio is made up of thirteen groups that manufacture different types of artwork (ranging from oil paintings to ceramics and bronze statues), manufacturing plants, and more than 50 supply departments that produce and test art materials such as paint.[1][5] According to the studio's official website, the studio is not a school or a Chinese-style chain factory, but rather a high quality production center that employs over half of the nation's artists who have received the two highest artistic awards available in North Korea. The manager of the studio's website, Pier Luigi Cecioni, has also claimed that the Mansudae Art Studio receives profits from the website's sales directly, as it has economic autonomy.[3]

History

The Mansudae Art Studio was established in the Pyongyang, the capital of the Democratic People's Republic of Korea (DPRK, or North Korea), on November 17, 1959, six years after the end of the Korean War. Before his death in 2011, the studio operated under Kim Jong-il's "special guidance."[1]

Affiliation with Cecioni Brothers

The Mansudae Art Studio's affiliation with Italy began in 2005 with Pier Luigi Cecioni, whose position as president of an orchestra in Florence, Italy, allowed him to come into contact with the studio. Cecioni's orchestra was invited to perform at the Spring Friendship Festival held in Pyongyang. While in Pyongyang, Cecioni inquired as to whether North Korea had "any art center or gallery to show [him],"[3] and was taken to Mansudae Art Studio which at the time was little known outside of North Korea.[3] Cecioni offered to help the studio "do something in the West,"[3] and in January 2006 he returned to Pyongyang with his brother, an artist, professor at the Fine Arts Academy in Florence, and director of an exhibition center near Florence. The Cecioni brothers selected several Mansudae works to bring back to Europe[3] and signed an agreement of exclusivity,[1] which established Pier Luigi Cecioni as a liaison[5] between Mansudae and the West.[3] A provision of this agreement was that Cecioni would organize exhibitions of artwork from Mansudae in the West.

Around the same time as the first of these exhibitions was organized, Cecioni began building The official web site of the Mansudae Art Studio.[3] Cecioni facilitates the studio's international sales of small pieces of artwork, such as paintings,[5] through this website, which offers a brief history of the studio, information about Mansudae exhibitions outside North Korea, a directory of Mansudae artists, and listings of paintings for sale.[1]

Some artists from Mansudae have been periodically sent abroad, including to Italy. In 2012, Cecioni accompanied some Mansudae artists to the Uffizi Gallery and the Vatican Museums, which he said the North Korean artists appreciated and recognized from their university studies.[3]

Mansudae Art Museum

In 2009, Mansudae Art Studio's presence was made known in the 798 Art Zone in Beijing, China.[1] The studio has its own space in 798 called Mansudae Art Museum, though unlike most museums many of the works in its collection are for sale and are comparable to paintings available on Mansudae's website.[1] The museum sells both original and copied socialist-realist paintings, statues, and posters as well as stamps and postcards. The stamp and postcard themes range from nature to Kim family cars, but they mostly emphasize the relationship between North Korea and China (for example, there are stamps of every Chinese politician to have ever visited North Korea).[9] The museum was the first North Korean art gallery abroad and is a North Korea-approved tourist destination.[9][10] The museum's entrance is marked by a smaller version of Pyongyang's Chollima Statue sitting on top of a beige pedestal over six meters tall.[9]

Exhibitions and products

Exhibitions

With the help of Pier Luigi Cecioni, Mansudae had its first overseas exhibition in London in 2007.[3][11] In 2009, despite much preparation by five invited Mansudae artists,[12][13] an exhibition in Brisbane, Australia presented Mansudae artworks without their artists. Although only one of the fifteen pieces was socialist-realist, the Australian government denied the artists exceptions from a visa ban on North Korea because they came "from Pyongyang's propaganda machine and... are not welcome." [13] On October 10, 2013, a popular Mansudae exhibition opened at a trade exposition in Dandong, China. The exhibition had no propaganda art and sold 30 pieces in its first three days.[3] In 2014, David Heather, who "masterminded" the London exhibition in 2007, decided to try and recreate the success of the 2007 exhibition.[11] The exhibition was held at the North Korean Embassy in England.[14] The Mansudae artists involved with the event stayed in London for two weeks beforehand to prepare[14] and were available to paint for people while in England.[11]

Paintings

An artist painting at Mansudae Art Studio

Mansudae produces many paintings, including "all public images of Kim Jong-un, Kim Jong-il, and Kim Il-sung" and "One Can Always Lose, a series of 10 paintings depicting North Korea's 1-0 win over Italy during round one of the 1966 World Cup."[7] Several of the paintings have a uniform style of depicting North Korea as a utopia. However, according to Klaus Klemp, the deputy director of Frankfurt’s Museum of Applied Art, Mansudae artists can "produce kitschy knockoffs of several foreign genres" that are likely sold internationally.[5] Mansudae's official website has a gallery[1] of paintings ranging "from propaganda posters to lucid landscapes, flower bouquets, and even family portraits," as well as the occasional rare jewel painting.[3] Jewel paintings are unique to North Korea and are made by grinding gems[15] into powders that are put on a canvas by hand and never lose their strong shine.[16]

Statues in North Korea

Chollima statue at the foot of Mansu Hill
Bronze statues of Kim Il-sung and Kim Jong-il at Mansu Hill Grand Monument

Mansudae Art Studio has created statues and sculptures that have been placed all over the country, with three of the most important and famous works being the Chollima statue, the Monument to the Founding of the Korean Workers Party, and of course the bronze statues of Kim Il-sung and Kim Jong-il at the Mansu Hill Grand Monument. These monuments are common tourist destinations, and the statues of the deceased Kims are on just about every North Korean travel itinerary.[17]

Built in 1961,[17] the Chollima statue, which has a replica at the Mansudae Art Museum in Beijing,[9] is a depiction of a legendary winged horse that could fly a thousand li (about 300 miles) a day. The horse has a male worker and a female peasant riding on its back, "symbolizing the heroic spirit of the Korean People"[9] and heading into North Korea's future.[9][17]

Built in 1995 to commemorate the 50th anniversary of the North Korean Workers Party,[18] the Monument to the Founding of the Korean Workers Party is 164 feet tall and depicts three "truck-size" fists holding a hammer, a sickle, and a calligraphy brush respectively.[5]

The Mansu Hill Grand Monument is perhaps the most well-known image used to represent North Korea. The monument includes two bronze statues that are 20 meters tall, making them the largest statues in the country.[18] The monument has changed over time, as it began with just one statue of Kim Il-sung and was dedicated to him on his 60th birthday in 1972.[18] In 2012,[17] a statue of Kim Jong-il was added, only to be recast a few months later to change out the statue's overcoat with a parka in honor of the anorak Kim Jong-il was commonly seen wearing throughout his life, which was labeled a "witness of history" upon his death and was talked about with much emotion.[19]

Mansudae Overseas Project Group

Mansudae Art Studio has an international division, the Mansudae Overseas Project Group, which was established in 1970s.[5] This division is a thriving multimillion-dollar business that has created monuments, museums, stadiums, and palaces for several countries, including Algeria, Botswana, Cambodia, Chad, the Democratic Republic of the Congo, Egypt, Ethiopia, Germany, Malaysia, Mozambique, Madagascar, Senegal, Syria, Togo, and Zimbabwe.[5] According to Pier Luigi Cecioni, the success of this small cottage industry is due to Mansudae's "competence and experience to realize such huge projects, and it can send large teams of artists and workers to foreign countries for a long time."[5] Preliminary work is done at the Mansudae Art Studio, and designs are tested to determine resistance to natural disasters. Some believe that the group has "no competition worldwide," as one Mansudae sculptor told a German publication.[5]

Fairy Tale Fountain

Frankfurt's Fairy Tale Fountain

In 2004, Klaus Klemp, deputy director of Frankfurt's Museum of Applied Art, discovered and was impressed by Mansudae's craftsmanship. Klemp convinced Frankfurt's officials to hire the Mansudae Overseas Project Group to reconstruct Frankfurt's Fairy Tale Fountain, an "art nouveau relic from 1910 that had been melted down for its metal during World War II" for which the original blueprints had gone missing. The Project Group was chosen for its early 1900s style, ability to recreate the fountain based on old photographs, and attractive prices. The fountain is the only commission that the group has won from a Western country.[5]

African Renaissance Monument

Senegal's African Renaissance Monument

Perhaps the group's most notable monument is also one of its most controversial: Senegal's African Renaissance Monument. Unveiled in 2010, it stands at 164 feet, which is taller that the Statue of Liberty and Rio de Janeiro's Christ the Redeemer,[5] and depicts a half-nude African family of three in a socialist-realist pose.[7] A former president of Senegal, Abdoulaye Wade, hired the group because it was the only organization that he could afford. It took the work of around 150 Mansudae artists to complete. Senegalese unions protested the foreign labor due to the 50 percent unemployment rate at the time, the Muslim majority of the population was offended by the exposed breast of the mother figure, and Wade had to have the heads redone as they looked Korean rather than African.[5][7]

Significance

Mansudae Art Studio may be the largest art factory in the world. The studio is extremely important in North Korea as it employs the best artists and is the only organization "officially sanctioned to portray the Kim family dynasty."[5] Positions at Mansudae are prestigious and desirable, especially as part of the Overseas Project Group. Mansudae workers sent overseas live under strict security, but they are fed regularly and earn better wages than most North Koreans.[5] Since its founding in 1959, Mansudae has reproduced, reflected, and shaped the country's aesthetic. North Korea "spends much of its budget on Kim family deification," which likely includes and thus funds Mansudae, as the studio produces propaganda ranging from monuments to the party to the Kim pins worn by all North Koreans.[5] Mansudae's propaganda output is essential to the North Korean government. According to Pier Luigi Cecioni, the studio is so important to the country and its government that it "has the status of a ministry[ and] is not subject to the Ministry of Culture.”[5]

See also

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 "Mansudae Art Studio - North Korean Art, Korean art, North Korea, Pyongyang, Mansudae, DPRK, woodcut, socialist realism, propaganda art, embroidery, Korean exhibition, Kim Jong Il, jewel painting, Kim Il Sung". www.mansudaeartstudio.com. Retrieved 2015-12-07.
  2. ↑ "North Korea's Arts Scene Is Just As Mysterious As The Nation Itself". The Huffington Post. Retrieved 2015-12-07.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 "Behind Mansudae: Art from the Biggest Studio in North Korea | VICE | United States". VICE. Retrieved 2015-12-08.
  4. ↑ "Paintings by DPRK's Mansudae Art Studio debut in Shenyang[1]- Chinadaily.com.cn". www.chinadaily.com.cn. Retrieved 2015-12-08.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 "Mansudae Art Studio, North Korea's Colossal Monument Factory". BloombergView. Retrieved 2015-12-08.
  6. 1 2 "ArtAsiaPacific: Hollow Monuments". artasiapacific.com. Retrieved 2015-12-08.
  7. 1 2 3 4 5 "The Controversial Senegalese Monument Built by North Korean Propaganda Artists". Slate. 2014-08-04. ISSN 1091-2339. Retrieved 2015-12-08.
  8. ↑ "Mansudae Art Studio". North Korea Leadership Watch. Retrieved 2015-12-08.
  9. 1 2 3 4 5 6 "LONG LIVE MANSUDAE | 艺术界 LEAP". leapleapleap.com. Retrieved 2015-12-08.
  10. ↑ "Mansudae Art Studio Gallery". Atlas Obscura. Retrieved 2015-12-08.
  11. 1 2 3 Gowman, Philip. "Mansudae Artists to visit London from DPRK in November". London Korean Links. Retrieved 2015-12-08.
  12. ↑ "North Korean artists prepare for exhibition in Australia", YouTube, AP, July 23, 2015, retrieved 2015-12-08
  13. 1 2 "Australia Accused Of Censorship Over North Korean Art". The Huffington Post. Retrieved 2015-12-08.
  14. 1 2 News, Hamish Macdonald for NK; network, part of the North Korea. "North Korean embassy hosts art exhibition in London". the Guardian. Retrieved 2015-12-08.
  15. ↑ "All official portraiture of North Korea's reigning Kim family is made by Mansudae Art Studio. | Looking at Art | Stories | COLORS Magazine". www.colorsmagazine.com. Retrieved 2015-12-08.
  16. ↑ Abt, Felix (2014-08-12). A Capitalist in North Korea: My Seven Years in the Hermit Kingdom. Tuttle Publishing. ISBN 9781462914104.
  17. 1 2 3 4 "Mansudae Grand Monument - Lonely Planet". Lonely Planet. Retrieved 2015-12-08.
  18. 1 2 3 "7 Most Ostentatious Monuments in North Korea". scribol.com. Retrieved 2015-12-08.
  19. ↑ "Statue Makeover: North Korea Replaces Kim Jong-Il's Staid Overcoat With 'Revolutionary' Anorak". The Huffington Post UK. Retrieved 2015-12-08.
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