Lupe Fiasco's The Cool

Lupe Fiasco's The Cool
Studio album by Lupe Fiasco
Released	December 18, 2007 (2007-12-18) (see release history)
Recorded	2006–2007
Genre	Hip hop alternative hip hop
Length	70:44
Label	1st & 15th, Atlantic
Producer	Charles "Chilly" Patton (exec.), Lupe Fiasco (exec.), Darrale Jones (co-exec.), Patrick Stump, Al Shux, Chris & Drop, Chris Goss, Le Messie, Simonsayz, Soundtrakk, Unkle
Lupe Fiasco chronology
Lupe Fiasco's Food & Liquor (2006) Lupe Fiasco's The Cool (2007) Lasers (2011) Singles from Lupe Fiasco's The Cool "Superstar" Released: September 25, 2007 "Hip Hop Saved My Life" Released: March 18, 2008 "Paris, Tokyo" Released: April 21, 2008 "Dumb It Down" Released: June 5, 2008

Lupe Fiasco's The Cool, commonly referred to as simply The Cool, is the second studio album by Chicago hip hop artist Lupe Fiasco, released on December 18, 2007 in the United States. The Cool is a loose concept album, based on a song and its title character from his debut album Food & Liquor. The album features production from Patrick Stump, Soundtrakk, Unkle, and Chris & Drop, among others. Guest appearances include Gemini, Snoop Dogg, and Matthew Santos. The album debuted at #15, moved a spot up to #14 on the Billboard 200 in its second week. It debuted as the #1 rap record and remained there for 9 weeks. It has been certified Platinum by the RIAA.^[1] The album was nominated for four awards at the 2009 Grammy Awards, including Best Rap Album. The album is widely regarded by fans to be his best album.^[2]

Background

Concept

During the recording of the album, Lupe Fiasco's father died of type II diabetes,^[3][4] his good friend Stack Bundles died, and his business partner and mentor—Charles "Chilly" Patton—was sentenced to 44 years in prison.^[5] When asked about the album's dark side, Lupe Fiasco replied:

Oh yeah. A lot of loss. I lost my father, I lost my business partner to prison, and I lost some friends. It was a very dark period. It still is in some aspects, but you know, I'm kind of coming out of it. But especially during the time that the album was being cooked, in my head it was a very dark kind of period.^[4]

Lupe Fiasco's The Cool expands on the story Lupe told on the track, "The Cool", from his debut album. Fiasco introduces the characters the Streets and the Game.^[6] The album tells the story of the little boy from "He Say, She Say" who grew up without a father, and the people that step in to raise him are the Streets and the Game,^[7] with The Streets playing his female love interest and The Game his father.^[8] Speaking on the concept Lupe said:

I expand on the story, I introduce two other characters, the Game and the Streets. The Streets is a female. She's like the action personification of the streets, the street life, the call of the streets. The Game is the same way. The Game is the personification of the game. The pimp's game, the hustler's game, the con man's game, whatever. Then they've got supernatural characteristics. Like the Cool, his right hand is rotted away. The only thing that rotted away was his right hand. It represents the rotting away of his righteousness, of his good. And the Streets and the Cool kind of have a love affair going on. So she's represented by this locket. And the locket has a key and it's on fire. And as a gift to the Cool on his rise to fame, she gave him the key. And the key represents the key to the Streets. So she wears a locket around her neck at all times. And the way the story goes, she has given that key to tons of people throughout time. Al Capone, Alexander the Great, whatever. She's giving them the key to the Streets. Fame and fortune — but also the prices. The Game, he's represented by a stripped-down skull, a skull with dice in his eyes and smoke coming out of his mouth. The billowing smoke is actually crack smoke. It's not a full concept album; it's more spread over like five [tracks], really abstractly.^[9]

Lupe also stated that there are plans to spin The Cool into a horror-themed radio program, and a comic book. The album was also personalized into a promotion in the form of a skateboard design contest, hosted by imeem, which was won by Sluglife, the show name for designer/artist Lawrence Ervin.^[9]

Recording sessions

In an interview with MTV News Lupe Fiasco explained how he planned to record The Cool:

The timing is gonna be pop, pop, pop. There's gonna be a lot of setup and a lot of pre-production on this album, so it's gonna be in pieces. But the pieces won't come together, seriously, until like three weeks before it comes out. We'll probably record everything in, like, a week. So we're just gonna get it all together, map it out, have it done to a T, and then go and record. Then the fresh from the studio, fresh to mastering ... so it eliminates a lot of time and error that was surrounding [my debut].^[10]

Reception

Commercial performance

The album debuted at number fifteen on the U.S. Billboard 200 chart, selling 143,407 copies in its first week, the album also rose to number fourteen the following week.^[11][12] In the UK, the album debuted at number seven due to the success of the first single, "Superstar", which reached the top 5 on the singles chart.. The album was certified gold by the Recording Industry Association of America selling over 500,000 in the United States.^[13]

Critical response

Professional ratings
Aggregate scores
Source	Rating
Metacritic	77/100
Review scores
Source	Rating
Allmusic	[14]
The A.V. Club	A−[15]
Robert Christgau	A–[16]
Entertainment Weekly	A−[17]
The Guardian	[18]
NME	9/10[19]
Pitchfork Media	8.1/10[20]
Q	[21]
Rolling Stone	[22]
Spin	7/10[23]

Lupe Fiasco's The Cool received universal acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 77, based on 30 reviews.^[24] Entertainment Weekly said "Sonically, he's got the same kind of gratifying ADHD going on. Some tracks, like 'Paris, Tokyo,' contrast his Twista-style rapid-fire delivery with a lazy rhythm that's close to smooth jazz which can be compared to A Tribe Called Quest. 'Hello/Goodbye,' at the other extreme, has U.K. electro outfit Unkle providing a tense rock feel."^[25] The New York Times, hailing the album as "one of the year’s best hip-hop albums," added that "The songs only grow more urgent as Lupe Fiasco expands his sociopolitical perspective. 'Intruder Alert' starts as a wary love song and broadens its topic to immigration. 'Little Weapon,' produced by Patrick Stump of Fall Out Boy, looks at children with guns, from child soldiers in Africa to high school shooters.^[26] Allmusic said, "He is one of the most clever artists around, and as far as telling stories with rhymes goes, he's way up there, best exemplified by 'Hip-Hop Saved My Life' (a gripping story about a struggling rapper, based on the story of Slim Thug) and 'Gotta Eat' (where Lupe's inspiration for metaphors is a cheeseburger, yet it is no more corny than Main Source's classic 'Just a Friendly Game of Baseball')."^[14]

In a less enthusiastic review for The Guardian, Alexis Petridis felt that Fiasco indulges occasionally in "sanctimonious moralising" on what is an otherwise successful album.^[18] Entertainment Weekly named The Cool the 10th best album of 2007 in their year-end list.^[27]

Track listing

Sample Credits

• "Go Go Gadget Flow" interpolates a line from "Don't Get it Twisted Freestyle" by Lupe Fiasco.
• "The Coolest" samples "Let the Drums Speak" by The Fatback Band.
• "Paris, Tokyo" samples "San Juan Sunset" by Eumir Deodato; and interpolates a line from "Ain't No Fun (If the Homies Can't Have None)" by Snoop Dogg featuring Nate Dogg, Kurupt, and Warren G.
• "Gold Watch" samples "Do Whatever Turns You on Part. II" by the Prepositions.
• "Streets on Fire" samples "Amen, Brother" by The Winstons.
• "Little Weapon" samples "De Profundis" by Arvo Pärt; and interpolates a line from "Heat Under The Babyseat" by Lupe Fiasco.
• "Dumb It Down" samples "Ignorant Shit" by Lupe Fiasco.
• "Hello/Goodbye (Uncool)" samples "Chemistry" by Unkle.
• "The Die" samples "The Cool" by Lupe Fiasco; and "Damn Your Eyes" written by Stephen Bogard & Barbara Wyrick.

Personnel

Information taken from Allmusic.^[14]

Chart positions

Release history

References

External links

• Lupe Fiasco's The Cool at Metacritic