Ludlow Street (Manhattan)

Coordinates: 40°43′12″N 73°59′18″W / 40.72000°N 73.98833°W / 40.72000; -73.98833

Tenements on Ludlow Street
Collective:Unconscious Theater at 145 Ludlow in 1997
Art opening at 143 Ludlow Street in 2007
2010 New York City International Pickle Day Festival

Ludlow Street runs between Houston and Division Streets on the Lower East Side of the New York City borough of Manhattan. Vehicular traffic runs south on this one-way street. From north to south, Orchard Street starts from Houston Street and ends at a triangle where Canal and Division Streets converge with Ludlow Street.

Name

Ludlow Street was named after Lieutenant Augustus Ludlow, the naval officer who was second-in-command to Captain James Lawrence on the USS Chesapeake during the ship’s engagement with HMS Shannon on June 1, 1813. It was to Ludlow that Lawrence said "Don't give up the ship."[1]

History

Early history

The land that is now Ludlow Street was once part of the huge De Lancey Estate,[2] which had been confiscated from James De Lancey after the Revolutionary War, due to his status as a Loyalist, and auctioned off.[3] By the early 19th century, speculative builders had constructed decent housing for workers on Ludlow Street, as well as other streets nearby, such as Eldridge, Forsyth and Chrystie Streets.[2] At mid-century, Ludlow was in the middle of Kleindeutschland, where large numbers of German-speaking immigrants had settled, and was one of the informal boundaries of the Jewish section of the neighborhood, along with Grand, Stanton, and Pitt Streets.[4]

Art and music scene

As far back as 1962 Tony Conrad, Theatre of Eternal Music member, lived and worked at 56 Ludlow[5] and in 1965 Lou Reed, John Cale and Sterling Morrison of The Velvet Underground lived and recorded there. The earliest known recorded version of All Tomorrow's Parties was recorded there.[6] Other filmmakers, performers, poets, artists and musicians that lived in the building at the time included Warhol superstars Mario Montez, Angus MacLise, and Jack Smith.[7] Tony Conrad has produced two CDs from the Jack Smith tape archives subtitled 56 Ludlow Street that were recorded at 56 Ludlow Street between 1962 and 1964.[8] In the mid-1970s Gary Weis made some short films of Taylor Mead talking to his cat in the kitchen of his Ludlow Street apartment called Taylor Mead's Cat. From 1980 to the mid-80s actor/videomaker Craig Calman lived in the building adjoining Taylor Mead's.[9]

In the early 1980s, Ludlow Street was well known as a street where no wave Colab artists connected with ABC No Rio lived; such as Kiki Smith,[10] Fab Five Freddy, Coleen Fitzgibbon, Tom Otterness, Beatrice (Bebe) Smith, Izhar Patkin, Tron Von Hollywood, Wolfgang Staehle, Raina Jane Sherry, Christof Kohlhofer, Carlo McCormick, Cara Perlman, Steven Parrino, Edwige Belmore, Joseph Nechvatal, Uli Rimkus, Peter Fend, Walter Robinson, Aline Mare, Emily XYZ, and George Condo. In 1980, Coleen Fitzgibbon made a video called Ludlow about Ludlow Street.[11] From 1983 to 1989, the bimonthly cassette publication Tellus Audio Cassette Magazine was based out of 143 Ludlow Street. Leonard Abrams started the East Village Eye cultural magazine at 167 Ludlow Street. In 1989 the Beastie Boys used a photo of the southwest corner of Ludlow and Rivington Street as the cover for their album Paul's Boutique.[12] In the 1980s, the two level loft at 58 Ludlow was the home to artists such as Alex Hahn, Douglas Eisenstark,[13] David Blair and Leslie Mentel, among others.

Gentrification

In the mid- to late 1990s, the increasing popularity of the area among hipsters, driven out of the East Village by an invasion of yuppies, led to an upturn in activity along Ludlow Street, with several old establishments, such as corner delis (a.k.a. bodegas) closing shop to make way for bars, music venues such as the Ludlow Street Bar & Grill (a basement restaurant and music venue), and alternative theatres such as Collective:Unconscious Theater (before it became an empty lot), Piano's Theater (before it became a music venue and bar), and Todo Con Nada (before it became The Dark Room).

In the 2000s, Ludlow Street was a destination street for musicians and music-lovers, and was heavily populated with fashion shops, art galleries, bars, restaurants, and performance venues such as Cake Shop, The Living Room, and Piano's making Ludlow into a small nightlife strip with a distinct subcultural flavor. Local institutions included the bistro/cafe Pink Pony, the adjacent artist bar Max Fish, Katz's Deli (one of the city's most famous delicatessens) Motor City bar, Ludlow Street Guitars, Earthmatters Cafe (hangout of musicians/actors/writers/techies), Ludlow Studio (which was home to some of the top recording artists in the mid-1990s) and the Sombrero Mexican restaurant, better known to a generation of musicians as "The Hat." The art and cultural gallery Ludlow 38 is the downtown satellite for contemporary art of the Goethe-Institut New York. The space was designed by artists Ethan Breckenridge and Liam Gillick. In 2005 artist Wolfgang Staehle created One day of life on Ludlow Street (New York). The work consists of 6716 images displayed in approximately 8 second intervals over 24 hours.[14]

In 2013, Ludlow Street between Delancey and Houston Streets lost to rising rent many small interesting shops, bars and cafes that once gave the street its distinctive flavor. Closed were: Pink Pony Cafe Littéraire & Ciné Club, the print shop at 139 Ludlow, Press Tea, Earth Matters natural food store and Motor City bar.[15] However, Banksy installed a major street art installation on Ludlow Street in the fall of 2013 as part of his Better Out Than In residency: a strange vision of horses with camera-lens googles rearing up by a car covered with cowering humans. The work is Banksy’s largest New York work to date.[16]

See also

References

Notes

  1. ↑ Moscow, Henry (1978), The Street Book: An Encyclopedia of Manhattan's Street Names and Their Origins, New York: Hagstrom, ISBN 0823212750, p.70
  2. 1 2 Burrows, Edwin G. & Wallace, Mike (1999), Gotham: A History of New York City to 1898, New York: Oxford University Press, ISBN 0-195-11634-8, p.476
  3. ↑ Burrows, Edwin G. & Wallace, Mike (1999), Gotham: A History of New York City to 1898, New York: Oxford University Press, ISBN 0-195-11634-8, pp.267-68
  4. ↑ Burrows, Edwin G. & Wallace, Mike (1999), Gotham: A History of New York City to 1898, New York: Oxford University Press, ISBN 0-195-11634-8, p.745
  5. ↑ Steven Watson, Factory Made: Warhol and the Sixties, Pantheon, New York, 2003, p. 157
  6. ↑ Fricke, David, liner notes for the Peel Slowly and See box set (Polydor, 1995)
  7. ↑ "Incubator for the Velvet Underground", Wall Street Journal (January 20, 2013)
  8. ↑ Jack Smith - Les Evening Gowns Damnees - 56 Ludlow Street 1962-1964, Volume I and Jack Smith - Silent Shadows On Cinemaroc Island - 56 Ludlow Street 1962-1964 Volume II. Label: Table of the Elements. CDs released in 1997
  9. ↑ Glass, Dan "Taylor Mead, Superstar:The Life and Times of a Downtown Legend"
  10. ↑ Carlo McCormick, "The Downtown Book: The New York Art Scene, 1974–1984", Princeton University Press, 2006
  11. ↑ "'LES on the Screen' Film Series: Screening October 3, 2011: Coleen Fitzgibbon & Stephanie Gray
  12. ↑ NYC Album Art: Paul's Boutique, accessed April 26, 2007. "According to the album, Paul's Boutique is in Brooklyn...but we all know this photo was taken in the Lower East Side. With a Paul's Boutique sign hanging up on the Lee's Sportswear storefront, the shot was taken at 99 Rivington Street, where Rivington and Ludlow intersect."
  13. ↑ Douglas Eisenstark
  14. ↑ One day of life on Ludlow Street (New York)
  15. ↑ The Villager: Pink Pony had a great ride, but couldn’t buck changes
  16. ↑ "Banksy Watch: New Work in LES"

Bibliography

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