La Révolution française (film)

La Révolution française
Directed by Robert Enrico, Richard T. Heffron
Screenplay by David Ambrose, Daniel Boulanger
Music by Georges Delerue
Release dates
1989
Running time
360 min
Country France, Germany, Italy, United Kingdom and Canada
Language French, English, German
Budget 300 million francs

La Révolution française is a two-part film, co-produced by France, Germany, Italy, the United Kingdom and Canada. The first part, titled La Révolution française: les Années lumière (The French Revolution: Years of Hope) was directed by Robert Enrico. The second part, La Révolution française: les Années terribles (The French Revolution: Years of Rage), was directed by Richard T. Heffron. The full movie runs at 360 minutes, but the edited-for-television version is slightly longer.

The film was produced in 1989 for the 200th anniversary of the French Revolution. It purports to tell a faithful and neutral story of the Revolution, from the calling of the Estates-General to the death of Maximilien de Robespierre. The film had a large budget (300 million francs)[1] and boasted an international cast. It was shot in French, German and English.

Cast

Reception

The film was generally considered quite historically accurate. Among the few departures from the historical facts, the executioner Charles-Henri Sanson was shown executing both Louis XVI and Marie-Antoinette. The elder Sanson actually executed only Louis XVI; it was his son who executed Marie-Antoinette.

Some critics pointed, however, that the film suffered from its neutrality, which resulted in a lack of point of view and in some incoherence. The first part, which dealt with a rather complex historical subject, was also criticized for its disjointed pacing. The second part was considered more gripping and dramatic. Jean-François Balmer received great praise for his portrayal of a rather sympathetic Louis XVI, and Andrzej Seweryn was considered very convincing as Robespierre.

The film was not a box office success in France, as the celebrations for the Revolution's bicentennial did not attract much attention.

See also

References

  1. Hugo Frey (30 July 2014). Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995. Berghahn Books. p. 66. ISBN 978-1-78238-366-6.


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