La Noche de Walpurgis

La Noche de Walpurgis

Theatrical release poster
Directed by León Klimovsky
Produced by Salvadore Romero
Written by Jacinto Molina
Hans Munkel
Starring Paul Naschy
Gaby Fuchs
Barbara Capell
Music by Antón García Abril
Cinematography Leo Williams
Edited by Tony Grimm
Distributed by Hispamex (Spain)
Universal Entertainment Corp (USA, theatrical)
Release dates
  • 17 May 1971 (1971-05-17)
Running time
86 minutes
Country Spain
West Germany
Language Spanish

La Noche de Walpurgis (Walpurgis Night, released in the United States as The Werewolf vs. The Vampire Woman and in the UK as Werewolf Shadow) is a 1970 Spanish horror movie starring Paul Naschy, the fifth in a series about the werewolf Waldemar Daninsky. This film was directed by León Klimovsky and written by Naschy and Hans Munkel, and is generally regarded to have kickstarted the Spanish horror film boom of the Seventies, due to its awesome box office success upon its release. Patty Shepard was so convincing as the vampiric Countess, it was thought at the time that she might replace actress Barbara Steele as Europe's reigning horror queen. Klimovsky filmed many of the scenes in slow motion, to add to the otherworldliness of the film.
Naschy followed up this film with a sequel entitled Dr. Jekyll and the Wolf Man.
Note* - There is a scene in this film that obviously inspired Spanish director Amando de Ossorio to write Tombs of the Blind Dead, which was made just a few months later in 1971. A skeletal zombie in a monk's garments assaults Naschy in a cemetery in one scene, bearing a strong resemblance to de Ossorio's Templar Knights in his "Blind Dead" films.

Plot

Following the events in The Fury of the Wolf Man, the deceased lycanthrope Waldemar Daninsky is revived to life when two doctors surgically remove two silver bullets from his heart while performing an autopsy on him. Waldemar transforms into a werewolf, kills the doctors and escapes from the morgue. Some time later, two students, Elvira and her friend Genevieve, go searching for the tomb of medieval murderess (and possible vampiress) Countess Wandessa de Nadasdy. They find a possible gravesite in the vicinity of Waldemar Daninsky's castle, and he invites the girls to stay for a few days.

When Waldemar leads them to the grave of the countess Wandessa, Elvira accidentally revives her by bleeding on the corpse. The vampire woman turns the girls into creatures of the night like herself, and they roam the forest at night, killing people in eerie slow motion. Daninsky later turns into the Wolf Man, is forced to battle and destroy the vampire woman at the end of the film, and then is himself destroyed by Elvira, a woman who loves him enough to end his torment. (An interesting note - Naschy's real life wife of 40 years was named Elvira.)

Daninsky's lycanthropy is not given a specific origin in this film; the events of the film are assumed to have followed from the ending of Fury of the Wolf Man (1970), which involved a yeti's bite as the cause of Daninsky's curse. How Daninsky went from being a college professor in Fury to being a castle-owning count in Walpurgis is never addressed.

Cast

Production

La Noche de Walpurgis was one in a series of films to feature the werewolf Waldemar Daninsky.[1]

Release

The film was released theatrically in its native Spain as La Noche de Walpurgis in May 1971, and was released theatrically in the United States as The Werewolf vs the Vampire Woman by the Universal Entertainment Corporation in 1972.

Home media

The film was released on VHS in the 1980s as both Blood Moon and The Werewolf vs the Vampire Woman, and was later released on a special edition DVD in 2007 by Deimos Entertainment, a subdivision of BCI Eclipse, as Werewolf Shadow (with extras).

References

  1. Lazaro-Reboll, Antonio (November 20, 2012). Spanish Horror Film (illustrated ed.). Edinburgh, Scotland, UK: Edinburgh University Press. p. 200. ISBN 9780748636389. OCLC 806492157. Retrieved September 22, 2013.

External links

This article is issued from Wikipedia - version of the 10/25/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.