Joe Cuba

Gilberto Miguel Calderón, better known as Joe Cuba (April 22, 1931 – February 15, 2009), was an American conga drummer of Puerto Rican descent widely regarded as the "Father of Latin boogaloo".

Early years

Cuba was born in New York City, Cuba's parents moved from Puerto Rico to New York City in the late 1920s and settled in Spanish Harlem, a Latino community located in Manhattan. Cuba was raised in an apartment building where his father had become the owner of a candy store located on the ground floor (street level floor). His father had organized a stickball club called the Young Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually, he graduated from high school and joined a band.^[1]

Musical career

In 1950, when he was 19 years old, he played for Joe Panama and also for a group called La Alfarona X. The group soon disbanded and Cuba enrolled in college to study law. While at college he attended a concert in which Tito Puente performed "Abaniquito". He went up to Tito and introduced himself as a student and fan and soon they developed what was to become a lifetime friendship. This event motivated Cuba to organize his own band. In 1954, his agent recommended that he change the band's name from the José Calderón Sextet to the Joe Cuba Sextet and the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom.^[1]

In 1962, Cuba recorded his first album with the Joe Cuba Sextet called To Be With You, featuring the impressive vocals of Cheo Feliciano and Jimmy Sabater Sr. The band became popular in the New York Latin community. The lyrics to Cuba's music used a mixture of Spanish and English, becoming an important part of the Nuyorican Movement.^[2]

In 1965, the Sextet got their first crossover hit with the Latin and soul fusion of "El Pito (I'll Never Go Back to Georgia)". The "I'll Never Go Back to Georgia" chant was taken from Dizzy Gillespie's intro to the seminal Afro-Cuban tune "Manteca." Sabater later revealed that "None of us had ever been to Georgia.^[3]

Along with fellow Nuyorican artists such as Ray Barretto and Richie Ray, Cuba was at the forefront of the developing Latin soul sound in New York, merging American R&B styles with Afro-Cuban instrumentation. Cuba was one of the key architects behind the emerging Latin Boogaloo sound, which became a popular and influential Latin style in the latter half of the 1960s. In 1966, his band scored a hit on the United States National Hit Parade List with the song "Bang Bang" — which helped kick off the popularity of the boogaloo. He also had a No. 1 hit that year on the Billboard charts with the song "Sock It To Me Baby".^[4]

Later years and death

On April 1999, Joe Cuba was inducted into the International Latin Music Hall of Fame. In 2004, he was named Grand Marshal of the Puerto Rican Day Parade celebrated in Yonkers, New York. He was also the director of the Museum of La Salsa, located in Spanish Harlem, Manhattan, New York.^[4]

Joe Cuba died on February 15, 2009 in New York City after being removed from life support. He had been hospitalized for a persistent bacterial infection. Cuba's remains were cremated at Woodhaven Cemetery.^[5] He is survived by his 2 adult children from his first wife (Nina, married in 1960), son Mitchell and daughter Lisa, 3 grandchildren Nicole, Alexis and Rebecca; and his second wife Maria (Married in 1994).^[4]

Discography

As leader

Compilations

• Greatest Hits (2009)
• El Alcalde del Barrio (2010)
• The Best of Joe Cuba (Lo Mejor de Joe Cuba) - Fania Original (Remastered) (2010)
• Anthology (2012)

See also

• Jimmy Sabater
• Boogaloo

References

• Gonzalez, David, "Mourning Joe Cuba, a Bandsman Whose Legacy Was Joy", The New York Times, February 19, 2009

External links

• Living Memories of Joe Cuba
• Joe Cuba Sextet discography at MusicBrainz
• The Latin boogaloo’s history, impact and short-lived popularity are explored in the documentary We Like It Like That