Jazzpunk

Jazzpunk
Developer(s)	Necrophone Games
Publisher(s)	Adult Swim Games
Engine	Unity
Platform(s)	Microsoft Windows, OS X, Linux, PlayStation 4
Release date(s)	WW: February 7, 2014
Genre(s)	Adventure, Art game
Mode(s)	Single-player

Jazzpunk is a 2014 adventure video game developed by Necrophone Games and published by Adult Swim Games for Microsoft Windows, OS X and Linux computers. It was released on February 7, 2014.

Gameplay

Jazzpunk is a single-player, first-person adventure game, focusing on exploration and comedy over puzzle-solving. Each mission has one central objective, but the player is free to explore the game world at their own pace, which is populated with a large number of interactive NPCs, each with their own action or gag.^[1] Mini-games, including mini-golf, a Frogger clone, and a version of Duck Hunt in which the player pelts cardboard ducks with slices of bread from a toaster, also feature prominently in the game's storyline.^[2]

Jazzpunk is simplistic in its controls, letting the player use the keyboard to move in all directions, jump, cycle through the player's inventory, and interact with highlighted objects, while the mouse allows them to manipulate the camera and look around.^[1]

The game also features a bonus game mode entitled Wedding Qake, in which players try to shoot AI-controlled enemies with wedding-themed weaponry, including wedding cake, roses, and champagne corks, in a Quake deathmatch-style contest and the loser of the match is forced to get married.^[2][3]

Plot

The game is centered on a top-secret espionage agency operating out of an abandoned subway station in a fictional place called Japanada in the late 1950s.^[1][2] The player takes the role of Polyblank, a silent protagonist. The game begins when Polyblank is mailed to the espionage agency in a human-shaped suitcase. He is then given several missions by the head of the organization, all of which begin by ingesting a dose of prescription medicine.^[2][3] The missions assigned to Polyblank are almost always bizarre and nonsensical, relying heavily on free association and references to older movies and video games. Tasks include degaussing and smuggling pigeons, assassinating cowboys, cross-dressing, killing a pig with a ukulele, and photocopying Polyblank's bottom to fool a security scanner.^[2][3]

The first mission begins with Polyblank having to infiltrate a Soviet consulate to recover a data cartridge, the second to go to a sushi restaurant to steal a cowboy's artificial kidney. On the way back from the sushi restaurant, Polyblank is intercepted by agents telling him to 'hand over the wetware', but he escapes. The Director then states that Polyblank should take a holiday while they wait for things to die down. When Polyblank gets to Kai Tak Resort for his holiday, he receives a phone call telling him he has to find the syndicate man (The Editor) on site and switch briefcases with him. Polyblank succeeds, but then passes out after drinking a cocktail. Polyblank wakes up in a hotel room at night with a message telling him to come to the rear pool. In the empty rear pool, Polyblank talks to a man who tells him the resort is a simulation, and to get out he must find, kill and cook the mechanical pig. After doing this, and navigating an electric maze, Polyblank finds himself back in the subway station, only to find the Director and his secretary are cardboard cutouts. He then finds an audio message from the Editor telling him if he wants to see them again he should come to his house. Polyblank goes there, and he is told he must beat the Editor in a game of sport for the Director to be freed. Polyblank loses, and so must find prizes for the Editor. Polyblank does this, inflating the Editor's ego(which inflates the Editor physically), then he pops the Editor with a needle. Polyblank then finds the Director, where to free him he must either press a button. No matter which Polyblank presses, the Director turns into a crocodile and eats Polyblank. The credits take place in the Director's intestines, and then Polyblank is given special tablets to help him get out. The game ends after Polyblank takes the pills.

Development

In an interview with Kotaku, developers Luis Hernandez and Jess Brouse stated that the game was originally intended to be a serious game with moments of comic relief thrown in, but that the team liked the comic aspects so much that they changed the entire game into a comedy.^[4] The game was originally created as a prototype in 2007, running on a standalone engine. The project was then transferred to Torque3D before being transferred to the Unity game engine, on which the final build was created.^[4] Most voices are performed by Hernandez; additional voice acting is provided by Zoë Quinn, Olivia Catroppa, Jim Sterling and Chris Huth.

Influences

According to interviews with staff at Necrophone Games, Jazzpunk is a combination of the creators' favourite literature, movies, and music from the spy, cyberpunk, and film noir genres.^[4][5] The game makes many references to older movies, including Blade Runner, Alien, and Evil Dead II.^[2] In early 2014, the authors appeared in an interview conducted by Rock, Paper, Shotgun in which they stated that their idea for a short-form comedy game was partially influenced by the success of the original Portal. During this interview, the staff also mentioned that much of the game's writing was influenced by 1980's cyberpunk literature.^[5] The game's unique, cartoony art style was influenced by the work of Saul Bass, Josef Albers, and Gerd Arntz, while the music was composed using audio production methods common in the 1950s and 1960s.^[4][5] The game's visual elements are also quite similar to Thirty Flights of Loving, whose developer Brendon Chung is thanked in the end credits.^[1]

Reception

Reception
Aggregate scores Aggregator Score GameRankings 76.09%[6] Metacritic 75/100[7] Review scores Publication Score Destructoid 7/10[8] Giant Bomb [9] The Escapist [10] Hardcore Gamer 4/5[11]

Jazzpunk received favourable reviews from critics on launch, earning a 9/10 from Eurogamer, a 7/10 from Destructoid, and a Metacritic score of 75/100.^[3][12][13]

References