James Horner

James Horner

Horner in 2010
Background information
Birth name James Roy Horner
Born (1953-08-14)August 14, 1953
Los Angeles, California, U.S.
Died June 22, 2015(2015-06-22) (aged 61)
Los Padres National Forest, California, U.S.
Genres Film score
  • Composer
  • conductor
  • orchestrator
Years active 1978–2015

James Roy Horner (August 14, 1953 – June 22, 2015) was an American composer, conductor and orchestrator of film scores. He was known for the integration of choral and electronic elements in many of his film scores, and for his frequent use of motifs associated with Celtic music.[1][2]

His first major film score was for the 1979 film The Lady in Red, but did not establish himself as a mainstream composer until he worked on the 1982 film Star Trek II: The Wrath of Khan.[3] Horner's score for Titanic is the best-selling orchestral film soundtrack of all time,[4][5] with his work on Titanic and Avatar, both directed by James Cameron, contributing to the first two films to achieve a $2 billion box office.[6]

Horner collaborated on multiple projects with directors including Don Bluth, James Cameron, Joe Johnston, Walter Hill and Ron Howard; producers including David Kirschner, Jon Landau, Brian Grazer and Steven Spielberg; and songwriters including Will Jennings, Barry Mann and Cynthia Weil. Horner composed music for over 100 films; he won two Academy Awards, two Golden Globe Awards, three Satellite Awards, and three Saturn Awards, and was nominated for three British Academy Film Awards.

Horner died in a single-fatality crash of his Embraer EMB 312 Tucano turboprop aircraft at the age of 61.[7]

Early life

Horner was born in 1953 in Los Angeles, California, to Jewish immigrants.[8][9][10][11]

His father, Harry Horner, was born in Holíč, then a part of Austria-Hungary. He immigrated to the United States in 1935 and worked as a set designer and art director.[12][13]

His mother, Joan Ruth (née Frankel), was born into a prominent Canadian family. Horner's brother Christopher is a writer and documentary filmmaker.[11]

James Horner started playing piano at the age of five. His early years were spent in London, where he attended the Royal College of Music. He returned to America, where he attended Verde Valley School in Sedona, Arizona, and later received his bachelor's degree in music from the University of Southern California. After he earned a master's degree, he started work on his doctorate at the University of California, Los Angeles (UCLA), where he studied with Paul Chihara, among others. After several scoring assignments with the American Film Institute in the 1970s, he finished teaching a course in music theory at UCLA and subsequently turned to film scoring.[14] Horner was also an avid pilot, and owned several small airplanes.[15][16]


Horner began his career scoring films by working for B film director and producer Roger Corman. Horner's first composer credit was for Corman's Battle Beyond the Stars.[17][18] From there, his works gained notice in Hollywood, which enabled him to take on larger projects. One of his first major film scores was for the 1979 film The Lady in Red.[19]

Horner's major breakthrough came in 1982, when he had the chance to score the music to Star Trek II: The Wrath of Khan; the project established him as a mainstream composer. The film's director Nicholas Meyer quipped that Horner had been hired because the studio couldn't afford to use the first film's composer Jerry Goldsmith again, but by the time Meyer returned to the franchise with Star Trek VI: The Undiscovered Country, the director found that he couldn't afford Horner either.[20]

Horner continued composing music for high-profile releases during the 1980s, including 48 Hrs. (1982), Krull (1983), Star Trek III: The Search for Spock (1984), Commando (1985), Cocoon (1985), Aliens (1986), *batteries not included (1987), Willow (1988), Glory and Field of Dreams (both 1989). He frequently collaborated with film director Ron Howard, a partnership that began with Cocoon in 1985.[21]

Aliens earned Horner his first Academy Award nomination for Best Original Score in 1987, at the 59th Academy Awards.[22] "Somewhere Out There," which he co-composed and co-wrote with Barry Mann and Cynthia Weil for An American Tail, was also nominated that year for Best Original Song.[23]

Throughout the 1980s, 1990s and 2000s, Horner wrote orchestral scores for children's films (particularly those produced by Amblin Entertainment), with credits for An American Tail (1986), The Land Before Time (1988), The Rocketeer and An American Tail: Fievel Goes West (1991), Once Upon a Forest and We're Back! A Dinosaur's Story (both in 1993), The Pagemaster (1994), and Casper, Jumanji, and Balto (all from 1995), Mighty Joe Young (1998), and How the Grinch stole Christmas (2000).

Horner produced no fewer than six scores during 1995, including his commercially successful and critically acclaimed works for Braveheart and Apollo 13, both of which earned him Academy Award nominations. Horner's biggest financial and critical success would come with the score to the 1997 film Titanic. The album became the best-selling primarily orchestral soundtrack in history, selling over 27 million copies worldwide.[4]

At the 70th Academy Awards, Horner won Oscars for Best Original Dramatic Score and Best Original Song for "My Heart Will Go On" (which he co-wrote with Will Jennings). In addition, Horner and Jennings won three Grammy Awards and two Golden Globe Awards for the soundtrack and "My Heart Will Go On."[24][25] Titanic also marked the first time in ten years that Horner worked with director James Cameron (following the highly stressful scoring sessions for Aliens, Horner declared that he would never work with Cameron again and described the experience as "a nightmare").[26]

Following Titanic, Horner continued to score for major productions (including The Perfect Storm, A Beautiful Mind, Enemy at the Gates, The Mask of Zorro, The Legend of Zorro, House of Sand and Fog and Bicentennial Man).[10] Aside from scoring major productions, Horner periodically worked on smaller projects such as Iris, Radio and Bobby Jones: Stroke of Genius. He received his eighth and ninth Academy Award nominations for A Beautiful Mind (2001) and House of Sand and Fog (2003), but lost on both occasions to Howard Shore.

Horner composed the 2006–2011 theme music for the CBS Evening News. The theme was introduced as part of the debut of Katie Couric as anchor on September 5, 2006.[27] Horner scored various renditions, explaining, "One night the show might begin with the Iranians obtaining a nuclear device and another it might be something about a flower show ... The tone needs to match the news."[28]

Horner recollaborated with James Cameron on the 2009 film Avatar, which was released in December 2009 and has since become the highest-grossing film of all time, surpassing Titanic (also directed by Cameron and scored by Horner).[23] Horner spent over two years working on the score for Avatar, and did not take on any other projects during that time. His work on Avatar earned him numerous award nominations, including his tenth Academy Award nomination as well as Golden Globe Award, British Academy Film Award, and Grammy Award nominations, all of which he lost to Michael Giacchino for Up.[29]

Regarding the experience of scoring Avatar, Horner said, "Avatar has been the most difficult film I have worked on and the biggest job I have undertaken ... I work from four in the morning to about ten at night and that’s been my way of life since March. That's the world I'm in now and it makes you feel estranged from everything. I'll have to recover from that and get my head out of Avatar."[30]

Horner also composed the score for the 2010 version of The Karate Kid, replacing Atli Örvarsson. This film—the first that Horner worked on after Avatar[31]—was released in 2010. In 2011, Horner scored Cristiada (also known as For Greater Glory), which was released a year later, and Black Gold. In 2012 Horner scored The Amazing Spider-Man, starring Andrew Garfield. In a recent interview on his website, Horner revealed why he didn't return to compose the second movie; that he didn't like how the movie resulted in comparison to the first movie, and even called the movie "dreadful."[32] Upon his departure, he was replaced by Hans Zimmer.

At the beginning of 2015, Horner wrote the music for Jean-Jacques Annaud's adventure film Wolf Totem, which marked his fourth collaboration with Annaud and also Horner's first film score in nearly three years.[33]

At the time of his death, Horner had two films he had scored but had yet to be released: Southpaw, a boxing drama film directed by Antoine Fuqua and starring Jake Gyllenhaal and Rachel McAdams, which he composed for free due to a love of the film[34] and The 33, from director Patricia Riggen.[35] In July 2015, a month after his death, it was discovered that Horner already had written the score for the 2016 remake of The Magnificent Seven, and had planned for it to be a surprise.[36]

Horner's scores have been sampled in trailers for other films. The climax of the track Bishop's Countdown from his score for Aliens ranks fifth in the most commonly used soundtrack cues for film trailers.[37]

Orchestral work

In 2014, Horner composed the commission piece Pas de Deux, a double concerto for violin and cello, which was premiered on November 12, 2014, by Mari and Håkon Samuelsen with the Royal Liverpool Philharmonic Orchestra conducted by Vasily Petrenko. The work was commissioned to mark the 175th season of the Royal Liverpool Philharmonic.[38] Horner also composed Collage, a concerto for four horns, which premiered on March 27, 2015, at the Royal Festival Hall in London by the London Philharmonic Orchestra conducted by Jaime Martín, with David Pyatt, John Ryan, James Thatcher and Richard Watkins as soloists.[39]

Musical borrowing

Horner has been criticized for writing film scores that incorporate passages from his earlier compositions, and that feature brief excerpts or reworked themes from other classical composers.[5] For example, his scores from Star Trek II: The Wrath of Khan and Star Trek III: The Search for Spock include excerpts from Alexander Nevsky and Romeo and Juliet, both by Prokofiev,[40][41] while the heroic theme from Willow is based on that of Robert Schumann's Rhenish Symphony. The climactic battle scene in Glory includes excerpts from Wagner and Orff.[42] In the view of some critics, Horner's propensity for borrowing passages from other composers as well as his own earlier work makes his compositions inauthentic or unoriginal;[43][44][45] a Filmtracks editorial review of Titanic said Horner was "skilled in the adaptation of existing music into films with just enough variation to avoid legal troubles."[5]

Death and legacy

On June 22, 2015, multiple international news outlets reported that Horner was presumed to have died when his S312 Tucano turboprop aircraft,[46] aircraft registration number N206PZ, crashed into the Los Padres National Forest near Ventucopa, California.[16] The following day, his representatives at the Gorfaine/Schwartz Agency posted a message on their website stating that Horner, the only person aboard the aircraft, was killed.[47] His attorney confirmed Horner was in the airplane when it took off after fueling at Camarillo Airport.[48] The Ventura County Medical Examiner's Office on June 25 confirmed Horner's death and ruled the crash an accident.[49] The National Transportation Safety Board's accident ID is WPR15FA195.[50] He is survived by his wife, Sara Elizabeth Horner (née Nelson) and two daughters.

Contemporaries and collaborators around the world paid their respects to Horner, including composers Hans Zimmer, Paul Williams and Alan Menken, and directors Ron Howard[51] and James Cameron. Horner was reported to be committed to the Avatar franchise; Cameron said he and Horner "were looking forward to our next gig."[52] Horner's assistant, Sylvia Patrycja, wrote on her Facebook page, "We have lost an amazing person with a huge heart and unbelievable talent [who] died doing what he loved."[53] Many celebrities, including Russell Crowe, Diane Warren and Celine Dion, also gave their condolences.[54] Dion, who sang "My Heart Will Go On", one of Horner's most popular compositions and considered Dion's signature song,[55] wrote on her website that she and husband René Angélil were "shaken by the tragic death" of their friend and "will always remember his kindness and great talent that changed [her] career."[56] Leona Lewis, who recorded Horner's "I See You" for Avatar, said working with him "was one of the biggest moments of my life."[57]

Post-accident investigation by the NTSB revealed Horner contacted the Southern California Air Route Traffic Control Center, where he received advisories while flying through over the Chumash Wilderness area before he crashed.[50] The NTSB interviewed two witnesses of Horner's last flight, who were living in their homes as Horner flew over; one witness said that the plane flew between 500 and 700 feet.[50]

List of scores




Year Title Director Studio(s) Notes
1980 Humanoids from the Deep Barbara Peeters New World Pictures
Battle Beyond the Stars Jimmy T. Murakami New World Pictures Score reused in later Roger Corman productions
1981 The Hand Oliver Stone Orion Pictures
Warner Bros. Pictures
Wolfen Michael Wadleigh Orion Pictures
Warner Bros. Pictures
Replaced Craig Safan
Deadly Blessing Wes Craven PolyGram Pictures
United Artists
The Pursuit of D. B. Cooper Roger Spottiswoode Universal Pictures
1982 Star Trek II: The Wrath of Khan Nicholas Meyer Paramount Pictures
48 Hrs. Walter Hill Paramount Pictures
1983 Something Wicked This Way Comes Jack Clayton Bryna Productions
Walt Disney Pictures
Replaced Georges Delerue
Krull Peter Yates Columbia Pictures
Brainstorm Douglas Trumbull Metro-Goldwyn-Mayer
Testament Lynne Littman Paramount Pictures
The Dresser Peter Yates Columbia Pictures
Gorky Park Michael Apted Orion Pictures (original theatrical release)
Metro-Goldwyn-Mayer (current rights)
Uncommon Valor Ted Kotcheff Paramount Pictures
1984 The Stone Boy Christopher Cain 20th Century Fox
Star Trek III: The Search for Spock Leonard Nimoy Paramount Pictures
1985 Heaven Help Us Michael Dinner HBO Pictures
TriStar Pictures
Cocoon Ron Howard 20th Century Fox
Volunteers Nicholas Meyer TriStar Pictures
The Journey of Natty Gann Jeremy Kagan Walt Disney Pictures Replaced Elmer Bernstein
Commando Mark L. Lester Silver Pictures
20th Century Fox
1986 Off Beat Michael Dinner Silver Screens Partners II
Touchstone Pictures
Aliens James Cameron Brandywine Productions
20th Century Fox
Oscar nomination
Where the River Runs Black Christopher Cain Metro-Goldwyn-Mayer
The Name of the Rose Jean-Jacques Annaud RAI
Constantin Film
20th Century Fox (North America)
Columbia Pictures (International)
An American Tail Don Bluth Sullivan Bluth Studios
Amblin Entertainment
Universal Pictures
Oscar & Golden Globe nomination; also wrote "Somewhere Out There" with Barry Mann and Cynthia Weil for Linda Ronstadt and James Ingram
1987 P.K. and the Kid[58] Lou Lombardo Sunn Classic Pictures
Project X Jonathan Kaplan 20th Century Fox
*batteries not included Matthew Robbins Amblin Entertainment
Universal Pictures
1988 Willow Ron Howard Lucasfilm
Imagine Entertainment
Red Heat Walter Hill Carolco Pictures
TriStar Pictures
Vibes Ken Kwapis Imagine Entertainment
Columbia Pictures
The Land Before Time Don Bluth Sullivan Bluth Studios
Amblin Entertainment
Universal Pictures
also wrote "If We Hold On Together" with Will Jennings for Diana Ross
Cocoon: The Return Daniel Petrie 20th Century Fox
1989 Field of Dreams Phil Alden Robinson Universal Pictures Oscar nomination
Honey, I Shrunk the Kids Joe Johnston Walt Disney Pictures
In Country Norman Jewison Warner Bros. Pictures
Dad Gary David Goldberg Amblin Entertainment
Universal Pictures
Glory Edward Zwick TriStar Pictures Golden Globe nomination


Year Title Director Studio(s) Notes
1990 I Love You to Death Lawrence Kasdan TriStar Pictures
Another 48 Hrs. Walter Hill Paramount Pictures
1991 Once Around Lasse Hallström Cinecom Entertainment
Universal Pictures
My Heroes Have Always Been Cowboys Stuart Rosenberg The Samuel Goldwyn Company
Class Action Michael Apted Interscope Communications
20th Century Fox
The Rocketeer Joe Johnston Gordon Company
Silver Screen Partners IV
Walt Disney Pictures
An American Tail: Fievel Goes West Phil Nibbelink and Simon Wells Amblimation
Amblin Entertainment
Universal Pictures
Golden Globe nomination; also wrote "Dreams to Dream" with Will Jennings for Linda Ronstadt
1992 Thunderheart Michael Apted Tribeca Productions
TriStar Pictures
Sneakers Phil Alden Robinson Universal Studios
Unlawful Entry Jonathan Kaplan Largo Entertainment
20th Century Fox
Patriot Games Phillip Noyce Paramount Pictures
1993 Swing Kids Thomas Carter Hollywood Pictures
A Far Off Place Mikael Salomon Touchwood Pacific Partners
Amblin Entertainment
Walt Disney Pictures
Jack the Bear Marshall Herskovitz 20th Century Fox
Once Upon a Forest Charles Grosvenor ITV
Hanna-Barbera Productions
20th Century Fox
also wrote "Once Upon A Time With Me" with Will Jennings for Florence Warner
House of Cards Michael Lessac Miramax Films
Hocus Pocus Kenny Ortega Walt Disney Pictures Only wrote "Sarah's Theme" with Brock Walsh; film scored by John Debney
Searching for Bobby Fischer Steven Zaillian Paramount Pictures
The Man Without a Face Mel Gibson Icon Productions
Warner Bros. Pictures
Bopha! Morgan Freeman Paramount Pictures
We're Back! A Dinosaur's Story Phil Nibbelink and Simon Wells Amblimation
Universal Pictures
also wrote "Roll Back The Rock (To The Dawn Of Time)" with Thomas Dolby for Little Richard
The Pelican Brief Alan J. Pakula Warner Bros. Pictures
1994 Clear and Present Danger Phillip Noyce Paramount Pictures
The Pagemaster Joe Johnston Turner Feature Animation
20th Century Fox (North America)
Turner Pictures (International)
also wrote "Whatever You Imagine" with Barry Mann and Cynthia Weil for Wendy Moten
Legends of the Fall Edward Zwick Bedford Falls Productions
TriStar Pictures
Golden Globe nomination; also wrote "Twilight and Mist" with Brock Walsh
1995 Braveheart Mel Gibson Icon Productions
The Ladd Company
Paramount Pictures (North America)
20th Century Fox (International)
Oscar, Golden Globe & BAFTA nomination
Casper Brad Silberling Harvey Films
Amblin Entertainment
Universal Pictures
Apollo 13 Ron Howard Imagine Entertainment
Universal Pictures
Oscar nomination
Jade William Friedkin Paramount Pictures
Jumanji Joe Johnston Interscope Communications
TriStar Pictures
Balto Simon Wells Amblimation
Amblin Entertainment
Universal Pictures
also wrote "Reach for the Light" with Barry Mann and Cynthia Weil for Steve Winwood
1996 The Spitfire Grill Lee David Zlotoff Castle Rock Entertainment
Columbia Pictures
Replaced Bennie Wallace
Courage Under Fire Edward Zwick Davis Entertainment
20th Century Fox
To Gillian on Her 37th Birthday Michael Pressman Rastar
Triumph Films
Ransom Ron Howard Icon Productions
Imagine Entertainment
Touchstone Pictures
Replaced Howard Shore
1997 The Devil's Own Alan J. Pakula Columbia Pictures
Titanic James Cameron Lightstorm Entertainment
Paramount Pictures (North America)
20th Century Fox (International)
Oscar, Golden Globe & Grammy winner, BAFTA nomination; also wrote "My Heart Will Go On" with Will Jennings for Celine Dion
1998 Deep Impact Mimi Leder Paramount Pictures (US)
DreamWorks Pictures (International)
The Mask of Zorro Martin Campbell Amblin Entertainment
TriStar Pictures
also wrote "I Want to Spend My Lifetime Loving You" with Will Jennings for Tina Arena and Marc Anthony
Mighty Joe Young Ron Underwood RKO Pictures
Walt Disney Pictures
1999 Bicentennial Man Chris Columbus 1492 Pictures
Touchstone Pictures (North America)
Columbia Pictures (International)
also wrote "Then You Look at Me" with Will Jennings for Celine Dion


Year Title Director(s) Studio(s) Notes
2000 The Perfect Storm Wolfgang Petersen Warner Bros. Pictures also wrote "Yours Forever" with Will Jennings for John Mellencamp
How the Grinch Stole Christmas Ron Howard Imagine Entertainment
Universal Pictures
also wrote "Where Are You, Christmas?" with Mariah Carey and Will Jennings for Faith Hill
2001 Enemy at the Gates Jean-Jacques Annaud Mandalay Pictures
Paramount Pictures
Iris Richard Eyre BBC Films
Mirage Enterprises
Miramax Films
A Beautiful Mind Ron Howard Imagine Entertainment
DreamWorks Pictures
Universal Pictures
Golden Globe & Oscar Nominee; also wrote "All Love Can Be" with Will Jennings for Charlotte Church
2002 Windtalkers John Woo Lion Rock Productions
The Four Feathers Shekhar Kapur Lakeshore Entertainment
Mandeville Films
Paramount Pictures (US)
Miramax Films (International)
2003 Beyond Borders Martin Campbell Mandalay Pictures
Paramount Pictures
Radio Michael Tollin Tollin/Robbins Productions
Revolution Studios
Columbia Pictures
The Missing Ron Howard Revolution Studios
Imagine Entertainment
Columbia Pictures
House of Sand and Fog Vadim Perelman DreamWorks Pictures Oscar Nominee
2004 Bobby Jones: Stroke of Genius Rowdy Herrington Film Foundry Releasing
Troy Wolfgang Petersen Warner Bros. Pictures Replaced Gabriel Yared; also wrote "Remember" with Cynthia Weil for Josh Groban and Tanja Carovska
The Forgotten Joseph Ruben Revolution Studios
Columbia Pictures
2005 The Chumscrubber Arie Posin Newmarket Films
Equity Pictures
Go Fish Pictures (through DreamWorks Pictures)
Flightplan Robert Schwentke Imagine Entertainment
Touchstone Pictures
The Legend of Zorro Martin Campbell Spyglass Entertainment
Amblin Entertainment
Columbia Pictures
The New World Terrence Malick New Line Cinema
2006 All the King's Men Steven Zaillian Relativity Media
Phoenix Pictures
Columbia Pictures
Apocalypto Mel Gibson Icon Productions
Touchstone Pictures
2007 The Life Before Her Eyes Vadim Perelman 2929 Entertainment
Magnolia Pictures
2008 The Spiderwick Chronicles Mark Waters Nickelodeon Movies
The Kennedy/Marshall Company
Paramount Pictures
The Boy in the Striped Pyjamas Mark Herman BBC Films
Heyday Films
Miramax Films
2009 Avatar James Cameron Lightstorm Entertainment
Dune Entertainment
Ingenious Film Partners
20th Century Fox
Golden Globe, BAFTA & Oscar Nominee; also wrote "I See You" with Kuk Harrell and Simon Franglen for Leona Lewis


Year Title Director(s) Studio(s) Notes
2010 The Karate Kid Harald Zwart Overbrook Entertainment
JW Productions
China Film Group
Columbia Pictures
2011 Day of the Falcon[59] Jean-Jacques Annaud Image Entertainment
2012 Cristiada Dean Wright ARC Entertainment
20th Century Fox
The Amazing Spider-Man Marc Webb Marvel Entertainment
Columbia Pictures
2015 Wolf Totem Jean-Jacques Annaud
One Day in Auschwitz[60] Steve Purcell Documentary
Living in the Age of Airplanes[15][61][62] Brian J. Terwilliger Terwilliger Productions Documentary
Southpaw Antoine Fuqua Escape Artists
Fuqua Films
The Weinstein Company
First posthumous release
The 33 Patricia Riggen Alcon Entertainment
Phoenix Pictures
Warner Bros. Pictures
Second posthumous release
2016 The Magnificent Seven Antoine Fuqua Village Roadshow Pictures
Columbia Pictures
Third and final motion picture posthumous release[34]


Short films


Awards and nominations

Horner won two Academy Awards, for Best Original Dramatic Score (Titanic) and Best Original Song ("My Heart Will Go On") in 1998, and was nominated for an additional eight Oscars.[69] He also won two Golden Globe Awards,[70] three Satellite Awards, three Saturn Awards, and has been nominated for three British Academy Film Awards.[71]

In October 2013 James Horner received the Max Steiner Award at the Hollywood in Vienna Gala, an award given for extraordinary achievements in the field of film music.[72]


In 2005, the American Film Institute unveiled their list of the top twenty-five American film scores. Five of Horner's scores were among 250 nominees, making him the most nominated composer to not make the top twenty-five:[73]

List of accolades

Award Year Project Category Outcome
Academy Awards 1986 Aliens Best Original Score Nominated
"Somewhere Out There" (from An American Tail; shared with Cynthia Weil and Barry Mann) Best Original Song Nominated
1989 Field of Dreams Best Original Score Nominated
1995 Apollo 13 Best Original Dramatic Score Nominated
Braveheart Best Original Dramatic Score Nominated
1997 Titanic Best Original Dramatic Score Won
"My Heart Will Go On" (from Titanic; shared with Will Jennings) Best Original Song Won
2001 A Beautiful Mind Best Original Score Nominated
2003 House Of Sand And Fog Best Original Score Nominated
2009 Avatar Best Original Score Nominated
BAFTA Awards 1995 Braveheart Best Film Music Nominated
1997 Titanic Best Film Music Nominated
2009 Avatar Best Film Music Nominated
Chicago Film Critics Association 1997 Titanic Best Original Score Won
2001 A Beautiful Mind Best Original Score Nominated
2009 Avatar Best Original Score Nominated
Golden Globe Awards 1986 "Somewhere Out There" (from An American Tail; shared with Cynthia Weil and Barry Mann) Best Original Song Nominated
1989 Glory Best Original Score Nominated
1991 "Dreams to Dream" (from An American Tail: Fievel Goes West; shared with Will Jennings) Best Original Song Nominated
1994 Legends of the Fall Best Original Score Nominated
1995 Braveheart Best Original Score Nominated
1997 Titanic Best Original Score Won
"My Heart Will Go On" (from Titanic; shared with Will Jennings) Best Original Song Won
2001 A Beautiful Mind Best Original Score Nominated
2009 Avatar Best Original Score Nominated
"I See You" (from Avatar; shared with Kuk Harrell and Simon Franglen) Best Original Song Nominated
Satellite Awards 1997 Titanic Best Original Score Won
"My Heart Will Go On" (from Titanic; shared with Will Jennings) Best Original Song Won
2001 A Beautiful Mind Best Original Score Nominated
"All Love Can Be" (from A Beautiful Mind; shared with Will Jennings) Best Original Song Won
2003 The Missing Best Original Score Nominated
Saturn Awards 1983 Brainstorm Best Music Won
Krull Best Music Nominated
Something Wicked This Way Comes Best Music Nominated
1985 Cocoon Best Music Nominated
1986 An American Tail Best Music Nominated
1989 Honey, I Shrunk the Kids Best Music Nominated
1995 Braveheart Best Music Nominated
2000 How the Grinch Stole Christmas Best Music Won
2009 Avatar Best Music Won
Grammy Awards


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