Intimate Stories

Historias mínimas

Theatrical release poster
Directed by Carlos Sorín
Produced by Martin Bardi
Written by Pablo Solarz
Starring Javier Lombardo
Antonio Benedicti
Javiera Bravo
Music by Nicolás Sorín
Cinematography Hugo Colace
Edited by Mohamed Rajid
Distributed by Guacamole Films
Release dates
  • September 26, 2002 (2002-09-26) (Spain)
  • October 24, 2002 (2002-10-24) (Argentina)
  • January 2003 (2003-01) (United States)
Running time
92 minutes
Country Argentina
Language Spanish

Historias mínimas (English: Minimal Stories; released internationally as Intimate Stories) is a 2002 Argentine drama film directed by Carlos Sorín and written by Pablo Solarz. The film was produced by Martin Bardi, Leticia Cristi, and José María Morales. It features, among others, Javier Lombardo, Antonio Benedicti and Javiera Bravo.[1]

This road movie chronicles three individual yet intertwined stories of ordinary people striving to follow their dreams in life. The picture unfolds in the southern Argentine region of Patagonia, and it was filmed in the Santa Cruz Province, Patagonia. The film captures a lot of small details that make a realistic and moving depiction of life in southern Argentina.


The story follows three different persons travelling the Argentine Patagonia: Don Justo (Antonio Benedicti), an elderly man who hands over the running of his grocery store to his overbearing son and daughter-in-law and escapes to search for his lost dog, named Badface. Roberto (Javier Lombardo) is a love-struck obsessive-compulsive traveling salesman who drives to San Julián to surprise one of his clients by bringing a cake for her child's birthday. Finally, María Flores (Javiera Bravo) is a lower class woman who travels to San Julián with her daughter because she has won a spot on "Multicoloured Casino" a fusty TV game show.




In a neo-realist fashion, the film director used mostly non-professional actors; the only professional actor was Javier Lombardo (Roberto).


The film was first presented at the Donostia-San Sebastián International Film Festival, Spain on September 26, 2002, and was released in Argentina on October 24, 2002.

It was featured at various film festivals, including the International Film Festival, Rotterdam; the Latin America Film Festival, Poland; the Karlovy Vary Film Festival, Czech Republic; the Copenhagen International Film Festival, Denmark; the Bergen International Film Festival, Norway; the Spanish Film Festival, Philippines; Havana Film Festival, Cuba; the Cartagena Film Festival, Colombia; the Festróia - Tróia International Film Festival, Portugal; the Fribourg International Film Festival, Switzerland; the Tromsø International Film Festival, Norway, and the Uruguay International Film Festival, Uruguay.

In the United States it was shown at the Sundance Film Festival in January, 2003, then released in New York City on March 4, 2005.

Critical reception

Tom Dawson, film critic for the BBC wrote, "Patagonian landscapes with the modesty of his characters' aspirations, Sorín has crafted an appealing portrait of this remote region, where television provides the inhabitants with their main link to the wider world. Convincingly acted by the mainly non-professional cast, Historias mínimas is further proof of the diversity and strength of contemporary Argentine cinema."[2]

Ed Gonzales, a critic for Slant Magazine, liked Carlos Sorín's directorial work, and the film reminded him of some well-regarded American directors: "It's the film's crisscrossing narrative and sense of community that brings to mind Altman's Short Cuts, but the pursuit of enlightenment and the poetic texture of Sorín's images similarly evokes Lynch's The Straight Story. Quiet and unpretentious, the film's humanism isn't confrontational exactly but it's intense nonetheless."[3]





  1. Historias mínimas at the Internet Movie Database.
  2. Dawson, Tom. BBC, film review, July 22, 2003.
  3. Gonzales, Ed. Slant Magazine, film review, 2004.
This article is issued from Wikipedia - version of the 10/21/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.