Hitchcock (film)


Theatrical film poster
Directed by Sacha Gervasi
Produced by Ivan Reitman
Tom Pollock
Joe Medjuck
Tom Thayer
Alan Barnette
Screenplay by John J. McLaughlin
Based on Alfred Hitchcock and the Making of Psycho
by Stephen Rebello
Starring Anthony Hopkins
Helen Mirren
Scarlett Johansson
Toni Collette
Danny Huston
Jessica Biel
James D'Arcy
Michael Wincott
Music by Danny Elfman
Cinematography Jeff Cronenweth
Edited by Pamela Martin
The Montecito Picture Company
Cold Spring Pictures
Distributed by Fox Searchlight Pictures
Release dates
  • November 1, 2012 (2012-11-01) (AFI Fest)
  • November 23, 2012 (2012-11-23) (United States)
Running time
98 minutes[1]
Country United States
Language English
Box office $27.5 million[2]

Hitchcock is a 2012 American biographical drama film directed by Sacha Gervasi, based on Stephen Rebello's non-fiction book Alfred Hitchcock and the Making of Psycho. The film was released in selected cities on November 23, 2012,[3] with a worldwide release on December 14, 2012.

Hitchcock centers on the relationship between film director Alfred Hitchcock (Anthony Hopkins) and his wife Alma Reville (Helen Mirren) during the making of Psycho, a controversial horror film that became one of the most acclaimed and influential works in the filmmaker's career.

Plot summary

In 1959, Alfred Hitchcock opens his latest film, North by Northwest, to considerable success, but is troubled by a reporter's insinuation that he should retire. Seeking to reclaim the artistic daring of his youth, Hitchcock turns down film proposals, such adapting Casino Royale in favor of a horror novel called Psycho by Robert Bloch, based on the real-life crimes of murderer Ed Gein. Gein appears in sequences throughout the film, in which he seems to prompt Hitchcock's imagination regarding the Psycho story, or act as some function of Hitchcock's subconscious mind (for instance, drawing Hitchcock's attention to sand on his bathroom floor, the quantity of which reveals how much time his wife Alma has been spending at the beachhouse with Whitfield Cook).

Hitchcock's wife and artistic collaborator, Alma, is no more enthusiastic about the idea than his colleagues, especially since she is being lobbied by their writer friend, Whitfield Cook, to look at his own screenplay. However, she warms to Hitchcock's proposal, suggesting the innovative plot turn of killing the female lead early in the film. The studio heads at Paramount prove more difficult to persuade, forcing Hitchcock to finance the film personally and use his Alfred Hitchcock Presents television crew (over at competitor Revue/Universal) to produce the film. (As this film completed his contract with Paramount, all subsequent films were made at Universal.)

However, the pressures of the production, such as dealing with Geoffrey Shurlock of the Motion Picture Production Code, and Hitchcock's lecherous habits, such as when they confer with the female lead, Janet Leigh, annoy Alma. She begins a personal writing collaboration with Whitfield Cook on his screenplay at his beach house without Hitchcock's knowledge. Hitchcock eventually discovers what she has been doing and suspects her of having an affair. This concern affects Hitchcock's work on Psycho. Hitchcock eventually confronts Alma and asks her if she is having an affair. Alma angrily denies it.

Alma temporarily takes over production of the film when Hitchcock is bedridden after collapsing from overwork, but this sequence, which included a complicated process shot showing Arbogast's demise, with Alma's specification of a 35mm lens, instead of the 50mm lens preferred by Hitchcock for this film, proved to be the least effective in the film.

Meanwhile, Hitchcock expresses his disappointment to Vera Miles at how she didn't follow through on his plan to make her the next biggest star after Grace Kelly; but Miles says she is happy with her family life.

Hitchcock's cut of Psycho is poorly received by the studio executives, while Alma discovers Whitfield having sex with a younger woman at his beach house. Hitchcock and Alma reconcile and set to work on improving the film. Their renewed collaboration yields results, culminating in Alma convincing Hitchcock to accept their composer's suggestion for adding Bernard Herrmann's harsh strings score to the shower scene.

After maneuvering Shurlock into leaving the film's content largely intact, Hitchcock learns the studio is only going to exhibit the film in two theaters. Hitchcock arranges for special theater instructions to pique the public's interest such as forbidding admittance after the film begins. At the film's premiere, Hitchcock first views the audience from the projection booth, looking out through its small window at the audience (a scene which recalls his spying on his leading actresses undressing earlier in the film–by looking through a hole cut in the dressing room wall–which itself is a voyeuristic motif included in the film of Psycho). Hitchcock then waits in the lobby for the audience's reaction, conducting slashing motions to their reactions as they scream on cue. The film is rewarded with an enthusiastic reception.

With the film's screening being so well received, Hitchcock publicly thanks his wife afterward for helping make it possible and they affirm their love. At the conclusion at his home, Hitchcock addresses the audience noting Psycho proved a major high point of his career and he is currently pondering his next project. A raven lands on his shoulder as a reference to The Birds, before turning to meet with his wife.

The final title cards say that Hitchcock directed six more films after Psycho, none of which would eclipse its commercial success, and although he never won an Oscar, the American Film Institute awarded him its Life Achievement Award in 1979: an award that he claimed he shared, as he had his life, with his wife, Alma.




In 2005, it was reported that A&E would produce a television film or miniseries based on Stephen Rebello's book Alfred Hitchcock and the Making of Psycho.[4] Subsequently, the book was optioned as a major motion picture. In 2007, The Montecito Picture Company, owned by Ivan Reitman and Tom Pollock, set up a first look deal with Paramount Pictures, the original distributor of Psycho. However, after four years of development at Paramount, production moved to Fox Searchlight Pictures.[5]

On November 20, 2011, Sacha Gervasi was announced as being in negotiations to direct the dramatic motion picture. Early the next month, Gervasi signed on as director with Anthony Hopkins and Helen Mirren attached to star as Alfred Hitchcock and Alma Reville, respectively.[5] Black Swan co-writer John J. McLaughlin wrote the first screenplay drafts; subsequently, Stephen Rebello wrote additional uncredited drafts that shifted the story's focus away from Ed Gein and instead toward the complex personal and professional relationship of Hitchcock and his wife, Alma Reville, during the filming of Psycho.


Much of the film's casting was announced in March 2012. On March 1, 2012, Scarlett Johansson and James D'Arcy were announced to play the stars of Psycho, Janet Leigh and Anthony Perkins.[6] Later that month Jessica Biel was cast as Vera Miles.[7] Following, additional cast members were announced that included Toni Collette as the director's trusted assistant, Danny Huston as screenwriter-playwright Whitfield Cook, Michael Stuhlbarg as powerful agent and studio boss Lew Wasserman, Michael Wincott as serial killer Ed Gein, Ralph Macchio as screenwriter Joseph Stefano, Richard Portnow as Paramount Pictures boss Barney Balaban, and Wallace Langham as graphic designer Saul Bass.[8][9]


Principal photography for the film began on April 13 in Los Angeles, with the film retitled as Hitchcock.[10] Filming was wrapped up on May 31 after the completion of a scene set during Psycho's New York City premiere on June 16, 1960.[11]


On September 12, 2012, it was announced that Danny Elfman would compose the film's score.[12] Elfman had previously rerecorded Bernard Herrmann's original score to Psycho in 1998 for Gus Van Sant's 1998 shot-for-shot remake.[13]

The soundtrack album to the film was released by Sony Classical on December 14, 2012.[14]


Fox Searchlight Pictures announced on September 20, 2012, via their Twitter page, that Hitchcock would open in limited release on November 23, 2012, in order for the film to contend during Oscar season.[3] The film had its world premiere as the opening film of AFI Fest 2012 on November 1 with a gala at Grauman's Chinese Theatre in Hollywood.[15] The first trailer for the film was released on October 10, 2012.[16]

Hitchcock was released onto DVD and Blu-ray on March 12, 2013 by 20th Century Fox Home Entertainment. The home media releases contain several making-of featurettes as well as commentary between director Sacha Gervasi and author Stephen Rebello, a deleted scene, and the film's theatrical trailer.[17]


Box office

Hitchcock has earned an estimated $23,570,541 worldwide.[18] During its opening on Thanksgiving weekend, the film debuted in 17 theaters and grossed an average of $16,924 per theater.[19]

Critical response

Hitchcock received mixed reviews from the critics. Review aggregator Rotten Tomatoes gives a rating of 61%, based on 197 reviews, with an average rating of 6.2/10. The site's critical consensus reads, "Though it suffers from tonal inconsistency and a lack of truly insightful retrospection, Hitchcock is elevated by inspired performances from its two distinguished leads."[20] On Metacritic, the film has a score of 55 out of 100, based on 40 critics, indicating "mixed or average reviews".[21]

Soon after the film's world premiere at the AFI Fest 2012, the first reviews of Hitchcock were published. Tom O'Neil of The Huffington Post wrote, "When the film unspooled at AFI Fest on Thursday night, the audience burst into wild huzzahs at the end. This Hitchcock is so well made, so much fun and so suspenseful that it would make the original Hitchcock proud ... It's a serious contender for Best Picture, lead actor, lead actress, adapted screenplay, makeup, music score, and maybe art direction."[22] John Patterson of The Guardian called the film "clever and witty"; "the making of Psycho is depicted in detail without our seeing one frame of the completed movie" and concluding "it lives and breathes through Hopkins and Mirren."[23]

Upon its theatrical release, Mary Pols of Time called the film "a feel-good frolic, which is fine for anyone who prefers their Hitchcock history tidied up, absent the megalomania, the condescending cruelty and tendency to sexual harassment that caused his post-Psycho blonde discovery Tippi Hedren to declare him 'a mean, mean man.'"[24] Roger Ebert of the Chicago Sun-Times gave the film a positive review and felt that the film depended most on Helen Mirren's portrayal of Alma Reville, which he found to be "warm and effective."[25]

The Atlantic's Govindini Murty called the film "smart and entertaining" and also provided a cultural guide to the themes, personalities, and cinematic references in the film, from German Expressionism to the paintings of Edward Hopper.[26]

Many critics compared the film to the HBO biopic The Girl, which was released a month earlier and detailed Hitchcock making The Birds and Marnie. Justin Chang of Variety wrote that "the comparatively frothy Hitchcock offers a more sympathetic, even comedic assessment of the man behind the portly silhouette."[27] Todd McCarthy of The Hollywood Reporter also made note that the film "brings a measure of authenticity entirely missing from The Girl." When writing about the film as a whole, McCarthy said, "Hitchcock might be a work of fantasy and speculation as much as it is history and biography, but as an interpretation of a major talent's inner life and imagination, it's undeniably lively and provocative."[28]


Award Category Recipients and nominees Result
Academy Awards (85th) Best Makeup and Hairstyling Gregory Nicotero, Howard Berger, Peter Montagna and Julie Hewitt Nominated
Alliance of Women Film Journalists Actress Defying Age and Ageism Helen Mirren Nominated
British Academy Film Awards Best Actress Helen Mirren Nominated
Best Makeup and Hair Nominated
Dallas-Fort Worth Film Critics Association Best Actress Helen Mirren Nominated
Golden Globe Awards Best Motion Picture Actress – Drama Helen Mirren Nominated
Houston Film Critics Society Best Score Nominated
London Film Critics Circle British Actress of the Year Helen Mirren Nominated
Phoenix Film Critics Society Best Actor Anthony Hopkins Nominated
Best Original Score Danny Elfman Nominated
Saturn Awards Best Independent Film Nominated
Best Actress Helen Mirren Nominated
Best Make-Up Gregory Nicotero, Howard Berger, Peter Montagna and Julie Hewitt Nominated
Screen Actors Guild Awards[29] Best Actress Helen Mirren Nominated
St. Louis Gateway Film Critics Association Best Actress Helen Mirren Nominated
Best Scene Anthony Hopkins in lobby conducting to music/audience’s reaction during “Psycho” shower scene Won
Washington DC Area Film Critics Association Best Actress Helen Mirren Nominated

See also


  1. "HITCHCOCK (12A)". British Board of Film Classification. November 13, 2012. Retrieved 2012-11-13.
  2. Hitchcock at Box Office Mojo
  3. 1 2 Rosen, Christopher (September 20, 2012). "'Hitchcock' Release Date: Anthony Hopkins Drama Set For Nov. 23, 2012". Huffington Post. Retrieved September 20, 2012.
  4. Martin, Denise (July 13, 2005). "A&E looks into 'Live'". Variety. Retrieved September 17, 2012.
  5. 1 2 Kit, Borys (December 7, 2012). "Helen Mirren Circling 'Alfred Hitchcock' as Project Moves From Paramount to Fox Searchlight (Exclusive)". The Hollywood Reporter. Retrieved September 17, 2012.
  6. Trumbore, Dave (March 1, 2012). "Scarlett Johansson and James D'Arcy Join ALFRED HITCHCOCK AND THE MAKING OF PSYCHO". Collider.com. Retrieved September 17, 2012.
  7. Donnelly, Matt (March 21, 2012). "Jessica Biel nabs coveted 'Hitchcock' role as Vera Miles". Los Angeles Times. Retrieved September 17, 2012.
  8. Gallagher, Brian (March 21, 2012). "Toni Collette and Danny Huston Join Alfred Hitchcock and the Making of Psycho". Movieweb. Retrieved September 17, 2012.
  9. "Original Karate Kid Ralph Macchio Joins Alfred Hitchock & The Making of Psycho". April 18, 2012. Retrieved September 17, 2012.
  10. Savage, Sophia (April 12, 2012). "Gervasi's 'Hitchcock' Shortens Title & Calls Itself A Love Story; Shoots April 13 in LA with Hopkins, Mirren & Johansson". Indiewire. Retrieved September 17, 2012.
  11. Horgan, Richard (June 4, 2012). "UCLA Prof, Students Visit Sacha Gervasi's Hitchcock Set". Mediabistro. Retrieved September 17, 2012.
  12. Trumbore, Dave. "Danny Elfman to Score Gus Van Sant's PROMISED LAND and Sacha Gervasi's HITCHCOCK, Both of Which May Debut Early to Qualify for 2012 Oscars". Collider. Retrieved September 12, 2012.
  13. Browne, David (January 8, 1999). "Psycho: Music From and Inspired by the Motion Picture". Entertainment Weekly. Retrieved September 20, 2012.
  14. "Original Motion Picture Soundtrack Of "HITCHCOCK" With Music By Danny Elfman Available December 4, 2012". The Sacramento Bee. November 16, 2012. Retrieved November 20, 2012.
  15. Olsen, Mark (September 27, 2012). "'Hitchcock' to open AFI Film Festival". Los Angeles Times. Retrieved October 1, 2012.
  16. Chitwood, Adam (October 10, 2012). "First Trailer and New Poster for HITCHCOCK Starring Anthony Hopkins". Collider.com. Retrieved October 10, 2012.
  17. "Hitchcock Blu-ray (Updated)". Blu-ray.com. January 8, 2013. Retrieved May 31, 2013.
  18. Hitchcock at Box Office Mojo
  19. Subers, Ray (November 25, 2012). "Weekend Report: 'Twilight,' Bond Dominate Fruitful Thanksgiving". Box Office Mojo. Retrieved November 26, 2012.
  20. "Hitchcock". Rotten Tomatoes. Flixster. Retrieved December 12, 2015.
  21. "Hitchcock". Metacritic. CBS Interactive. Retrieved March 2, 2015.
  22. O'Neil, Tom (November 3, 2012). "Hitchcock Adds Suspense to the Oscars Race". The Huffington Post. Retrieved November 7, 2012.
  23. Patterson, John (November 2, 2012). "Hitchcock – first look review". The Guardian. Retrieved November 7, 2012.
  24. Pols, Mary (November 20, 2012). "Hitchcock: To Psycho with Love". Time Magazine. Retrieved November 20, 2012.
  25. Ebert, Roger (November 20, 2012). "Hitchcock". Chicago Sun-Times. Retrieved November 21, 2012.
  26. Murty, Govindini (November 28, 2012). "Catching the References in 'Hitchcock,' From 'The Birds' to the Blondes". The Atlantic. Retrieved November 28, 2012.
  27. Chang, Justin (November 2, 2012). "Variety Reviews – Hitchcock". Variety. Retrieved November 20, 2012.
  28. McCarthy, Todd (November 2, 2012). "Hitchcock Review". The Hollywood Reporter. Retrieved November 20, 2012.
  29. Knegt, Peter (December 12, 2012). "Silver Linings, Lincoln, Les Mis Lead SAG Award Nominations". IndieWire. A SnagFilms Co. Retrieved December 12, 2012.

Further reading

External links

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