Grande Ballroom

Grande Ballroom
The Grande

Grande Ballroom from Grand River Avenue in August, 2009.
Location 8952 Grand River Avenue
Detroit, Michigan
Coordinates Coordinates: 42°21′53.4″N 83°07′42.5″W / 42.364833°N 83.128472°W / 42.364833; -83.128472
Genre(s) Jazz, Big Band, Rock
Capacity 1837
Construction
Opened 1909, 1928 (dance hall); 1966 (rock venue)
Renovated 1921, 1966
Closed 1972
Website
http://www.thegrandeballroom.com/

The Grande Ballroom is a historic live music venue located at 8952 Grand River Avenue in the Petosky-Otsego neighborhood of Detroit, Michigan. The building was designed by Detroit engineer and architect Charles N. Agree in 1928 and originally served as a multi-purpose building, hosting retail business on the first floor and a large dance hall upstairs.[1] During this period the Grande was renowned for its outstanding hardwood dance floor which took up most of the second floor.

Around 1927, Detroit businessman Harry Weitzman approached Agree about creating the ballroom. Weitzman financed and owned the ballroom, which was popular in the Jewish community and a hangout for the Purple Gang. His children’s initials are carved under a windowsill at the venue (CDSW: Clement, Dorothy, and Seymour Weitzman). [2][3] [4]

The dance hall, located on the second floor.

In 1966 the Grande was acquired by Dearborn, Michigan, high school teacher and local radio DJ Russ Gibb. Gibb was inspired by visiting San Francisco's Fillmore Theater, and envisioned a similar venue in Detroit for the new psychedelic music and a resource for local teenagers. Gibb worked closely with Detroit counterculture figure John Sinclair and Hugh "JEEP" Holland (agent, producer/manager of many local bands) in bringing in bands from San Francisco, Europe and the neighbouring States and the top level of local/regional rock bands, including the MC5 (who featured their debut live album there), SRC, Jagged Edge, Rationals, Catfish, Frost, Savage Grace, James Gang, Ted Nugent, Wilson Mower Pursuit, Sky, Third Power, All the Lonely people, Teegarden and Vanwinkle, Iron Horse Exchange, and many others who were gathering around Detroit's Plum Street community as well as the suburbs, as far afield as Ann Arbor. With managers Tom Wright, Bill Robbins and others (including, periodically Jeep and Sinclair) and local character Dave Miller, the club booked and presented many national and international acts - as well as future Rock and Roll Hall of Famers - of this period including Led Zeppelin, Janis Joplin, Pink Floyd, The Grateful Dead, Howlin' Wolf, John Lee Hooker, Jeff Beck, Procol Harum, Cream and The Who.[5] The MC5, The Thyme, and The Stooges served as house bands, assuring weekly performances. The Grande also featured the avant garde jazz of John Coltrane and Sun Ra.[6]

Performances of this period were frequently advertised by the distinctive psychedelic handbills of Gary Grimshaw and Carl Lundgren.[7][8] The Grande's rock and roll countercultural experience was extensively documented by Detroit photographer Leni Sinclair.[9] It was during this period that the Ballroom became known as the "hippie capitalist center of Detroit".[10]

Since Gibb closed the Grande as a rock venue in 1972, the building has rarely been used and has fallen into a state of extreme disrepair. As of 2014, the historic club remains inactive and open to redevelopment.[1]

References

  1. 1 2 Austin, Dan (2009). "Grande Ballroom". Buildings of Detroit. Retrieved 12 August 2010.
  2. "The Jewish news". Digging For Purple. 2013. Retrieved 26 December 2014.
  3. "Jerry's Brokendown Palaces". Grande Ballroom, 8952 Grand River near Joy, Detroit, MI. 2012. Retrieved 26 December 2014.
  4. "Detroit Funk". Angels in the Architecture. 2006. Retrieved 26 December 2014.
  5. McCollum, Brian (1 October 2006). "Strobe Lights, Longhairs and the Smell of Pot: 40 years later, rockers remember Detroit's Grande Ballroom" (PDF). Detroit Free Press. Retrieved 12 August 2010.
  6. "Grande Ballroom Show List". The Motor City Music Archives. Retrieved 12 August 2010.
  7. "Gary Grimshaw Biography". Gary Grimshaw Music Art. 2006. Retrieved 12 August 2010.
  8. Lundgren, Carl. "Artobiography". Carl Lundgren Art Studios. Retrieved 12 August 2010.
  9. Handyside, Chris (4 February 2004). "Leni Sinclair: Rock photography's overlooked grand matriarch". Metro Times. Detroit. Retrieved 12 August 2010.
  10. Debi Unger; Irwin Unger (18 December 2007). The Times Were a Changin': The Sixties Reader. Crown. p. 91. ISBN 978-0-307-42243-9. Retrieved 20 July 2013.

External links

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