Georg C. Klaren
| Georg C. Klaren | |
|---|---|
| Born |
10 September 1900 Vienna Austro-Hungarian Empire |
| Died |
18 November 1962 Sawbridgeworth, Hertfordshire United Kingdom |
| Other names | Georg Eugen Moritz Alexander Klaric |
| Occupation |
Screenwriter Film director |
| Years active | 1926–1955 |
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary.[1] After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA.
Selected filmography
Screenwriter
- Nanette Makes Everything (1926)
- Assassination (1927)
- The Transformation of Dr. Bessel (1927)
- Casanova's Legacy (1928)
- Sex in Chains (1928)
- Fair Game (1928)
- The Lady and the Chauffeur (1928)
- Odette (1928)
- A Knight in London (1929)
- Kolonne X (1929)
- Somnambul (1929)
- Cagliostro (1929)
- Marriage in Trouble (1929)
- Perjury (1929)
- Peter the Mariner (1929)
- The Right of the Unborn (1929)
- The Hound of the Baskervilles (1929)
- The Lovers of Midnight (1931)
- Mary (1931)
- Gloria (1931)
- Chauffeur Antoinette (1932)
- The Love Contract (1932)
- The Secret of Johann Orth (1932)
- Three from the Unemployment Office (1932)
- The Cossack and the Nightingale (1935)
- Ave Maria (1936)
- A Woman Between Two Worlds (1936)
- Heimweh (1937)
- The Beaver Coat (1937)
- The False Step (1939)
- Clarissa (1941)
- Doctor Crippen (1942)
- Voyage Without Hope (1943)
Director
- Wozzeck (1947)
- Semmelweis – Retter der Mütter (1950)
- Karriere in Paris (1952)
References
- ↑ McGilligan p.135
Bibliography
McGilligan, Patrick. Alfred Hitchcock: A Life in Darkness and Light. HarperCollins, 2004.
External links
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