Fenwick manuscript

The J.W. Fenwick manuscript, compiled in the second half of the 19th century, is a compilation of Northumbrian pipe music, and other material associated with the instrument.

Significance of the Manuscript

This source is particularly important, in that for many of the tunes Fenwick is careful to indicate his source for the version he gives. For instance, in some cases Fenwick gives a provenance from Cornelius Stanton, and occasionally via Stanton to John Peacock. One of the tunes from Stanton, in Stanton's own hand, Little wot ye wha's coming, was attributed by him to Peacock, although it is not in the collection of Peacock's tunes published about 1800. That tune is also known from the Robert Bewick manuscripts, but any association of it with Peacock had previously been conjectural. Another important group of tunes have an attribution to Robert Reid, or his children James Reid and Elizabeth Oliver. One of the Reid tunes is a 5-strain set of The Dorrington Lads, from Mrs Oliver, whose comment is noted that "This is most likely the same copy that poor Will Allen was trying to play when his Spirit was called Home to a more blissful Rest". This version was known, from the Rook manuscript, but its association with the Reid family was not. Given Robert Reid's father Robert Reed's known association with James Allan, this link is entirely possible. Further, some tunes or versions are otherwise unknown - a version of Shew's the Way to Wallington, from James Reid, is distinct from previously known sets. Some of the dance music in the collection is particularly associated with the North Shields area.

History of the Manuscript

After James Fenwick died in 1907, the manuscript, probably still a collection of loose papers, passed to the Newcastle antiquarian Richard Welford, who had been active in the Northumbrian Small Pipes Society, and would probably have known Fenwick, a Committee member of the Society, from this time. From him it passed to C.O.P. Gibson of Bywell. It was probably Gibson who showed the manuscript to G.G. Armstrong, who lived nearby; his notebooks contain tunes stated as being from Fenwick's manuscript, including Elizabeth Oliver's variation set on Maggie Lauder, since published in the Northumbrian Pipers' Third Tune Book.[1] At some point the manuscript was bound, and its compiler misidentified as J.W. Fenwick, a solicitor of Hexham. As Welford would almost certainly have known Fenwick, it was perhaps Gibson who misidentified him. The manuscript came onto the market in May 2016, and is currently in private hands. The current owner has placed some information on the webpage.[2] It is expected that as more is learned about the manuscript and its contents, this website will be expanded.

The Compiler

Despite an identification, made in the manuscript, of Fenwick with a solicitor of that name who lived in Hexham, which is apparently an mistake by a later owner, the records of the Northumbrian Small Pipes Society show that after 1890 James Fenwick was a tailor, living in North Shields. This seems to tie in with an 1851 census entry, listing a James Fenwick, tailor and publican, at the Phoenix Inn in Bedford Street, North Shields. Intermediate identifications are tentative, as the name James Fenwick is common locally. As well as his involvement with the NSPS, in particularly compiling a tutor for the instrument, published by them,[3] he had previously been involved with John Collingwood Bruce and the Society of Antiquaries of Newcastle upon Tyne, when they were organising a series of piping competitions in the 1870s. A surviving letter from Bruce to Fenwick, pasted into the MS, shows that a version of Fenwick's Instructions for playing the small-pipes existed as early as 1877.

References

  1. ↑ Northumbrian Pipers' Third Tune Book, ed. Ann Sessoms, The Northumbrian Pipers' Society, 1991, p. 20.
  2. ↑ http://northshieldsnsp.co.uk/the-j-w-fenwick-collection-of-northumberland-small-pipe-music/
  3. ↑ J. W. Fenwick, Instructions for playing the Northumbrian Small Pipes, Northumbrian Small Pipes Society, 1897.
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