Entry of Christ into Jerusalem (van Dyck)

Entry of Christ into Jerusalem

Artist	Anthony van Dyck
Year	1617
Type	Oil painting on canvas
Dimensions	151 cm × 229.2 cm (59.5 in × 90.25 in)
Location	Indianapolis Museum of Art, Indianapolis

Entry of Christ into Jerusalem is a 1617 oil painting by Flemish artist Anthony van Dyck, located in the Indianapolis Museum of Art, which is in Indianapolis, Indiana. It depicts Jesus entering Jerusalem as described in the Gospels, the event celebrated on Palm Sunday.^[1]

Description

Van Dyck's presentation of Jesus' entry into Jerusalem is quite consistent with the biblical accounts. The ass foal he rides is almost entirely enveloped by his robes of rich blue and crimson. He is surrounded by his disciples on foot, and jubilantly welcomed by a crowd of locals who lay branches in his path. It is a very youthful, vigorous work, full of bright colors and slashing brushstrokes. The restlessness and muscularity of the figures are very Baroque.^[1] The naturalism and large size of figures gives them tremendous immediacy, lending drama to the narrative.^[2]

Historical information

Painted when van Dyck was only about 18, Entry of Christ into Jerusalem demonstrates his early mastery of the medium. He was already Peter Paul Rubens' principal assistant. While already working on developing his own, more robust style, van Dyck was heavily influenced by Rubens, as can be seen in the vibrant colors, dynamic composition, and grand scale.^[2]

Exhibition history

From November 2012 to March 2013, this painting was on display at the Prado as part of an exhibit called "The Young van Dyck." Covering his output from ages 16 to 22, this exhibit collected some 90 artworks from when he resided in Antwerp. This tally included 30 large, ambitious artworks like Entry of Christ into Jerusalem.^[3] This particular work, though, was noted as one of his most experimental, as the young artist sought to heighten the visual impact of his works.^[4]

Acquisition

Entry of Christ into Jerusalem was purchased by Mr. and Mrs. Herman C. Krannert in 1958 as a gift for the Herron School of Art, which later evolved, in part, into the IMA. It is currently on view in the William C. Griffith Jr. and Carolyn C. Griffith Gallery and has the accession number 58.3.^[5]

References

1 2 Lee, Ellen Wardwell; Robinson, Anne (2005). Indianapolis Museum of Art: Highlights of the Collection. Indianapolis: Indianapolis Museum of Art. ISBN 0936260777.
1 2 Day, Holliday T. (1988). Indianapolis Museum of Art Collections Handbook. Indianapolis: Indianapolis Museum of Art. ISBN 0936260203.
↑ Kantrowitz, Jonathan (16 May 2013). "The Young Van Dyck". Art History News. Retrieved 19 October 2013.
↑ "The young Anthony Van Dyck at the Prado Museum". Art Listings. 22 November 2012. Retrieved 19 October 2013.
↑ "Entry of Christ into Jerusalem". Indianapolis Museum of Art. Retrieved 19 October 2013.

External links

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Significant
Artworks

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American Painting and Sculpture to 1945	Afternoon Tea Cliff Rock--Appledore Dorothy Hotel Lobby Hurricane Jimson Weed Morning at Grand Manan Preparing for the Matinee Red Kimono on the Roof Reflections Sunlight The Boat Builders The Flight of Europa The Love Song The Rainbow Tidying Up U.S.A. Untitled (The Birth)

Asian Art	Bowl with two violet spots Cong-shaped vase Covered jar with carp design Fine Wind, Clear Morning Ksitigarbha bodhisattva Ritual wine server Shigaraki ware storage jar Vase with carved peony scrolls Vase with nine peach design

Contemporary Art	Acton Courre Merlan Egyptian Barnyard LOVE painting LOVE (sculpture) The Quintet of the Silent They Waz Nice White Folks While They Lasted (Sez One Gal to Another) Untitled Landfield Untitled Judd Untitled Irwin

Decorative Arts	Angel of the Resurrection Coffee service High chest of drawers Portland Vase Side chair

European Painting and Sculpture to 1945	Aristotle Battle Between Carnival and Lent Breton Women at a Wall Broek in Waterland Charing Cross Bridge Crucifix Crucifixion Enclosed Field with Peasant Entry of Christ into Jerusalem Entry of Christ into Jerusalem House in Provence Landscape near Arles Ma Jolie Madonna and Child with St. John the Baptist and St. Mary Magdalene Man and Woman Peasant with a Wheelbarrow Rebecca and Eliezer at the Well Roman Capriccio: The Pantheon and Other Monuments Self-Portrait Rembrandt Still Life with a Chinese Porcelain Jar Still Life with Profile of Laval The Banks of the Oise near Pontoise The Boy The Channel of Gravelines, Petit Fort Philippe The Country Dance The Crucifixion Cranach The Fifth Plague of Egypt The Flageolet Player on the Cliff The Flight into Egypt The Holy Family with Saint John the Baptist The House of the Deaf Woman and the Belfry at Eragny The Negress The Seamstress The Triumphant Entry of Constantine into Rome The Two Sisters The Valkhof at Nijmegen Triptych of the Annunciation Vorhor, the Green Wave

Art of the Americas	Haida ceremonial dance rattle

Oceanic Art	Helmet mask (Tatanua)

Prints, Drawings, and Photographs	Blasting St. Vincent's Rock, Clifton Boreas and Oreithyia Galinthias Outwits Eileithyia by Announcing the Birth of Heracles Mother (Mutter) Moulin Rouge: La Goulue The Holy Family with the Dragonfly Young Woman in Blue

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Outdoor
Artworks
by location

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100 Acres	Bench Around the Lake Eden II Free Basket Funky Bones Indianapolis Island Park of Laments Stratum Pier Team Building

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Paintings by Anthony van Dyck

Religious subjects	The Betrayal of Christ (1618–20) (Bristol ; Madrid ; Minneapolis) Christ Crowned with Thorns (1619–20) Crucifixion (1630) Crucifixion with Saints (1617–19) Deposition / Lamentation over the Dead Christ (1615; 1618; 1619; 1629; 1629–30; 1634; 1635; 1640) Entry of Christ into Jerusalem (1617) Madonna and Child (1621–27) The Mocking of Christ (1628-30) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Saint Ambrose barring Theodosius from Milan Cathedral (1619–20) Saint Martin and the Beggar (1618) Saint Rosalie Interceding for the Plague–Stricken of Palermo (1624) Samson and Delilah (1620 ; 1630) The Vision of the Blessed Hermann Joseph (1629–30)

Mythological subjects	Cupid and Psyche (1638–40) Drunken Silenus (1620) Jupiter and Antiope (1620) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–32)

Portraits	Charles I (Equestrian ; At the Hunt; Triple Portrait; with M. de St Antoine) Henrietta Maria (As St Catherine; Triple Portrait) Magistrates of Brussels (Preparatory sketch) Olivia Boteler Porter

Self-portraits	1613–14 1632–33 1635 (with Endymion Porter) 1640

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