Edwin Colón Zayas

Edwin Colón Zayas
Birth name Edwin Colón Zayas
Also known as Edwin Colón Zayas
Born (1965-10-27) October 27, 1965
Origin Orocovis, Puerto Rico
Genres Folk, bomba, aguinaldos, bolero, Latin pop, acoustic, son, guaguanco
Occupation(s) Cuatro player, guitarist, composer, musician, arranger
Instruments Cuatro
Years active 1980–present
Labels

Edwin Colón Zayas (October 27, 1965), often called a genius[1] and virtuous[2] cuatrista (Cuatro player), is a highly accomplished musician of Puerto Rico, known for his use and promotion of the Puerto Rican cuatro, an instrument that plays like a guitar, but is shaped closer to the violin. He joins a large number of Puerto Rican artists, "innovative tradition-bearing,"[3] who focus their talents in extolling the virtues of the Puerto Rican creole and Jibaro way of life.[4]

Early life

Zayas was born on October 27, 1965, in the town of Orocovis, Puerto Rico, to a family of musicians and folklorists. He was the eldest of five. At six, he began training with the Cuatro and the guitar with his parents.[5]

Early career

Traditional Puerto Rican cuatro

In the 1980s, Zayas, the cuatrista, and arranger joined bands like the Jataca, Cimarrón, Areyto, Cumbre Criolla, Taller Boricua, the orchestra of Rafael de Jesús, Mapeyé, and the group of Andrés Jiménez. In 1982, he received the award, "Primer Premio Nacional del Cuatro," and his band, the Conjunto Típico de la Montaña, got the Medal of Culture from the Institute of the Puerto Rican Culture.[6]

The 1990s and Zayas' Neo-Folklore

External audio
You may listen to "Duelo de Cuatro," Pedrito Guzman and Edwin Colón Zayas on YouTube.

IN 1991, Zayas was the leading soloist in the San Juan Pops Orchestra in the Center of Fine Arts. That same year, he offered a Cuatro concert in the International Festival of the Guitar at the University of Puerto Rico. And, was sent to represent Puerto Rico in Mexico at the International Cervantes Festival. The next year, Zayas played his Cuatro with the famous guitar player Paco de Lucía in the Theater La Perla in Ponce as well as in the Center for Fine Arts, an event that coincided with the celebrations of the Fifth Centenary of the Encounter of Two Worlds. In 1994, Zayas and his band, "Taller Campesino," joined with the Smithsonian Folklife Festival for a series of performances at the DC Mall,[7] and followed with a US tour.[8] That year, he also participated in the Banco Popular's Christmas program with a runaway piece called, "Duelo de los Cuatros," with Pedrito Guzmán.[9][10][11]

Current Times

In 2008, Zayas received a Latin Grammy nomination for Best Traditional Tropical Album for his album "Reafirmación" and the next year became a "NEA National Heritage Fellow."[12][13] Zayas remains at the head of the band, "Taller Campesino," which continues to receive awards for its innovations and artistic leadership.[14] While he includes nontraditional instruments to his folk music, he is still "considered by many to be among the purest performers of folk music." Zayas expressed his position about the power of folk culture to transform others: “I can... criollizar [creolize] any international number."[15]

Partial Discography

1988 El cuatro Más allá de lo imaginable EC

1989 Siguiendo hacia lo infinito EC

1990 100 años con Don Felo EC

1991 En vivo desde el Teatro Tapia EC

1992 100% puertorriqueño EC

1993 Bien jíbaro: Country Music of Puerto Rico Rounder Records

1993 Descarga EC

1993 El cuatro y la danza puertorriqueña Disco Hit

1994 Este es tu Taller Campesino Disco Hit

1995 Morel Campos en tiempo de cuatro Disco Hit, Típico, romántico y diferente

1999 La hora de tu partida

See also

References

  1. "National Heritage Fellowship Concert and Celebration". News Release. American Routes. December 23, 2009. Retrieved December 28, 2015.
  2. Kuss, Malena. Music in Latin America and the Caribbean: An Encyclopedic History; Volume 2: Performing the Caribbean Experience. Austin: University of Texas Press. p. 157. ISBN 0292784988.
  3. Lapidus, Benjamin (2006). "Reviewed Work: Jíbaro Hasta el Hueso: Mountain Music of Puerto Rico by Ecos de Borinquen". The World of Music (Special Issue: Echoes of Our Forgotten Ancestors II). 48 (3): 97–99.
  4. Vega Martínez, Juan Carlos and Ramiro Malagón Meléndez (2001). Breve historia de la música en Puerto Rico. Colegio San Ignacio de Loyola. p. 123.
  5. Fundación Nacional para la Cultura Popular (June 25, 2014). "Fundación Nacional para la Cultura Popular | San Juan, Puerto Rico: Edwin Colón Zayas.". Biography entry. Retrieved December 27, 2015.
  6. "Edwin Colón: Maestro del Cuatro". Editorial. Radio Bilingüe. May 28, 2015. Retrieved December 28, 2015.
  7. Zibart, Eve (April 8, 1994). "GOING OUT OFTEN AND CHARITABLY". News Report. Washington, DC. Washington Post. Retrieved December 28, 2015.
  8. McINTIRE, MIKE (November 13, 1994). "Latino Folk Instruments Thrill Throng". News. Hartfort, CT. Hartfort Courant. Retrieved December 28, 2015.
  9. "Edwin Colón Zayas". The Kennedy Center. Retrieved December 28, 2015.
  10. "Colón Zayas, Edwin". Retrieved December 28, 2015.
  11. "Folk Festival features renowned Puerto Rican musician Colón Zayas". Announcement. Repeating Islands. November 13, 2009. Retrieved December 28, 2015.
  12. "NEA National Heritage Fellowships". National Endowment for the Arts. 2009. Retrieved December 28, 2015.
  13. "9th Annual Latin Grammy Awards". Los Angeles Times. Tribune Company. September 10, 2007. Archived from the original on August 4, 2014. Retrieved January 28, 2011.
  14. Rodríguez, Jorge (January 10, 2014). "Octavitas con Edwin Colón Zayas en Casa Degetau". News Report. San Juan, Puerto Rico. El Vocero. Retrieved December 28, 2015.
  15. Dávila, Arlene M. (1997). Sponsored Identities: Cultural Politics in Puerto Rico. Temple University Press,. pp. 76–77. ISBN 1566395496.
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