Edgar Wallace

Edgar Wallace
Edgar Wallace (1928)
Born	Richard Horatio Edgar Wallace (1875-04-01)1 April 1875 Greenwich, Kent, England
Died	10 February 1932(1932-02-10) (aged 56) Beverly Hills, California, United States
Nationality	British
Occupation	Crime writer, war correspondent, journalist, novelist, screenwriter, and playwright
Known for	Creation of King Kong

Richard Horatio Edgar Wallace (1 April 1875 – 10 February 1932) was an English writer.

Born into poverty as an illegitimate London child, Wallace left school at age 12. He joined the army at age 21 and was a war correspondent during the Second Boer War, for Reuters and the Daily Mail. Struggling with debt, he left South Africa, returned to London, and began writing thrillers to raise income, publishing books including The Four Just Men (1905). Drawing on his time as a reporter in the Congo, covering the Belgian atrocities, Wallace serialised short stories in magazines such as The Windsor Magazine and later published collections such as Sanders of the River (1911). He signed with Hodder and Stoughton in 1921 and became an internationally recognised author.

After an unsuccessful bid to stand as Liberal MP for Blackpool (as one of David Lloyd George's Independent Liberals) in the 1931 general election, Wallace moved to Hollywood, where he worked as a script writer for RKO studios. He died suddenly from undiagnosed diabetes, during the initial drafting of King Kong (1933).

Wallace was such a prolific writer that one of his publishers claimed that a quarter of all books in England were written by him.^[1] As well as journalism, Wallace wrote screen plays, poetry, historical non-fiction, 18 stage plays, 957 short stories, and over 170 novels, 12 in 1929 alone. More than 160 films have been made of Wallace's work. He is remembered for the creation of King Kong, as a writer of 'the colonial imagination', for the J. G. Reeder detective stories, and for the The Green Archer serial. He sold over 50 million copies of his combined works in various editions, and The Economist describes him as "one of the most prolific thriller writers of [the 20th] century", although few of his books are still in print in the UK.^[2][3]

Life and work

Parents and birth

Wallace was born at 7 Ashburnham Grove, Greenwich, to actors Richard Horatio Edgar and Mary Jane "Polly" Richards, née Blair.^[4][5][6]

Wallace's mother was born in 1843, in Liverpool, to an Irish Catholic family. Mary's family had been in show business, and she worked in the theatre as a stagehand, usherette, and bit-part actress until she married in 1867.

Wallace's father, Captain Joseph Richards, was also born in Liverpool, though in 1838; he was also from an Irish Catholic family. He and his father John Richards were both Merchant Navy captains, and his mother Catherine Richards came from a mariner family.

When Mary was eight months pregnant, in January 1868, her husband died at sea. After the birth, destitute, Mary took to the stage, assuming the stage name "Polly" Richards. In 1872, Polly met and joined the Marriott family theatre troupe, managed by Mrs. Alice Edgar, her husband Richard Edgar, and their three adult children, Grace Edgar, Adeline Edgar, and Richard Horatio Edgar.

Richard Horatio Edgar and Polly had a "broom cupboard" style sexual encounter during an after-show party. Discovering she was pregnant, Polly invented a fictitious obligation in Greenwich that would last at least half a year and obtained a room in a boarding house where she lived until her son's birth, on 1 April 1875.^[7] During her confinement she had asked her midwife to find a couple to foster the child. The midwife introduced Polly to her close friend, Mrs Freeman, a mother of ten children, whose husband George Freeman was a Billingsgate fishmonger. On 9 April 1875, Polly took Edgar to the semi-literate Freeman family and made arrangements to visit often.

Childhood and early career

Polly's young son Wallace, then known as Richard Horatio Edgar Freeman, had a happy childhood and a close bond with 20-year-old Clara Freeman, who became a second mother to him. By 1878, Polly could no longer afford the small sum she had been paying the Freemans to care for her son and, instead of placing the boy in the workhouse, the Freemans adopted him.^[4] Polly never visited Wallace again as a child. His foster-father George Freeman was determined to ensure Richard received a good education, and for some time Wallace attended St. Alfege with St. Peter’s, a boarding school in Peckham,^[5] but he played truant and then left full-time education at the age of 12.^[4]

By his early teens, Wallace had held down numerous jobs such as newspaper-seller at Ludgate Circus near Fleet Street, milk-delivery boy, rubber factory worker, shoe shop assistant, and ship’s cook. A plaque at Ludgate Circus commemorates Wallace's first encounter with the newspaper business.^[4][5] He was dismissed from his job on the milk run for stealing money.^[7] In 1894, he became engaged to a local Deptford girl, Edith Anstree, but broke the engagement and enlisted in the infantry.

Wallace registered in the army under the adopted name Edgar Wallace, taken from the author of Ben-Hur, Lew Wallace.^[4][5][7] At the time the medical records register him as having had a 33-inch chest and being stunted from his childhood spent in the slums.^[7] He was posted in South Africa with the West Kent Regiment, in 1896.^[5] He disliked army life but managed to arrange a transfer to the Royal Army Medical Corps, which was less arduous but more unpleasant, and so transferred again to the Press Corps, which he found suited him better.^[7]

1898–1918

Wallace began publishing songs and poetry, much inspired by Rudyard Kipling, whom he met in Cape Town in 1898. Wallace's first book of ballads, The Mission that Failed!, was published that same year. In 1899, he bought his way out of the forces and turned to writing full-time.^[4] Remaining in Africa, he became a war correspondent, first for Reuters and then the Daily Mail (1900) and other periodicals during the Boer War.

In 1901, while in South Africa, Wallace married Ivy Maude Caldecott (1880?–1926),^[4] although her father Reverend William Shaw Caldecott, a Wesleyan missionary, was strongly opposed to the marriage. The couple's first child, Eleanor Clare Hellier Wallace, died suddenly from meningitis in 1903, and the couple returned to London soon afterward, deeply in debt.^[4][8]

In London, Wallace worked for the Mail and began writing detective stories in a bid to earn quick money. A son, Bryan, was born in 1904 followed by a daughter, Patricia, in 1908.^[4] In 1903, Wallace met his birth mother Polly, whom he had never known. Terminally ill, 60 years old, and living in poverty, she came to ask for money and was turned away. Polly died in the Bradford Infirmary later that year.^[9]

Unable to find any backer for his first book, Wallace set up his own publishing company, Tallis Press, which issued the thriller The Four Just Men (1905). Despite promotion in the Mail and good sales, the project was financially mismanaged, and Wallace had to be bailed out by the Mail's proprietor Alfred Harmsworth, who was anxious that the farrago might reflect badly on his newspaper.^[4] Problems were compounded when inaccuracies in Wallace's reporting led to libel cases being brought against the Mail. Wallace was dismissed in 1907, the first reporter ever to be fired from the paper, and he found no other paper would employ him, given his reputation. The family lived continuously in a state of near-bankruptcy, Ivy having to sell her jewellery for food.^[4][10]

During 1907, Edgar travelled to the Congo Free State, to report on atrocities committed against the Congolese under King Leopold II of Belgium and the Belgian rubber companies, in which up to 15 million Congolese were killed.^[4] Isabel Thorne, of the Weekly Tale-Teller penny magazine, invited Wallace to serialise stories inspired by his experiences. These were published as his first collection Sanders of the River (1911), a best seller, and in 1935 it was adapted into an eponymous film, starring Paul Robeson. Wallace went on to publish 11 more similar collections (102 stories). They were tales of exotic adventure and local tribal rites, set on an African river, mostly without love interest as this held no appeal for Wallace. His first 28 books and their film rights he sold outright, with no royalties, for quick money.^[4][10] Critic David Pringle noted in 1987: "The Sanders Books are not frequently reprinted nowadays, perhaps because of their overt racism".^[11]

The period from 1908 to 1932 was the most prolific of Wallace's life. Initially, he wrote mainly in order to satisfy creditors in the UK and South Africa. However, his books' success began to rehabilitate his reputation as a journalist, and he began reporting from horse racing circles. He wrote for the Week-End and the Evening News, become an editor for Week-End Racing Supplement, started his own racing papers Bibury's and R. E. Walton's Weekly, and bought many racehorses of his own. He lost many thousands gambling, and despite his success, spent large sums on an extravagant lifestyle he could not afford.^[4][10]

During 1916, Ivy had her last child, Michael Blair Wallace by Edgar and filed for divorce in 1918.^[4][10]

1918–1929

Ivy moved to Tunbridge Wells with the children, and Wallace drew closer to his secretary Ethel Violet King (1896–1933), daughter of banker Frederick King. They married in 1921, and Penelope Wallace was born to them in 1923.

Wallace began to take his fiction writing career more seriously and signed with publishers Hodder and Stoughton in 1921, organising his contracts, instead of selling rights to his work piecemeal in order to raise funds. This allowed him advances, royalties, and full scale promotional campaigns for his books, which he had never before had. The publisher aggressively advertised him as a celebrity writer, ‘King of Thrillers’, known for this trademark trilby, cigarette holder, and yellow Rolls Royce. He was said to be able to write a 70,000 word novel in three days and plow through three novels at once, and the publishers agreed to publish everything he wrote as fast as he could write it. In 1928, it was estimated that one in four books being read in the UK had come from Wallace's pen. He wrote across many genres including science fiction, screen plays, and a non-fiction ten-volume history of the First World War. All told, he wrote over 170 novels, 18 stage plays, and 957 short stories, and his works were translated into 28 languages.^{[4][7][10][12][13]} The critic Wheeler W. Dixon suggests that Wallace became somewhat of a public joke for this prodigious output.^[14]

Wallace served as chairman of the Press Club, which continues to present an annual Edgar Wallace Award for excellence in writing.^[4] Following the great success of his novel The Ringer, Wallace was appointed chairman of the British Lion Film Corporation in return for giving British Lion first option on all his output.^[15] Wallace's contract gave him an annual salary, a substantial block of stock in the company, a large stipend from everything British Lion produced based on his work, plus 10% of British Lion's overall annual profits. Additionally, British Lion employed his elder son, Bryan E. Wallace, as a film editor. By 1929, Wallace's earnings were almost £50,000 per annum (equivalent to about £2 million in current terms). He also invented at this time the Luncheon Club, bringing together his two greatest loves: journalism and horse-racing.

Firsts

Wallace was the first British crime novelist to use policemen as his protagonists, rather than amateur sleuths as most other writers of the time did. Most of his novels are independent stand-alone stories; he seldom used series heroes, and when he did he avoided a strict story order, so that continuity was not required from book to book.

On 6 June 1923, Edgar Wallace became the first British radio sports reporter, when he made a report on the Epsom Derby for the British Broadcasting Company, the newly founded predecessor of the BBC.

Ivy's death

Wallace's ex-wife Ivy was diagnosed with breast cancer in 1923, and though the tumour was successfully removed, it returned terminally by 1925, and she died in 1926.

"The canker In Our Midst"

Wallace wrote a controversial article in the mid-1920s entitled "The Canker In Our Midst" about paedophilia and the show business world. Describing how some show business people unwittingly leave their children vulnerable to predators, it linked paedophilia with homosexuality and outraged many of his colleagues, publishing associates, and business friends including theatre mogul Gerald du Maurier. Biographer Margaret Lane describes it as an "intolerant, blustering, kick-the-blighters-down-the-stairs" type of essay, even by the standards of the day.^[16]

Politics, emigration to the U.S., and screenwriting

Wallace became active in the Liberal Party and contested Blackpool in the 1931 general election as one of a handful of Independent Liberals, who rejected the National Government, and the official Liberal support for it, and strongly supported free trade.^[4] He also bought the Sunday News, edited it for six months, and wrote a theatre column, before it closed.^[17] In the event, he lost the election by over 33,000 votes. He went to America, burdened by debt, in November 1931. Around the same time, he wrote the screenplay for the first sound film adaptation of The Hound of the Baskervilles (1932), produced by Gainsborough Pictures.

He moved to Hollywood and began working as a "script doctor" for RKO.^[4] His later play, The Green Pack, opened to excellent reviews, boosting his status even further. Wallace wanted to get his own work on Hollywood celluloid, and so he adapted books such as The Four Just Men and Mr J G Reeder. In Hollywood, Wallace met Stanley Holloway's scriptwriter, Wallace's own half-brother Marriott Edgar. Wallace's play On the Spot, written about gangster Al Capone, would prove to be the writer's greatest theatrical success. It is described as "arguably, in construction, dialogue, action, plot and resolution, still one of the finest and purest of 20th-century melodramas".^[18] It launched the career of Charles Laughton, who played the lead Capone character Tony Perelli.^[18]

Death and aftermath

Death

In December 1931, Wallace was assigned work on the RKO "gorilla picture" (King Kong, 1933) for producer Merian C. Cooper. By late January, however, he was beginning to suffer sudden, severe headaches and was diagnosed with diabetes. His condition deteriorated within days. Violet booked passage on a liner out of Southampton, but received word that Edgar had slipped into a coma and died of the condition, combined with double pneumonia, on 10 February 1932 in North Maple Drive, Beverly Hills.^[4] The flags on Fleet Street's newspaper offices flew at half-mast, and the bell of St. Bride's tolled in mourning.^[7] He was buried at Little Marlow Cemetery, Fern Lane, Buckinghamshire, not far from his UK country home, Chalklands, in Bourne End.^[19]

Aftermath

Despite his later success, Wallace had amassed massive debts, some still remaining from his years in South Africa, many to racing bookies. The large royalties from his greatly popular works allowed the estate to be settled within two years.^[4][7]

Violet Wallace outlived her husband by only 14 months. She died suddenly in April 1933, aged 33, while the estate was still deep in debt.

Legacy

Violet Wallace's own will left her share of the Wallace estate to her daughter Penelope, herself an author of mystery and crime novels, who became the chief benefactor and shareholder. Penelope married George Halcrow in 1955 and they went on to run the Wallace estate, managing her father's literary legacy and starting the Edgar Wallace Society in 1969.^[7] The work is continued by Penelope's daughter, also named Penelope. The Society has members in 20 countries. The literary body is currently managed by the London agency A.P. Watt.

Wallace's eldest son Bryan (1904–1971) was also an author of mystery and crime novels. In 1934 Bryan married Margaret Lane (1907–94), a British writer. Lane published Edgar Wallace's biography in 1938.

The Edgar Wallace Mystery Magazine was a monthly digest-size fiction magazine specializing in crime and detective fiction. It published 35 issues from 1964–1967. Each issue contained original works of short crime or mystery fiction as well as reprints by authors like Wallace, Chekhov, Steinbeck, and Agatha Christie.

More than 160 films have been made based on Wallace's work.^[2][15] Wallace also has a pub named after him in Essex Street, off Strand in London.

Writing

Method

Wallace narrated his words onto wax cylinders (the dictaphones of the day) and his secretaries typed up the text. This may be why he was able to work at such high speed and why his stories have narrative drive. Many of Wallace's critically successful books were dictated like this over two or three days, locked away with cartons of cigarettes and endless pots of sweet tea, often working pretty much uninterrupted in 72 hours. Most of his novels were serialised in segments but written in this way. The serialised stories that were instead written piecemeal have a distinctly different narrative energy, not sweeping up the reader on the story wave.^[20]

Wallace rarely edited his own work after it was dictated and typed up, but sent it straight to the publishers, intensely disliking the revision of his work with other editors. The company would do only cursory checks for factual errors before printing.^[20]

Wallace faced widespread accusations that he used ghost writers to churn out books, though there is no evidence of this, and his prolificness became something of a joke, the subject of cartoons and sketches. His 'three day books', reeled off to keep the loan sharks from the door, were unlikely to garner great critical praise and Wallace claimed not to find literary value in his own works.^[21]

Themes and critique

Wallace characters such as District Commissioner Sanders can be taken to represent the values of colonial white supremacy in Africa, and now viewed as deeply racist and paternalistic. His writing has been attacked for its conception of Africans as stupid children who need a firm hand.^[22] Sanders, for example, pledges to bring 'civilisation' to "half a million cannibal folk".^[7] George Orwell called Wallace a "bully worshipper" and "proto-fascist", though many critics conceived Wallace more as a populist writer who pandered to the market of the time.^[7] Selling over 50 million copies of his works, including 170 novels, Wallace was very much a populist writer, and was dismissed as such.

Q. D. Leavis, Arnold Bennett and Dorothy L Sayers led the attack on Wallace, suggesting he offered no social critique or subversive agenda at all and distracting the reading public from better things.^[23] Trotsky, reading a Wallace novel whilst recuperating on his sickbed in 1935, found it to be "mediocre, contemptible and crude... [with no] shade of perception, talent or imagination."^[24] Critics Steinbrunner and Penzler stated that Wallace's writing is "slapdash and cliché-ridden, [with] characterization that is two dimensional and situations [that] are frequently trite, relying on intuition, coincidence, and much pointless, confusing movement to convey a sense of action. The heroes and villains are clearly labelled, and stock characters, humorous servants, baffled policemen, breathless heroines, could be interchanged from one book to another."^[25] The Oxford Companion to the Theatre asserts, however, that "In all his works [Wallace] showed unusual precision of detail, narrative skill, and inside knowledge of police methods and criminal psychology, the fruits of his apprenticeship as a crime reporter".^[26]

Although Wallace had a favoured method of dictation he did not use plot formulae, unlike many other thriller writers. The critic Dixon maintains that Wallace covered a wide variety of perspectives and characterisations, exploring themes such as feminist self-determination (Barbara on her Own 1926, Four-Square Jane 1929, The Girl from Scotland Yard 1926), upsetting peerage hierarchies (Chick, 1923), science fiction (The Day of Uniting, 1926), schizophrenia (The Man who Knew, 1919) and autobiography (People'', 1926).^[20]

Science Fiction

Edgar Wallace enjoyed writing science fiction but found little financial success in the genre despite several efforts. His constant need for income always brought him back to the more mundane styles of fiction that sold more easily.^[27] Planetoid 127, first published in 1924 but reprinted as late 2011,^[28] is a short story about an Earth scientist who communicates via wireless with his counterpart on a duplicate Earth orbiting unseen because it is on the opposite side of the Sun. The idea of a mirror Earth or mirror Universe later became a standard subgenre within science fiction. The story also bears similarities to Rudyard Kipling's hard science fiction story Wireless. Wallace's other science fiction works include The Green Rust, a story of bio-terrorists who threaten to release an agent that will destroy the world's corn crops, 1925, which accurately predicted that a short peace would be followed by a German attack on England, and The Black Grippe, about a disease that renders everyone in the world blind. His last work of science fiction and the only one widely remembered today is the screenplay for King Kong.

King Kong

Posthumously, Wallace's most famous work would be one he never got the chance to see: Out of the many scripts he'd penned for RKO, Merian C. Cooper's "gorilla picture" would have the most lasting influence, becoming the classic 1933 King Kong.

Wallace had written the initial 110-page draft for King Kong over five weeks, from late December 1931 to January 1932. The movie was initially to be called The Beast, and this was the name of Wallace's treatment. Wallace's own diary described the writing process for this draft: Cooper fed aspects of the story (inspired partly by an aspiration to use as much footage of an abandoned RKO picture with a similar premise, Creation, as possible) in story conferences and phone conversations; Wallace then executed Cooper's ideas, the latter approving the developing script on a sequence-by-sequence basis. While working on the project, Cooper also screened various recent films for Wallace to put him in the right mindset, including Tod Browning's Dracula and James Whale's Frankenstein, as well as the fragments of sequences shot by Willis O'Brien for Creation that were to be reused in the current script.

Although the draft was incomplete, Wallace only made minor revisions to it, each at Cooper's own request, before his fateful doctor's appointment in late January; when Cooper called Wallace in early February to discuss the script, someone else answered—he was in the hospital. By the 7th, Wallace was dead, and Merian C. Cooper was left without a screenwriter. The fragmentary nature of Wallace's script meant that the main, dialogue-free action of the film—the jungle sequences—would have to be shot first, both as insurance and as a showreel for the board of RKO.

Wallace began his screenplay with Denham and the party at the island, called Vapor or Vapour Island by Wallace because of the volcanic emissions. Ann Darrow is called Shirley Redman or Zena in Wallace's original script. John or Jack Driscoll is referred to as John Lanson or Johnny in the Wallace script. Captain Englehorn appears in Wallace's treatment, where he is much more domineering. Danby G. Denham is a promoter and a P.T. Barnum type showman who is looking for a giant ape to bring back to Madison Square Garden or the Polo Grounds to exhibit as a sideshow. The movie retains the P.T. Barnum theme when Denham, who evolved into Carl Denham in the Rose and Creelman treatment, refers to Kong as "the eighth wonder of the world", clearly mimicking Barnum's antics of hyping acts. By contrast, a documentary filmmaker would not hype his film in this manner. Wallace had created the major characters, their relationships, and their role in the overall plot in his original screenplay.

In Wallace's original screenplay, Kong encounters the landing party when he rescues Shirley from an attempted rape by one of the crewmen. Denham's crew consists of convicts. Shirley is in a tent when one tries to attack and rape her. Kong then appears and rescues Shirley and takes her away. Wallace noted in a notation on the script that Kong is 30 feet tall, thus establishing Kong as a giant ape. John and Denham and the party then go after Shirley. Dinosaurs and pteradactyls attack Kong and the party. Kong takes Shirley to his hideout in the mountains. Jack rescues Shirley. They use gas bombs to knock out Kong. Kong is brought back to New York. Kong is put in chains. Shirley is attacked by big cats let loose on purpose. Kong kills the cats and wisks Shirley away. Kong climbs the Empire State Building where airplanes shoot at him. Merian C. Cooper sent Wallace an internal memo from RKO suggesting that John dissuade the police from shooting Kong because of the danger to Shirley: "Please see if you consider it practical to work out theme that John attempts single handed rescue on top of Empire State Building if police will let off shooting for a minute." Kong is finally killed when lightning strikes the flag pole which he is hanging on to. Early publicity stills for the movie have the title as "Kong" and "by Edgar Wallace" and show a lightning storm and flashes of lightning as envisioned by Wallace.

Wallace created the beauty and the beast theme, the overall plot structure and outline, many of the key characters, and many of the key events or episodes in the story. Merian C. Cooper and Ernest B. Schoedsack were thrilled with the screenplay and were ready to begin based on Wallace's diary notes in My Hollywood Diary (1932). Wallace's untimely death, however, cheated him of the recognition he deserved for creating the story. Wallace's 110 page script was merely the first rough draft, not a final and completed shooting script.

After Wallace's death, Ruth Rose was brought in to work on the evolving script that Wallace had started but was unable to finish or finalize. Ruth happened to be Ernest B. Shoedshack's wife and was able to translate the expectations of the producers into the final script. Rose added the ritual scene on Skull Island to replace Wallace's original idea of Ann Darrow's attempted rape. Rose also added the opening scenes of the movie in which the main characters and plot is introduced. James Ashmore Creelman, who worked on The Most Dangerous Game screenplay, was also brought in to tidy up the script. The jobs of Rose/Creelman was to rework Wallace's original screenplay and sheer scenes that failed to translate as expected.

Regardless of the work of Rose and Creelman, many who have read Wallace's original screenplay have argued that it is superior to the final Rose/Creelman story. In Wallace's version, a small ape peeling a rose prefigured Kong's peeling away Shirley's clothes. Wallace's version included an underwater scene from the attacking Dinosaur's point of view as it approached a capsized boat. Unfortunately, the original Wallace screenplay has not yet been published, making word for word comparison between the two scripts difficult.

The original Wallace screenplay is analyzed and discussed in The Girl in the Hairy Paw (1976), edited by Ronald Gottesman and Harry Geduld, and by Mark Cotta Vaz, in the preface to the Modern Library reissue of King Kong (2005).

In December, 1932, his story and screenplay for King Kong were "novelized" or transcribed by Delos W. Lovelace, a journalist and author himself who knew Cooper from when they worked on the same newspaper, and appeared in book form under the title King Kong. Lovelace based the transcription largely on the Ruth Rose and James A. Creelman screenplay. This "novelization" of King Kong, attributed to Wallace, Cooper, and Lovelace, was originally published by Grosset and Dunlap. The book was reissued in 2005 by the prestigious Modern Library, a division of Random House, with an Introduction by Greg Bear and a Preface by Mark Cotta Vaz, and by Penguin in the US. In the UK, Victor Gollancz published a hardcover version in 2005. The first paperback edition had been published by Bantam in 1965 in the US and by Corgi in 1966 in the UK. In 1976, Grosset and Dunlap republished the novel in paperback and hardcover editions. There were paperback editions by Tempo and by Futura that year as well. In 2005, Blackstone Audio released a spoken-word version of the book as an audiobook on CD with commentary by Ray Bradbury, Harlan Ellison, and Ray Harryhausen, among others. Harryhausen stated that he had read the original screenplay by Wallace. There were also German and Czech versions of the novel in 2005.

On 28 October 1933, Cinema Weekly published the short story "King Kong", credited to Edgar Wallace and Draycott Montagu Dell (1888–1940). Dell had known and worked with Wallace when both worked for UK newspapers. This can be called a "story-ization" of the Wallace and Cooper story which relied on the Rose and Creelman screenplay, but which like the Wallace treatment, begins at the island. Both Wallace and Cooper had signed a contract which allowed them to develop the story in a book or short story or serial form. Walter F. Ripperger also wrote a two-part serialization of the Wallace and Cooper story in Mystery magazine titled "King Kong" in the February and March issues in 1933.

West Germany

In 1959 a revival of Wallace's work occurred in West Germany, and his eldest son Bryan relocated there for some time to edit and direct many of the string of Edgar Wallace B-movies and made-for-TV movies filmed in that country. These later became a staple of late-night television. In 2004 Oliver Kalkofe produced the movie Der Wixxer, an homage to the popular black and white Wallace movies. It featured a large number of well known comedians. In 2007 Kalkofe produced a sequel Neues vom Wixxer.

There are more of Wallace's books still in print in Germany than elsewhere and his work has consistently remained popular.^[2]

Literary works

African novels

Four Just Men series

Mr. J. G. Reeder series

Detective Sgt. (Insp.) Elk series

Educated Evans series

Smithy series

Crime novels

Other novels

Poetry collections

Non-fiction

Plays

Screenplays

Short story collections

Other

• King Kong, with Draycott M. Dell, (1933), 28 October 1933 Cinema Monthly

See also

• Edgar Wallace Mysteries
• Films based on works by Edgar Wallace

References

Further reading

• Neil Clark Stranger than Fiction: The Life of Edgar Wallace, the Man Who Created King Kong, (The History Press, October 2014 (UK), February 2015 (US)) ISBN 978-0-7524-9882-9
• J. R. Cox ‘Edgar Wallace’, in British mystery writers, 1860–1919, ed. B. Benstock and T. F. Staley, (1988)
• Robert Curtis Edgar Wallace Each Way by (John Long, 1932)
• Mike Hankin Ray Harryhausen – Master of the Majicks, Volume 1: Beginnings and Endings (Archive Editions, LLC, 2013). Contains the complete first draft of the Kong screenplay by Edgar Wallace.
• Amnon Kabatchnik "Edgar Wallace" in Blood on the Stage, 1925–1950: Milestone Plays of Crime, Mystery, and Detection (Scarecrow Press, 2010) pp. 7–16 ISBN 978-0-8108-6963-9
• Margaret Lane Edgar Wallace, The Biography of a Phenomenon (William Heinemann, October 1938). Revised and reprinted in 1965. An abridged version was issued in Reader's Digest, Vol. 34, No. 205, May 1939.
• W. O. G. Lofts and D. Adley The British bibliography of Edgar Wallace (1969)
• J. E. Nolan Edgar Wallace in Films in Review, 18 (1967), 71–85
• E. Wallace People: a short autobiography (1926)
• E. Wallace My Hollywood diary (1932)
• Ethel V. Wallace Edgar Wallace by His Wife (Hutchinson, 1932)

External links

Wikimedia Commons has media related to Edgar Wallace.

Wikiquote has quotations related to: Edgar Wallace

Wikisource has original works written by or about: Edgar Wallace

• The Edgar Wallace Society, founded in 1969 by his daughter, Penelope Wallace
• Edgar Wallace at the Internet Movie Database
• The Mixer (1992 TV series) at the Internet Movie Database
• Edgar Wallace at the British Film Institute's Screenonline
• House where Edgar Wallace was born
• Former London home of Edgar Wallace
• Works by Edgar Wallace at Project Gutenberg
  • Works by Edgar Wallace at Project Gutenberg Australia
• Works by or about Edgar Wallace at Internet Archive
• Works by Edgar Wallace at LibriVox (public domain audiobooks)